CHAPTER I

AN ENGLISHWOMAN IN ANGORA

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[Illustration:

MISS GRACE ELLISON.

The first British woman to visit Angora since the beginning of the

Nationalist Movement. She has always stood for Anglo-Turkish

friendship.

Frontispiece

]

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AN ENGLISHWOMAN

IN ANGORA :: :: By

GRACE ELLISON :: :: ::

════════════════════════════════════════

With 34 illustrations, reproduced from the Author’s

own sketches and photographs, and with a cartoon by

L. Raven Hill

_LONDON: HUTCHINSON & CO.

PATERNOSTER ROW_

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TO

MY DEAR MOTHER

AND TO MY LATE FATHER,

CAPT. JOHN ELLISON,

IN LOVING MEMORY OF HIS BEAUTIFUL LIFE:

HIS EVER COURAGEOUS DEFENCE OF JUSTICE,

HONOUR, AND TRUTH.

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FOREWORD

AN ENGLISHWOMAN IN ANGORA

AT the time of writing I am the only Englishwoman who has been in Angora

since the Nationalist movement began.

Others, moved by curiosity, have sought permission to visit the country

under its new _régime_, but Nationalist Turkey has bidden them

wait—until she is sure that her guests will write, or speak, the _truth_

about what they may see, and can be trusted to forget the prejudices

with which they would almost certainly arrive.

For myself, I have three times been welcomed to Turkey with open arms

_on account_ of my nationality. On this occasion I was still welcome,

but _in spite of_ my nationality—an ugly truth that my mind almost

refuses to accept.

To compare impressions from these visits one must first ask: “How could

such a change of attitude come to pass?”

Formerly Great Britain was _the_ country of all countries that “counted”

in Turkey. To be a “gentleman”—(they used the English word)—was the

Turks’ highest ambition. British stuffs were chosen in preference to

French, _not_ because they were finer or of greater value, but simply

because they were _British_. Our ideals, our policy, and, I must add,

our governesses, were almost regarded as sacred in Turkish eyes.

And now I am advised, for greater safety, to travel as an American! God

forbid! I stand by the old flag.

I would smile, could the tears be hidden, when I recall the police

officer who so solemnly enquired if _I was sure_ I was not an American.

“Perfectly sure,” I replied.

“How then,” said he, “has that impossibility—an Englishwoman in

Angora—become possible?”

“Your Government,” I answered, “has made it possible. As you have no one

else here from my country, I have given myself this mission.... An old

friend of the Turks, a woman who loves her own country! Can she not do

_something_ for that peace between us, which is a supreme necessity to

both? That is why I am here.”

* * * * *

I do not forget that Turks were our “enemies” in the war. But they came

back, beaten to the dust—and penitent. Then was the moment for us to

have made our own terms. In that mood Turkey would have

accepted—anything, but the _one thing_ we imposed on her—the Greeks at

Smyrna! That policy of sheer folly has transformed the veneration of her

people into fear and distrust, if not hate.

Unjustly and unreasonably as we have behaved towards our old ally, we

were not, indeed, alone in this mischievous exalting of Greek

aggressions. Dare we not now own our mistake? We are great enough, and

strong enough, to be generous, to mend our ways!

To-day, surely, it is the duty of English patriots to pour oil on the

troubled waters, to explain to Turkey what _can_ be explained, and to

paint our countrymen, at least, less “black” than they have been made to

seem by our rivals’ pen!

Lausanne Palace Hotel,

Lausanne,

_January, 1923_.

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CONTENTS

FOREWORD

PAGE

An Englishwoman in Angora ix

List of Illustrations xv

CHAPTER I

On Board the _Pierre Loti_—Turkey’s Debt 17

to Loti’s Magic Pen

CHAPTER II

Turkey and Tolerance—A Friendship Wasted 22

CHAPTER III

Malta: the Name I was to Hear Throughout 29

Anatolia

CHAPTER IV

Athens—“We Have Loved Helen; Must We 36

Divorce Her?”

CHAPTER V

Smyrna: a Picture of Desolation 43

CHAPTER VI

British Chivalry!—Brave Women a 54

Nuisance!

