CHAPTER V.

SURNAMES OF OCCUPATION. (TOWN).

We have already said enough to show that our early English pursuits were

mainly pastoral. Even to this day, as we are whisked across the midland

counties or driven across the Yorkshire wolds, we see what advantages we

must have enjoyed in this respect. Our one chief staple was wool, and to

export this in a raw unmanufactured state was the early practice. So

general was this occupation that even subsidies to the crown were given

in wool. In 1340, 30,000 sacks of wool were granted to Edward III. while

engaged in the French War. This would be a most valuable contribution,

for at this time it was held in the highest repute by foreign buyers.

‘The ribs of all nations throughout the world,’ wrote Matthew Paris,

‘are kept warm by the fleeces of English wool’ (Smiles). So early as

1056 we find the Count of Cleves obtaining a certain jurisdiction over

the burghers of Nimeguen upon condition of presenting to the Emperor

every year ‘three pieces of scarlet cloth of English wool’ (Macullum).

With the incoming of the Flemish refugees and other settlers already

mentioned this state of things was changed. The Conqueror himself had

settled one band near Carlisle, but his son Henry soon after coming into

possession removed them into Herefordshire, and the Southern Marches of

the Principality. Doubtless the object of both was that of setting up a

barrier against hostile encroachments on the part of the Scotch and

Welsh; but the result was the spread of a peaceful and useful industry

in two widely separated districts. Two other settlements, in Norfolk and

Suffolk, one by Henry I., the other under the direction of Edward III.,

made East Anglia for centuries the Yorkshire of England. When we talk so

familiarly of ‘worsted,’ or ‘lindsey-wolsey,’ or ‘kerseymere,’ or

‘bocking,’ we are but insensibly upholding a reputation which centuries

ago the several villages that went by these names had obtained through

Flemish aid. Thus was it then that at length our country was enabled to

produce a cloth which could afford a comparison with that of the Flemish

cities themselves. Of this incoming many surnames of this date remind

us, the most important of which I have already mentioned in my chapter

upon local names, ‘Fleming,’ as a general name for all these settlers,

being the commonest.

When, however, we turn to the occupations themselves connected with the

industry, we cannot but be struck by the wonderful impress it has made

upon our nomenclature. The child’s ancient rhyme—

Black sheep, black sheep,

Have you any wool?

Yes, sir; yes, sir;

Three bags full—

carries us to the first stage, and to the first dealer. In our ‘Woolers’

and ‘Woolmans,’ in our obsolete ‘Woolmongers’ and ‘Woolbuyers,’[315] in

our ‘Packers’[316] and once flourishing ‘Woolpackers,’ and in our

‘Lanyers’ and ‘Laners,’ relics of the old and more Norman ‘Bartholomew

le Laner’ or ‘John le Lanier,’ we can see once more the train of laden

mules bearing their fleecy treasure to the larger towns or distant

coast. No wonder that Piers Plowman and others should make familiar

mention of the ‘pack-needle,’ when we reflect upon the enormous number

of sacks that would be in constant use for this purpose; and no wonder

‘Adam le Sakkere’ (_i.e._ ‘Sacker’), and ‘Henry le Canevaser’ are to be

met with as busied in their provision.[317] Another proof of the

engrossing importance of this one English article of commerce is left us

in our ‘Staplers.’ The ‘stapleware’ of a town was, and is still, that

which is the chief commodity dealt in by that particular market. A

‘stapler,’ however, has for centuries been a generally accepted title

for a woolmerchant, and has therefore absorbed the more general meaning

the word ought to have conveyed.

The first stage towards manufacture would be the process of carding the

raw and tangled material, and numberless are the ‘Carders,’ ‘Combers,’

and ‘Kempsters,’[318] or ‘Kemsters,’ who remind us of this. In these

latter sobriquets we have but varied forms of the same root ‘cemb,’ to

comb. We still talk poetically of ‘unkempt locks,’ and we are told of

Emelie in the ‘Knight’s Tale’ that—

Her bright hair kembed was, untressed all.

The Norman corresponding name is found in ‘Robert le Peinnur’ or

‘William le Puigneur,’ but unless in our ‘Pinners’ (a supposition not

unnatural) it has left no descendants. But even these are not all. It is

with them we must associate our ‘Towzers’ and ‘Tozers,’ from the old

‘touse’ allied to ‘tease’—they who cleared the fibre from all

entanglements. Spenser talks of curs ‘tousing’ the poor bear at the

baiting, and I need not remind the reader that in our somewhat limited

canine nomenclature, ‘Towzer,’ as a name for a dog of more pugnacious

propensities, occupies a by no means mean place. As applicable to the

trade in question, Gower uses the word when he says, in his ‘Confessio

Amantis’:—

What schepe that is full of wulle

Upon his backe they tose and pulle.[319]

It is here, therefore, we must place our one or two solitary

relics of the rough machinery then in use. In ‘Cardmaker’ we have

the manufacturer of the ‘comb’ or ‘card’ thus usefully employed;

in ‘Spindler’ the maker of the pin round which the thread was

wound; while our ‘Slaymakers,’[320] ‘Slaymans,’ and obsolete

‘Slaywrights’[321] preserve the once so familiar ‘slay’—that

moveable part of the loom which the webbe with his fingers plied

nimbly and deftly along the threads. A petition to Parliament in

1467 from the worsted manufacturers complains that in the county

of Norfolk there are ‘divers persones that make untrue ware of all

manner of worstedes, not being of the assises in length nor brede,

nor of good, true stuffe and makyng, and the _slayes_ and yern

thereto belonging untruly made and wrought, etc.’ (Rot. Parl. Ed.

