Josephus marks the new era on which he was entering by a fresh preface

to book xiv. His aim, he says, is "to omit no facts either through

ignorance or laziness, because we are dealing with a history of events

with which most people are unacquainted on account of their distance

from our times; and we purpose to do it with appropriate beauty of

style, so that our readers may entertain the knowledge of what we write

with some agreeable satisfaction and pleasure. But the principal thing

to aim at is to speak truly."[1] It is not impossible that the prelude

is based on something in Nicholas; but it is turned against him; for in

the same chapter Josephus controverts his predecessor for the statement

that "the Idumean Antipater [the father of Herod] was sprung from the

principal Jews who returned to Judea from Babylon." The assertion, he

says, was made to gratify Herod, who by the revolution of fortune came

to be king of the Jews. He shows here some national feeling, but in

general he accepts Nicholas, and borrows doubtless from him the details

of Pompey's invasion of Judea and of the siege of Jerusalem. He appeals

as well to Strabo and the Latin historian Titus Livius.[2] But though it

is likely that he had made an independent study of parts of Strabo,

since he drags in several extracts from his history that are not quite

in place,[3] there is no reason to think he read Livy or any other Latin

author. He would have found reference to the work in the diligent

Nicholas. We may discern the hand of Nicholas, too, in the praise of

Pompey for his piety in not spoiling the Temple of the holy vessels.[4]

Josephus writes altogether in the tone of an admirer of Rome's

occupation, attributing the misery which came upon Jerusalem to Hyrcanus

and Aristobulus.

[Footnote 1: Ant. XIV. i. 1.]

[Footnote 2: Ant. XIV. iv. 3; vi. 4.]

[Footnote 3: Comp. Ant. XIV. vii. 2; viii. 3.]

[Footnote 4: Ant. XIV. iv. 5.]

Thanks to his copious sources, he is able to give a detailed account of

the relation of the Jews to Julius Caesar and of the decrees which were

made in their favor at his instance. It has been conjectured with much

probability that Josephus obtained his series of documents from

Nicholas, who had collected them for the purpose of defending the Jews

of Asia Minor in the inquiry which Marcus Agrippa conducted during the

reign of Herod.[1] He says that he will set down the decrees that are

treasured in the public places of the cities, and those which are still

extant in the Capitol of Rome, "so that all the rest of mankind may know

what regard the kings of Asia and Europe have had for the Jewish

people." In a subsequent book, when he is recounting the events of

Herod's reign,[2] Josephus sets forth a further series of decrees in

favor of the Jews, issued by Caesar Augustus and his lieutenant Marcus

Agrippa. These likewise he probably derived from Nicholas, who was the

court advocate and court chronicler at the time they were promulgated.

But he enlarges on his motive for giving them at length, pointing to

them with pride as a proof of the high respect in which the Jews were

held by the heads of the Roman Empire before the disaster of the war.

Though in his own day they were fallen to a low estate, at one time they

had enjoyed special favor:

"And I frequently mention these decrees in order to reconcile other

peoples to us and to take away the causes of that hatred which

unreasonable men bear us. As for our customs, he continues, each nation

has its own, and in almost every city we meet with differences; but

natural justice is most agreeable to the advantage of all men equally,

and to this our laws have the greatest regard, and thereby render us

benevolent and friendly to all men, so that we may expect the like

return from others, and we may remind them that they should not esteem

difference of institutions a sufficient cause of alienation, but join

with us in the pursuit of virtue and righteousness, for this belongs to

all men in common."[3]

[Footnote 1: Comp. Bloch, Die Quellen des Flavius Josephus.]

[Footnote 2: Ant. XVI. ii.]

[Footnote 3: Comp. below, p, 234.]

The Jewish rising and defeat had increased the odium of the Greco-Roman

world towards the peculiar people, and the captive in the gilded prison

was fain to dwell on their past glory in order to cover the wretchedness

of their present.

Josephus claims to have copied some of the decrees from the archives in

the Roman Capitol.[1] The library was destroyed with the Capitol itself

during the civil war in 69.[2] It was restored, it is true, during the

reign of Vespasian, and it is not impossible that the old decrees were

saved. But Josephus might have collected from the Jewish communities

those documents which he did not find ready to hand in Nicholas, if they

formed part of an apology for the Jews of Antioch in 70 C.E. At least

there is no good reason to doubt their authenticity, and they are in

quite a different class from the letters and decrees attributed to the

Hellenistic sovereigns, which lack all authority.

