"'Said banquet,' he explains, 'bein' in the nacher of a lunch to be

held at high noon. If the dinin' room of the Abe Lincoln House ain't

spacious enough, an I'll say right yere it ain't, we'll teetotaciously

set them tables in the street. That's my style! I wants everybody, bar

Mexicans, to be present. When I gives a blow-out, I goes fo'th into

the highways an' byways, an' asks the halt an' the lame an' the

blind, like the good book says. Also, no gent need go prowlin' 'round

for no weddin' garments wharin to come. Which he's welcome to show up

in goat-skin laiggin's, or appear wropped in the drippin' an'

offensive pelt of a wet dog.'

"The Red Dog chief, lest some of us is sens'tive, goes on to add that

no gent is to regyard them cracks about the halt an' the lame an' the

blind as aimed at Wolfville. He allows he ain't that invidious, an' in

what he says is merely out to be both euphonious an' explicit, that

a-way, at one an' the same time.

"To which Enright reesponds that no offence is took, an' asshores the

Red Dog chief that Wolfville will attend the banquet all spraddled

out.

"More licker, followed by gen'ral congratulations.

"Bland ag'in comes surgin' to the fore. This time he thinks that as a

main feachure it would be a highly effective racket to reenact the

surrender of Cornwallis to Washington.

"Tutt goes weavin' across to shake his hand.

"'Some folks allows, Pete,' says Tutt, 'that you're as whiskey-soaked

an old fool as Monte. But not me, Pete, not your old pard, Dave Tutt!

An' you hear me, Pete, that idee about Cornwallis givin' up his sword

to Washington dem'nstrates it.'

"'You bet your life it does!' says Bland.

"'But is this yere surrender feasible?' asks Texas. 'Which, at first

blink, it seems some cumbrous to me.'

"'It's as easy as turnin' jack,' declar's Tutt, takin' the play away

from Bland. 'I've seen it done.'

"'As when an' whar?' puts in Cherokee.

"'Thar's a time,' says Tutt--'it's way back--when I sets into a little

poker game over in El Paso, table stakes she is, an' cleans up for

about $10,000. For mebby a week I goes 'round thinkin' that $10,000 is

a million; an' after that I simply _knows_ it is. These yere

onnacheral riches onhinges me to a p'int whar I deecides I'll visit

Chicago an' Noo York, as calk'lated to broaden me.'

"'Noo York!--Chicago!' interrupts the Bug. 'I once deescends upon them

hamlets, an' I encounters this yere strikin' difference. In Chicago

they wouldn't let me spend a dollar, while in Noo York they wouldn't

let anybody else spend one.'

"'It's otherwise with me,' goes on Tutt, 'because for a wind-up I

don't see neither. I'm young then, d' you see, an' affected by yooth

an' wealth I takes to licker, with the result that I goes pervadin' up

an' down the train, insistin' on becomin' person'ly known to the

passengers.'

"'An' nacherally you gets put off,' says Boggs.

"'Not exactly, neither. Only the conductor, assisted by a bevy of

brakemen, lays the thing before me in sech a convincin' shape that I

gets off of my own accord. It seems that to be agree'ble, I proposes

wedlock to a middle-aged schoolmarm, who allows that she sees no

objection except I'm a perfect stranger. She says it ain't been

customary with her much to go weddin' strangers that a-way, but if

I'll get myse'f reg'larly introdooced, an' then give her a day or so

to become used to my looks, she'll go me. It's then the conductor

draws me aside, an' says, "I've a son about your age, my eboolient

young sport, which is why I takes your part. My theery is that if you

sticks aboard this train ontil we reaches Rock Island, you'll never

leave that village a single man."

