BY FREDERICK W. H. MYERS.

Among all the changes which are taking place in our conceptions of

various parts of the universe, there is none more profound, or at

first sight more disquieting, than the change which, at the touch of

Science, is stealing over our conception of _ourselves_. For each of

us seems to be no longer a sovereign state but a federal union; the

kingdom of our mind is insensibly dissolving into a republic. Instead

of the _ens rationale_ of the schoolmen, protected from irreverent

treatment by its metaphysical abstraction; instead of Descartes’

impalpable soul, seated bravely in its pineal gland, and ruling from

that tiny fortress body and brain alike, we have physiologist and

psychologist uniting in pulling us to pieces,—in analyzing into their

sensory elements our loftiest ideas,—in tracing the diseases of memory,

volition, intelligence, which gradually distort us past recognition,—in

showing how one may become in a moment a different person altogether,

by passing through a fit of somnambulism, or receiving a smart blow

on the head. Our past self, with its stores of registered experience,

continually revived in memory, seems to be held to resemble a too

self-conscious phonograph, which should enjoy an agreeable sense of

mental effort as its handle turned, and should preface its inevitable

repetitions by some triumphant allusion to its own acumen. Our present

self, this inward medley of sensations and desires, is likened to that

mass of creeping things which is termed an “animal colony,”—a myriad

rudimentary consciousnesses, which acquire a sort of corporate unity

because one end of the amalgam has to go first and find the way.

Or one may say that the old view started from the sane mind as the

normal, permanent, definite entity from which insanity was the

unaccountable aberration; while in the new view it is rather sanity

which needs to be accounted for; since the moral and physical being of

each of us is built up from incoördination and incoherence, and the

microcosm of man is but a micro-chaos held in some semblance of order

by a lax and swaying hand, the wild team which a Phaeton is driving,

and which must needs soon plunge into the sea. Theories like this are

naturally distasteful to those who care for the dignity of man. And

such readers may perhaps turn aside in impatience when I say that much

of this paper will be occupied by some reasons for my belief that

this analysis of human consciousness must be carried further still;

that we must face the idea of concurrent streams of being, flowing

alongside but unmingled within us, and with either of which our active

consciousness may, under appropriate circumstances, be identified. Many

people have heard, for instance, of Dr. Azam’s patient, Félida X.,

who passes at irregular intervals from one apparent personality into

another, memory and character changing suddenly as she enters her first

or her second state of being. Such cases as hers I believe to be but

extreme examples of an alternation which is capable of being evoked in

all of us, and which in some slight measure is going on in us every

day. Our cerebral focus (to use a metaphor) often shifts slightly, and

is capable of shifting far. Or let me compare my active consciousness

to a steam-tug, and the ideas and memories which I summon into the

field of attention to the barges which the tug tows after it. Then the

concurrent streams of my being are like Arve and Rhone, contiguous

but hardly mingling their blue and yellow waves. I tug my barges down

the Rhone, my consciousness is a _blue_ consciousness, but the tail

barge swings into the Arve and back again, and brings traces of the

potential _yellow_ consciousness back into the blue. In Félida’s case

tug and barges and all swerve suddenly from one stream into the other;

the blue consciousness becomes the yellow in a moment and altogether.

Transitions may be varied in a hundred ways, and it may happen that the

life-streams mix together, and that there is a memory of all.

Moreover, there seems no reason to assume that our active consciousness

is necessarily altogether superior to the consciousnesses which are

at present secondary, or potential only. We may rather hold that

_super-conscious_ may be quite as legitimate a term as _sub-conscious_,

and instead of regarding our consciousness (as is commonly done) as a

_threshold_ in our being, above which ideas and sensations must rise if

we wish to cognize them, we may prefer to regard it as a _segment_ of

our being, into which ideas and sensations may enter either from below

or from above; say a thermometric tube, marking ordinary temperatures,

but so arranged that water may not only rise into it, by expansion,

from the bottom, but also fall into it, by condensation, from the top.

Strange and extravagant as this doctrine may seem, I shall hope to

show some ground for it in the present paper. I shall hope, at least,

to show not only that our unconscious may interact with our conscious

mental action in a more definite and tangible manner than is usually

supposed, but also that this unconscious mental action may actually

manifest the existence of a capital and cardinal faculty of which the

conscious mind of the same persons at the same time is wholly devoid.

For the sake of brevity I shall select one alone out of many forms of

unconscious action which may, if rightly scrutinized, afford a glimpse

into the recesses of our being.[27]

I shall take _automatic writing_; and I shall try, by a few examples

from among the many which lie before me, to show the operation,

_first_, of unconscious cerebral action of the already recognized

kind, but much more complex and definite than is commonly supposed

to be discernible in waking persons; and, _secondly_, of telepathic

action,—of the transference, that is to say, of thoughts or ideas from

the conscious or unconscious mind of one person to the conscious or

unconscious mind of another person, from whence they emerge in the

shape of automatically written words or sentences.