[Footnote 1: Ant. XIV. x. 20.]

[Footnote 2: Comp. Tac. Hist. iii. 71.]

The story of Herod's life, which is set out in great detail in these

books, has more dramatic unity than any other part of the _Antiquities_.

It bears to the whole work the relation which the story of the siege of

Jerusalem bears to the rest of the _Wars_. Josephus seems to manifest

suddenly a power of vivid narrative and psychological analysis, to which

he is elsewhere a stranger. But at the same time, where the story is

most vivid and dramatic, its framework is most pagan. The Greco-Roman

ideas of fate and nemesis, which dominate the shorter account of the

king's life in the _Wars_, are still the underlying motives. The reason

for the dramatic power and the pagan frame are one and the same:

Josephus uses here a full source, and that source is a pagan writer.

It is apparent at the same time that Josephus had a better acquaintance

with the historical literature about Herod than when he wrote the

_Wars_, and that he compared his various authorities and exercised some

judgment in composing his picture. For example, in relating the murder

of the Hasmonean Hyrcanus, he first gives the account which he found in

Herod's memoirs, designed of course to exculpate the king, and then sets

out the version of other historians, who allege that Herod laid a snare

for the last of the Maccabean princes. Josephus proudly contrasts his

own critical attitude towards Herod with the studied partisanship of

Nicholas,[1] who wrote in Herod's lifetime, and in order to please him

and his courtiers,

"touching on nothing but what tended to his glory, and openly excusing

many of his notorious crimes and diligently concealing them. We may,

indeed, say much by way of excuse for Nicholas, because he was not so

much writing a history for others as doing a service for the king. But

we, who come of a family closely connected with the Hasmonean kings, and

have an honorable rank, think it unbecoming to say anything that is

false about them, and have described their actions in an upright and

unvarnished manner. And though we reverence many of Herod's descendants,

who still bear rule, yet we pay greater regard to truth, though we may

incur their displeasure by so doing."

[Footnote 1: Ant. XIV. xvi. 7.]

It was not so difficult for the historian to write impartially of Herod

as to write impartially of Vespasian and Titus. At the same time

Josephus, though in these books more critical, seldom escapes the yoke

of facts, and says little of the inner conditions of the people. Of

Hillel we do not hear the name, and Shammai is only mentioned, if indeed

he, and not Shemaya, is disguised under the name of Sameas, as the

member of the Sanhedrin who denounced Herod.[1]

[Footnote 1: Ant. XV. i. 1. Schlatter ingeniously conjectures that

Pollio, who is mentioned as predicting to the Sanhedrin, that this Herod

would be their enemy if they acquitted him, is identical with Abtalion,

of whom the Talmud tells a similar story. [Greek: pollion] may be an

error for [Greek: Eudalion] as the Hebrew name would be transcribed in

Greek.]

The speeches, which are put into the mouth of the king on various

occasions, are rhetorical declamations in the Greek style, which must be

derived either from Nicholas or from Herod's Memoirs, to which the

historian had access through his intimacy with the royal family. Yet,

prosaic as the treatment is, it has provided the picture of the

"magnificent barbarian" which has inspired many writers and artists of

later ages. It is from the Jewish point of view that it is most wanting.

He does indeed say that Herod transgressed the laws of his country, and

violated the ancient tradition by the introduction of foreign practices,

which fostered great sins, through the neglect of the observances that

used to lead the multitude to piety. By the games, the theater, and the

amphitheater, which he instituted at Jerusalem, he offended Jewish

sentiment; "for while foreigners were amazed and delighted at the

vastness of his displays, to the native Jews all this amounted to a

dissolution of the traditions for which they had so great a

veneration."[1] And he points out that the Jewish conspiracy against him

in the middle of his reign arose because "in the eyes of the Jewish

leaders, he merely pretended to be their king, but was in fact the

manifest enemy of their nation." It has been suggested that Justus of

Tiberias supplied him with this Jewish view of Herod, which is

unparalleled in the _Wars_. But in another passage, where he must be

following an Herodian and anti-Pharisaic source, he makes some remarks

in quite an opposite spirit, as if the Pharisees were in the wrong, and

provoked the king. He says of them: "They were prone to offend

princes;[2] they claimed to foresee things, and were suddenly elated to

break out into open war." He calls them also Sophists,[3] the scornful

name which the Greeks gave to their popular lecturers of morality.

[Footnote 1: Ant. XV. viii. 1.]