"'This sobers me,' Tutt continyoos, 'an' I hides in the baggage kyar

ontil we reaches a camp called Sedalia, whar I quietly makes my

escape. I'm that reelieved I gives the cabman $20 to let me drive, an'

then starts in to wake things up. Which I shore wakes 'em! I comes

down the main street like the breath of destiny; an', say, you ought

to see them Missourians climb trees, an' gen'rally break for cover! It

costs me $50; an' the jedge gives me his word that, only it's the

Fo'th of Jooly, he'd have handed me two weeks in the calaboose. I

clinks down the fifty _pesos_ some grateful, an' goes bulgin' forth to

witness the cer'monies. She's a jo-darter, that Sedalia cel'bration

is! As Pete yere recommends, they pulls off the surrender of

Cornwallis on the Fair grounds. Also, it's plumb easy. All you needs

is mebby a couple of hundred folks on hosses, an' after that the

rest's like rollin' off a log.'

"More is said as the drink goes round, an' Cornwallis surrenderin'

to Washington takes hold of our imaginations. We throws dice,

an' settles it that Red Dog'll be the English, with Bland as

Cornwallis, while Wolfville acts as the Americans, Boggs to perform

as Washington--Boggs bein' six foot an' some inches, besides as

wide as a door. By the time we gets the stock of the Votes for

Women S'loon fully drinked up everything's arranged.

"Onless you sees no objections, son, I'll gallop through the balance

of this yere painful eepisode. The day comes round, bright an'

cl'ar, an' the Copper Queen people gen'rously starts the ball

a-rollin' by explodin' thirteen cans of powder, one for each of

the orig'nal states. Then the procession forms, Nell in front as the

Goddess. Thar's full two hundred of us, Wolfville an' Red Dog, on

ponies. As to Missis Rucker, she's on top of the coach as Jestice,

Tucson Jennie--with little Enright Peets lookin' like a young he

cherub--inside, an' Monte pullin' the reins over the six hosses.

We makes four trips between Wolfville an' Red Dog, crackin' off

our good old '45s at irreg'lar intervals, Nell on her calico pony as

the Goddess bustin' away with the rest.

"Little Enright Peets wants in on the pistol shootin', an' howls jes'

like a coyote--as children will--ontil Boggs, who foresees it an'

comes provided, gives him a baby pistol, a box of blank cartridges,

an' exhorts him to cut loose. Which little Enright Peets shore cuts

loose, all right; an', except that he sets fire to the coach a few

times, an' makes Missis Rucker oneasy up on top--her fearin' that

mebby some of them blanks has bullets in 'em by mistake--he has a

perfectly splendid time.

"The procession over, we eats up the Red Dog chief's banquet, wharat

every brand of airtights is introdooced. That done, we listens to

Jedge Beebe, who soars an' sails an' sails an' soars, rhetorical, for

mebby it's a hour, an' is that eloquent an' elevated he never hits

nothin' but the highest places.

"The Red Dog chief makes a speech, an' proposes 'Wolfville'; to which

Peets--by Enright's request--reesponds, an' offers 'Red Dog.' It's

bottoms up to both sentiments; for thar's no negligence about the

drinks, Black Jack havin' capered fraternally over to he'p out his

overworked barkeep brother of the Red Dog Tub of Blood.

"When no one wants to further drink or eat or talk, we reepa'rs to a

level place between the two camps to go through the Cornwallis'

surrender. The rival forces is arrayed opp'site, Cornwallis Bland in a

red coat, an' Washington Boggs in bloo an' buff, accordin' to the

teachin's of hist'ry. Both of 'em has sabers donated from the Fort.

"When all's ready Washington Boggs an' Cornwallis Bland rides out in

front ontil they're in easy speakin' distance. Cornwallis Bland's been

over-drinkin' some, an' is w'arin' a mighty deefiant look.

"After a spell, nothin' bein' spoke on either side, Washington Boggs

calls out:

"'Is this yere Gen'ral Cornwallis?'

"'Who you talkin' to?' demands Cornwallis Bland, a heap contemptuous

an' insolent.

"Peets has done writ out words for 'em to say, but neither uses 'em.

Observin' how Cornwallis Bland conducts himse'f, Washington Boggs

waves his sword plenty vehement, which makes his pony cavort an'

buckjump, an' roars:

"'Don't you try to play nothin' on me, Gen'ral Cornwallis. Do you or

do you not surrender your mis'rable blade?'

