Many years ago, there was an Emperor, who was so excessively fond of new

clothes that he spent all his money in dress. He did not trouble himself

in the least about his soldiers; nor did he care to go either to the

theatre or the chase, except for the opportunities then afforded him for

displaying his new clothes. He had a different suit for each hour of the

day; and as of any other king or emperor one is accustomed to say, ‘He

is sitting in council,’ it was always said of him, ‘The Emperor is

sitting in his wardrobe.’

Time passed away merrily in the large town which was his capital;

strangers arrived every day at the court. One day, two rogues, calling

themselves weavers, made their appearance. They gave out that they knew

how to weave stuffs of the most beautiful colours and elaborate

patterns, the clothes manufactured from which should have the wonderful

property of remaining invisible to every one who was unfit for the

office he held, or who was extraordinarily simple in character.

‘These must indeed be splendid clothes!’ thought the Emperor. ‘Had I

such a suit, I might, at once, find out what men in my realms are unfit

for their office, and also be able to distinguish the wise from the

foolish! This stuff must be woven for me immediately.’ And he caused

large sums of money to be given to both the weavers, in order that they

might begin their work directly.

So the two pretended weavers set up two looms, and affected to work very

busily, though in reality they did nothing at all. They asked for the

most delicate silk and the purest gold thread, put both into their own

knapsacks, and then continued their pretended work at the empty looms

until late at night.

‘I should like to know how the weavers are getting on with my cloth,’

said the Emperor to himself, after some little time had elapsed; he was,

however, rather embarrassed, when he remembered that a simpleton, or one

unfit for his office, would be unable to see the manufacture. ‘To be

sure,’ he thought, ‘he had nothing to risk in his own person; but yet,

he would prefer sending somebody else, to bring him intelligence about

the weavers, and their work, before he troubled himself in the affair.’

All the people throughout the city had heard of the wonderful property

the cloth was to possess; and all were anxious to learn how wise, or how

ignorant, their neighbours might prove to be.

‘I will send my faithful old minister to the weavers,’ said the Emperor

at last, after some deliberation, ‘he will be best able to see how the

cloth looks; for he is a man of sense, and no one can be more suitable

for his office than he is.’

So the faithful old minister went into the hall, where the knaves were

working with all their might at their empty looms. ‘What can be the

meaning of this?’ thought the old man, opening his eyes very wide. ‘I

cannot discover the least bit of thread on the looms!’ However, he did

not express his thoughts aloud.

The impostors requested him very courteously to be so good as to come

nearer their looms; and then asked him whether the design pleased him,

and whether the colours were not very beautiful, at the same time

pointing to the empty frames. The poor old minister looked and looked,

he could not discover anything on the looms, for a very good reason,

viz. there was nothing there. ‘What!’ thought he again, ‘is it possible

that I am a simpleton? I have never thought so myself; and no one must

know it now if I am so. Can it be that I am unfit for my office? No,

that must not be said either. I will never confess that I could not see

the stuff.’

‘Well, Sir Minister,’ said one of the knaves, still pretending to work,

‘you do not say whether the stuff pleases you.’

‘Oh, it is excellent!’ replied the old minister, looking at the loom

through his spectacles. ‘This pattern, and the colours--yes, I will tell

the Emperor without delay how very beautiful I think them.’

[Illustration: ‘OH, IT IS EXCELLENT!’ REPLIED THE MINISTER]

‘We shall be much obliged to you,’ said the impostors, and then they

named the different colours and described the pattern of the pretended

stuff. The old minister listened attentively to their words, in order

that he might repeat them to the Emperor; and then the knaves asked for

more silk and gold, saying that it was necessary to complete what they

had begun. However, they put all that was given them into their

knapsacks, and continued to work with as much apparent diligence as

before at their empty looms.

The Emperor now sent another officer of his court to see how the men

were getting on, and to ascertain whether the cloth would soon be ready.

It was just the same with this gentleman as with the minister; he

surveyed the looms on all sides, but could see nothing at all but the

empty frames.

‘Does not the stuff appear as beautiful to you as it did to my lord the

minister?’ asked the impostors of the Emperor’s second ambassador; at

the same time making the same gestures as before, and talking of the

design and colours which were not there.