[Footnote 2: Ant. XVII. ii. 8.]

[Footnote 3: Ant. XVII. vi. 2.]

In dealing with Herod's character, Josephus is more discriminating than

in the _Wars_. He sums him up as "cruel towards all men equally, a slave

to his passions, and claiming to be above the righteous law: yet was he

favored by fortune more than any man, for from a private station he was

raised to be a king."[1] One piece of characterization may he quoted,[2]

which is not the less interesting because we may suspect that it is

stolen:

"But this magnificent temper and that submissive behavior and liberality

which he exercised towards Caesar and the most powerful men at Rome,

obliged him to transgress the customs of his nation and to set aside

many of their laws, by building cities after an extravagant manner, and

erecting Temples, not in Judea indeed, for that would not have been

borne, since it is forbidden to pay any honors to images or

representations of animals after the manner of the Greeks, but in the

country beyond our boundaries and in the cities thereof. The apology

which he made to the Jews was this, that all was done not of his own

inclination, but at the bidding of others, in order to please Caesar and

the Romans, as though he set more store on the honor of the Romans than

the Jewish customs; while in fact he was considering his own glory, and

was very ambitious to leave great monuments of his government to

posterity: whence he was so zealous in building such splendid cities,

and spent vast sums of money in them."

[Footnote 1: Ant. XVII. viii. 1.]

[Footnote 2: Ant. XV. ix. 5.]

He bursts out, too, with unusual passion against Herod for his law

condemning thieves to exile, because it was a violation of the Biblical

law, "and involved the dissolution of our ancestral traditions."

If the account of the Jewish spiritual movement at a time of great

spiritual awakening is meager, the picture of Herod's great buildings,

despite occasional confusion and vagueness, is full and valuable. He

gives us an excellent description of Caesarea and Sebaste, the two

cities which the king established as a compliment to the Roman Emperor,

and an account of the Temple and the fortress of Antonia, which he

himself knew so well. Of the Temple we have another description, in the

Mishnah, which in the main agrees with Josephus. Where the two differ,

however, the preference cannot be given to the writer who had grown up

in the shadow of the building, and might have been expected to know its

every corner.[1] As we have seen in the _Wars_, he was in topography as

in other things under the influence of Greco-Roman models.

[Footnote 1: Comp. George A. Smith, Jerusalem, ii. 495 _ff_.]

Josephus did not enjoy the advantage of a full chronicle to guide him

much beyond the death of Herod. Nicholas died, or ceased to write, in

the reign of Antipater, who succeeded his father. Apparently he had no

successor who devoted himself to recording the affairs of the Jewish

court. Hence, though the events of the troubled beginning of Antipater's

reign are dealt with at the same length as those of Herod, and we have a

vivid story of the Jewish embassy that went to Rome to petition for the

deposition of the king, the history afterwards becomes fragmentary. Such

as it is, it manifests a Roman flavor. The nationalists are termed

robbers, and the pseudo-Messiahs are branded as self-seeking

impostors.[1] After an enumeration of various pretenders that sought to

make themselves independent rulers, there is a sudden jump from the

first to the tenth year of Archelaus, who was accused of barbarous and

tyrannical practices and banished by the Roman Emperor to Gaul. His

kingdom was then added to the province of Syria. Josephus dwells on the

story of two dreams which occurred to the king and his wife Glaphyra,

and justifies himself because his discourse is concerning kings, and

also because of the advantage to be drawn from it for the assurance both

of the immortality of the soul and the Providence of God in human

affairs. "And if anybody does not believe such stories, let him keep his

own opinion, but let him not stand in the way of another who finds in

them an encouragement to virtue."

[Footnote 1: Ant. XVII. xiii. 2.]

The last three books of the _Antiquities_ reveal the weaknesses of

Josephus as an historian: his disregard of accuracy, his tendency to

exaggeration, his lack of proportion, and his mental subservience. He

had no longer either the Scriptures or a Greek chronicler to guide him.

He depended in large part for his material on oral sources and scattered

memoirs, and he is not very successful in eking it out so as to produce

the semblance of a connected narrative. His chapters are in part a

miscellany of notes, and the construction is clumsy. The writer

confesses that he was weary of his task, but felt impelled to wind it

up. Yet, just because we are so ignorant of the events of Jewish history

at the period, and because the period itself is so critical and

momentous, these books (xviii-xx) are among the most important which he

has left, and on the whole they deal rather more closely than their

predecessors with the affairs of the Jewish people. The palace intrigues

do not fill the stage so exclusively, and some of the digressions carry

us into byways of Jewish history.