"'Surrender nothin'!' Cornwallis Bland sneers back, meanwhile reelin'

in his saddle. 'Thar's never the horned-toad clanks a spur in Cochise

County can make me surrender. Likewise, don't you-all go wavin' that

fool weepon at me none. I don't valyoo it more'n if it's a puddin'

stick. Which I've got one of 'em myse'f'--yere he'd have lopped off

one of his pony's y'ears, only it's so dull--'an' I wouldn't give it

to a yellow pup to play with.'

"'For the last time, Cornwallis,' says Washington Boggs, face aflame

with rage, 'I commands you to surrender.'

"'Don't let him bluff you, Pete,' yells a bumptious young cow-puncher

who belongs on the Red Dog-English side. 'Which we can wipe up the

plains with that Wolfville outfit.'

"The Red Dog chief bats the young trouble-makin' cow-puncher over the

head with his gun, an' quietly motions to the Lightnin' Bug an' a

fellow Red Dog to pack what reemains of him to the r'ar. This done, he

turns to reemonstrate with Cornwallis Bland for his obstinancy. He's

too late. Washington Boggs, who's stood all he will, drives the spurs

into his pony, an' next with a bound an' a rush, he hits Cornwallis

Bland an' his charger full chisle.

"The pony of Cornwallis Bland fa'rly swaps ends with itse'f, an'

Cornwallis would have swapped ends with it, too, only Washington Boggs

collars an' hefts him out of his saddle.

"'Now, you onwashed drunkard, will you surrender?' roars Washington

Boggs, shakin' Cornwallis Bland like a dog does a rat, ontil that

British leader drops all of his hardware, incloosive of his

pistol--'now will you surrender, or must I break your back across your

own pony, as showin' you the error of your ways?'

"It looks like thar's goin' to be a hostile comminglin' of all hands,

when--her ha'r streamin' behind her same as if she's a comet--Missis

Bland comes chargin' up.

"'Yere, you drunken villyun!' she screams to Boggs, 'give me my

husband this instant, onless you wants me to t'ar your eyes out!'

"'It's him who's to blame, ma'am,' says Enright mildly, comin' to

Boggs' rescoo; 'which he won't surrender.'

"'Oh, he won't, won't he?' says Missis Bland, as she hooks onto

Cornwallis Bland. 'You bet he'll surrender to me all right, or I'll

know why.'

"As the Red Dog chief is apol'gizin' to Enright, who's tellin' him not

to mind, Cornwallis Bland is bein' half shoved an' half drug, not to

mention wholly yanked, towards the Abe Lincoln House by Missis Bland.

"That's the end. This yere ontoward finale to our cel'bration gets

wide-flung notice in print, an' instead of bein' a boost, as we-all

hopes, Wolfville an' Red Dog becomes a jest an' jeer. Also, while it

don't sour the friendly relations of the two camps, the simple mention

of Fo'th of Jooly leaves a bitter taste in the Wolfville-Red Dog mouth

ever since."

VII

PROPRIETY PRATT, HYPNOTIST

"Do I ever see any folks get hypnotized? Which I witnesses a few sech

instances. But it's usually done with a gun. If you're yearnin' to

behold a party go into a trance plumb successful an' abrupt, get the

drop on him. Thar ain't one sport in a hundred who can look into the

muzzle of a Colt's .45, held by a competent hand, without lapsin' into

what Peets calls a 'cataleptic state.'

"Shore, son, I savvys what you means."

The last was because I had begun to exhibit signs of impatience at

what I regarded as a too flippant spirit on the part of my old

cattleman. In the polite kindliness of his nature he made haste to

smooth down my fur.

"To be shore I onderstands you. As to the real thing in hypnotism,

however, thar arises as I recalls eevents but few examples in Arizona.

The Southwest that a-way ain't the troo field for them hypnotists, the

weak-minded among the pop'lation bein' redooced to minimum. Now an'

then of course some hypnotic maverick, who's strayed from the eastern

range, takes to trackin' 'round among us sort o' blind an' permiscus.

But he never stays long, an' is generally tickled to death when some

vig'lance committee so far reelents as to let him escape back.

