ACT I

THE SECRET WOMAN

THE SECRET

WOMAN

A PLAY IN FIVE ACTS

BY

EDEN PHILLPOTTS

LONDON

DUCKWORTH AND CO.

HENRIETTA ST. COVENT GARDEN

1912

CAST OF THE FIRST PRODUCTION AT THE KINGSWAY THEATRE, ON TUESDAY,

FEBRUARY +20TH+, 1912

+Anthony Redvers+

+Jesse Redvers+

+Michael Redvers+

+Nathaniel Tapp+

+Joshua Bloom+

+William Arscott+

+Joseph Westaway+

+Toby Hannaford+

+Ned Pearn+

+Police Inspector+

+Ann Redvers+

+Barbara Westaway+

+Salome Westaway+

+Sarah Tapp+

+Claude King+

+Hunter Nesbit+

+Harold Chapin+

+E. H. Paterson+

+William Farren+

+Horace Hodges+

+Charles Daly+

+J. E. Daniels+

+Allan Wade+

+Tom Mowbray+

+Janet Achurch+

+Esmé Hubbard+

+Iris Hoey+

+Mrs. A. B. Tapping+

ACT I

+Scene+: _The kitchen of Harter Farm in the Dartmoors._

_A white-washed room with large, open hearth, on which a fire burns.

A flight of stone steps descends into the kitchen. At back, open

two windows with deep embrasures, wherein are set pots of geraniums

and succulent plants. On the left there stands a tall dresser with

‘willow pattern’ and other blue and white crockery. Beside the

stairs, there stands a ‘grandfather’ clock. From the ceiling suspend

hams, tied up in canvas, and a few bunches of herbs in muslin bags.

Upon the mantelshelf are arranged various bright canisters of tin and

brass and a piece of ornamental crockery at each end. Above, against

the wall, hang a gun and a whip or two on a rack, a pair of spurs,

and an old powder-flask. On one side of the mantelshelf hangs a fox’s

mask with a grocer’s almanac under it; on the other side, a stuffed

badger in a glass case. Upon the hearth are pots and pans. A long,

bare, deal table runs down left of centre and benches stand on each

side of it. There is a smaller table between the windows with a board

and rolling-pin, a flour-dredger and a jar or two upon it. A pail,

brooms and dusters litter the floor. A settle stands at right angles

to the fire._

[+Joshua Bloom+ _and_ +Sarah Tapp+ _discovered_.

+Bloom.+ The days of peace are over.

+Sarah.+ [_Rolling pastry._] That’s like you men! That’s the thanks a

woman gets. The missis goes to nurse her sick mother and all of us be

sheep without the shepherd while she’s away. Yes, all of us, Joshua

Bloom--from her husband downward. And now, because she’s coming back----

+Bloom.+ You know what I mean.

+Sarah.+ Yes, I know. A woman like Ann Redvers do gall the common sort

a bit. You want to be fine yourself to mark her fineness.

+Bloom.+ Well, you’d best to tidy up this here rogue’s roost of a

kitchen afore she comes home, else you’ll hear more about her fineness

than like. [_A whistling heard._] Hark to master! When she’s away, he

wants her home again; when she’s home, he’ll soon want her away.

[_Enter_ +Anthony Redvers+.

+Redvers.+ William Arscott be riding down the hill, Joshua. Get over to

him and take him to the stable. The mare’s better since morning by the

look of her.

[_Exit_ +Bloom+.

+Sarah.+ Lucky for her! I pity any beast that gets into that hateful

hoss doctor’s hands. He’s harder than moorstone--that man--for the

granite lets the moss live on it.

+Redvers.+ You’re not fair to him, Sarah. He’s only hard outside.

+Sarah.+ Hard, hard all through. We women know. Ax Barbara Westaway.

+Redvers.+ She might have done worse than take him when he offered;

for, if she had, the family wouldn’t be in such a tight place as it is

now.

+Sarah.+ ’Twill be the workhouse for ’em all.

+Redvers.+ Nonsense, nonsense! They’ve some good friends yet. And the

girls are both fighters. Where’s Jesse and Michael got to?

+Sarah.+ Michael have gone to catch a trout for his mother’s tea.