At the very outset[1] Josephus devotes a chapter to a fuller delineation

than he has given in any other place of the various sects that

flourished at the time. The account, ampler though it is than the

others, does not reveal the true inwardness of the different religious

positions. He repeats here what he says elsewhere about the Pharisaic

doctrine of predestination tempered by freewill, but he enlarges

especially on the difference between the parties in their ideas about

the future life.[2] The Pharisees believe that souls have an immortal

vigor, and that they will be rewarded or punished in the next world

accordingly as they have lived virtuously or wickedly in this life; the

wicked being bound in everlasting prisons, while the good have power to

live again. The Sadducees, on the other hand, assert that the souls die

with the bodies, and the Essenes teach the immortality of souls and set

great store on the rewards of righteousness. Their various ideas are

wrapped up in Greco-Roman dress, to suit his readers, and the doctrine

of resurrection ascribed to the Pharisees is almost identical with that

held by the neo-Pythagoreans of Rome.[3] But Josephus' account is more

reliable when he refers to the divergent attitudes of the sects to the

tradition.

"The Pharisees strive to observe reason's dictates in their conduct, and

at the same time they pay great respect to their ancestors; and they

have such influence over the people because of their virtuous lives and

their discourses that they are their friends in divine worship, prayers,

and sacrifice. The Sadducees do not regard the observance of anything

beyond what the law enjoins them, but since their doctrine is held by

the few, when they hold the judicial office, they are compelled to

addict themselves to the notions of the Pharisees, because the mass

would not otherwise tolerate them. The Essenes live apart from the

people in communistic groups, and exceed all other men in virtue and

righteousness. They send gifts to the Temple, but do not sacrifice, on

which account they are excluded from the common court of the Temple."

[Footnote 1: Ant. XVIII. i. 1.]

[Footnote 2: Comp. B.J. II. viii.]

[Footnote 3: Comp. Vergil, Aeneid, vi.]

Lastly, Josephus turns to the fourth sect, the Zealots, whose founder

was Judas the Galilean:

"These men agree in all other things with the Pharisees, but they have

an inviolable attachment to liberty, and they say that God is to be

their only Ruler and Lord. Moreover they do not fear any kind of death,

nor do they heed the death of their kinsmen and friends, nor can any

fear of the kind make them acknowledge anybody as sovereign."

Josephus, however, cannot refrain from imputing low motives to those who

belonged to the party opposed to himself and hated of the Romans. "They

planned robberies and murders of our principal men," he says, "in

pretense for the public welfare, but in reality in hopes of gain for

themselves." And he saddles them with the responsibility for all the

calamities that were to come. About the Messianic hope, which appears to

have inspired them, he is compulsorily silent.

The historical record that follows is very sketchy. We have a bare list

of procurators and high priests down to the time of Pontius Pilate, a

notice of the foundation of Tiberias by the tetrarch Herod, and an

irrelevant account of the death of Phraates, the king of the Parthians,

and of Antiochus of Commagene, who was connected by marriage with the

Herodian house. Still there is rather more detail than in the

corresponding summary in the second book of the _Wars_, and Josephus

must in the interval have lighted on a fuller source than he had

possessed in his first historical essay. It is not impossible that the

new authority was again Justus of Tiberias. Of the unrest in the

governorship of Pontius Pilate he has more to say, but the genuineness

of the passage referring to the trial and death of Jesus, which is dealt

with elsewhere,[1] has been doubted by modern critics. It is followed in

the text by a long account of a scandal connected with the Isis worship

at Rome, which led to the expulsion of Jews from the capital. In this

way the chronicler wanders on between bare chronology and digression,

until he reaches the reign of Agrippa, when he again finds written

sources to help him. The romance of Agrippa's rise from a bankrupt

courtier to the ruler of a kingdom is treated with something of the same

full detail as the events of Herod's career, and probably the historian

enjoyed here the use of royal memoirs. He may have obtained material

also from the historical works of Philo of Alexandria, which were partly

concerned with the same epoch. He refers explicitly to the embassy which

the Alexandrian Jews sent to the Roman Emperor to appeal for the

rescission of the order to set up in the synagogue the Imperial image,

at the head of which went Philo, "a man eminent on all accounts, brother

to Alexander the Alabarch, and not unskilled in philosophy." Bloch[2]

