Her reverie vanished, and by a complex but almost instantaneous movement
she had her basket off the rack and the carriage door open. She became
teeming anticipations. There, advancing in a string, were Daffy, her
elder sister, Theodore, her younger brother, and the dog Toupee. Sydney
and Rom hadn't come. Daffy was not copper red like her sister, but
really quite coarsely red-haired; she was bigger than Marjorie, and with
irregular teeth instead of Marjorie's neat row; she confessed them in a
broad simple smile of welcome. Theodore was hatless, rustily
fuzzy-headed, and now a wealth of quasi-humorous gesture. The dog Toupee
was straining at a leash, and doing its best in a yapping, confused
manner, to welcome the wrong people by getting its lead round their
legs.
"Toupee!" cried Marjorie, waving the basket. "Toupee!"
They all called it Toupee because it was like one, but the name was
forbidden in her father's hearing. Her father had decided that the
proper name for a family dog in England is Towser, and did his utmost to
suppress a sobriquet that was at once unprecedented and not in the best
possible taste. Which was why the whole family, with the exception of
Mrs. Pope, of course, stuck to Toupee....
Marjorie flashed a second's contrast with the Carmel splendours.
"Hullo, old Daffy. What's it like?" she asked, handing out the basket as
her sister came up.
"It's a lark," said Daffy. "Where's the dressing-bag?"
"Thoddy," said Marjorie, following up the dressing-bag with the
hold-all. "Lend a hand."
"Stow it, Toupee," said Theodore, and caught the hold-all in time.
In another moment Marjorie was out of the train, had done the swift
kissing proper to the occasion, and rolled a hand over Toupee's
head--Toupee, who, after a passionate lunge at a particularly savoury
drover from the next compartment, was now frantically trying to indicate
that Marjorie was the one human being he had ever cared for. Brother and
sister were both sketching out the state of affairs at Buryhamstreet
Vicarage in rapid competitive jerks, each eager to tell things
first--and the whole party moved confusedly towards the station exit.
Things pelted into Marjorie's mind.
"We've got an old donkey-cart. I thought we shouldn't get here--ever....
Madge, we can go up the church tower whenever we like, only old Daffy
won't let me shin up the flagstaff. It's _perfectly_ safe--you couldn't
fall off if you tried.... Had positively to get out at the level
crossing and _pull_ him over.... There's a sort of moat in the
garden.... You never saw such furniture, Madge! And the study! It's hung
with texts, and stuffed with books about the Scarlet Woman.... Piano's
rather good, it's a Broadwood.... The Dad's got a war on about the
tennis net. Oh, frightful! You'll see. It won't keep up. He's had a
letter kept waiting by the _Times_ for a fortnight, and it's a terror at
breakfast. Says the motor people have used influence to silence him.
Says that's a game two can play at.... Old Sid got herself upset
stuffing windfalls. Rather a sell for old Sid, considering how refined
she's getting...."
There was a brief lull as the party got into the waiting governess cart.
Toupee, after a preliminary refusal to enter, made a determined attempt
on the best seat, from which he would be able to bark in a persistent,
official manner at anything that passed. That suppressed, and Theodore's
proposal to drive refused, they were able to start, and attention was
concentrated upon Daffy's negotiation of the station approach. Marjorie
turned on her brother with a smile of warm affection.
"How are you, old Theodore?"
"I'm all right, old Madge."
"Mummy?"
"Every one's all right," said Theodore; "if it wasn't for that damned
infernal net----"
"Ssssh!" cried both sisters together.
"_He_ says it," said Theodore.
Both sisters conveyed a grave and relentless disapproval.
"Pretty bit of road," said Marjorie. "I like that little house at the
corner."
A pause and the eyes of the sisters met.
"_He's_ here," said Daffy.
Marjorie affected ignorance.
"Who's here?"
"_Il vostro senior Miraculoso_."
"Just as though a fellow couldn't understand your kiddy little Italian,"
said Theodore, pulling Toupee's ear.
"Oh well, I thought he might be," said Marjorie, regardless of her
brother.
"Oh!" said Daffy. "I didn't know----"
Both sisters looked at each other, and then both glanced at Theodore. He
met Marjorie's eyes with a grimace of profound solemnity.
"Little brothers," he said, "shouldn't know. Just as though they didn't!
Rot! But let's change the subject, my dears, all the same. Lemme see.
There are a new sort of flea on Toupee, Madge, that he gets from the
hens."
"_Is_ a new sort," corrected Daffy. "He's horrider than ever, Madge. He
leaves his soap in soak now to make us think he has used it. This is the
village High Street. Isn't it jolly?"
"Corners don't _bite_ people," said Theodore, with a critical eye to the
driving.
Marjorie surveyed the High Street, while Daffy devoted a few moments to
Theodore.
The particular success of the village was its brace of chestnut trees
which, with that noble disregard of triteness which is one of the charms
of villages the whole world over, shadowed the village smithy. On either
side of the roadway between it and the paths was a careless width of
vivid grass protected by white posts, which gave way to admit a generous
access on either hand to a jolly public house, leering over red blinds,
and swinging a painted sign against its competitor. Several of the
cottages had real thatch and most had porches; they had creepers nailed
to their faces, and their gardens, crowded now with flowers, marigolds,
begonias, snapdragon, delphiniums, white foxgloves, and monkshood,
seemed almost too good to be true. The doctor's house was pleasantly
Georgian, and the village shop, which was also a post and telegraph
office, lay back with a slight air of repletion, keeping its bulging
double shop-windows wide open in a manifest attempt not to fall asleep.