CHAPTER VII

Smyrna—God’s Work—The Exquisite 60

Sunset—Man’s Work—War

CHAPTER VIII

Emotions and Impressions—“On the 71

Way”—Nowhere to House the Poor People

CHAPTER IX

More Impressions-“Sitting Amidst an Army 79

of Supposed Savage Fanatics, Debating

the Greatness of God”

CHAPTER X

A Journey on Foot—A Country Made by God, 85

untouched by Man

CHAPTER XI

A Public Meeting at Ouchak—Hospitality—A 94

Sacred Rite

CHAPTER XII

A Luggage Train—The Worst Stage of My 104

Whole Journey

CHAPTER XIII

A Third-Class Compartment—A Frenchman 114

Amongst the Ruins

CHAPTER XIV

In the “Train de Luxe”—The Supreme Good 122

Fellowship of English

Laughter—Journeying Towards the Cradle

of New Turkey

CHAPTER XV

Angora I.—Entering a “Brotherhood”—An 132

Atmosphere of Camaraderie

CHAPTER XVI

Angora II.—At the Home of My Kind and 141

Courteous Host

CHAPTER XVII

Angora III.—The Marvellous Atmosphere of 147

a Great Birth

CHAPTER XVIII

The Ghazi Mustapha Kemal Pasha—The 159

Greatest Man in Turkey To-day

CHAPTER XIX

An Interview with the Ghazi Mustapha 174

Kemal Pasha

CHAPTER XX

Mustapha Kemal Pasha—The Man Who is 179

Master of His Fate

CHAPTER XXI

A Turkish Cabinet—The Three Best-Known 192

Ministers—A Cabinet of Young Men

CHAPTER XXII

Turkish Cabinet—The Less-known Ministers 198

of the Sovereign State

CHAPTER XXIII

The Foreign Colony in Angora—A Group of 202

Foreign Personalities

CHAPTER XXIV

Halidé Edib Hanoum, Author and Patriot—A 205

Woman Dowered with the All-Conquering

Gifts of the Truly Brave

CHAPTER XXV

Hospitals—Schools—Education and the 215

Nationalist Writers—The Days Pass, but

There is Still Much to Be Done and

Seen

CHAPTER XXVI

Last Days in Angora: Excursions, 226

Conversations, Picnics—HAÏDAR Bey’s

Party

CHAPTER XXVII

Rome, the Eternal City—A Visit to the 239

Catholics in Angora

CHAPTER XXVIII

Three Diplomats at Rome—The Guardianship 249

of the Holy Tomb

CHAPTER XXIX

_En Route_ for Constantinople—A Night at 254

Bilidjik Under the Frost-Laden Skies

CHAPTER XXX

From Bilidjik to Broussa by Yaili—After 259

the day’s Roughening Experiences one

can Sleep whatever the Accommodation

CHAPTER XXXI

A Few Days in Broussa—The True Islam 273

Atmosphere

CHAPTER XXXII

Constantinople No Longer the Capital—The 285

Heart and Spirit of Turkey are in

Angora

CHAPTER XXXIII

Lausanne Palace Hotel—The Home of 298

Turkey, France, and Japan—“Every

Possible Phase of Complete

Internationalism”

CHAPTER XXXIV

Turkey and the League of Nations—The 313

Parliament of Nations Must Be Truly

Impartial and International

CHAPTER XXXV

The Future—Above All, a Lasting Peace 318

Index 321

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LIST OF ILLUSTRATIONS

Miss Grace Ellison _Frontispiece_

Burnt Quarter in the French Part of 48

Smyrna near the Quay

Lord Curzon: “Turkey for the Turks, 64

indeed!”

In an Ox Wagon 89

From a Turk’s Back 104

H.M. The Kaliph of Islam 112

A Battle Royal with my Tangled, Dusty 122

Hair

A Bottle of Evian—Under the Table 123

General Moueddine Pasha, Military 128

Instructor of Mustapha Kemal Pasha

The Market-place at Angora 136

“The carriages swing from angle to 137

angle”

Grand National Assembly at Angora 144

“There is so much to sketch from our 145

front door”