‘I certainly am not stupid!’ thought the messenger. ‘It must be that I

am not fit for my good, profitable office! That is very odd; however, no

one shall know anything about it.’ And accordingly he praised the stuff

he could not see, and declared that he was delighted with both colours

and patterns. ‘Indeed, please your Imperial Majesty,’ said he to his

sovereign, when he returned, ‘the cloth which the weavers are preparing

is extraordinarily magnificent.’

The whole city was talking of the splendid cloth which the Emperor had

ordered to be woven at his own expense.

And now the Emperor himself wished to see the costly manufacture whilst

it was still on the loom. Accompanied by a select number of officers of

the court, among whom were the two honest men who had already admired

the cloth, he went to the crafty impostors, who, as soon as they were

aware of the Emperor’s approach, went on working more diligently than

ever, although they still did not pass a single thread through the

looms.

‘Is not the work absolutely magnificent?’ said the two officers of the

Crown, already mentioned. ‘If your Majesty will only be pleased to look

at it! what a splendid design! what glorious colours!’ and, at the same

time, they pointed to the empty frames; for they imagined that every one

else could see this exquisite piece of workmanship.

‘How is this?’ said the Emperor to himself, ‘I can see nothing! this is

indeed a terrible affair! Am I a simpleton, or am I unfit to be an

Emperor? that would be the worst thing that could happen. Oh! the cloth

is charming,’ said he aloud. ‘It has my complete approbation.’ And he

smiled most graciously, and looked closely at the empty looms; for on no

account would he say that he could not see what two of the officers of

his court had praised so much. All his retinue now strained their eyes,

hoping to discover something on the looms, but they could see no more

than the others; nevertheless, they all exclaimed, ‘Oh, how beautiful!’

and advised his Majesty to have some new clothes made from this splendid

material, for the approaching procession. ‘Magnificent! charming!

excellent!’ resounded on all sides; and every one was uncommonly gay.

The Emperor shared in the general satisfaction; and presented the

impostors with the riband of an order of knighthood, to be worn in their

button-holes, and the title of ‘Gentlemen Weavers.’

The rogues sat up the whole of the night before the day on which the

procession was to take place, and had sixteen lights burning, so that

every one might see how anxious they were to finish the Emperor’s new

suit. They pretended to roll the cloth off the looms; cut the air with

their scissors; and sewed with needles without any thread in them.

‘See!’ cried they at last, ‘the Emperor’s new clothes are ready!’

[Illustration: AS IF IN THE ACT OF HOLDING SOMETHING UP]

And now the Emperor, with all the grandees of his court, came to the

weavers; and the rogues raised their arms, as if in the act of holding

something up, saying, ‘Here are your Majesty’s trousers! here is the

scarf! here is the mantle! The whole suit is as light as a cobweb; one

might fancy one has nothing at all on, when dressed in it; that,

however, is the great virtue of this delicate cloth.’

‘Yes, indeed!’ said all the courtiers, although not one of them could

see anything of this exquisite manufacture.

‘If your Imperial Majesty will be graciously pleased to take off your

clothes, we will fit on the new suit in front of the looking-glass.’

The Emperor was accordingly undressed, and the rogues pretended to array

him in his new suit; the Emperor turning round, from side to side,

before the looking-glass.

[Illustration: SO NOW THE EMPEROR WALKED UNDER HIS HIGH CANOPY]

‘How splendid his Majesty looks in his new clothes! and how well they

fit!’ every one cried out. ‘What a design! what colours! these are

indeed royal robes!’

‘The canopy which is to be borne over your Majesty in the procession is

waiting,’ announced the chief master of the ceremonies.

‘I am quite ready,’ answered the Emperor. ‘Do my new clothes fit well?’

asked he, turning himself round again before the looking-glass, in

order that he might appear to be examining his handsome suit.

The lords of the bed-chamber, who were to carry his Majesty’s train,

felt about on the ground, as if they were lifting up the ends of the

mantle, and pretending to be carrying something; for they would by no

means betray anything like simplicity or unfitness for their office.

[Illustration]

So now the Emperor walked under his high canopy in the midst of the

procession, through the streets of his capital; and all the people

standing by, and those at the windows, cried out, ‘Oh! how beautiful are

our Emperor’s new clothes! what a magnificent train there is to the

mantle! and how gracefully the scarf hangs!’ in short, no one would

allow that he could not see these much-admired clothes; because, in

doing so, he would have declared himself either a simpleton or unfit for

his office. Certainly, none of the Emperor’s various suits had ever made

so great an impression as these invisible ones.