"Over in Bernilillo once, I'm present when a mob gets its rope onto

one of these yere wizards, an' it's nothin' but the mercy of hell an'

the mean pars'mony of what outcasts has him in charge, which saves him

from bein' swung up. Mind you, it ain't no vig'lance committee, but a

mob, that's got him.

"Whatever is the difference?

"Said difference, son, is as a spanless gulf. A vig'lance committee is

the coolest kind of comin' together of the integrity an' the brains of

a commoonity. A mob, on the other hand, is a chance-blown convention

of deestructionists, as savagely brainless as a pack of timber wolves.

A vig'lance committee seeks jestice; a mob is merely out for blood."

"About this Bernilillo business?"

The old gentleman, as though the recital might take some time,

signalled the black attendant to bring refreshments. The bottle

comfortably at his elbow, he proceeded.

"I was thar, as I says, but I takes no part for either 'yes' or 'no,'

bein' no more'n simply a 'looker on in Vienna,' as the actor party

observes over in the Bird Cage Op'ry House. Thar's one of them

hypnotizin' sharps who's come bulgin' into Bernilillo to give a show.

Nacherally the local folks raps for a showdown; they insists he

entrance some one they knows, an' refooses to be put off by him

hypnotizin' what herd of hirelin's he's brought with him, on the

argyooment that them humbugs is in all likelihood but cappers for his

game.

"Thus stood up, the professor, as he calls himself, begins rummagin'

'round for a subject. Thar's a little Frenchman who's been pervadin'

about Bernilillo, claimin' to be a artist. Which he's shore a painter

all right. I sees him myse'f take a bresh an' a batch of colors, an'

paint a runnin' iron so it looks so much like wood it floats. Shore;

Emil--which this yere genius' name is Emil--as a artist that a-way is

as good as jacks-up before the draw.

"The hypnotic professor runs his eye over the audjence. In a moment

he's onto Emil, an' begins to w'irl his hypnotic rope. It's Emil bein'

thin an' weakly an' bloodless, I reckon, that attracts him. This yere

Emil ain't got bodily stren'th to hold his own ag'in a high wind, an'

the professor is on at a glance that, considered from standp'ints of

hypnotism, he ought to be a pushover.

"Emil don't hone to be no subject, but them Bernilillo hold-ups

snatches onto him in spite of his protests, an' passes him up onto the

stage to the professor. They're plenty headlong, not to say boorish,

them Bernilillo ruffians be; speshully if they've sot their hearts on

anythin', an' pore Emil stands about the same show among 'em as a

cottontail rabbit among a passel of owls.

"For myse'f, I allers adheres to a theery that what follows is to be

laid primar'ly to the door of the Bernilillo pop'lace. Which it's

themselves, not the professor, they'd oughter've strung up. You see

this Emil artist person blinks out onder the spells of the professor,

an' never does come to no more. The professor hypnotizes Emil, but he

can't onhypnotize him. Thar he sets as dead as Davy Crockett.

"This yere Emil bein' shore dead, Bernilillo sent'ment begins to churn

an' wax active. Thar ain't a well-conditioned vig'lance committee

between the Pecos an' the Colorado which, onder the circumstances,

would have dreamed of stretchin' that professor. What he does, them

Bernilillo dolts forces him to do. As for deceased, his ontimely

evaporation that a-way is but the frootes of happenstance.

"What cares the Bernilillo pop'lace, wolf hungry for blood? In the

droppin' of a sombrero they've cinched onto the professor, an' the

only question left open is whether they'll string him up to the town

windmill or the sign in front of the First National Bank.

"While them Bernilillo wolves is howlin' an' mobbin' an' millin'

'round the professor--who himse'f is scared plumb speechless an' is as

white as a lump of chalk--relief pushes to the front in most

onexpected shape. It's a kyard sharp by the name of Singleton,

otherwise called the Planter, who puts himse'f in nom'nation to

extricate the professor.

"Climbin' onto the top step in front of the bank, the Planter lifts up

his voice for a hearin'.

