"'Per carita! Get up at once!' she (Montessori) has exclaimed before
now to a conscientious teacher found dishevelled on the ground with a
class of little Bolshevists sitting on top of her."
In heaven's name, I ask, why get up? Life is more than meat, and
education is more than matching colours and fitting cylinders into
holes.
Montessori was thinking of the conscious mind of the child when she
evolved her system, and the apparatus does not satisfy the whole of the
child's unconscious mind. Noise is suppressed in a Montessori school,
but every child should be allowed to make a noise, for noise means
power to him, and he will use it only as long as it means power to him.
I have watched Norman MacMunn's war orphans at Tiptree Hall at work.
MacMunn, the author of _A Path to Freedom in the School_, did not say
"Hush!"; his boys filled the room with noisy talk as they worked, and
never have I seen children do more work with so much joy.
The Montessori teacher, when she finds that Jimmy is interfering with
the work of Alice, segregates the bad Jimmy, and treats him as a sick
person. But the right thing to do is to solve Jimmy's problem as well
as Alice's. What is behind Jimmy's aggressiveness? Jimmy does not
know, nor does the Montessori teacher, because she has been trained in
the psychology of the conscious only.
Another reason why I am not wholly on the side of Montessori is, I
fancy, that her religious attitude repels me. She is a church woman;
she has a definite idea of right and wrong. Thus, although she allows
children freedom to choose their own occupations, she allows them no
freedom to challenge adult morality. But for a child to accept a
ready-made code of morals is dangerous; education in morality is a
thousand times more important than intellectual education with a
didactic apparatus.
* * * * *
To-night Duncan came in, and as usual we talked education. I took up
the subject of punishment, and condemned it on the ground that it
treats effect instead of cause. After a little persuasion Duncan
seemed inclined to agree with me.
"I see what you mean," he said, "but what I say is that if you abolish
punishment you must also abolish reward."
"Why not?" I said. "The case against rewards is just as simple. A
child should do a lesson for the joy of doing it. Milton certainly did
not write _Paradise Lost_ for the five pounds he got for it."
"Yes, I see that," said Duncan thoughtfully, "but what about
competition? The prize at the end introduces a breezy struggle for
place."