FRENCH PIANISTS.

In presenting the famous French pianists, =Charles Henri Valentine

Alkan=, born 1813, died 1888, must not be forgotten. A brilliant

pianist, he claims our attention chiefly on account of his etudes,

introducing novel and extremely difficult problems of technic.

Musically his studies cannot be compared with those of Chopin or Liszt,

but they merit attention, particularly in the modern editions.

Although =Camille Saint-Saëns= is known chiefly as a composer, he was,

during his early years, a remarkable pianist. His contributions to

piano literature, five concertos, etudes and smaller pieces, are all

valuable.

A group of Paris Conservatory professors constitute the most

distinguishing teaching talent in France today. Further than that,

Paris is one of the great centres of piano playing in Europe. Its

teachers follow their own traditions, yet have assimilated from Liszt.

The oldest of these is =Georges Mathias= (b. 1826), pupil of Chopin,

Kalkbrenner and the Paris Conservatory, who has been professor of piano

playing since 1862. =E. Delaborde=, a pupil of Alkan, Moscheles and

Liszt, has taught at the Paris Conservatory since 1873. One of the most

successful teachers now living is =Louis Dièmer=, born 1843, a pupil

of Marmontel. Winning the first piano prize at the age of thirteen,

he succeeded his former teacher in 1888. Dièmer has turned out many

first prizes; he has an impeccable technic; he has done much to foster

interest in the harpsichord, the oboe d’amore and other obsolete

instruments. He has published valuable collections of old French

harpsichord music, besides original works. A Conservatory teacher

well-known in America is =Raoul Pugno=, born 1852. A pupil of the

Paris Conservatory, he obtained first prizes in piano playing, organ

and harmony. He came to America in 1897-98 with Ysaye and others, and

again in 1902. He has taught at the Paris Conservatory since 1897. He

has a superb technic, and is versatile as an interpreter. He has also

composed much. A teacher of unusual insight into technic is =Isidor

Philipp=, born 1863, a pupil of Mathias, Saint-Saëns and others. He

possesses a flawlessly accurate technic, and has appeared frequently

in public, although he devotes the greater part of his energy to

teaching. He has published many valuable sets of exercises, collections

of difficult passages, some transcriptions and original pieces. He has

been professor at the Conservatory since 1904.

=Louis Breitner=, a pupil of the Milan Conservatory, Anton Rubinstein

and Liszt, has lived for many years at Paris as pianist and teacher. He

also has visited America. Among the younger French pianists are =Leon

Delafosse=, =Edouard Risler=, an eclectic pianist, a pupil of Dièmer,

D’Albert and Stavenhagen.

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