"'Folks!' he shouts, 'I'm in favor of this yere lynchin' like a

landslide. But, all the same, thar's a bet we overlooks. It's up to us

not only to be jest, but to be gen'rous. This yere murderer, who's

done blotted out the only real artist I ever meets except myse'f, has

a wife down to the hotel. As incident to these festiv'ties she's goin'

to be a widow. Is it for the manhood an' civic virchoo of Bernilillo

to leave a widow of its own construction broke an' without a dollar? I

hears the incensed echoes from the Black Range roarin' back in

scornful accents "No!" Sech bein' the sityooation, as preelim'nary to

this yere hangin' I moves we takes up a collection for that widow.

Yere's a fifty to 'nitiate the play'--at this p'int the Planter throws

a fifty-dollar bill into his hat--'an' as I passes among you I wants

every sport to come across, lib'ral an' free, an' prove to the world

lookin' on that Bernilillo is the band of onbelted philanthropists

which mankind's allers believed.

"Hat in hand, same as if it's a contreebution box an' he's passin' the

platter in church, the Planter begins goin' in an' out through the

multitood like a meadowlark through standin' grass. That is, he

starts to go in an' out; but, at the first motion, that entire

lynchin' party exhales like mist on the mornin' mountains. It's the

same as flappin' a blanket at a bunch of cattle. Every profligate of

'em, at the su'gestion he contreebute to the widow, gets stampeded,

an' thar's nobody left but the Planter, the professor, an' me.

"'Which I shore knows how to tech them ground-hawgs on the raw,' says

the Planter, as he onlooses the professor. 'If I was to have p'inted a

gun at 'em now, they'd've give me a battle. But bein' to the last man

jack a bunch of onmitigated misers, a threat leveled at their

bankrolls sets 'em to hidin' out like quail!'

"The professor?

"The instant he's laig-free, an' without so much as pausin' to

congrachoolate his preeserver on the power of his eloquence, he

vanishes into the night. He's headin' towards Vegas as he's lost to

sight, an' I learns later from Russ Kishler he makes that meetropolis

more or less used up. No; he don't have no wife. That flight of fancy

is flung off by the Planter simply as furnishin' 'atmosphere.'

"Wolfville never gets honored but once by the notice of a hypnotist.

This yere party don't proclaim himse'f as sech, but bills his little

game as that of a 'magnetic healer,' an' allows in words a foot high

that he's out to 'make the deef hear, the blind see, the lame to walk

an' the halt to skip an' gambol as doth the hillside lamb.' Also, on

them notices, the same bein' the bigness of a hoss-blanket an' hung up

lib'ral in the Red Light, the post office, the Dance Hall, an' the Noo

York store, is a picture of old Satan himse'f, teachin' Professor

Propriety Pratt--that bein' the name this yere neecromancer gives

himse'f--his trade.

"These proclamations is tacked up a full week before Professor Pratt

is doo, an' prodooces a profound effect on Boggs, him bein' by nacher

sooperstitious to the brink of the egreegious. The evenin' before the

Professor is to onlimber on us, he shows in Red Dog, an' Boggs is that

roused by what's been promised in the line of mir'cles, he rides

across to be present.

"'It ain't that I'm convinced none,' Boggs reports, when quaffin' his

Old Jordan in the Red Light, an' settin' fo'th what he sees, 'but I

must confess to bein' more or less onhossed by what this yere Pratt

Professor does. He don't magnetize none of them Red Dog drunkards in

person, for which he's to be exon'rated, since no self-respectin'

magnetizer would let himse'f get tangled up with sech. He confines his

exploits to a brace of dreamy lookin' ground owls he totes 'round with

him, an' which he calls his "hosses." What he makes these vagrants do,

though, assoomin' it's on the squar', is a caution to bull-snakes.

After he's got 'em onder the "inflooence," they eats raw potatoes like

they're roast apples, sticks needles into themselves same as though

they're pincushions, an' at his slightest behest performs other feats

both blood-curdlin' an' myster'ous.'

