10. Symphonia harmoniae celestum revelationum.

(B) is also at Wiesbaden, and will be cited here as the _Wiesbaden

Codex B_. It contains the _Scivias_ only, and is a truly noble volume

of 235 folios, beautifully illuminated, in excellent preservation,

and of the highest value for the history of mediaeval art. It has

been thoroughly investigated by the late Dom Louis Baillet,[11] who

concluded that it was written in or near Bingen between the dates 1160

and 1180. Its miniatures help greatly in the interpretation of the

visions, illustrating them often in the minutest and most unexpected

details. In view of the great difficulty of visualizing much of her

narrative, these miniatures afford to our mind strong evidence that the

MS. was supervised by the prophetess herself, or was at least prepared

under her immediate tradition. This view is confirmed by comparing the

miniatures with those of the somewhat similar but inferior Heidelberg

MS. (C).

Both the miniatures and the script of the Wiesbaden Codex B are

the work of several hands. There are three distinct handwritings

discernible (Plate II). The earliest is attributed by Baillet in

his careful work to the twelfth century, while the later writing is

in thirteenth-century hands.[12] It thus appears to us that while

Hildegard herself probably supervised the earlier stages of the

preparation of this volume, its completion took place subsequent to

her death. This view is sustained by the fact that some of the later

miniatures are far less successful than the earlier figures in aiding

the interpretation of her text.

The two Wiesbaden MSS. appear to have remained at the convent on the

Rupertsberg opposite Bingen until the seventeenth century. They were

studied there by Trithemius in the fifteenth century, and one of them

at least was seen by the Mayence Commission of 1489. Later they were

noted by the theologians Osiander (1527) and Wicelius (Weitzel, 1554),

and by the antiquary Nicolaus Serarius (1604). In 1632, during the

Thirty Years’ War, the Rupertsberg buildings were destroyed, the MSS.

being removed to a place of safety in the neighbouring settlement

at Eibingen, where they were again recorded in 1660 by the Jesuits

Papenbroch and Henschen.[13] At some unknown date they were transferred

to Wiesbaden, where they were examined in 1814 by Goethe,[14] and a few

years later by Wilhelm Grimm,[15] and where they have since remained.

[Illustration: Fig. 2. HILDEGARD’S FIRST SCHEME OF THE UNIVERSE

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