Jesse’s reading by the waterfall.

+Redvers.+ Dash that chap! He’ll be reading when the Trump of Doom

sounds.

+Sarah.+ Same as you’ll be whistling, master. No doubt each human

creature will be surprised following out his habits. And that’s a sure

reason why us should have good habits and not bad. Not much hope for

them as be catched red-handed in wickedness at the Last Trump.

+Redvers.+ You preach another time, Sarah, or you’ll be catched

red-handed in this muck of a kitchen. ’Tis the missis, not the Last

Trump be coming. [_Enter_ +Jesse+ _with book_.] You’d best to put

that book away, Jesse, and buzz about. Mother’ll be home by tea-time

and I’ve got fifty things to do yet afore then. [_To_ +Sarah+.] Has

Nathaniel started with the trap?

+Sarah.+ He was away an hour agone.

+Jesse.+ I met Barbara Westaway this morning, father. The Westaways are

coming over presently.

+Redvers.+ Ah!

+Jesse.+ They know that mother’s due back, and they’re set on bringing

a little gift to mark her home-coming.

+Redvers.+ [_Whistles while_ +Jesse+ _speaks, and goes on whistling a

few notes after he has finished. Suddenly he stops and speaks._] How

would it do if we asked ’em to tea?

+Jesse.+ Why not?

+Sarah.+ Haven’t you got more sense? Be it likely that missis will want

a pack of strangers?

+Jesse.+ They’re not strangers.

+Redvers.+ Sarah’s right all the same. ’Twouldn’t do. [_Passes flowers

in window._] I wish that geranium had blowed for her--the white one

she’s so fond of; but flowers don’t care no more for people than bees

do for Sunday.

[_Exit whistling._

[+Jesse+ _sits down by the fire and lolls back with his hands

in his pockets and a pipe in his mouth. He takes a feather

from a tin of feathers on the mantelshelf and cleans his

pipe._

+Sarah.+ Now don’t you sit caddling there, Jesse--it ban’t the time for

it. I want your room, not your company.

+Jesse.+ There’s an hour yet.

[_Enter_ +Michael+.

+Sarah.+ Hast caught a fish for mother, Michael?

+Michael.+ Yes, I have--a whacker; a good half-pound he runs. She’ll

have it fresh as fresh. I be going up over to meet the trap in a minute.

+Sarah.+ ’Tis a red-letter day. I always vow that this house be like a

corpse without her.

[_She begins to tidy up, and_ +Michael+ _helps her for a time_.

+Michael.+ So ’tis then; father’s nought when she’s away. All he does

be to make bad bargains. ’Tis my mother has the brains, Sarah.

[_Stops helping_ +Sarah+, _takes a whip from the bracket above

the fireplace and prepares to mend it at the table. To do

so he brings cobbler’s wax and whipcord from a drawer in the

dresser._

+Jesse.+ [_Shutting his book and flinging it across into the settle._]

That’s foolishness, Michael. I know mother’s wiser than the run of

women, and watchful for father, and a saint of God if you like; but in

brains--no. Father’s first there.

+Michael.+ I like father well enough--as well as you like mother

anyway; but mother’s the light of this house. And if you be going to

speak against mother, Jesse, don’t you do it afore me. I care for her

better than you do, and you’re jealous of me, because she loves me best.

+Sarah.+ Hush, you boys! Go an’ get your fish, Michael, and be quiet.

+Michael.+ I won’t hear mother run down by him, or anybody on God’s

earth.

+Jesse.+ D’you think I mind because mother likes you best? Why, ’tis

the proper thing. You’re all mother through and through--save in wits.

And I’m father over again. He understands me.

+Michael.+ If he do, you’re about the only thing he does understand.

+Jesse.+ [_Starting up._] You’re a wicked rascal to say that! But

you shan’t anger me with with your trash. I see your game; you want

to drive me out of my father’s house and be free of me. Well, it may

happen that way. I don’t love Harter, and I don’t love you.

+Michael.+ [_Passionately throwing down his whip._] Jesse, Jesse!

You’ll drive me mad! Ban’t you my elder brother? God, He knows I never

thought of such a thing--never.

