LETTER XXXVII.—(_Continued_.)

A Simple Nature-Worship—Aino Gods—A Festival Song—Religious

Intoxication—Bear-Worship—The Annual Saturnalia—The Future State—Marriage

and Divorce—Musical Instruments—Etiquette—The Chieftainship—Death and

Burial—Old Age—Moral Qualities.

THERE cannot be anything more vague and destitute of cohesion than Aino

religious notions. With the exception of the hill shrines of Japanese

construction dedicated to Yoshitsuné, they have no temples, and they have

neither priests, sacrifices, nor worship. Apparently through all

traditional time their _cultus_ has been the rudest and most primitive

form of nature-worship, the attaching of a vague sacredness to trees,

rivers, rocks, and mountains, and of vague notions of power for good or

evil to the sea, the forest, the fire, and the sun and moon. I cannot

make out that they possess a trace of the deification of ancestors,

though their rude nature worship may well have been the primitive form of

Japanese Shintô. The solitary exception to their adoration of animate

and inanimate nature appears to be the reverence paid to Yoshitsuné, to

whom they believe they are greatly indebted, and who, it is supposed by

some, will yet interfere on their behalf. {273} Their gods—that is, the

outward symbols of their religion, corresponding most likely with the

Shintô _gohei_—are wands and posts of peeled wood, whittled nearly to the

top, from which the pendent shavings fall down in white curls. These are

not only set up in their houses, sometimes to the number of twenty, but

on precipices, banks of rivers and streams, and mountain-passes, and such

wands are thrown into the rivers as the boatmen descend rapids and

dangerous places. Since my baggage horse fell over an acclivity on the

trail from Sarufuto, four such wands have been placed there. It is

nonsense to write of the religious ideas of a people who have none, and

of beliefs among people who are merely adult children. The traveller who

formulates an Aino creed must “evolve it from his inner consciousness.”

I have taken infinite trouble to learn from themselves what their

religious notions are, and Shinondi tells me that they have told me all

they know, and the whole sum is a few vague fears and hopes, and a

suspicion that there are things outside themselves more powerful than

themselves, whose good influences may be obtained, or whose evil

influences may be averted, by libations of _saké_.

The word worship is in itself misleading. When I use it of these savages

it simply means libations of _saké_, waving bowls and waving hands,

without any spiritual act of deprecation or supplication. In such a

sense and such alone they worship the sun and moon (but not the stars),

the forest, and the sea. The wolf, the black snake, the owl, and several

other beasts and birds have the word _kamoi_, god, attached to them, as

the wolf is the “howling god,” the owl “the bird of the gods,” a black

snake the “raven god;” but none of these things are now “worshipped,”

wolf-worship having quite lately died out. Thunder, “the voice of the

gods,” inspires some fear. The sun, they say, is their best god, and the

fire their next best, obviously the divinities from whom their greatest

benefits are received. Some idea of gratitude pervades their rude

notions, as in the case of the “worship” paid to Yoshitsuné, and it

appears in one of the rude recitations chanted at the Saturnalia which in

several places conclude the hunting and fishing seasons:—

“To the sea which nourishes us, to the forest which protects us, we

present our grateful thanks. You are two mothers that nourish the same

child; do not be angry if we leave one to go to the other.

“The Ainos will always be the pride of the forest and of the sea.”

The solitary act of sacrifice which they perform is the placing of a

worthless, dead bird, something like a sparrow, near one of their peeled

wands, where it is left till it reaches an advanced stage of

putrefaction. “To drink for the god” is the chief act of “worship,” and

thus drunkenness and religion are inseparably connected, as the more

_saké_ the Ainos drink the more devout they are, and the better pleased

are the gods. It does not appear that anything but _saké_ is of

sufficient value to please the gods. The libations to the fire and the

peeled post are never omitted, and are always accompanied by the inward

waving of the _saké_ bowls.