‘But the Emperor has nothing at all on!’ said a little child. ‘Listen to

the voice of innocence!’ exclaimed his father; and what the child had

said was whispered from one to another.

‘But he has nothing at all on!’ at last cried out all the people. The

Emperor was vexed, for he knew that the people were right; but he

thought the procession must go on now! And the lords of the bed-chamber

took greater pains than ever to appear holding up a train, although, in

reality, there was no train to hold.

[Illustration]

[Illustration]

THE SWINEHERD

There was once a poor Prince, who had a kingdom; his kingdom was very

small, but still quite large enough to marry upon; and he wished to

marry.

It was certainly rather cool of him to say to the Emperor’s daughter,

Will you have me? But so he did; for his name was renowned far and wide;

and there were a hundred princesses who would have answered ‘Yes!’ and

‘Thank you kindly.’ We shall see what this Princess said.

Listen!

It happened that where the Prince’s father lay buried, there grew a

rose-tree--a most beautiful rose-tree, which blossomed only once in

every five years, and even then bore only one flower, but that _was_ a

rose! It smelt so sweet, that all cares and sorrows were forgotten by

him who inhaled its fragrance.

And furthermore, the Prince had a nightingale, who could sing in such a

manner that it seemed as though all sweet melodies dwelt in her little

throat. So the Princess was to have the rose, and the nightingale; and

they were accordingly put into large silver caskets, and sent to her.

The Emperor had them brought into a large hall, where the Princess was

playing at ‘Visiting,’ with the ladies of the court; and when she saw

the caskets with the presents, she clapped her hands for joy.

‘Ah, if it were but a little pussy-cat!’ said she--but the rose-tree

with its beautiful rose came to view.

‘Oh, how prettily it is made!’ said all the court ladies.

‘It is more than pretty,’ said the Emperor, ‘it is charming!’

[Illustration: ALL CARES AND SORROWS WERE FORGOTTEN BY HIM WHO INHALED

ITS FRAGRANCE]

But the Princess touched it, and was almost ready to cry.

‘Fie, papa!’ said she, ‘it is not made at all, it is natural!’

‘Let us see what is in the other casket, before we get into a bad

humour,’ said the Emperor. So the nightingale came forth, and sang so

delightfully that at first no one could say anything ill-humoured of

her.

‘_Superbe! charmant!_’ exclaimed the ladies; for they all used to

chatter French, each one worse than her neighbour.

‘How much the bird reminds me of the musical box that belonged to our

blessed Empress,’ said an old knight. ‘Oh yes! these are the same tones,

the same execution.’

‘Yes! yes!’ said the Emperor, and he wept like a child at the

remembrance.

‘I will still hope that it is not a real bird,’ said the Princess.

‘Yes, it is a real bird,’ said those who had brought it. ‘Well, then,

let the bird fly,’ said the Princess; and she positively refused to see

the Prince.

However, he was not to be discouraged; he daubed his face over brown and

black, pulled his cap over his ears, and knocked at the door.

‘Good day to my lord the Emperor!’ said he. ‘Can I have employment at

the palace?’

‘Why, yes,’ said the Emperor, ‘I want some one to take care of the pigs,

for we have a great many of them.’

So the Prince was appointed ‘Imperial Swineherd.’ He had a dirty little

room close by the pig-sty; and there he sat the whole day, and worked.

By the evening he had made a pretty little kitchen-pot. Little bells

were hung all round it; and when the pot was boiling, these bells

tinkled in the most charming manner, and played the old melody,

‘Ach! du lieber Augustin,

lles ist weg, weg, weg!’[2]

[2]

‘Ah! dear Augustine,

ll is gone, gone, gone!’

But what was still more curious, whoever held his finger in the smoke of

the kitchen-pot, immediately smelt all the dishes that were cooking on

every hearth in the city.--This, you see, was something quite different

from the rose.

[Illustration: AND HE WEPT LIKE A CHILD]

Now the Princess happened to walk that way; and when she heard the tune,

she stood quite still, and seemed pleased; for she could play ‘Lieber

Augustin’; it was the only piece she knew; and she played it with one

finger.