+Jesse.+ Oh, shut up--here’s Arscott.

[_Enter_ +William Arscott+.

+Arscott.+ Where’s the whistling man?

+Michael.+ Gone to look for the hoss-doctoring man, I reckon.

+Jesse.+ Father was here a minute ago.

+Arscott.+ Well, give me a drop of cider and then I’ll away. Can’t wait

for him.

[_Exit_ +Sarah+ _scowling at_ +Arscott+.

+Michael.+ They don’t call you Busy Billy for nothing, Mr. Arscott.

+Arscott.+ No, my son, they do not. I’ll send over a ball for the

mare. There’s nothing much wrong. Don’t work her till I’ve seen her

again.

+Michael.+ [_Looking at_ +Jesse+.] Father thought she was going to die.

[_Enter_ +Sarah+ _with jug and mug on tray_.

+Arscott.+ And you’d like to put a pinch of poison in it, wouldn’t you,

Mrs. Tapp?

+Sarah.+ I say you’re hard and I know you’re hard.

+Arscott.+ Must be ’ard if you want to be ’appy. Good luck, ma’am, I’d

sooner have this tap than yours.

[+Michael+ _laughs_. +Arscott+ _drinks_. +Redvers’+ _whistle is

heard. He enters as_ +Arscott+ _puts down mug_.

+Arscott.+ [_Shakes hands._] Well, Redvers, your mare ban’t going home

this time.

+Redvers.+ Bother the mare, Billy; what’s this I hear tell about Joe

Westaway?

+Arscott.+ How should I know? That he’s a silly old fool and wants it

both ways, perhaps. But you can’t eat your cake and have it too. ’Tis

time a few of us saw our money.

+Redvers.+ Don’t you be too short with the man. He’s done a lot of good

in his time.

+Arscott.+ If you was a creditor, you wouldn’t be so large-minded.

+Michael.+ ’Tis all very well to give the children pennies, when you’re

owing the fathers pounds. That’s what Mr. Westaway does.

+Arscott.+ [_To_ +Michael+.] Ah! You’re the chap for me! Money’s

money, and he’s got to face the music--like the rest of us.

[_Exit with_ +Michael+. +Jesse+ _goes back to his book_.

+Sarah.+ A holy terror that man! He’d sell the primrosen off his

mother’s grave. Poor old Joe won’t have a shirt to his back when

Arscott have done with him.

[_Picks up broom and dusters and goes upstairs._

+Redvers.+ There’s no credit for being generous now-a-days. In fact

there’s no credit for anything.

+Jesse.+ [_Putting down book._] Why does mother like Michael better

than me, father?

+Redvers.+ Stuff and nonsense!

+Jesse.+ He’s little better than a fool sometimes.

+Redvers.+ Michael’s no fool. He’s your mother again. You and me ban’t

quite so hard at the edges as mother and Michael--more like to be

broken in consequence.

[_Whistles gently._

+Jesse.+ I don’t care--so long as I am your favourite.

+Redvers.+ There’s the Westaways! [_Goes to the door as the Westaways

pass the window._] Come in, come in.

[_He throws open the door._

[_Enter_ +Joseph Westaway+, _with_ +Barbara+ _and_ +Salome+

_behind him_.

+Redvers.+ Why! Here’s a fine sight for sore eyes! How’s yourself,

flock-master?

[_Both_ +Jesse+ _and_ +Anthony+ _show great pleasure. They all

shake hands._

+Westaway.+ Under the weather a bit and I won’t deny it. ’Twill come

right no doubt, but the means be hid from me for the minute. No matter

about my troubles. Your missis be coming home, so nought would do but

Salome must pick her a gert bunch of bluebells and Barbara fetch along

a brave pair of ducks. ’Tis coals to Newcastle, as I told ’em.

[+Jesse+ _takes the ducks from_ +Barbara+ _and the bluebells

from_ +Salome+.

+Redvers.+ Far from it, Joe. She’ll be properly pleased, I promise you.

+Jesse.+ We’ll get some water for these, Salome.

+Salome.+ Will this jug do?

[_Goes to dresser and takes a jug from it._

+Jesse.+ Mother’s fond of bluebells.

