The house-flitting is thus told:--

"The dawn had already, under the near approach of the sun,

from rosy become golden: when on Sunday, the Queen[3] arising

and arousing all her company, and the chamberlain--having

long before sent in advance to the locality where they were

to go, enough of the articles required so that he might

prepare what was necessary--seeing the Queen on the way,

quickly loading all other things as if it were the moving of

the camp, went off with the baggage, leaving the servants

with the Ladies and the Gentlemen. The Queen, then, with slow

steps, accompanied and followed by her Ladies and the three

Gentlemen, with the escort of perhaps twenty nightingales and

other birds, by a little path not too frequented, but full of

green plants and flowers which by the rising sun began to

open, took the road towards the west; and gossiping,

laughing, and exchanging witticisms with her brigade, arrived

before having gone two thousand steps at a most beautiful and

rich palace, which, somewhat raised above the plain, was

posted on a hill."

[Footnote 3: Each day a Queen or King was chosen to rule over the doings

of the company and determine all questions.]

As the description of the surroundings of the villa into which the gay

assembly now entered is one of the most vivid and one of the gayest

pieces of description in the brilliant counterfoil which the author has

contrived, to set off the gloom of the city, it is worth giving entire;

being as well a noble example of the prose of the 'Decameron':--

"Near to which [the balcony on which they had reposed after

their walk] having ordered to open a garden which was annexed

to the palace, being all inclosed in a wall, they entered in;

and as it appeared to them on entering to be of a marvelous

beauty altogether, they set themselves to examine it in

detail. It had within, and in many directions through it,

broad paths, straight as arrows and covered with arbors of

vine which gave indications of having that year an excellent

vintage, and they all giving out such odors to the garden,

that, mingled with those of many other things which perfumed

it, they seemed to be in the midst of all the perfumeries

that the Orient ever knew; the sides of the paths being

closed in by red and white roses and jasmine, so that not

only in the morning, but even when the sun was high, they

could wander at pleasure under fragrant and odoriferous

shade, without entanglement. How many, of what kind, and how

planted were the plants in that place, it were long to tell;

but there is nothing desirable which suits our climate which

was not there in abundance. In the midst of which (which is

not less delightful than other things that were there, but

even more so) was a meadow of the most minute herbs, and so

green that it seemed almost black, colored by a thousand

varieties of flowers, and closed around by green and living

orange and lemon trees, which, having the ripe and the young

fruit and the flowers together, gave not only grateful shade

for the eyes, but added the pleasures of their odors. In the

midst of that meadow was a fountain of the whitest marble

with marvelous sculptures. From within this, I know not

whether by a natural vein or artificial, through a figure

which stood on a column in the midst of it, sprang so much

water, and so high, falling also into the fountain with

delightful sound, that it would at least have driven a mill.

This, then (I mean the water which ran over from the

fountain), through hidden channels went out of the meadow,

and by little canals beautiful and artfully made becoming

visible outside of it, ran all around it; and then by similar

canals into every part of the garden, gathering together

finally in that part of it where from the beautiful garden it

escaped, and thence descending limpid to the plain, and

before reaching it, with great force and not a little

advantage to the master, turned two mills. To see this

garden, its beautiful orderliness, the plants and the

fountain with the brooks running from it, was so pleasing to

the ladies and the three youths that all commenced to declare

that if Paradise could be found on earth, they could not

conceive what other form than that of this garden could be

given to it, nor what beauty could be added to it. Wandering

happily about it, twining from the branches of various trees

beautiful garlands, hearing everywhere the songs of maybe

twenty kinds of birds as it were in contest with each other,

they became aware of another charm of which, to the others

being added, they had not taken note: they saw the garden

full of a hundred varieties of beautiful animals, and

pointing them out one to the other, on one side ran out

rabbits, on another hares, here lying roe-deer and there

feeding stags, and besides these many other kinds of harmless

beasts, each one going for his pleasure as if domesticated,

wandering at ease; all which, beyond the other pleasures,

added a greater pleasure. And when, seeing this or that, they

had gone about enough, the tables being set around the

beautiful fountain, first singing six songs and dancing six

dances, as it pleased the Queen, they went to eat, and being

with great and well-ordered service attended, and with

delicate and good dishes, becoming gayer they arose and

renewed music and song and dance, until the Queen on account

of the increasing heat judged that whoever liked should go to

sleep. Of whom some went, but others, conquered by the beauty

of the place, would not go, but remained, some to read

romances, some to play at chess and at tables, while the

others slept. But when passed the ninth hour, they arose, and

refreshing their faces with the fresh water, they came to the

fountain, and in their customary manner taking their seats,

waited for the beginning of the story-telling on the subject

proposed by the Queen."

Of the character of the Novelle I have need to say little: they were the

shaping of the time, and made consonant with its tastes, and nobody was

then disturbed by their tone. Some are indelicate to modern taste, and

some have passed into the classics of all time. The story of 'Griselda';

that of 'The Stone of Invisibility,' put into shape by Irving;

'Frederick of the Alberighi and his Falcon'; 'The Pot of Basil'; and

'The Jew Abraham, Converted to Christianity by the Immorality of the

Clergy,' are stories which belong to all subsequent times, as they may

have belonged to the ages before. Those who know what Italian society

was then, and in some places still is, will be not too censorious,

judging lightness of tongue and love of a good story as necessarily

involving impurity. And Boccaccio has anticipated his critics in this

vein, putting his apology in the mouth of Filomena, who replies to

Neifile, when the latter speaks of scandal growing out of their holiday,

"This amounts to nothing where I live virtuously and my conscience in no

wise reproaches me--let them who will, speak against me: I take God and

the truth for my defense." ¸ [Illustration: signature: M. Stevenson]

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Library of the World's Best Literature, Ancient and Modern — Volume 05 · 第 154 / 273 题