THE GOLDEN AGE

A WHILE ago I was in the train, and getting near Sligo. The last time

I had been there something was troubling me, and I had longed for a

message from those beings or bodiless moods, or whatever they be, who

inhabit the world of spirits. The message came, for one night I saw

with blinding distinctness a black animal, half weasel, half dog,

moving along the top of a stone wall, and presently the black animal

vanished, and from the other side came a white weasel-like dog, his

pink flesh shining through his white hair and all in a blaze of light;

and I remembered a peasant belief about two faery dogs who go about

representing day and night, good and evil, and was comforted by the

excellent omen. But now I longed for a message of another kind, and

chance, if chance there is, brought it, for a man got into the carriage

and began to play on a fiddle made apparently of an old blacking-box,

and though I am quite unmusical the sounds filled me with the strangest

emotions. I seemed to hear a voice of lamentation out of the Golden

Age. It told me that we are imperfect, incomplete, and no more like a

beautiful woven web, but like a bundle of cords knotted together and

flung into a corner. It said that the world was once all perfect and

kindly, and that still the kindly and perfect world existed, but buried

like a mass of roses under many spadefuls of earth. The faeries and

the more innocent of the spirits dwelt within it, and lamented over

our fallen world in the lamentation of the wind-tossed reeds, in the

song of the birds, in the moan of the waves, and in the sweet cry of

the fiddle. It said that with us the beautiful are not clever and the

clever are not beautiful, and that the best of our moments are marred

by a little vulgarity, or by a pinprick out of sad recollection, and

that the fiddle must ever lament about it all. It said that if only

they who live in the Golden Age could die we might be happy, for the

sad voices would be still; but alas! alas! they must sing and we must

weep until the Eternal gates swing open.

We were now getting into the big glass-roofed terminus, and the fiddler

put away his old blacking-box and held out his hat for a copper, and

then opened the door and was gone.

A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF THEIR

GHOSTS AND FAERIES

NOT only in Ireland is faery belief still extant. It was only the

other day I heard of a Scottish farmer who believed that the lake in

front of his house was haunted by a water-horse. He was afraid of it,

and dragged the lake with nets, and then tried to pump it empty. It

would have been a bad thing for the water-horse had he found him. An

Irish peasant would have long since come to terms with the creature.

For in Ireland there is something of timid affection between men and

spirits. They only ill-treat each other in reason. Each admits the

other side to have feelings. There are points beyond which neither

will go. No Irish peasant would treat a captured faery as did the man

Campbell tells of. He caught a kelpie, and tied her behind him on his

horse. She was fierce, but he kept her quiet by driving an awl and a

needle into her. They to a river, and she grew very restless, fearing

to cross the water. Again he drove the awl and needle into her. She

cried out, ‘Pierce me with the awl, but keep that slender, hair-like

slave’ (the needle) ‘out of me.’ They came to an inn. He turned the

light of a lantern on her; immediately she dropped down like a falling

star, and changed into a lump of jelly. She was dead. Nor would they

treat the faeries as one is treated in an old Highland poem. A faery

loved a little child who used to cut turf at the side of a faery hill.

Every day the faery put out his hand from the hill with an enchanted

knife. The child used to cut the turf with the knife. It did not take

long, the knife being charmed. Her brothers wondered why she was done

so quickly. At last they resolved to watch, and find out who helped

her. They saw the small hand come out of the earth, and the little

child take from it the knife. When the turf was all cut, they saw her

make three taps on the ground with the handle. The small hand came out

of the hill. Snatching the knife from the child, they cut the hand off

with a blow. The faery was never again seen. He drew his bleeding arm

into the earth, thinking, as it is recorded, he had lost his hand

through the treachery of the child.

In Scotland you are too theological, too gloomy. You have made even

the Devil religious. ‘Where do you live, good-wyf, and how is the

minister?’ he said to the witch when he met her on the high-road, as it

came out in the trial. You have burnt all the witches. In Ireland we

have left them alone. To be sure, the ‘loyal minority’ knocked out the

eye of one with a cabbage-stump on the 31st of March, 1711, in the town

of Carrickfergus. But then the ‘loyal minority’ is half Scottish. You

have discovered the faeries to be pagan and wicked. You would like to

have them all up before the magistrate. In Ireland warlike mortals have

gone amongst them, and helped them in their battles, and they in turn

have taught men great skill with herbs, and permitted some few to hear

their tunes. Carolan slept upon a faery rath. Ever after their tunes

ran in his head, and made him the great musician he was. In Scotland

you have denounced them from the pulpit. In Ireland they have been

permitted by the priests to consult them on the state of their souls.

Unhappily the priests have decided that they have no souls, that they

will dry up like so much bright vapour at the last day; but more in

sadness in anger have they said it. The Catholic religion likes to keep

on good terms with its neighbours.

These two different ways of looking at things have influenced in each

country the whole world of sprites and goblins. For their gay and

graceful doings you must go to Ireland; for their deeds of terror

to Scotland. Our Irish faery terrors have about them something of

make-believe. When a peasant strays into an enchanted hovel, and is

made to turn a corpse all night on a spit before the fire, we do not

feel anxious; we know he will wake in the midst of a green field, the

dew on his old coat. In Scotland it is altogether different. You have

soured the naturally excellent disposition of ghosts and goblins. The

piper M’Crimmon, of the Hebrides, shouldered his pipes, and marched

into a sea cavern, playing loudly, and followed by his dog. For a

long time the people could hear the pipes. He must have gone nearly a

mile, when they heard the sound of a struggle. Then the piping ceased

suddenly. Some time went by, and then his dog came out of the cavern

completely flayed, too weak even to howl. Nothing else ever came out of

the cavern. Then there is the tale of the man who dived into a lake

where treasure was thought to be. He saw a great coffer of iron. Close

to the coffer lay a monster, who warned him to return whence he came.

He rose to the surface; but the bystanders, when they heard he had seen

the treasure, persuaded him to dive again. He dived. In a little while

his heart and liver floated up, reddening the water. No man ever saw

the rest of his body.

These water-goblins and water-monsters are common in Scottish

folk-lore. We have them too, but take them much less dreadfully. Our

tales turn all their doings to favour and to prettiness, or hopelessly

humorize the creatures. A hole in the Sligo river is haunted by one

of these monsters. He is ardently believed in by many, but that does

not prevent the peasantry playing with the subject, and surrounding

it with conscious phantasies. When I was a small boy I fished one day

for congers in the monster hole. Returning home, a great eel on my

shoulder, his head flapping down in front, his tail sweeping the ground

behind, I met a fisherman of my acquaintance. I began a tale of an

immense conger, three times larger than the one I carried, that had

broken my line and escaped. ‘That was him,’ said the fisherman. ‘Did

you ever hear how he made my brother emigrate? My brother was a diver,

you know, and grubbed stones for the Harbour Board. One day the beast

comes up to him, and says, “What are you after?” “Stones, sur,” says

he. “Don’t you think you had better be going?” “Yes, sur,” says he. And

that’s why my brother emigrated. The people said it was because he got

poor, but that’s not true.’

You—you will make no terms with the spirits of fire and earth and

air and water. You have made the Darkness your enemy. We—we exchange

civilities with the world beyond.

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8) The Celtic Twilight and Stories of Red Hanrahan · 第 93 / 106 题