[_Exeunt_ +Jesse+ _and_ +Salome+.

+Westaway.+ [_Sitting in armchair by the fire, as_ +Redvers+

_directs_.] Far be it from me to throw a shadow on the day; but things

be at a climax to Watchett Hill, my dear.

+Redvers.+ So I hear; and I don’t believe it.

+Barbara.+ You ask Busy Billy.

+Westaway.+ Who’d have thought such things could hap? A good while ago

we was cornered for money here and there, and so I just up and signed

a few documents. ’Twas as easy as shelling peas, Anthony, and I made

up my mind, very steadfast from that moment, that my beautiful girls

shouldn’t be pinched--not so long as I could put my hand to a document.

+Redvers.+ A pity ’twas Arscott you went to.

+Westaway.+ Why? The man thought the world of me and my family. He

offered ten year ago for Barbara!

+Barbara.+ You didn’t ought to mention it, father.

+Redvers.+ Everybody knows it, my dear.

+Westaway.+ And he kept single for ever after, because she couldn’t do

with him. But I could; and knowing him for a very deep and clever chap,

where money was the matter, I went to him, in a large spirit, and he

met me in the same--so I thought at the time.

+Barbara.+ Three hundred we borrowed from him on a mortgage.

+Westaway.+ And now the money have mounted up something shocking.

+Redvers.+ Didn’t you pay no interest?

+Westaway.+ Certainly I’d meant to do so. But it slipped my memory,

along of one thing and another, and he was too much the gentleman, as

I thought, to name it. And what with standing him treat at ‘The Hearty

Welcome’ and ‘The Green Man’--scores and scores of times; and what with

sending him many and many a good goose and turkey; and what with fresh

eggs and a bit o’ cream and so on, I thought it would turn out all

right. Then, being uncommon short, I offered to put my hand to another

document again--last week ’twas--and, to my surprise, Master Billy went

so nasty as a rat in a trap and forgot all about they geese and turkeys

and free drinks and all! Properly mazed I was. You see my interest have

gone on compounding all by itself. That’s the worse of money! it won’t

stand still. It always runs from you, or to you.

+Redvers.+ True enough, Joe.

+Barbara.+ And now father will mighty soon be a flock-master without

any flock.

+Westaway.+ And a farmer without any farm.

+Redvers.+ ’Tis a thousand pities you let the interest go.

+Westaway.+ So ’tis then. And us have got to take the boots and shoes

out of the bread-and-butter at Watchett Hill in consequence--ain’t we,

Barbara? But next year will see us righted, I hope. We be going to

retrench.

+Barbara.+ If there was vartue in a word, we’d soon be easy. ’Tis

‘retrench’ with father from morn till night now.

+Redvers.+ The thing is to do it.

+Westaway.+ Dallybuttons! And don’t I do it? Like a hawk I be grown.

Why, I’ll snap the sugar-basin off the table if I think my maidens be

making too free--aye, and the teapot, too! I tell ’em to go out in the

hedges and gather marjoram and brew herby tea--same as our grandmothers

did.

+Barbara.+ Billy Arscott’s the danger. The others be a kindly lot.

[+Jesse+ _enters with_ +Salome+. _Both are downcast._

+Westaway.+ I don’t want mercy nor nothing like that. I’ve gived and

gived all my life, Redvers, and if there’s none to give to me in my

turn--why, I can go without. I’m a patient old blade, as we all should

be at seventy; but justice--justice I’ve a right to claim.

+Jesse.+ Just the one thing you can take your oath you won’t get, Mr.

Westaway.

+Westaway.+ Don’t you be so acid at your time of life, my son.

+Redvers.+ [_Impulsively, after looking at_ +Salome+.] Well, come in

here with me, Joe--in my workshop. I’m wishful to hear a bit more about

this. Don’t you go, you girls; I shan’t keep him long. [_Aside to_

+Salome+.] Bide a bit.

+Barbara.+ Where’s Mrs. Tapp to?

+Redvers.+ She’s busy sweeping and garnishing. The missis was due at

Okehampton afore five. Tapp’s off to fetch her. Come on, Joe.

+Jesse.+ Sarah’s up over, Barbara.