I shall be able to cover a corner only of a vast and unexplored field.

I venture to think that the phenomena of automatic writing will before

long claim the best attention of the physiological psychologist. They

have been long neglected, and I can only conjecture that this neglect

is due to the eagerness with which certain spiritualists have claimed

such writings as the work of Shakespeare, Byron, and other improbable

persons. The message given has too often fallen below the known

grammatical level of those eminent authors, and the laugh thus raised

has drowned the far more instructive question as to _whence_ in reality

the automatic rubbish came. Yet surely to decline to investigate

“planchette” because “the trail of Katie King is over it all,” is very

much as though one refused to analyse the meteorite at Ephesus because

the town-clerk cried loudly that it was “an image which fell down from

Jupiter.”

Automatic writing in its simplest form is merely a variety of the

tricks of unconscious action to which, in excited moments, we are

all of us prone. The surplus nervous energy escapes along some

habitual channel—movements of the hand, for instance, are continued

or initiated; and among such hand-movements—drumming of tunes,

piano-playing, drawing, and the like—_writing_ naturally holds a

prominent place. There is incipient graphic automatism when the

nervous student scribbles Greek words on the margin of the paper on

which he is striving to produce a copy of iambics. If the paper be

suddenly withdrawn he will have no notion what he has written. And

more, the words written will sometimes be _imaginary_ words, which

have needed some faint unconscious choice in order to preserve a look

of real words in their arrangement of letters. A complete graphic

automatism is seen in various morbid states. A man attacked by a

slight epileptiform seizure while in the act of writing will sometimes

continue to write a few sentences unconsciously, which, although

probably nonsensical, will often be correct in spelling and grammar.

Again, in the case of certain cerebral troubles, the patient will

write the _wrong_ word—say, “table” for “chair;”—or at least some

meaningless sequence of letters, in which, however, each letter is

properly formed. In each of these cases, therefore, there is graphic

automatism. And they incidentally show that to write words in a sudden

state of unconsciousness, or to write words against one’s will, is not

necessarily a proof that any intelligence is at work besides one’s own.

Still further; in spontaneous somnambulism, the patient will often

write long letters or essays. Sometimes these are incoherent, like

a dream; sometimes they are on the level of his waking productions;

sometimes they even seem to rise above it. They may contain at any rate

ingenious manipulations of data known to his waking brain, as where a

baffling mathematical problem is solved during sleep.

From the natural or spontaneous cases of graphic automatism let us pass

on to the induced or experimental cases. I will give first a singular

transitional instance, where there is no voluntary muscular action, but

yet a previous exercise of expectant attention is necessary to secure

the result.

My friend Mr. A., who is much interested in mental problems, has

practised introspection with assiduity and care. He finds that if he

fixes his attention on some given word, and then allows his hand to

rest laxly in the writing attitude, his hand presently writes the

word without any conscious volition of his own; the sensation being

as though the hand were moved by some power other than himself. This

happens whether his eyes are open or shut, so that the gaze is not

necessary to fix the attention. If he wills _not_ to write, he can

remove his hand and avert the action. But if he chooses a movement

simpler than writing, for instance, if he holds out his open hand and

strongly imagines that it will close, a kind of spasm ensues, and the

hand closes, even though he exert all his voluntary force to keep it

open.

It is manifest how analogous these actions are to much which in bygone

times has been classed as _possession_. Mr. A. has the very sensation

of being possessed,—moved from within by some agency which overrules

his volition, and yet we can hardly doubt that it is merely his

_unconscious_ influencing his _conscious_ life. The act of attention,

so to say, has stamped the idea of the projected movement so strongly

on his brain that the movement works itself out automatically, in spite

of subsequent efforts to prevent it. The best parallel will be the

case of a promise made during the hypnotic trance, which the subject

is irresistibly impelled to fulfil on waking.[28] From this curious

transitional case we pass on to cases where no idea of the words

written has passed through the writer’s consciousness. It is not easy

to make quite sure that this is the case, and the _modus operandi_

needs some consideration.