indeed is of the opinion that the later historian did not use his

Alexandrian predecessor, either in this or any other part of his

writings, and points out certain differences of fact between the two

accounts; but in view of the references to Philo and the fact that

Josephus subsequently wrote two books of apology, one of which was

expressly directed in answer to Philo's bitter opponent Apion, it is at

least probable that he was acquainted with Philo's narrative. He may,

however, have used it only to supplement the memoirs of the Herodian

house, which served him as a chief source. Josephus devotes less

attention to the Alexandrian embassy than to the efforts of the

Palestinian Jews to obtain a rescission of the similar decree which

Petronius, the governor of Syria, was sent to enforce in Jerusalem. His

account is devised to glorify the part which Agrippa played. The prince

appears as a kind of male Esther, endangering his own life to save his

people; and indeed higher critics have been found to suggest that the

Biblical book of Esther was written around the events of the reign of

Gaius.

[Footnote 1: Ant. XVIII. iii. Comp. below, p. 241.]

[Footnote 2: Die Quellen des Flavius Josephus.]

The story of Agrippa is interrupted by a chapter about the Jews of

Babylon, which has the air of a moral tale on the evils of

intermarriage, and may have formed part of the popular Jewish literature

of the day. Another long digression marks the beginning of the

nineteenth book of the _Antiquities_, where Josephus leaves Jewish

scenes and inserts an account of Caligula's murder and the election of

Claudius as Emperor. This narrative, while of great interest for

students of the Roman constitution, is out of all proportion to its

place in the Jewish chronicle. Josephus, it has been surmised, based it

on the work of one Cluvius (referred to in the book as an intimate

friend of Claudius), who wrote a history about 70 C.E.; he may besides

have received hitherto unpublished information from Agrippa II, whose

father had been an important actor in the drama, or from his friend

Aliturius, the actor at Rome, who had mixed in affairs of state. Anyhow,

he took advantage of this chance of making a literary sensation.

Doubtless also, the recital, which threw not a little discredit on the

house of the earlier Caesars, was for that reason not unwelcome to the

upstart Flavians, and may have been inserted at the Imperial wish.

Agrippa I is the most attractive figure in the second part of the

_Antiquities_. He is contrasted with Herod,

"who was cruel and severe in his punishments, and had no mercy on those

he hated, and everyone perceived that he had more love for the Greeks

than for the Jews.... But Agrippa's temper was mild and equally liberal

to all men. He was kind to foreigners and was of agreeable and

compassionate feeling. He loved to reside at Jerusalem, and was

scrupulously careful in his observance of the Law of his people. On his

death he expressed his submission to Providence; for that he had by no

means lived ill, but in a splendid and happy manner."

His peaceful reign, however, was only the lull before the storm, and the

last book of the _Antiquities_ is mainly taken up with the succession of

wicked procurators, who, by their extortions and cruelties and flagrant

disregard of the Jewish Law and Jewish feeling, goaded the Jews into the

final rebellion. It contains, however, a digression on the conversion of

the royal house of Adiabene to Judaism, which is tricked out with

examples of God's Providence. Yet another digression records the

villainies of Nero (which no doubt was pleasing to his patrons) and the

amours of Drusilia, the daughter of Agrippa I. But of the rising

discontent of the Jewish people in Palestine we have no clear picture.

Josephus fails as in the _Wars_ to bring out the inner incompatibility

of the Roman and the Jewish outlook, and represents, in an

unimaginative, matter-of-fact, Romanizing way, that it was simply

particular excesses--the rapacity of a Felix, the knavery of a

Florus--which were the cause of the Rebellion. This is just what a Roman

would have said, and when the Jewish writer deals at all with the Jewish

position, it is usually to drag in his political feud. He especially

singles out the sacrilege of the Zealots in assassinating their

opponents within the Temple precincts as the reason of God's rejecting

the city; "and as for the Temple, He no longer deemed it sufficiently

pure to be His habitation, but brought the Romans upon us and threw a

fire on the city to purge it, and brought slavery on us, our wives, and

our children, to make us wiser by our calamities." Thus the priestly

apologist, accepting Roman canons, finds in the ritual offense of a

section of the people the ground for the destruction of the national

center. He is torn, indeed, between two conflicting views about the

origin of the rebellion: whether he shall lay the whole blame on the

Jewish irreconcilables, or whether he shall divide it between them and

the wicked Roman governors; and in the end he exaggerates both these

motives, and leaves out the deeper causes.

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