+Barbara.+ Then I’ll run and see her. _Goes upstairs._

+Redvers.+ This way, master.

[_Exeunt_ +Redvers+ _and_ +Westaway+.

+Salome.+ There, mind you tell her I picked ’em for her.

[_Puts jug of bluebells on table._

+Jesse.+ You don’t answer me--you must do that at least, Salome. You

know how things are with me. It’s like coming alive out of death when

I’m alone with you for a moment. Oh, Salome, why not, my pretty bird?

But you say nought--and no news isn’t good news when a chap’s courting.

+Salome.+ [_Treating_ +Jesse+ _as if he were a boy_.] I’m not for a

husband, my dear. We must be sensible. ’Tis all the poor can be. No

time to think about marrying. My sister and me have got to keep father

out of the workhouse somehow.

+Jesse.+ If I could only help!

+Salome.+ You can’t. None can, so we must stir ourselves.

+Jesse.+ If I had money!

+Salome.+ If--if! Nobody’s got no money here, but Arscott. He’s made of

it.

+Jesse.+ My father’s well to do.

+Salome.+ Long may he bide so.

+Jesse.+ I hope Arscott will be generous.

+Salome.+ Not him! I reckon my father can show him where that road

leads.

+Jesse.+ I’m such a useless brute.

+Salome.+ Don’t you say that. You’ve got plenty of brains--if you’d but

use ’em.

+Jesse.+ Salome, would twenty pounds be any use?

+Salome.+ No, nor yet fifty. Keep your savings.

+Jesse.+ I feel I could do things, if I were once out of this place.

’Tis like a prison to me sometimes. If it wasn’t for you here--and

father.

+Salome.+ You can’t do wiser than stick to him, and forget me.

+Jesse.+ Mother’s so----

+Salome.+ Yes--I understand. Well--she’ll be here and wish us at

Jericho in a minute. [_Rising._] You’ve said some pretty things to me,

Jesse, and I’m sure you meant them; but I’m not the marrying sort. I

must be free.

+Jesse.+ [_Gloomily._] The likes of you don’t go free for long.

+Salome.+ I’m far off what you think. There’s a lot of the devil in me,

Jesse.

+Jesse.+ You wake the devil in others. You’re an angel

yourself--all--all angel--to the dinky dimple at the corner of your

mouth. [+Salome+ _smiles, but not at him_.] I’ll win you yet! I’ll live

to do some mighty big thing, and _make_ you love me!

[+Sarah+ _and_ +Barbara+ _descend the stairs_.

+Salome.+ Then set about it. Stop reading books and go into the world.

You’re all boy still.

[_Exit_ +Jesse+.

+Barbara.+ ’Tis no use saying them things against the vetinary, Mrs.

Tapp. William Arscott lent father good money on the farm at a very

ticklish time; and now he wants it again; as we all well knew he would.

And why not? Who shall blame him? I don’t for one. The man’s honest,

and we must be the same.

+Sarah.+ A saint of God like your father! Anybody did ought to be proud

to lend him money--and forget it.

[_Enter_ +Redvers+ _and_ +Westaway+.

+Westaway.+ ’Tis more, far more than I can ask or expect, Anthony.

+Redvers.+ Stuff and rubbish. Wouldn’t you help me at a pinch, if it

had been t’other way round?

+Westaway.+ List, you girls. ’Tis an answer to prayer. Redvers be

going bail for me! He will do it, though I beg him not.

+Barbara.+ You can’t, Mr. Redvers--’tis out of reason.

+Redvers.+ Right’s better than reason, Barbara. You very well know

what your father and you girls be to me. Not another word. I’ll see

Hannaford to-morrow, and Arscott too.

+Barbara.+ [_To_ +Sarah+.] What’ll Mrs. Redvers say?

+Sarah.+ [_Going off with rolling-pin and board, &c._] Same as your

father: that ’tis an answer to prayer.

[_Exit._

+Barbara.+ We can’t thank you. ’Tis high above thanks.

+Redvers.+ I’m properly glad to do it.

