XVII.

Now art, to my mind, should be one of our main sources of happiness;

and under the inappropriate word _art_, I am obliged, as usual, to

group all such activities of soul as deal with beauty, quite as much

when it exists in what is (in this sense) not art's antithesis, but

art's origin and completion, nature. Nay, art--the art exercised by

the craftsman, but much more so the art, the selecting, grouping

process performed by our own feelings--art can do more towards our

happiness than increase the number of its constituent items: it can

mould our preferences, can make our souls more resisting and flexible,

teach them to keep pace with the universal rhythm.

Now, there is not room enough in the world, and not stuff enough in

us, for much rapture, or for any excess. The space, as it were, the

material which these occupy and exhaust, has to be paid for; rapture

is paid for by subsequent stinting, and excess by subsequent

bankruptcy.

We all know this in even trifling matters; the dulness, the lassitude

or restlessness, the incapacity for enjoyment following any very acute

or exciting pleasure. A man after a dangerous ride, a girl after her

first wildly successful ball, are not merely exhausted in body and in

mind; they are momentarily deprived of the enjoyment of slighter

emotions; 'tis like the inability to hear one's own voice after

listening to a tremendous band.

The gods, one might say in Goethian phrase, did not intend us to share

their own manner of being; or, if you prefer it, in the language of

Darwin or Weissmann, creatures who died of sheer bliss, were unable to

rear a family and to found a species. Be it as it may, rapture must

needs be rare, because it destroys a piece of us (makes our precious

piece of chagrin skin, as in Balzac's story, shrink each time). And,

as we have seen, it destroys (which is more important than destruction

of mere life) our sensibility to those diffuse, long-drawn, gentle,

restorative pleasures which are not merely durable, but, because they

invigorate our spirit, are actually reproductive of themselves,

multiplying, like all sane desirable things, like grain and fruit,

ten-fold. Pleasures which I would rather call, but for the cumbersome

words, items of happiness. It is therefore no humiliating circumstance

if art and beauty should be unable to excite us like a game of cards,

a steeplechase, a fight, or some violent excitement of our senses or

our vanity. This inability, on the contrary, constitutes our chief

reason for considering our pleasure in beautiful sights, sounds, and

thoughts, as in a sense, holy.

Laurus Nobilis: Chapters on Art and Life · 第 70 / 131 题