THE SCIENTIFIC CONTRIBUTION

For something like seventy years science has been the dominant

intellectual activity of the Western world. During that period the

range of its material has greatly increased until now the scientific

method is regarded as the method proper to almost any investigation.

Philosophy is still a partial exception, but there is a strong tendency

to regard such philosophic problems as are not susceptible to the

application of the scientific method as being essentially incapable

of solution, or else as incorrectly stated. But although the prestige

of science is so great, and the general attitude towards it so

reverential, there is still much confusion respecting its function and

achievement. Its relations to other human interests and activities are

not yet clearly defined. The attempts to define them by allotting to

science its “sphere” have proved, in the result, to be so ill-judged

that it is now considered safer to waive the question of limitations

altogether. The question is not settled. Everything is left open, but

it is not therefore assumed that science contains or will contain all

we know or all we need to know. Science is not yet the one object of

our contemplation: we have a number of interests which still lead

separate lives. The separation is not complete. Science, if not openly,

then indirectly, has invaded every province of the mind, and even a

modern musical composition counts Copernicus as well as Beethoven

amongst its ancestors. But it is admitted, of course, that we are

not usually reminded of astronomy in listening to music; there is a

sense in which music, and many other things, are autonomous. But it

is interesting to notice that science, to a greater extent than any

other pursuit, can be isolated, although its historical direction has

been influenced, of course, by social and political accidents. Science

has given generously, but has taken comparatively little, and its few

borrowings are in process of being handed back with regret as being,

after all, unsuitable.

What, then, is the precise nature and extent of the contribution of

science to our total stock? Although we do not intend its practical

applications by this question, we cannot wholly ignore them. It is

impossible completely to separate the “material” and “spiritual”

aspects of life, and the sum of the practical applications of science

has even profoundly affected much of our abstract thinking. Where it

has not originated questions it has at least made them acute, if by no

other process than by creating or transforming social conditions. It is

easy to trace the ancestry of whole schools of social philosophy to

the steam engine and the dynamo, and it is probable that the influence

of future applications will be even more extensive. The morality,

art and philosophy of, for example, a disease-less world, where the

average span of human life was two or three times its present value,

would certainly differ greatly from our own. We cannot, then, ignore

the practical applications of science, although they are not, in

themselves, pertinent to our question. But when we turn to consider the

direct spiritual value of science we are conscious, at the outset, of

some hesitation.

It was a common article of the Victorian scientist’s creed that

scientific study was, in itself, an “ennobling” and purifying

influence. He stressed the complete detachment required, in scientific

research, from all prepossessions; the man of science was completely

candid, completely docile in face of the facts. Until one became as

a little child it was no use entering a laboratory. We have realised

since then that scientific men are human, and have their full share of

the unfortunate characteristics proper to that state. But it remains

true that the scientific ideal of detachment and the scientific ideal

of evidence are higher than the corresponding ideals elsewhere. In

spite of the evidence furnished by our newspapers we may, if we are

optimists, believe that science is gradually infecting the whole

community with its conception of these ideals. If this is indeed the

case it must be counted a direct and very important moral gain, as an

indisputably valuable contribution which may be set over against those

somewhat ambiguous practical applications.

A third contribution is to be found in the large store of æsthetic

objects provided by science. Many of its theories are objects of

surpassing beauty. This is particularly true of the mathematical

sciences--indeed, there are a number of mathematicians who have felt

impelled to write of their science in a kind of prose-poetry--but it is

almost equally true of such a science as Geology. We can contemplate

schemes which, in their own way, are as all-embracing as that of the

_Divina Commedia_, and it does not detract from their æsthetic

charm to know that they are also true. The processes by which the

theories are obtained are often as æsthetically important as the

theories themselves. A subtle, elaborate and economical piece of

reasoning often affords great æsthetic pleasure, none the less real

because comparatively few people enjoy it. The fact that the history of

a big scientific investigation, such as the Electromagnetic Theory or

Einstein’s Theory of Relativity, is not generally regarded as a poem

is due merely to an accident of language and education. But we have to

admit that most people are affected by these accidents, and that the

æsthetic objects provided by science count almost as few admirers as

do the “beauties” of chess. If we may judge from the number of popular

books and articles dealing with science, there is some hope, however,

that this particular contribution is receiving more attention. The

results of such increased attention will not be simple, but if it did

no more than add fresh æsthetic objects, the contribution would be

important.

The fourth contribution of science, both in itself and for its reaction

on other interests, is perhaps the most important of all. This

contribution is, put briefly, the light thrown by science on man’s

place in the universe. Every branch of science conspires directly to

this end. With some the emphasis is on the universe as distinct from

man; others are concerned chiefly with man himself. To the general

mind the result has been to make the universe bigger and man smaller,

and this is, perhaps, no unfair summary. It is probably difficult,

after hearing a duet sung by an astronomer and a psycho-analyst, not

to feel depressed. But, such as it is, there can be no doubt that any

conception of man’s destiny that is to command attention must conceive

that destiny as played against the background of the scientific cosmos.

Whether the vision be that of a prophet, philosopher or poet, it must

accept those postulates. The cosmos revealed by science, both in

its direct influence upon the mind and in its almost equally direct

influence upon religion, philosophy and the arts, is the most important

part of the scientific contribution to our spiritual life. So far as

philosophers and artists are concerned, this influence is recognised.

It is probably desirable that the influence upon philosophy should

increase, but in the case of the artist we are faced with a special

problem. Its discussion would be interesting, the more so in view of

the fact that artists themselves have contributed very little that is

helpful to its elucidation. We think it essential to its solution to

remember that the artist, like the scientist, starts with facts. But

the system within which the facts are related is entirely different

in the two cases. The scientific scheme must, of course, be accepted

by the artist _en bloc_ if his work is to be more than a pure

fantasy. But this is very different from identifying his own scheme

with the scientific scheme. That is to fail signally to perceive

the limitations of the scientific contribution. An interesting

particular case of this problem is to be found in the question of

the right relations of the psychological novelist to the science of

psycho-analysis. A scientific investigation is often, as we have

said, a work of art, but not necessarily a work of literary art. The

scientific contribution is very considerable, but offerings from the

older benefactors are still gratefully received.

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