+Westaway.+ You’ll reap your reward in this world, as well as the next,

my son. For ’twill _pay_ you, Anthony--over and above the kindness and

goodness and Christian charity and the blessing of it--beyond all that,

there’s the _interest_, and you’ll be just so much amazed as I was to

see the way that jumps up. Pounds and pounds in your pocket in no time!

+Barbara.+ Come on home, father. Mrs. Redvers will be back before

you’ve done talking.

+Westaway.+ Good-bye; good-bye, my dear man; and God bless you and

reward you.

+Barbara.+ We can only feel it.

+Salome.+ I’ll come after. I want to tell Mr. Redvers about they ponies

Tom Bassett takes to market next week.

+Redvers.+ Good-bye--good-bye. Let your minds be easy. Everything’s

going all right.

[+Barbara+ _and_ +Mr. Westaway+ _go out_.

+Redvers.+ [_Looks round to see they are alone._] O lord, I thought I

was never going to get a glimpse of my precious girl!

[_Puts his arms round_ +Salome+.

+Salome.+ Take care, Tony. Where’s Sarah? You darling man to help ’em!

But can you--can you do this for father and not hurt your own?

+Redvers.+ Of course I can, and proud to do it! The money’s safe enough

in the long run, if I take over the mortgage and the life insurance

from Arscott. Leave that.

+Salome.+ I couldn’t speak when I heard, because I knew so well ’twas

for me you’d done it.

+Redvers.+ What better reason? Be all safe for Thursday?

+Salome.+ Of course it be.

+Redvers.+ At the broom patch. There’s a full moon.

+Salome.+ I’ll be there. Whistle and I’ll come to you, Tony. I’ll come

singing--and love to come--always--always!

+Redvers.+ My little armful of joy!

[_Takes her in his arms again._

+Salome.+ [_Sings ‘Widecombe Fair’ very softly for his ear alone._]

“Tom Pearce, Tom Pearce, lend me thy grey mare,

All along, down along, out along lee,

For I want for to go to Widecombe Fair,

Wi’ Bill Brewer, Jan Stewer, Peter Gurney.”

+Redvers.+ [_Sings softly._]

“Peter Davy, Dan’l Whiddon, Harry Hawk!”

+Salome.+

“Old Uncle Tom Cobleigh and all--

Old Uncle Tom Cobleigh and all!”

+Redvers.+ I love that song better’n any music on earth! It means

you--you dinky, grey-eyed thing!

+Salome.+ Our fun’s over for a bit I reckon. A heavenly time we’ve had,

Tony!

+Redvers.+ Better’n heaven, Sally. There won’t be no Halstock Glen in

heaven. There won’t be no little holt for you and your old red fox in

heaven.

+Salome.+ [_Kisses him._] Ban’t you tired of me?

+Redvers.+ When I’m tired of my life--not sooner.

+Salome.+ Are you glad she’s coming home?

+Redvers.+ Yes, I am. I think the wide world of Ann, and you know it.

She’s a grand woman--a wonder among women. She did ought to come home

happy, for she’s nursed her mother into life again after she was given

up by the doctor. Please God all will go smooth, as I like it to. We

can live our lives but once, and ’tis a sad pity to see a woman so

stern and hard with herself as Ann. Terrible high-minded and religious

is she.

+Salome.+ Darkness to your light.... If she knew....

+Redvers.+ I feared once, but I don’t now. What the heart don’t guess,

the soul don’t smart for. She’ll never know.

+Salome.+ Jesse offered marriage to me again by the waterfall just now.

’Tis like hearing a child chirrup about love--after knowing a man’s.

+Redvers.+ I must rattle up Jesse and make him tackle life. He’s always

mooning over his books. [_Embraces her._] Well, get going. [_Kisses

her._] Till Thursday. I’ll make a snug nest for my li’l dormouse!

[_She goes off and_ +Redvers+ _walks to the door and watches her

with happiness in his eyes. He whistles ‘Widecombe Fair’

gently. He then returns to the kitchen and begins to help in

the business of making it tidy._

[_Enter_ +Sarah+.

+Redvers.+ Don’t you say nothing about that matter of helping Joe

Westaway, Sarah.

+Sarah.+ [_Takes tablecloth from drawer in the dresser and begins to

prepare for tea on the long table._] ’Tis no business of ours. You’ll

tell your wife when you choose.