The Ghazi Mustapha Kemal Pasha, 160

President of the Grand National

Assembly, Angora

On the wall of Mustapha Kemal Pasha’s 164

study the Sultan Osman looks down on

Mustapha Kemal Pasha

The Ante-room at Tchan-Kaya 165

Mustapha Kemal Pasha’s Sitting-room 168

Mustapha Kemal Pasha Walking in the 171

Grounds of Tchan-Kaya

General Ismet Pasha, Minister for 176

Foreign Affairs

Rauf Bey, Prime Minister 192

Halidé Hanoum, the well-known writer, 208

patriot, and feminist leader

Dr. Adnan Bey, High Commissioner for 208

Constantinople

Agha Aglou Ahmed Bey, Director of the 224

Angora Press

A Luncheon Party at the Ottoman Bank, 240

Angora

The Yaili with Drawn Curtains 255

Broussa 256

“He has the right to say, ‘Look at me’” 261

The Tomb of the Sultan Osman at Broussa 272

General Refet Pasha and Colonel Mougin 288

in Constantinople

Lausanne Palace Hotel 304

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An Englishwoman in Angora

CHAPTER I

ON BOARD THE “PIERRE LOTI”—TURKEY’S DEBT TO LOTI’S MAGIC PEN

OVER a sea as smooth as ice, the sun shining brightly most of the way,

the Messageries Maritimes steamer _Pierre Loti_ is carrying us to

Smyrna. Ten years ago, to a beaten Turkey (unable, it was supposed, to

face an enemy for years to come), I had taken the same trip. And now,

despite the prophets, I am returning to a victorious people; doubly

victorious, since all the odds were against them.

“That is the kind of story I love,” I remarked to the sympathetic

captain and his daughter, with whom I generally lunched as guest in

their own cabin. They, indeed, were particularly interested in my

adventure, for they knew the Near East well, and this was to be their

last visit. Because he had just reached the age limit of those who ‘go

down to the sea in ships,’ though it was only when you caught the word

‘papa’ upon his daughter’s lips that anyone would suspect the fact.

So they are blessed who marry young!

“It seems strange,” I told him one morning, “to be here—on board the

_Pierre Loti_, and surely a presage of good luck, since his books have

done so much to increase and widen my inborn sympathies with the East.”

Still more strange it proved; since the captain himself had named the

ship for his admiration of the great French writer and in memory of

personal friendship between them. A rare literary association for a

steamer once in the service of the Czars. Wherefore, also, I found the

master’s works in the ship’s library, and could renew acquaintance with

many an old favourite: “Ramuntcho,” “Matelot,” “Ispahan,” “Les Pêcheurs

d’Islande” and the “Désenchantées.”

The captain told me of his visit to Rochefort, and _I_ told _him_ how

Antoine went to the same house for final instructions upon the staging

of “Ramuntcho,” which, however, did not prove a success. How, indeed,

could anyone think of dramatising Pierre Loti, whether in prose or

verse? He gives us neither psychology nor dramatic incident. I can only

suppose that Antoine permitted them to be produced—to show once for all

that the thing could not be done; a hard lesson for the master!

“Among Loti’s collection of priceless treasures, rifled from every

corner of the East, Antoine sought in vain for somewhere to place his

hat! Finally, he hooked it on to an Eastern idol, and their talk began.

In a few moments, however, there was a pause, for the astonished

dramatist caught sight of the offending headgear suspended, as he

supposed, in mid-air. However, a closer look revealed that it was

resting upon a thin stream of water. The Eastern idol was a fountain!”

The captain expressed his surprise that I should not only be so familiar

with Loti’s work, but that I could really know anything intimately of

his private life, “seeing how the Frenchman disliked my own country.”

“My dear sir,” I replied, “if we are to find our friends to-day only

among those who love England, we should be limited indeed. You and your

charming daughter, _par exemple_, are you precisely admirers of the

British Government?...

“To me, Art is first, and the rest—nowhere! I care not whether the

genius first saw daylight in Paris, in New York, or in Timbuctoo. I have

more friends out of England than in England. Like Kipling’s cat, ‘all

places are alike to me.’ I only ask that your land be warm; and with all

peoples who do not rob me I am ready and eager to be good friends. To

‘guard the frontiers’ in Art would be to bring back the Dark Ages. The

most sincere love of one’s own country should never teach one to be

disdainful of _les autres_.”