The peculiarity which distinguishes this rude mythology is the “worship”

of the bear, the Yezo bear being one of the finest of his species; but it

is impossible to understand the feelings by which it is prompted, for

they worship it after their fashion, and set up its head in their

villages, yet they trap it, kill it, eat it, and sell its skin. There is

no doubt that this wild beast inspires more of the feeling which prompts

worship than the inanimate forces of nature, and the Ainos may be

distinguished as bear-worshippers, and their greatest religious festival

or Saturnalia as the Festival of the Bear. Gentle and peaceable as they

are, they have a great admiration for fierceness and courage; and the

bear, which is the strongest, fiercest, and most courageous animal known

to them, has probably in all ages inspired them with veneration. Some of

their rude chants are in praise of the bear, and their highest eulogy on

a man is to compare him to a bear. Thus Shinondi said of Benri, the

chief, “He is as strong as a bear,” and the old Fate praising Pipichari

called him “The young bear.”

In all Aino villages, specially near the chief’s house, there are several

tall poles with the fleshless skull of a bear on the top of each, and in

most there is also a large cage, made grid-iron fashion, of stout

timbers, and raised two or three feet from the ground. At the present

time such cages contain young but well-grown bears, captured when quite

small in the early spring. After the capture the bear cub is introduced

into a dwelling-house, generally that of the chief, or sub-chief, where

it is suckled by a woman, and played with by the children, till it grows

too big and rough for domestic ways, and is placed in a strong cage, in

which it is fed and cared for, as I understand, till the autumn of the

following year, when, being strong and well-grown, the Festival of the

Bear is celebrated. The customs of this festival vary considerably, and

the manner of the bear’s death differs among the mountain and coast

Ainos, but everywhere there is a general gathering of the people, and it

is the occasion of a great feast, accompanied with much _saké_ and a

curious dance, in which men alone take part.

Yells and shouts are used to excite the bear, and when he becomes much

agitated a chief shoots him with an arrow, inflicting a slight wound

which maddens him, on which the bars of the cage are raised, and he

springs forth, very furious. At this stage the Ainos run upon him with

various weapons, each one striving to inflict a wound, as it brings good

luck to draw his blood. As soon as he falls down exhausted, his head is

cut off, and the weapons with which he has been wounded are offered to

it, and he is asked to avenge himself upon them. Afterwards the carcass,

amidst a frenzied uproar, is distributed among the people, and amidst

feasting and riot the head, placed upon a pole, is worshipped, i.e. it

receives libations of _saké_, and the festival closes with general

intoxication. In some villages it is customary for the foster-mother of

the bear to utter piercing wails while he is delivered to his murderers,

and after he is slain to beat each one of them with a branch of a tree.

[Afterwards at Usu, on Volcano Bay, the old men told me that at their

festival they despatch the bear after a different manner. On letting it

loose from the cage two men seize it by the ears, and others

simultaneously place a long, stout pole across the nape of its neck, upon

which a number of Ainos mount, and after a prolonged struggle the neck is

broken. As the bear is seen to approach his end, they shout in chorus,

“We kill you, O bear! come back soon into an Aino.”] When a bear is

trapped or wounded by an arrow, the hunters go through an apologetic or

propitiatory ceremony. They appear to have certain rude ideas of

metempsychosis, as is evidenced by the Usu prayer to the bear and certain

rude traditions; but whether these are indigenous, or have arisen by

contact with Buddhism at a later period, it is impossible to say.

They have no definite ideas concerning a future state, and the subject is

evidently not a pleasing one to them. Such notions as they have are few

and confused. Some think that the spirits of their friends go into

wolves and snakes; others, that they wander about the forests; and they

are much afraid of ghosts. A few think that they go to “a good or bad

place,” according to their deeds; but Shinondi said, and there was an

infinite pathos in his words, “How can we know? No one ever came back to

tell us!” On asking him what were bad deeds, he said, “Being bad to

parents, stealing, and telling lies.” The future, however, does not

occupy any place in their thoughts, and they can hardly be said to

believe in the immortality of the soul, though their fear of ghosts shows

that they recognise a distinction between body and spirit.

Their social customs are very simple. Girls never marry before the age

of seventeen, or men before twenty-one. When a man wishes to marry he

thinks of some particular girl, and asks the chief if he may ask for her.