[_Enter_ +Bloom+.

+Bloom.+ The trap be in sight up ’pon top of the hill, master!

+Redvers.+ I’ll run out then. Put they bluebells in the midst of the

table, Sarah. They’ll please her tremendous.

[_Exit._

+Bloom.+ He’s like a play-actor, that man. Be damned if he ain’t

fooling himself he wants her back!

+Sarah.+ You bitter-weed! Here, take they pots and get ’em out of the

way, and fill the kettle.

+Bloom.+ [_Staring round._] My stars! The kitchen ain’t looked like

this since she went out of it.

[_Exit with a pot or two, the kettle and a saucepan from the

hearth. Enter_ +Michael+, _he carries some hand luggage_.

+Michael.+ Here she is--here’s mother, Sarah. And she’s so thin as a

herring and pale as a lily. But she’s all right! She’s all right!

[_Enter_ +Tapp+ _with a yellow tin box. There follow him_ +Ann

Redvers+ _and_ +Redvers+.

+Ann.+ [_Coming down and watching_ +Tapp+ _take her box upstairs_.] Be

careful at the corner, Nat. If that box touches the wall, ’twill leave

an ugly mark we’re better without. [_Exit_ +Tapp+ _upstairs_.] And

how are you, Sarah? [_Shakes hands with_ +Mrs. Tapp+.] You’re looking

pretty well and feel so, I hope. All be suent and vitty, I see.

[_Takes in the room swiftly. Her manner is quick, sharp and

apprehensive._

+Sarah.+ We’ve done our bestest. The house be water-sweet from top to

bottom.

+Redvers.+ Sarah’s been up at cock-light this week past, and everyone

of us has lent a hand.

+Michael.+ Never was a properer spring-cleaning, mother.

[_Exit._

+Ann.+ We shall see as to that. [_Her eyes are everywhere_.] ’Tis good

to be back. But how much to do. Where’s Jesse? He did ought----

+Redvers.+ [_Aside to_ +Ann+.] He’s about, but he’s down on his luck.

There’s a reason. I’ll whisper it come presently.

[_Enter_ +Jesse+.

+Jesse.+ Ah! mother dear! [_Takes off his hat and kisses her._] You

look but poorly though, and pale and tired.

+Ann.+ I’ve only got the headache along of the train. A cup of tea will

cure it. Be you all right?

[_Enter_ +Bloom+ _with kettle_.

+Bloom.+ Good evening, missis. I hope I see you pretty clever.

+Ann.+ Nicely, Joshua, nicely. And your rheumatics?

+Bloom.+ Worse and worse, ma’am. They do gnaw my bones, like a hungry

dog of a night.

[+Mrs. Redvers+ _moves about; her eyes perceive everything. All

are solicitous to please her._

+Ann.+ Take them bluebells off the table and out of that jug, Sarah.

That’s the one I don’t use. ’Tis worth money.

+Jesse.+ Salome Westaway brought the bluebells for you, mother.

+Ann.+ Very kind of her. The window-sill’s the place for them--not the

tea-table. [+Sarah+ _moves flowers and puts them into another jug_.]

The plants do look a bit thirsty to my eyes.

+Redvers.+ Don’t you trouble about them. They’re all right.

+Ann.+ “Don’t trouble!” That’s your old motto, father. I don’t want

to hear that. [+Tapp+ _descends the staircase with a piece of rope_.]

I’ll go and take off my hat and then tea will be ready. Don’t you cook

nothing for me; I’m off my food just now.

+Redvers.+ My life, that won’t do! ’Tis time and more’n time you was

home again.

+Ann.+ [_Going up staircase._] More’n time, as you say, father.

[+Redvers+ _follows her with hand luggage and a parcel or two_.

+Ann.+ [_Turning._] Leave’em there. I’ll go through ’em presently. Just

a little gift or two for all of ’e. I shan’t be two minutes.

+Tapp.+ I’ve took the rope off the box, missis.

+Ann.+ Put it by in the loft. ’Tis new. I want you, Sarah.

