STORY TELLING--A PUBLIC LIBRARY METHOD

The National Child Conference for Research and Welfare was

organized at a meeting held at Clark University, Worcester,

Mass., in July, 1909. Several papers on library topics were

presented at this meeting, one of the most interesting of which

was given by Miss Olcott. In this paper she presents the story

hour as a method of introducing "large groups of children

simultaneously to great literature," and asserts that "the

library story hour becomes, if properly utilized, an educational

force as well as a literary guide."

Frances Jenkins Olcott was born in Paris, France; was educated

under private tutors, and was graduated from the New York State

Library School in 1896. From 1898 to 1911 she was Chief of the

Children's Department of the Carnegie Library of Pittsburgh. In

1900 she organized and became the Director of the Training School

for Children's Librarians. Since 1911 Miss Olcott has contributed

to library work with children by writing and editing books for

parents and for children.

The library is a latter day popular educational development. It

supplements the work of the church, the home, the school and the

kindergarten. Its function is to place within the reach of all

the best thought of the world as conserved in the printed page.

This being its natural function, all methods selected by the

library should tend directly to arouse interest in the best

reading. Methods which do not do this are, for the library,

ineffective and a waste of valuable energy and public funds.

The library movement has grown with such startling rapidity that

it has not been possible to codify the best methods of library

work, but there has been an earnest endeavor to establish a body

of library pedagogy by careful experimentation. Unfortunately

during this experimental stage methods have been introduced which

do not produce direct library results. Many of these methods,

which in this paper it is not expedient to enumerate, are

interesting and appeal to the imagination; they may impart

knowledge, but they are not, strictly speaking, library methods.

As childhood and youth are the times in which to lay the

foundation for the habit of reading and of discrimination in

reading, it falls to the library worker with children to build up

a system of sound library pedagogy leading to the increased

intelligent use of the library. The library worker has to deal

with large crowds of children of all ages, all classes and

nationalities. In a busy children's room she is rarely able to

provide enough assistants to do the necessary routine work and

help each individual child select his reading, therefore it

becomes necessary for her to direct the children's reading

through large groups and to adapt for this purpose methods used

by other educational institutions. But these methods have to be

adapted in a practical, forceful way, otherwise they become

sentimental and ineffectual. For instance, a method useful in the

kindergarten for teaching ethics, in the public schools for

teaching geography, science or history, if rightly applied by the

public library, may be useful in arousing interest in good books

and reading. Such is the story telling method, one of the most

effective, if rightly applied, which the public library uses to

introduce large groups of children simultaneously to great

literature. On the other hand, if the library worker uses story

telling merely as a means of inculcating knowledge or teaching

ethics, the story fails to produce public library results and the

method becomes the weakest of methods, as it absorbs time,

physical energy, and library funds which should be expended to

increase good reading.

The Carnegie Library of Pittsburgh began systematic story telling

to large groups of children in 1899. After a few months a decided

change was noted in the children's reading. The stories were

selected from Shakespeare's plays and there came an increasing

demand for books containing the plays, or stories from them. It

became evident that if a story was carefully prepared with the

intention of arousing interest in reading, it could prove a

positive factor in directing the reading of large groups of

children. The method was adopted throughout the library system

and extended to the various children's reading rooms, home

libraries, playgrounds and city schools. In order to make the

story telling effective and systematic, a subject was chosen for

each year, stories being told every Friday afternoon in the

lecture rooms of the Central and Branch libraries and at varying

intervals in the other agencies. Large numbers of duplicates of

children's books containing the stories were purchased and placed

on story hour shelves in the children's rooms. Announcements of

the story hours were made in the public schools and notices

posted on the bulletins in the children's reading rooms. The

children responded so eagerly that it became almost impossible to

handle the large crowds attending weekly and it was quite

impossible to supply the demand for the books which, previous to

the story hour, had not been popular.

The story hour courses are planned to extend over eight years and

are selected from romantic and imaginative literature. For the

first two years nursery tales, legends, fables and standard

stories are told. For the following years--Stories from Greek

Mythology; Stories from Norse Mythology and the Nibelungenlied;

Stories of King Arthur and the Round Table, and legends of

Charlemagne; Stories of the Iliad and the Odyssey; Stories from

Chaucer and Spenser; Stories from Shakespeare. At the end of the

eight years the cycle is repeated.

The story hours are conducted most informally. The stories are

told, not in the children's rooms, as this would interfere with

the order and discipline of the rooms, but in the study and

lecture rooms of the library buildings. As far as possible a

group is limited to thirty-six children. When stories are told to

children over ten or twelve years of age, the boys and girls are

placed in separate groups. This enables the story teller to

develop her story to suit the varied tastes of her audience.

The children sit on benches constructed especially for the story

hour. The benches are made according to the following

measurements: 14 in. from floor to top of seat; seat 12 in. wide;

3 benches 9 ft. long, one bench 7 ft. long. Benches made without

backs. Four benches are placed in the form of a hollow square,

the story teller sitting with the children. In this way the

children are not crowded and the story teller can see all their

faces. It is more hygienic and satisfactory than allowing the

children to crowd closely about the story teller. The story hour

benches are so satisfactory that we are introducing them as fast

as possible into all of our library buildings.

Each story is carefully prepared beforehand by the story teller.

In the Training School for Children's Librarians conducted by

this Library, all the students are obliged to take the regular

course in story telling which includes lectures and weekly

practice. Informality in story telling is encouraged. Dramatic or

elocutionary expression is avoided, the self-conscious, the

elaborate and the artificial are eliminated; we try to follow as

closely as possible the spontaneous folk spirit. The children sit

breathless, lost in visions created by a sympathetic and un-

self-conscious story teller.

In closing I should like to dwell for a moment on what have been

called the "by-products" of the Library story hour. Besides

guiding his reading, a carefully prepared, well told story

enriches a child's imagination, stocks his mind with poetic

imagery and literary allusions, develops his powers of

concentration, helps in the unfolding of his ideas of right and

wrong, and develops his sympathetic feelings; all of which

"by-products" have a powerful influence on character. Thus the

library story hour becomes, if properly utilized, an educational

force as well as a literary guide.

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