“You are going to Nationalist Turkey,” he replied, “you will find

yourself right up against Chauvinism all the time.”

“I don’t believe it. Forgive me, I really think you exaggerate. And

besides—with my strong sympathies for the Turks!—I have always found

Orientals the most broad-minded men.”

Then I brought back the talk to Pierre Loti. “Why do you say that he

dislikes England so much?” I asked. “He _does_ object to golf near the

Pyramids; he _is_ a little sarcastic about ‘Messrs. Thos. Cook & Co.,

Egypt, Ltd.,’ forgetting what it means to travel without them; he

dislikes our Government for its pro-Greek policy and its injustice

towards the Turks. As an Englishwoman I agree. And, like him, too, I

regard New York as the nearest earthly approach to hell! We certainly do

not hate America; only its noise, its materialism, and its advertising.

“I knew Pierre Loti best, perhaps, at his charming Basque home in

Hendaye—thanks to my friendship with his heroines, Melek and Zeyneb. I

know, at one time, he resented what seemed to him our Edward VII.’s

‘interference’ in French affairs. But that master of diplomats never

gave his advice unasked; and, when he was told of the great Frenchman’s

hostility, Pierre Loti was promptly invited to Windsor, and they became

the best of friends. Would he were with us now, that he might but talk

with the Ministers of both nations!

“After Windsor, Loti, I’m sure, would have spared his sarcasm. ‘There is

one thing left now,’ he once declared. ‘We must appeal to H.M. Edward

VII. _He_ only can do what he likes in France!’ The French Admiralty had

just refused him permission to carry away from one of their ships the

table on which he had written the ‘Désenchantées.’”

The captain, it seemed, was ready to waive this point.

“But I do not consider,” he resumed, “that Loti’s books are a true

picture of Turkey as she is.”

“They would not, indeed, suit his arch-enemy Messrs. Cook,” I replied;

“as Turner painted, he wrote, for those who have eyes to see. Tell him

you never saw _his_ Turkey, and he would reply: ‘Don’t you wish you

could?’...

“Had Loti himself been English, he would, naturally, have reached a

larger public among us. The warmth of his colouring is too often lost in

translation. As a schoolgirl I learnt by heart the wonderful Preface to

his “Ispahan”: ‘_Qui vent venir avec moi voir les roses d’Ispahan_,’ and

I have dreamt of those roses ever since.”

The captain then spoke of the avenue at Constantinople which bears his

name.

“A charming remembrance,” I replied, “but he needs no such ‘rosemary.’

Do we realise, I wonder, what French influence in the Near East owes to

his supreme art. In England, except for a small minority, the word

Turkey only means a vision of fair houris, veiled in the mysteries of

the past, the great ‘Red’ Sultan, and massacres in Armenia. To France it

means Aziadé, the Green Mosque at Brousse, Djénane, and the Fantômes

d’Orient. Public opinion, to-day, can be ‘manufactured’ as easily as

butter and cheese; but the imaginations once stirred by the magician’s

pen will not yield so easily to the last Brew of Hate. France is not

going to lose her dream of the East woven from Loti’s pen. A debt of

gratitude neither she, nor Turkey itself, can ever pay.”

To travel by this steamer, bearing the name of a writer one loves so

well, brings unceasing delight. Your menu-card, the life-belts on deck,

even the towels, all bear a name to fill the mind with memory of

beautiful things. As my eyes fell on the _Pierre Loti’s_ lifeboat,

swinging on its davits, I recalled the “Pêcheurs d’Islande,” with its

tragic close: “and he never returned!” All the sorrow, the suffering,

and the heart-ache; the useless watching, waiting, and longing—this, for

the women, is War!

Are we, indeed, to begin _that_ all over again? For a “Greater Greece”

than the Greeks themselves can sustain?

If _all_ women who have suffered (and who has not?) would march to

Westminster to protest, would any hear and pause? Can we fight a Press

in the service of profiteers, bolstering up the Government, blocking the

public view?

Are we not, after all, mere “pawns” of a Destiny that none can avert?

* * * * *

Pierre Loti’s long and interesting life is now very quickly drawing to

its close. He has written his last words—a defence of his beloved Turks.

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An Englishwoman in Angora · 第 1 / 35 章