‘Why, there is my piece,’ said the Princess; ‘that swineherd must

certainly have been well educated! Go in and ask him the price of the

instrument.’

So one of the court ladies must run in; however, she drew on wooden

slippers first.

‘What will you take for the kitchen-pot?’ said the lady.

‘I will have ten kisses from the Princess,’ said the swineherd.

‘Yes, indeed!’ said the lady.

‘I cannot sell it for less,’ rejoined the swineherd.

‘He is an impudent fellow!’ said the Princess, and she walked on; but

when she had gone a little way, the bells tinkled so prettily,

‘Ach! du lieber Augustin,

Alles ist weg, weg, weg!’

‘Stay,’ said the Princess. ‘Ask him if he will have ten kisses from the

ladies of my court.’

‘No, thank you!’ said the swineherd, ‘ten kisses from the Princess, or I

keep the kitchen-pot myself.’

‘That must not be either!’ said the Princess; ‘but do you all stand

before me that no one may see us.’

And the court-ladies placed themselves in front of her, and spread out

their dresses: the swineherd got ten kisses, and the Princess--the

kitchen-pot.

That was delightful! the pot was boiling the whole evening, and the

whole of the following day. They knew perfectly well what was cooking at

every fire throughout the city, from the chamberlain’s to the cobbler’s:

the court ladies danced, and clapped their hands.

‘We know who has soup, and who has pancakes for dinner to-day; who has

cutlets, and who has eggs. How interesting!’

‘Yes, but keep my secret, for I am an Emperor’s daughter.’

[Illustration: ‘ACH! DU LIEBER AUGUSTIN’]

The swineherd--that is to say, the Prince, for no one knew that he was

other than an ill-favoured swineherd--let not a day pass without working

at something; he at last constructed a rattle, which, when it was swung

round, played all the waltzes and jig-tunes which have ever been heard

since the creation of the world.

‘Ah, that is _superbe_!’ said the Princess when she passed by. ‘I have

never heard prettier compositions! Go in and ask him the price of the

instrument; but mind, he shall have no more kisses!’

‘He will have a hundred kisses from the Princess!’ said the lady who had

been to ask.

‘I think he is not in his right senses!’ said the Princess, and walked

on; but when she had gone a little way, she stopped again. ‘One must

encourage art,’ said she. ‘I am the Emperor’s daughter. Tell him he

shall, as on yesterday, have ten kisses from me, and may take the rest

from the ladies of the court.’

‘Oh!--but we should not like that at all!’ said they. ‘What are you

muttering?’ asked the Princess; ‘if I can kiss him, surely you can!

Remember that you owe everything to me.’ So the ladies were obliged to

go to him again.

‘A hundred kisses from the Princess!’ said he, ‘or else let every one

keep his own.’

‘Stand round!’ said she; and all the ladies stood round her whilst the

kissing was going on.

‘What can be the reason for such a crowd close by the pig-sty?’ said the

Emperor, who happened just then to step out on the balcony; he rubbed

his eyes and put on his spectacles. ‘They are the ladies of the court; I

must go down and see what they are about!’ So he pulled up his slippers

at the heel, for he had trodden them down.

As soon as he had got into the court-yard, he moved very softly, and the

ladies were so much engrossed with counting the kisses that all might go

on fairly, that they did not perceive the Emperor. He rose on his

tiptoes.

‘What is all this?’ said he, when he saw what was going on, and he boxed

the Princess’s ears with his slipper, just as the swineherd was taking

the eighty-sixth kiss.

‘March out!’ said the Emperor, for he was very angry; and both Princess

and swineherd were thrust out of the city.

[Illustration]

The Princess now stood and wept, the swineherd scolded, and the rain

poured down.

‘Alas! unhappy creature that I am!’ said the Princess. ‘If I had but

married the handsome young Prince! Ah, how unfortunate I am!’

And the swineherd went behind a tree, washed the black and brown colour

from his face, threw off his dirty clothes, and stepped forth in his

princely robes; he looked so noble that the Princess could not help

bowing before him.

‘I am come to despise thee,’ said he. ‘Thou wouldst not have an

honourable prince! thou couldst not prize the rose and the nightingale,

but thou wast ready to kiss the swineherd for the sake of a trumpery

plaything. Thou art rightly served.’

