765. ~Means ... to the good~: intends ... for the good.

767. ~dictate~. The accent in Milton's time was on the first syllable,

both in noun and verb. ~spare Temperance~. For Milton's praises of

Temperance comp. _Il Pens._ 46, "Spare Fast that oft with gods doth

diet"; also the 6th Elegy, 56-66; _Son._ xx., etc. "There is much in the

Lady which resembles the youthful Milton himself--he, the Lady of his

college--and we may well believe that the great debate concerning

temperance was not altogether dramatic (where, indeed, is Milton truly

dramatic?), but was in part a record of passages in the poet's own

spiritual history." Dowden's _Transcripts and Studies_.

768. If Nature's blessings were equally distributed instead of being

heaped upon a luxurious few, then (as Shakespeare says, _King Lear_, iv.

1. 73) "distribution should undo excess, And each man have enough."

769. ~beseeming~, suitable. The original sense of _seem_ is 'to be

fitting,' as in the words _beseem_ and _seemly_.

770. ~lewdly-pampered~; one of Milton's most expressive compounds =

wickedly gluttonous. _Lewd_ has passed through several changes of

meaning: (1) the lay-people as distinct from the clergy; (2) ignorant or

unlearned; and finally (2) base or licentious.

774. ~she no whit encumbered~, _i.e._ Nature would not be in the least

surcharged (as Comus represented in l. 728). _No whit_, used adverbially

= not in the least, lit. 'not a particle.' Etymologically _aught_ = a

whit, _naught_ = no whit.

776. ~His praise due paid~, _i.e._ would be duly paid. On _due_, see note,

l. 12. ~gluttony~: abstract for concrete.

779. ~Crams~, _i.e._ crams himself. There are many verbs in English that

may be thus used reflexively without having the pronoun expressed,

_e.g._ _feed_, _prepare_, _change_, _pour_, _press_, etc.

780. ~enow~. 'Enow' conveys the notion of a number, as in early English:

it is also spelt _anow_, and in Chaucer _ynowe_, and is the plural of

_enough_. It still occurs as a provincialism in England. On lines

780-799 Masson says: "A recurrence, by the sister, with much more mystic

fervour, to that Platonic and Miltonic doctrine which had already been

propounded by the Elder Brother (see lines 420-475)."

782. ~sun-clad power of chastity~. With 'sun-clad' compare 'the sacred

rays of chastity,' l. 425. Similarly in the _Faerie Queene_, iii. 6,

Spenser says of Belphoebe, who represents Chastity, "And Phoebus with

fair beams did her adorn."

783. ~yet to what end?~ A rhetorical question, = it would be to no

purpose.

784. ~nor ... nor~. These correlatives are often used in poetry for

_neither ... nor_ (Shakespeare often omitting the former altogether),

and are equally correct. _Nor_ is only a contraction of _neither_, and

the first may as well be contracted as the second.

785. ~sublime notion and high mystery~. In the _Apology for Smectymnuus_

Milton tells of his study of the "divine volume of Plato," wherein he

learned of the "abstracted sublimities" of Chastity and Love: also of

his study of the Holy Scripture "unfolding these chaste and high

mysteries, with timeless care infused, that the body is for the Lord,

and the Lord for the body."

790. ~dear wit~. 'Dear' is here used in contempt: its original sense is

'precious' (A.S. _deore_), but in Elizabethan English it has a variety

of meanings, _e.g._ intense, serious, grievous, great, etc. Comp. "sad

occasion _dear_," _Lyc._ 6; "_dear_ groans," _L. L. L._ v. 2. 874. Craik

suggests "that the notion properly involved in it of love, having first

become generalised into that of a strong affection of any kind, had

thence passed on to that of such an emotion the very reverse of love,"

as in my _dearest_ foe. ~gay rhetoric~: here so named in contempt, as

being the instrument of sophistry.

791. ~fence~, argumentation, _Fence_ is an abbreviation of _defence_:

comp. "tongue-fence" (Milton), "fencer in wits' school" (Fuller), _Much

Ado_, v. 1. 75.

794. ~rapt spirits~. 'Rapt' = enraptured, as if the mind or soul had been

_carried out of itself_ (Lat. _raptus_, seized): comp. _Il Pens._ 40,

"Thy _rapt_ soul sitting in thine eyes." Milton also uses the word of

the actual snatching away of a person: "What accident hath _rapt_ him

from us," _Par. Lost_, ii. 40.

797. ~the brute Earth~, etc., _i.e._ the senseless Earth would become

sensible and assist me. 'Brute' = Lat. _brutus_, dull, insensible: comp.

Horace, _Odes_, i. 34. 9, "_bruta tellus_."

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