[_She goes upstairs._ +Sarah+ _follows her_. +Tapp+ _goes out

and Bloom follows him_. +Redvers+ _turns to exit whistling_.

+Jesse.+ What’s upset the apple-cart now? Was it my fault?

+Redvers.+ She’s only tired and full of thoughts what to do first.

+Jesse.+ And what to undo that we’ve done to please her.

+Redvers.+ Nay, nay. Her quick eye taketh in so much more than we men

know about. ’Tis only the headache; she’ll come round presently.

[_Enter_ +Sarah+ _from upstairs and_ +Michael+ _with a

frying-pan and a fish_.

+Michael.+ Where’s the fat, Sarah? ’Tis time as I cooked my trout for

mother.

+Sarah.+ Missis will be down house in a minute and the water’s near

boiling.

[_Goes off._

+Redvers.+ Brew it strong, Sarah; brew it strong.

[_Exit whistling with_ +Jesse+. +Sarah+ _returns with some

grease for the fish on a plate and_ +Michael+ _puts it upon

the fire_.

+Sarah.+ I doubt she’ll eat it, Michael.

+Michael.+ Yes, she will--when she hears tell that I’ve catched it and

cooked it for her. Don’t forget the water-cresses.

+Sarah.+ There! If I hadn’t.

[_She goes off._

+Michael.+ [_Shouting._] Mother, be you coming? I’ve got a brave trout

frying for’e.

+Ann.+ [_Upstairs._] I’m down in a moment, Michael boy.

+Michael.+ [_Shouting._] ’Tis damn fine to hear your beautiful voice

again, mother!

+Ann.+ [_At top of stairs._] Don’t you use them bad words, my dear.

[_Descends the stairs. She has taken off her hat and jacket._

+Michael.+ Look at this gert fish waiting for you to eat ’un!

+Ann.+ I doubt I can eat it. I be off my food for the minute.

+Michael.+ [_Takes fish off the fire and rises._] You must eat it,

mother. You be wisht. [_Looks at her closely._] There’s something

fretting you. Don’t tell me there isn’t, for I know it.

+Ann.+ Yes, I’m a bit worried.

+Michael.+ Tell me.

+Ann.+ [_Smiling for the first time._] What a chap for finding out your

mother’s secrets!

+Michael.+ I’ll bet ’tis some of father’s secrets more like.

+Ann.+ His secrets be all meant so well that I haven’t the heart--but

there ’tis--his surprises--buying ponies and one thing and

another--they mostly come out wrong side the ledger.

+Michael.+ He’s got ponies on the brain still.

+Ann.+ ’Tisn’t that--but--well, I’d best think no more about it.

+Michael.+ All’s well now you be home again. You’ll soon steady father

down.

+Ann.+ [_Laughs._] I’d be a cleverer woman than I am to do that.

+Michael.+ Cleverer than you be! I’d like to see the cleverer woman

than you.

+Ann.+ [_Now in good temper._] You flatterer! You’ll be a fine

love-maker some day, Michael.

+Michael.+ I shall never see a girl like you to fall in love with,

mother.

[+Ann+ _smiles and goes to table_. +Sarah+ _enters with

water-cress and plate for fish_. +Michael+ _brings his fish

to the table_. +Sarah+ _then goes to door_.

+Sarah.+ [_Calling._] Tea--tea--tea be ready!

[+Tapp+ _and_ +Bloom+ _enter and take their places at the table_.

+Tapp.+ You do look a thought pinnikin and poor like, missis.

+Ann.+ Along of that stuffy Exeter, Nathaniel. Nobody has their fair

share of air in a town, I reckon.

[_Enter_ +Redvers+ _and_ +Jesse+. +Michael+ _takes his place

beside his mother, who sits at the top of the table_.

+Sarah+ _sits on_ +Michael’s+ _left_. +Jesse+ _goes to the

left of his mother and_ +Redvers+ _takes the bottom of the

table. The tea pot is before_ +Mrs. Redvers+.

+Sarah.+ Shall I pour for ’e, ma’am?

+Ann.+ No, thank you Sarah. Ax a blessing, father, please.

+Redvers.+ For what we are about to receive----

_Curtain._

The secret woman · 第 1 / 5 章