He then went back to his own little kingdom, and shut the door of his

palace in her face. Now she might well sing

‘Ach! du lieber Augustin,

Alles ist weg, weg, weg!’

[Illustration: UP FLEW THE TRUNK]

THE FLYING TRUNK

There was once a merchant, so rich that he might have paved the whole

street where he lived and an alley besides with pieces of silver, but

this he did not do; he knew another way of using his money, and whenever

he laid out a shilling he gained a crown in return: a merchant he lived,

and a merchant he died.

All his money then went to his son. But the son lived merrily and spent

all his time in pleasures, went to masquerades every evening, made

bank-notes into paper kites, and played at ducks and drakes in the pond

with gold pieces instead of stones. In this manner his money soon

vanished, until at last he had only a few pennies left, and his wardrobe

was reduced to a pair of slippers and an old dressing-gown. His friends

cared no more about him, now that they could no longer walk abroad with

him; one of them, however, more good-natured than the rest, sent him an

old trunk, with this advice, ‘Pack up, and be off!’ This was all very

fine, but he had nothing that he could pack up, so he put himself into

the trunk.

It was a droll trunk! When the lock was pressed close it could fly. The

merchant’s son did press the lock, and lo! up flew the trunk with him

through the chimney, high into the clouds, on and on, higher and higher;

the lower part cracked, which rather frightened him, for if it had

broken in two, a pretty fall he would have had!

However, it descended safely, and he found himself in Turkey. He hid

the trunk under a heap of dry leaves in a wood, and walked into the next

town: he could do so very well, for among the Turks everybody goes about

clad as he was, in dressing-gown and slippers. He met a nurse, carrying

a little child in her arms. ‘Hark ye, Turkish nurse,’ quoth he; ‘what

palace is that with the high windows close by the town?’

[Illustration: THE SON LIVED MERRILY]

‘The King’s daughter dwells there,’ replied the nurse; ‘it has been

prophesied of her that she shall be made very unhappy by a lover, and

therefore no one may visit her, except when the King and Queen are with

her.’

‘Thank you,’ said the merchant’s son, and he immediately went back into

the wood, sat down in his trunk, flew up to the roof of the palace, and

crept through the window into the Princess’s apartment.

She was lying asleep on the sofa. She was so beautiful that the

merchant’s son could not help kneeling down to kiss her hand, whereupon

she awoke, and was not a little frightened at the sight of this

unexpected visitor; but he told her, however, that he was the Turkish

prophet, and had come down from the sky on purpose to woo her, and on

hearing this she was well pleased. So they sat down side by side, and he

talked to her about her eyes, how that they were beautiful dark-blue

seas, and that thoughts and feelings floated like mermaidens therein;

and he spoke of her brow, how that it was a fair snowy mountain, with

splendid halls and pictures, and many other such like things he told

her.

[Illustration: HE MET A NURSE]

Oh, these were charming stories! and thus he wooed the Princess, and she

immediately said ‘Yes!’

‘But you must come here on Saturday,’ said she; ‘the King and Queen have

promised to drink tea with me that evening; they will be so proud and

so pleased when they hear that I am to marry the Turkish prophet! And

mind you tell them a very pretty story, for they are exceedingly fond of

stories; my mother likes them to be very moral and aristocratic, and my

father likes them to be merry, so as to make him laugh.’

‘Yes, I shall bring no other bridal present than a tale,’ replied the

merchant’s son; and here they parted, but not before the Princess had

given her lover a sabre all covered with gold. He knew excellently well

what use to make of this present.

So he flew away, bought a new dressing-gown, and then sat down in the

wood to compose the tale which was to be ready by Saturday, and

certainly he found composition not the easiest thing in the world.

At last he was ready, and at last Saturday came.

The King, the Queen, and the whole court were waiting tea for him at the

Princess’s palace. The suitor was received with much ceremony.

‘Will you not tell us a story?’ asked the Queen; ‘a story that is

instructive and full of deep meaning.’

‘But let it make us laugh,’ said the King.

‘With pleasure,’ replied the merchant’s son; and now you must hear his

story:--

* * * * *

Hans Andersen's Fairy Tales · 第 13 / 15 段