VIII.

It has been laid waste, that little valley which, in its delicate and

austere loveliness, was rarer and more perfect than any picture or

poem. Those oaks, ivy garlanded like Maenads, which guarded the

shallow white weirs whence the stream leaps down; those ilexes, whose

dark, loose boughs hung over the beryl pools like hair of drinking

nymphs; those trees which were indeed the living and divine owners of

that secluded place, dryads and oreads older and younger than any

mortals,--have now been shamefully stripped, violated and maimed,

their shorn-off leafage, already withered, gathered into faggots or

trodden into the mud made by woodcutters' feet in the place of violets

and tender grasses and wild balm; their flayed bodies, hacked grossly

out of shape, and flung into the defiled water until the moment when,

the slaughter and dishonour and profanation being complete, the

dealers' carts will come cutting up the turf and sprouting reeds, and

carry them off to the station or timber-yard. The very stumps and

roots will be dragged out for sale; the earthy banks, raw and torn,

will fall in, muddying and clogging that pure mountain brook; and the

hillside, turning into sliding shale, will dam it into puddles with

the refuse from the quarries above. And thus, for less guineas than

will buy a new motor or cover an hour of Monte Carlo, a corner of the

world's loveliness and peace will be gone as utterly as those chairs

and tables and vases and cushions which the harlot in Zola's novel

broke, tore, and threw upon the fire for her morning's amusement.

Laurus Nobilis: Chapters on Art and Life · 第 116 / 131 题