Two score of shock-headed boys and pinafored girls were drilling upon a
bald space of ground before the village school, and near by, the
national emotion at the ever-memorable Diamond Jubilee of Queen Victoria
had evoked an artistic drinking-fountain of grey stone. Beyond the
subsequent green--there were the correctest geese thereon--the village
narrowed almost to a normal road again, and then, recalling itself with
a start, lifted a little to the churchyard wall about the grey and ample
church. "It's just like all the villages that ever were," said Marjorie,
and gave a cry of delight when Daffy, pointing to the white gate between
two elm trees that led to the vicarage, remarked: "That's us."
In confirmation of which statement, Sydney and Rom, the two sisters next
in succession to Marjorie, and with a strong tendency to be twins in
spite of the year between them, appeared in a state of vociferous
incivility opening the way for the donkey-carriage. Sydney was Sydney,
and Rom was just short for Romola--one of her mother's favourite
heroines in fiction.
"Old Madge," they said; and then throwing respect to the winds, "Old
Gargoo!" which was Marjorie's forbidden nickname, and short for gargoyle
(though surely only Victorian Gothic, ever produced a gargoyle that had
the remotest right to be associated with the neat brightness of
Marjorie's face).
She overlooked the offence, and the pseudo-twins boarded the cart from
behind, whereupon the already overburthened donkey, being old and in a
manner wise, quickened his pace for the house to get the whole thing
over.
"It's really an avenue," said Daffy; but Marjorie, with her mind strung
up to the Carmel standards, couldn't agree. It was like calling a row of
boy-scouts Potsdam grenadiers. The trees were at irregular distances, of
various ages, and mostly on one side. Still it was a shady, pleasant
approach.
And the vicarage was truly very interesting and amusing. To these
Londoners accustomed to live in a state of compression, elbows
practically touching, in a tall, narrow fore-and-aft stucco house, all
window and staircase, in a despondent Brompton square, there was an
effect of maundering freedom about the place, of enlargement almost to
the pitch of adventure and sunlight to the pitch of intoxication. The
house itself was long and low, as if a London house holidaying in the
country had flung itself asprawl; it had two disconnected and roomy
staircases, and when it had exhausted itself completely as a house, it
turned to the right and began again as rambling, empty stables, coach
house, cart sheds, men's bedrooms up ladders, and outhouses of the most
various kinds. On one hand was a neglected orchard, in the front of the
house was a bald, worried-looking lawn area capable of simultaneous
tennis and croquet, and at the other side a copious and confused
vegetable and flower garden full of roses, honesty, hollyhocks, and
suchlike herbaceous biennials and perennials, lapsed at last into
shrubbery, where a sickle-shaped, weedy lagoon of uncertain aims, which
had evidently, as a rustic bridge and a weeping willow confessed,
aspired to be an "ornamental water," declined at last to ducks. And
there was access to the church, and the key of the church tower, and one
went across the corner of the lawn, and by a little iron gate into the
churchyard to decipher inscriptions, as if the tombs of all
Buryhamstreet were no more than a part of the accommodation relinquished
by the vicar's household.
Marjorie was hurried over the chief points of all this at a breakneck
pace by Sydney and Rom, and when Sydney was called away to the horrors
of practice--for Sydney in spite of considerable reluctance was destined
by her father to be "the musical one"--Rom developed a copious
affection, due apparently to some occult aesthetic influence in
Marjorie's silvery-grey and green, and led her into the unlocked vestry,
and there prayed in a whisper that she might be given "one good hug,
just _one_"--and so they came out with their arms about each other very
affectionately to visit the lagoon again. And then Rom remembered that
Marjorie hadn't seen either the walnut-tree in the orchard, or the hen
with nine chicks....
Somewhere among all these interests came tea and Mrs. Pope.
Mrs. Pope kissed her daughter with an air of having really wanted to
kiss her half an hour ago, but of having been distracted since. She was
a fine-featured, anxious-looking little woman, with a close resemblance
to all her children, in spite of the fact that they were markedly
dissimilar one to the other, except only that they took their ruddy
colourings from their father. She was dressed in a neat blue dress that
had perhaps been hurriedly chosen, and her method of doing her hair was
a manifest compromise between duty and pleasure. She embarked at once
upon an exposition of the bedroom arrangements, which evidently involved
difficult issues. Marjorie was to share a room with Daffy--that was the
gist of it--as the only other available apartment, originally promised
to Marjorie, had been secured by Mr. Pope for what he called his
"matutinal ablutions, _videlicet_ tub."
"Then, when your Aunt Plessington comes, you won't have to move," said
Mrs. Pope with an air of a special concession. "Your father's looking
forward to seeing you, but he mustn't be disturbed just yet. He's in the
vicar's study. He's had his tea in there. He's writing a letter to the
_Times_ answering something they said in a leader, and also a private
note calling attention to their delay in printing his previous
communication, and he wants to be delicately ironical without being in
any way offensive. He wants to hint without actually threatening that
very probably he will go over to the _Spectator_ altogether if they do
not become more attentive. The _Times_ used to print his letters
punctually, but latterly these automobile people seem to have got hold
of it.... He has the window on the lawn open, so that I think, perhaps,
we'd better not stay out here--for fear our voices might disturb him."
"Better get right round the other side of the church," said Daffy.
"He'd hear far less of us if we went indoors," said Mrs. Pope.