If leave is given, either through a “go-between” or personally, he asks

her father for her, and if he consents the bridegroom gives him a

present, usually a Japanese “curio.” This constitutes betrothal, and the

marriage, which immediately follows, is celebrated by carousals and the

drinking of much _saké_. The bride receives as her dowry her earrings

and a highly ornamented _kimono_. It is an essential that the husband

provides a house to which to take his wife. Each couple lives

separately, and even the eldest son does not take his bride to his

father’s house. Polygamy is only allowed in two cases. The chief may

have three wives; but each must have her separate house. Benri has two

wives; but it appears that he took the second because the first was

childless. [The Usu Ainos told me that among the tribes of Volcano Bay

polygamy is not practised, even by the chiefs.] It is also permitted in

the case of a childless wife; but there is no instance of it in Biratori,

and the men say that they prefer to have one wife, as two quarrel.

Widows are allowed to marry again with the chief’s consent; but among

these mountain Ainos a woman must remain absolutely secluded within the

house of her late husband for a period varying from six to twelve months,

only going to the door at intervals to throw _saké_ to the right and

left. A man secludes himself similarly for thirty days. [So greatly do

the customs vary, that round Volcano Bay I found that the period of

seclusion for a widow is only thirty days, and for a man twenty-five; but

that after a father’s death the house in which he has lived is burned

down after the thirty days of seclusion, and the widow and her children

go to a friend’s house for three years, after which the house is rebuilt

on its former site.]

If a man does not like his wife, by obtaining the chief’s consent he can

divorce her; but he must send her back to her parents with plenty of good

clothes; but divorce is impracticable where there are children, and is

rarely if ever practised. Conjugal fidelity is a virtue among Aino

women; but “custom” provides that, in case of unfaithfulness, the injured

husband may bestow his wife upon her paramour, if he be an unmarried man;

in which case the chief fixes the amount of damages which the paramour

must pay; and these are usually valuable Japanese curios.

The old and blind people are entirely supported by their children, and

receive until their dying day filial reverence and obedience.

If one man steals from another he must return what he has taken, and give

the injured man a present besides, the value of which is fixed by the

chief.

Their mode of living you already know, as I have shared it, and am still

receiving their hospitality. “Custom” enjoins the exercise of

hospitality on every Aino. They receive all strangers as they received

me, giving them of their best, placing them in the most honourable place,

bestowing gifts upon them, and, when they depart, furnishing them with

cakes of boiled millet.

They have few amusements, except certain feasts. Their dance, which they

have just given in my honour, is slow and mournful, and their songs are

chants or recitative. They have a musical instrument, something like a

guitar, with three, five, or six strings, which are made from sinews of

whales cast up on the shore. They have another, which is believed to be

peculiar to themselves, consisting of a thin piece of wood, about five

inches long and two and a half inches broad, with a pointed wooden

tongue, about two lines in breadth and sixteen in length, fixed in the

middle, and grooved on three sides. The wood is held before the mouth,

and the tongue is set in motion by the vibration of the breath in

singing. Its sound, though less penetrating, is as discordant as that of

a Jew’s harp, which it somewhat resembles. One of the men used it as an

accompaniment of a song; but they are unwilling to part with them, as

they say that it is very seldom that they can find a piece of wood which

will bear the fine splitting necessary for the tongue.

They are a most courteous people among each other. The salutations are

frequent—on entering a house, on leaving it, on meeting on the road, on

receiving anything from the hand of another, and on receiving a kind or

complimentary speech. They do not make any acknowledgments of this kind

to the women, however. The common salutation consists in extending the

hands and waving them inwards, once or oftener, and stroking the beard;

the formal one in raising the hands with an inward curve to the level of

the head two or three times, lowering them, and rubbing them together;

the ceremony concluding with stroking the beard several times. The

latter and more formal mode of salutation is offered to the chief, and by

the young to the old men. The women have no “manners!”

They have no “medicine men,” and, though they are aware of the existence

of healing herbs, they do not know their special virtues or the manner of

using them. Dried and pounded bear’s liver is their specific, and they

place much reliance on it in colic and other pains. They are a healthy

race. In this village of 300 souls, there are no chronically ailing

people; nothing but one case of bronchitis, and some cutaneous maladies

among children. Neither is there any case of deformity in this and five

other large villages which I have visited, except that of a girl, who has

one leg slightly shorter than the other.

