The vicarage seemed tight packed with human interest for Marjorie and
her mother and sisters. Going over houses is one of the amusements
proper to her sex, and she and all three sisters and her mother, as soon
as they had finished an inaudible tea, went to see the bedroom she was
to share with Daffy, and then examined, carefully and in order, the
furniture and decoration of the other bedrooms, went through the rooms
downstairs, always excepting and avoiding very carefully and closing as
many doors as possible on, and hushing their voices whenever they
approached the study in which her father was being delicately ironical
without being offensive to the _Times_. None of them had seen any of the
vicarage people at all--Mr. Pope had come on a bicycle and managed all
the negotiations--and it was curious to speculate about the individuals
whose personalities pervaded the worn and faded furnishings of the
place.
The Popes' keen-eyed inspection came at times, I think, dangerously near
prying. The ideals of decoration and interests of the vanished family
were so absolutely dissimilar to the London standards as to arouse a
sort of astonished wonder in their minds. Some of the things they
decided were perfectly hideous, some quaint, some were simply and weakly
silly. Everything was different from Hartstone Square. Daffy was perhaps
more inclined to contempt, and Mrs. Pope to refined amusement and witty
appreciation than Marjorie. Marjorie felt there was something in these
people that she didn't begin to understand, she needed some missing
clue that would unlock the secret of their confused peculiarity. She was
one of those people who have an almost instinctive turn for decoration
in costume and furniture; she had already had a taste of how to do
things in arranging her rooms at Bennett College, Oxbridge, where also
she was in great demand among the richer girls as an adviser. She knew
what it was to try and fail as well as to try and succeed, and these
people, she felt, hadn't tried for anything she comprehended. She
couldn't quite see why it was that there was at the same time an attempt
at ornament and a disregard of beauty, she couldn't quite do as her
mother did and dismiss it as an absurdity and have done with it. She
couldn't understand, too, why everything should be as if it were faded
and weakened from something originally bright and clear.
All the rooms were thick with queer little objects that indicated a
quite beaver-like industry in the production of "work." There were
embroidered covers for nearly every article on the wash-hand-stand, and
mats of wool and crochet wherever anything stood on anything; there were
"tidies" everywhere, and odd little brackets covered with gilded and
varnished fir cones and bearing framed photographs and little jars and
all sorts of colourless, dusty little objects, and everywhere on the
walls tacks sustained crossed fans with badly painted flowers or
transfer pictures. There was a jar on the bedroom mantel covered with
varnished postage stamps and containing grey-haired dried grasses. There
seemed to be a moral element in all this, for in the room Sydney shared
with Rom there was a decorative piece of lettering which declared that--
"Something attempted, something done,
Has earned a night's repose."
There were a great number of texts that set Marjorie's mind stirring
dimly with intimations of a missed significance. Over her own bed,
within the lattice of an Oxford frame, was the photograph of a picture
of an extremely composed young woman in a trailing robe, clinging to the
Rock of Ages in the midst of histrionically aggressive waves, and she
had a feeling, rather than a thought, that perhaps for all the oddity of
the presentation it did convey something acutely desirable, that she
herself had had moods when she would have found something very
comforting in just such an impassioned grip. And on a framed,
floriferous card, these incomprehensible words:
|================================|
|THY GRACE IS SUFFICIENT FOR ME. |
|================================|
seemed to be saying something to her tantalizingly just outside her
range of apprehension.
Did all these things light up somehow to those dispossessed people--from
some angle she didn't attain? Were they living and moving realities when
those others were at home again?
The drawing-room had no texts; it was altogether more pretentious and
less haunted by the faint and faded flavour of religion that pervaded
the bedrooms. It had, however, evidences of travel in Switzerland and
the Mediterranean. There was a piano in black and gold, a little out of
tune, and surmounted by a Benares brass jar, enveloping a scarlet
geranium in a pot. There was a Japanese screen of gold wrought upon
black, that screened nothing. There was a framed chromo-lithograph of
Jerusalem hot in the sunset, and another of Jerusalem cold under a
sub-tropical moon, and there were gourds, roses of Jericho, sandalwood
rosaries and kindred trash from the Holy Land in no little profusion
upon a what-not. Such books as the room had contained had been arranged
as symmetrically as possible about a large, pink-shaded lamp upon the
claret-coloured cloth of a round table, and were to be replaced, Mrs.
Pope said, at their departure. At present they were piled on a
side-table. The girls had been through them all, and were ready with the
choicer morsels for Marjorie's amusement. There was "Black Beauty," the
sympathetic story of a soundly Anglican horse, and a large Bible
extra-illustrated with photographs of every well-known scriptural
picture from Michael Angelo to Dore, and a book of injunctions to young
ladies upon their behaviour and deportment that Rom and Sydney found
particularly entertaining. Marjorie discovered that Sydney had picked up
a new favourite phrase. "I'm afraid we're all dreadfully cynical," said
Sydney, several times.
A more advanced note was struck by a copy of "Aurora Leigh," richly
underlined in pencil, but with exclamation marks at some of the bolder
passages....
And presently, still avoiding the open study window very elaborately,
this little group of twentieth century people went again into the
church--the church whose foundations were laid in A.D. 912--foundations
of rubble and cement that included flat Roman bricks from a still
remoter basilica. Their voices dropped instinctively, as they came into
its shaded quiet from the exterior sunshine. Marjorie went a little
apart and sat in a pew that gave her a glimpse of the one good
stained-glass window. Rom followed her, and perceiving her mood to be
restful, sat a yard away. Syd began a whispered dispute with her mother
whether it wasn't possible to try the organ, and whether Theodore might
not be bribed to blow. Daffy discovered relics of a lepers' squint and a
holy-water stoup, and then went to scrutinize the lettering of the ten
commandments of the Mosaic law that shone black and red on gold on
either side of the I.H.S. monogram behind the white-clothed communion
table that had once been the altar. Upon a notice board hung about the
waist of the portly pulpit were the numbers of hymns that had been sung
three days ago. The sound Protestantism of the vicar had banished
superfluous crosses from the building; the Bible reposed upon the wings
of a great brass eagle; shining blue and crimson in the window, Saint
Christopher carried his Lord. What a harmonized synthesis of conflicts a
country church presents! What invisible mysteries of filiation spread
between these ancient ornaments and symbols and the new young minds from
the whirlpool of the town that looked upon them now with such bright,
keen eyes, wondering a little, feeling a little, missing so much?
It was all so very cool and quiet now--with something of the immobile
serenity of death.