"We-all listens to Boggs, of course, as he recounts what marvels he's

gone ag'inst in Red Dog, but we don't yield him as much attention as

we otherwise might, bein' preeockepied as a public with word of a

hold-up that's come off over near the Whetstone Springs. Some

bandit--all alone--sticks up the Lordsburg coach, an' quits winner

sixty thousand dollars. Nacherally our cur'osity is a heap stirred up,

for with sech encouragement thar's no tellin' when he'll make a play

at Monte an' the Wolfville stage, an' take to layin' waste the

fortunes of all us gents. What is done to Lordsburg we can stand, but

a blow at our own warbags, even in antic'pation, is calc'lated to

cause us to perk up. We're all discussin' the doin's of this yere

route agent an' wonderin' if it's Curly Bill, when Boggs gets back

from Red Dog, with the result, as I says, that he onloads his

findin's, that a-way, on a dead kyard. Not that this yere public

inattention preys on Boggs. He keeps on drinkin' an' talkin', same as

though, all y'ears like a field of wheat, we ain't doin' a thing but

listen.

"'Also,' he observes, as he tells Black Jack to rebusy himse'f,

meanwhile p'intin' up to the poster which shows how the devil is

holdin' Professor Pratt in his lap an' laborin' for that hypnotist's

instruction; 'I shall think out a few tests which oughter get the

measure of that mountebank. He won't find this outfit so easy as them

Red Dog boneheads.'

"Professor Pratt has a one-day wait in Wolfville, not bein' able that

evenin' to get the Bird Cage Op'ry House, the same bein' engaged by a

company of histrions called the Red Stocking Blonds. Havin' nothin'

else to do, the Professor wanders yere an' thar, now in the Red

Light, now at the Noo York store, but showin' up at the O. K.

Restauraw at chuck time both rav'nous an' reg'lar. Missis Rucker

allows she never does feed a gent who puts himse'f outside of so much

grub for the money, an' hazards the belief it's because of a loss of

nervous force through them hypnotizin's he pulls off. Not that she's

findin' fault, for the Professor, havin' staked her to a free ticket,

has her on his staff in the shakin' of a dice-box.

"The Professor don't come bulgin' among us, garroolous an' friendly,

but holds himse'f aloof a heap, clingin' to the feelin' mebby that to

preeserve a distance is likely to swell reesults at the Bird Cage

door. Boggs, however, ain't to be stood off by no coldness, carin' no

more for a gent's bein' haughty that a-way than a cow does for a

cobweb. Which you bet it'll take somethin' more'n mere airs to hold

Boggs in check.

"It's in the O. K. Restauraw, followin' our evenin' _frijoles_, that

Boggs breaks the ice an' declar's for some exper'ments.

"'Which you claims,' says he, appealin' to the Professor, 'to make the

deef hear and the blind see. Onforchoonately we're out of deef folks

at this writin', an' thar's nothin' approachin' blindness in this neck

of woods which don't arise from licker. But aside from cures thus

rendered impossible for want of el'gible invalids, thar's still this

yere hypnotic bluff you puts up. What Wolfville hankers for is tests,

tests about the legit'macy of which thar's no openin' for dispoote.

Wharfore I yereby makes offer of myse'f to become your onmurmurin'

dupe. I'll gamble you a stack of bloos you don't make me drink no

water, thinkin' it's nosepaint, same as you pretends to do with them

wretched confed'rates of yours.'

"The Professor is a big b'ar-built sport, an' looks equal to holdin'

his own onder common conditions. But Boggs don't come onder the latter

head. So the Professor, turnin' diplomatic an' compliment'ry, explains

that sech powerful nachers as Boggs' is out of reach of his

rope--Boggs bein' reepellent, besides havin' too strong a will.

"'As to you, Mister Boggs, with that will of yours,' says the

Professor, 'I might as well talk of hypnotizin' Cook's Peak.'

"One after another, Boggs makes parade of everybody in camp. It's no

go; the Professor waves 'em aside as plumb onfit. Missis Rucker's got

too much on her mind; in Rucker the tides of manhood is at so low a

ebb he might die onder the pressure; Monte's too full of nosepaint,

alcohol, that a-way, bein' a nonconductor.

"When the Professor dismisses Monte, the ground he puts it on excites

that inebriate to whar it reequires the united energies of Cherokee

an' Tutt to kick him off the Professor. It's only the direct commands

of Enright which in the end indooces him to keep the peace.

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