They ferment a kind of intoxicating liquor from the root of a tree, and

also from their own millet and Japanese rice, but Japanese _saké_ is the

one thing that they care about. They spend all their gains upon it, and

drink it in enormous quantities. It represents to them all the good of

which they know, or can conceive. Beastly intoxication is the highest

happiness to which these poor savages aspire, and the condition is

sanctified to them under the fiction of “drinking to the gods.” Men and

women alike indulge in this vice. A few, however, like Pipichari,

abstain from it totally, taking the bowl in their hands, making the

libations to the gods, and then passing it on. I asked Pipichari why he

did not take _saké_, and he replied with a truthful terseness, “Because

it makes men like dogs.”

Except the chief, who has two horses, they have no domestic animals

except very large, yellow dogs, which are used in hunting, but are never

admitted within the houses.

The habits of the people, though by no means destitute of decency and

propriety, are not cleanly. The women bathe their hands once a day, but

any other washing is unknown. They never wash their clothes, and wear

the same by day and night. I am afraid to speculate on the condition of

their wealth of coal-black hair. They may be said to be very dirty—as

dirty fully as masses of our people at home. Their houses swarm with

fleas, but they are not worse in this respect than the Japanese

_yadoyas_. The mountain villages have, however, the appearance of

extreme cleanliness, being devoid of litter, heaps, puddles, and

untidiness of all kinds, and there are no unpleasant odours inside or

outside the houses, as they are well ventilated and smoked, and the salt

fish and meat are kept in the godowns. The hair and beards of the old

men, instead of being snowy as they ought to be, are yellow from smoke

and dirt.

They have no mode of computing time, and do not know their own ages. To

them the past is dead, yet, like other conquered and despised races, they

cling to the idea that in some far-off age they were a great nation.

They have no traditions of internecine strife, and the art of war seems

to have been lost long ago. I asked Benri about this matter, and he says

that formerly Ainos fought with spears and knives as well as with bows

and arrows, but that Yoshitsuné, their hero god, forbade war for ever,

and since then the two-edged spear, with a shaft nine feet long, has only

been used in hunting bears.

The Japanese Government, of course, exercises the same authority over the

Ainos as over its other subjects, but probably it does not care to

interfere in domestic or tribal matters, and within this outside limit

despotic authority is vested in the chiefs. The Ainos live in village

communities, and each community has its own chief, who is its lord

paramount. It appears to me that this chieftainship is but an expansion

of the paternal relation, and that all the village families are ruled as

a unit. Benri, in whose house I am, is the chief of Biratori, and is

treated by all with very great deference of manner. The office is

nominally for life; but if a chief becomes blind, or too infirm to go

about, he appoints a successor. If he has a “smart” son, who he thinks

will command the respect of the people, he appoints him; but if not, he

chooses the most suitable man in the village. The people are called upon

to approve the choice, but their ratification is never refused. The

office is not hereditary anywhere.

Benri appears to exercise the authority of a very strict father. His

manner to all the men is like that of a master to slaves, and they bow

when they speak to him. No one can marry without his approval. If any

one builds a house he chooses the site. He has absolute jurisdiction in

civil and criminal cases, unless (which is very rare) the latter should

be of sufficient magnitude to be reported to the Imperial officials. He

compels restitution of stolen property, and in all cases fixes the fines

which are to be paid by delinquents. He also fixes the hunting

arrangements and the festivals. The younger men were obviously much

afraid of incurring his anger in his absence.

An eldest son does not appear to be, as among the Japanese, a privileged

person. He does not necessarily inherit the house and curios. The

latter are not divided, but go with the house to the son whom the father

regards as being the “smartest.” Formal adoption is practised.

Pipichari is an adopted son, and is likely to succeed to Benri’s property

to the exclusion of his own children. I cannot get at the word which is

translated “smartness,” but I understand it as meaning general capacity.

The chief, as I have mentioned before, is allowed three wives among the

mountain Ainos, otherwise authority seems to be his only privilege.

The Ainos have a singular dread of snakes. Even their bravest fly from

them. One man says that it is because they know of no cure for their

bite; but there is something more than this, for they flee from snakes

which they know to be harmless.

They have an equal dread of their dead. Death seems to them very

specially “the shadow fear’d of man.” When it comes, which it usually

does from bronchitis in old age, the corpse is dressed in its best

clothing, and laid upon a shelf for from one to three days. In the case

of a woman her ornaments are buried with her, and in that of a man his

knife and _saké_-stick, and, if he were a smoker, his smoking apparatus.

