II.

"Ubique--"

The gunner's motto. Mark's motto, stamped on all the letters he would

write. A blue gun on a blue gun-carriage, the muzzle pointing to the

left. The motto waving underneath:

"UBIQUE."

At soldiers' funerals the coffin was carried on a gun-carriage and

covered with a flag.

"_Ubique quo fas et gloria ducunt_." All through the excitement of the

evening it went on sounding in her head.

It was Mark's coming of age party in the week before he went. The first

time she could remember being important at a party. Her consciousness of

being important was intense, exquisite. She was Sub-Lieutenant Mark

Olivier's sister. His only one.

And, besides, she looked nice.

Last year's white muslin, ironed out, looked as good as new. The blue

sash really was new; and Mamma had lent her one of her necklets, a

turquoise heart on a thin gold chain. In the looking-glass she could see

her eyes shining under her square brown fringe: spots of gold darting

through brown crystal. Her brown hair shone red on the top and gold

underneath. The side pieces, rolled above her ears and plaited behind,

made a fillet for her back hair. Her back hair was too short. She tried

to make it reach to her waist by pulling the curled tips straight; but

they only sprang back to her shoulder-blades again. It was unfortunate.

Catty, securing the wonderful fillet with a blue ribbon told her not to

be unhappy. She would "do."

Mamma was beautiful in her lavender-grey silk and her black jet cross

with the diamond star. They all had to stand together, a little behind

her, near the door, and shake hands with the people as they came in. Mary

was surprised that they should shake hands with her before they shook

hands with Mark; it didn't seem right, somehow, when it was his birthday.

Everybody had come except Aunt Charlotte; even Mr. Marriott, though he

was supposed to be afraid of parties. (You couldn't ask Aunt Charlotte

because of Mr. Marriott.) There were the two Manistys, looking taller and

leaner than ever. And there was Mrs. Draper with Dora and Effie. Mrs.

Draper, black hawk's eyes in purple rings; white powder over crushed

carmines; a black wing of hair folded over grey down. Effie's pretty,

piercing face; small head poised to strike. Dora, a young likeness of

Mrs. Draper, an old likeness of Effie, pretty when Effie wasn't there.

When they looked at you you saw that your muslin was not as good as new.

When they looked at Mamma you saw that her lavender silk was

old-fashioned and that nobody wore black jet crosses now. You were frilly

and floppy when everybody else was tight and straight in Princess

dresses.

Mamma was more beautiful than Mrs. Draper; and her hair, anyhow, was in

the fashion, parted at the side, a soft brown wing folded over her left

ear.

But that made her look small and pathetic--a wounded bird. She ought not

to have been made to look like that.

You could hear Dora and Effie being kind to Mamma. "Dear Mrs.

Olivier"--Indulgence--Condescension. As if to an unfortunate and rather

foolish person. Mark could see that. He was smiling: a hard, angry smile.

Mrs. Draper was Mamma's dearest friend. They could sit and talk to each

other about nothing for hours together. In the holidays Mrs. Draper used

to be always coming over to talk to Mamma, always bringing Dora and Effie

with her, always asking Mark and Dan and Roddy to her house, always

wondering why Mark never went.

Dan went. Dan seemed as if he couldn't keep away.

This year Mrs. Draper had left off asking Mark and Dan and Roddy. She had

left off bringing Dora and Effie with her.

Mary wondered why she had brought them now, and why her mother had asked

them.

The Manistys. She had brought them for the Manistys. She wanted Mamma to

see what she had brought them for. And Mamma had asked them because she

didn't care, and wanted them to see that she didn't care, and that Mark

didn't care either.

If they only knew how Mark detested them with their "_Dear_ Mrs.

Olivier"!

Something was going on. She heard Uncle Victor saying to Aunt Lavvy,

"Mark's party is a bit rough on Dan."

Dan was trying to get to Effie through a gap in the group formed by the

Manistys and two young subalterns, Mark's friends. Each time he did it

Mrs. Draper stopped him by moving somehow so as to fill the gap. He gave

it up at last, to sit by himself at the bottom of the room, jammed into a

corner between the chimney-piece and the rosewood cabinet, where he

stared at Effie with hot, unhappy eyes.

Supper. Mamma was worried about the supper. She would have liked to have

given them a nicer one, but there wasn't enough money; besides, she was

afraid of what Uncle Victor would think if they were extravagant. That

was the worst of borrowing, Mark said; you couldn't spend so much

afterwards. Still, there was enough wine yet in the cellar for fifty

parties. You could see, now, some advantage in Papa's habit of never

drinking any but the best wine and laying in a large stock of it while he

could.

Mary noticed that Papa and Dan drank the most. Perhaps Dan drank more

than Papa. The smell of wine was over all the supper, spoiling it,

sending through her nerves a reminiscent shiver of disgust.

Mark brought her back into the dining-room for the ice she hadn't had.

Dan was there, by himself, sitting in the place Effie had just left.

Effie's glass had still some wine in it. You could see him look for the

wet side of the rim and suck the drops that had touched her mouth.

Something small and white was on the floor beside him. Effie's

pocket-handkerchief. He stooped for it. You could hear him breathing up

the scent on it with big, sighing sobs.

They slunk back into the drawing-room.

Mark asked her to play something.

"Make a noise, Minky. Perhaps they'll go."

"The Hungarian March." She could play it better than Mamma. Mamma never

could see that the bass might be even more important than the treble. She

was glad that she could play it better than Mamma, and she hated herself

for being glad.

Mark stood by the piano and looked at her as she played. They talked

under cover of the "Droom--Droom--Droom-era-room."

"Mark, am I looking too awful?"

"No. Pretty Minx. Very pretty Minx."

"We mustn't, Mark. They'll hear us. They'll think us idiots."

"I don't care if they do. Don't you wish they'd go? Clever Minx. Clever

paws."

Mamma passed and looked at them. Her face shrank and sharpened under the

dropped wing of her hair. She must have heard what Mark said. She hated

it when Mark talked and looked like that. She hated it when you played

_her_ music.

Beethoven, then. The "Sonata Eroica" was bound up with "Violetta," the

"Guards" and "Mabel" Waltzes and the "Pluie des Perles."

"_Ubique quo fas et gloria ducunt_." That was the meaning of the noble,

serious, passionate music.

Mary Olivier: a Life · 第 129 / 378 题