First we have to find an automatic writer. Perhaps one person in a

hundred possesses this tendency; that is, if he sits for half an hour

on a dozen evenings, amid quiet surroundings and in an expectant

frame of mind, with his hand on pencil or planchette, he will begin

to write words which he has not consciously thought of. But if he

sees the words as he writes them he will unavoidably guess at what is

coming, and spoil the spontaneous flow. Some persons can avoid this

by reading a book while they write, and so keeping eyes and thoughts

away from the message.[29] Another plan is to use a _planchette_; which

is no occult instrument, but simply a thin piece of board supported

on two castors, and on a third leg consisting of a pencil which just

touches the paper. A planchette has two advantages over the ordinary

pencil; namely, that a slighter impulse will start it, and that it is

easier to write (or rather scrawl) without seeing or feeling what you

are writing. These precautions, of course, are for the operator’s own

satisfaction; they are no proof to other people that he is not writing

the words intentionally. That can only be proved to others if he writes

facts demonstrably unknown to his conscious self; as in the telepathic

cases to which we shall come further on. But as yet I am only giving

fresh examples of a kind of mental action which physiology already

recognizes: examples, moreover, which any reader who will take the

requisite trouble can probably reproduce, either in his own person or

in the person of some trusted friend.

I lately requested a lady whom I knew to be a careful observer, but

who was quite unfamiliar with this subject, to try whether she could

write with a pencil or planchette, and report to me the result. Her

experience may stand as typical.

“I have tried the planchette,” she writes, “and I get writing,

certainly not done by my hand consciously; but it is nonsense,

such as _Mebew_. I tried holding a pencil, and all I got was _mm_

or _rererere_, then for hours together I got this: _Celen, Celen_.

Whether the first letter was C or L I could never make out. Then I got

_I Celen_. I was disgusted, and took a book and read while I held the

pencil. Then I got _Helen_. Now note this fact: I never make H like

that (like I and C juxtaposed); I make it thus: (like a printed H). I

then saw that the thing I read as _I Celen_ was _Helen_, my name. For

days I had only _Celen_, and never for one moment expected it meant

what it did.”

Now this case suggests several curious analogies. First, there is an

analogy with those cases of double consciousness where the patient in

the “second state” has to learn to write anew. He learns more rapidly

than he learnt as a child, because the necessary adjustments do already

exist in his brain, although he cannot use them in the normal manner.

So here, too, the hidden other self was learning to write, but learnt

more rapidly than a child learns, inasmuch as the process was now

but the transference of an organized memory from one stream of the

inner being to another. But, secondly, we must observe (and now I am

referring to many other cases besides the case cited) that the hidden

self does not learn to write just as a child learns, but rather by

passing through the stages first of _atactic_, then of _amnemonic_

agraphy. That is to say, first, the pencil scrawls vaguely, like the

patient who cannot form a single letter; then it writes the wrong

letters or the wrong words, like the patient who writes blunderingly,

or chooses the letters JICMNOS for James Simmonds, JASPENOS for James

Pascoe, &c.; ultimately it writes correctly, though very likely (as

here, and in a case of Dr. Macnish’s) the handwriting of the _secondary

self_[30] (if I may suggest a needed term) is different from the

handwriting of the _primary_.

Once more: the constant repetition of the same word (which I have

seen to continue with automatic writers even for months) is more

characteristic of aphasia than of agraphy. And we may just remark

in passing that vocal automatism presents the same analysis with

morbid aphasia which graphic automatism presents with morbid agraphy.

When the enthusiasts in Irving’s church first yelled vaguely, then

shouted some meaningless words many hundred times, and then gave

a “trance-address,” their _secondary self_ (I may suggest) was

attaining articulate speech through just the stages through which an

aphasic patient will sometimes pass.[31] The parallel is at least a

curious one; and if the theory which traces the automatic speech of

aphasic patients to the _right_ (or less-used) cerebral hemisphere

be confirmed, a singular light might be thrown on the _locus_ of the

second self.

But I must pass on to one more case of automatic writing, a case which

I select as marking the furthest limit to which, so far as I am at

present aware, pure unconscious cerebration in the waking state can go.

Mr. A., whom I have already mentioned, is not usually able to get any

automatic writing except (as described above) of a word on which his

attention has been previously fixed. But at one period of his life,

when his brain was much excited by over-study, he found that if he held

a pencil and wrote _questions_ the pencil would, in a feeble scrawling

hand, quite unlike his own, write _answers_ which he could in nowise

foresee. Moreover, as will be seen, he was not only unable to foresee

these answers, he was sometimes unable even to comprehend them. Many

of them were anagrams—transpositions of letters which he had to puzzle

over before he could get at their meaning. This makes, of course, the

main importance of the case; this proof of the concurrent action of a

secondary self so entirely dissociated from the primary consciousness

that the questioner is almost baffled by his own automatic replies.

The matter of the replies is on the usual level of automatic messages,

which are apt to resemble the conversations of a capricious dream. The

interest of this form of self-interrogation certainly does not lie in

the wisdom of the oracle received.

“The things, we know, are neither rich nor rare,

But wonder how the devil they got there.”

Eclectic Magazine of Foreign Literature, Science, and Art, April 1885 · 第 46 / 59 题