The corpse is sewn up with these things in a mat, and, being slung on

poles, is carried to a solitary grave, where it is laid in a recumbent

position. Nothing will induce an Aino to go near a grave. Even if a

valuable bird or animal falls near one, he will not go to pick it up. A

vague dread is for ever associated with the departed, and no dream of

Paradise ever lights for the Aino the “Stygian shades.”

Benri is, for an Aino, intelligent. Two years ago Mr. Dening of Hakodaté

came up here and told him that there was but one God who made us all, to

which the shrewd old man replied, “If the God who made you made us, how

is it that you are so different—you so rich, we so poor?” On asking him

about the magnificent pieces of lacquer and inlaying which adorn his

curio shelf, he said that they were his father’s, grandfather’s, and

great-grandfather’s at least, and he thinks they were gifts from the

_daimiyô_ of Matsumae soon after the conquest of Yezo. He is a

grand-looking man, in spite of the havoc wrought by his intemperate

habits. There is plenty of room in the house, and this morning, when I

asked him to show me the use of the spear, he looked a truly magnificent

savage, stepping well back with the spear in rest, and then springing

forward for the attack, his arms and legs turning into iron, the big

muscles standing out in knots, his frame quivering with excitement, the

thick hair falling back in masses from his brow, and the fire of the

chase in his eye. I trembled for my boy, who was the object of the

imaginary onslaught, the passion of sport was so admirably acted.

As I write, seven of the older men are sitting by the fire. Their grey

beards fall to their waists in rippled masses, and the slight baldness of

age not only gives them a singularly venerable appearance, but enhances

the beauty of their lofty brows. I took a rough sketch of one of the

handsomest, and, showing it to him, asked if he would have it, but

instead of being amused or pleased he showed symptoms of fear, and asked

me to burn it, saying it would bring him bad luck and he should die.

However, Ito pacified him, and he accepted it, after a Chinese character,

which is understood to mean good luck, had been written upon it; but all

the others begged me not to “make pictures” of them, except Pipichari,

who lies at my feet like a staghound.

The profusion of black hair, and a curious intensity about their eyes,

coupled with the hairy limbs and singularly vigorous physique, give them

a formidably savage appearance; but the smile, full of “sweetness and

light,” in which both eyes and mouth bear part, and the low, musical

voice, softer and sweeter than anything I have previously heard, make me

at times forget that they are savages at all. The venerable look of

these old men harmonises with the singular dignity and courtesy of their

manners, but as I look at the grand heads, and reflect that the Ainos

have never shown any capacity, and are merely adult children, they seem

to suggest water on the brain rather than intellect. I am more and more

convinced that the expression of their faces is European. It is

truthful, straightforward, manly, but both it and the tone of voice are

strongly tinged with pathos.

Before these elders Benri asked me, in a severe tone, if I had been

annoyed in any way during his absence. He feared, he said, that the

young men and the women would crowd about me rudely. I made a

complimentary speech in return, and all the ancient hands were waved, and

the venerable beards were stroked in acknowledgment.

These Ainos, doubtless, stand high among uncivilised peoples. They are,

however, as completely irreclaimable as the wildest of nomad tribes, and

contact with civilisation, where it exists, only debases them. Several

young Ainos were sent to Tôkiyô, and educated and trained in various

ways, but as soon as they returned to Yezo they relapsed into savagery,

retaining nothing but a knowledge of Japanese. They are charming in many

ways, but make one sad, too, by their stupidity, apathy, and

hopelessness, and all the sadder that their numbers appear to be again

increasing; and as their physique is very fine, there does not appear to

be a prospect of the race dying out at present.

They are certainly superior to many aborigines, as they have an approach

to domestic life. They have one word for _house_, and another for

_home_, and one word for husband approaches very nearly to house-band.

Truth is of value in their eyes, and this in itself raises them above

some peoples. Infanticide is unknown, and aged parents receive filial

reverence, kindness, and support, while in their social and domestic

relations there is much that is praiseworthy.

I must conclude this letter abruptly, as the horses are waiting, and I

must cross the rivers, if possible, before the bursting of an impending

storm.

Unbeaten Tracks in Japan · 第 100 / 127 题