IV.) I believe the word is not yet obsolete as a term of the

craft.

I have mentioned ‘Webbe.’

My wife was a webbe

And woolen cloth made,

says Piers in his ‘Vision.’ This appears, judging at least from our

directories, to have been the more general term, and after it its longer

forms, the masculine ‘Webber’ and the originally feminine ‘Webster.’ A

poem written in the beginning of the sixteenth century refers to

Curriers, cordwayners, and cobelers,

Gyrdelers, forborers, and webbers.

Such entries as ‘Elyas le Webbe,’ or ‘Clarice le Webbere,’ or ‘John le

Webestre,’ are of common occurrence in our mediæval and still earlier

records. But the processes are anything but at an end. The cloth must be

dyed and fulled. Of the first our ‘Listers,’ once enrolled as ‘Hugh le

Litster’ or ‘Henry le Littester,’[322] speak, and ‘Dyer’ or ‘Dister,’

still harder of recognition in such a guise as ‘Geoffrey le Deghere’ or

‘Robert le Dighestere,’ forms found at the period we are writing about.

It was John Littester, a dyer, who in 1381 headed the rebellion in

Norwich. Here the surname was evidently taken from the occupation

followed. Halliwell gives the obsolete verb ‘to lit’ or dye, and quotes

an old manuscript in which the following sentence occurs: ‘We use na

clathis that are littede of dyverse coloures.’ Such names as ‘Gilbert le

Teinturer,’ or ‘Richard le Teynterer,’ or ‘Philip le Tentier,’ which I

have come across in three separate records, represent the old French

title for the same occupation, but I believe they have failed to come

down to us—at least I have not met with any after instance. The old

English forms of ‘tincture’ and ‘tint’ are generally found to be

‘teinture’ and ‘teint.’ The teinturer is not without relics. We still

speak when harassed of ‘being on the _stretch_,’ or when in a state of

suspense of ‘being upon _tenter_-hooks,’ both of which proverbial

expressions must have arisen in the common converse of cloth-workers.

The tenter itself was the stretcher upon which the cloth was laid while

in the dyer’s hands. On account of various deceits that had become

notorious in the craft, such, for instance, as the over-stretching of

the material, a law was passed in the first year of Richard III. that

‘tentering’ or ‘teyntering’ should only be done in an open place, and

for this purpose public tenters were to be set up. (‘Stat. Realm,’ Rich.

III.) We find many references to this important instrument in old

testaments. Thus an inventory of goods, dated 1562, belonging to a man

resident in the parish of Kendall, speaks of ‘Tenture posts and woodde,

6_d._—ii tentures 20_s._’ (‘Richmondshire Wills,’ p. 156.) The dyes

themselves used in the process of colouring are not without existing

memorials. In the York Pageant, already referred to, we find, walking in

procession with the woolpackers, the ‘Wadmen,’ that is, the sellers of

woad, unless indeed, they were the dyers themselves. The more common

spelling was ‘wode,’ and when not local, ‘Thomas le Wodere’ or ‘Alan le

Wodeman,’ with their modern ‘Wooder’ and ‘Woodman,’ will be found, I

doubt not, to be the representative of this calling. ‘John Maderman,’

and ‘Lawrence Maderer’ remind us of the more reddish and popular hues.

Great quantities of this were yearly imported from Holland, especially

Middleburgh. The old ‘Libel on English Policy’ speaks of—

The marchaundy of Braban and Selande,

as being

The madre and woode (woad) that dyers take on hande.

The thickening mill, however, has left us several words of much more

familiar import than these—viz., ‘Tucker,’ ‘Fuller,’ (or ‘Fulman’[323])

and ‘Walker.’[324] Among other older forms we find ‘Roger le Tukere,’

‘Percival le Toukare,’ ‘Walter le Fullere,’ ‘Ralph le Walkere,’ and

‘Peter le Walkar.’ Of the first Piers in his ‘Vision’ makes mention,

where he speaks of

Wollene websteris,

And weveris of lynen,

Taillours, tanneris,

And Tokkeris bothe.

‘Cocke Lorelle’ also refers to—

Multiplyers and clothe thyckers,

Called fullers everychone.

‘Walker,’ claiming as it does an almost unrivalled position in the rolls

of our nomenclature, reminds us of the early fashion of treading out the

cloth before the adaptations of machinery were brought to bear on this

phase of the craft. In Wicklyffe’s version of the story of Christ’s

transfiguration he speaks of his clothes shining so as no ‘fullere or

walkere of cloth’ may make white upon earth.[325] Reference is made to

the same practice by Langland also when, using this whole process of

cloth-making as an illustration, he says:—

Cloth that cometh fro the wevyng

Is nought comely to wear

Til it be fulled _under foot_,

Or in fullying stokkes,

Washen wel with water,

And with taseles cracched

Y-touked, and y-teynted,

And under taillours hande.

We are here not merely furnished with the entire process itself, but the

terms themselves employed harmonize well with the names I have

mentioned. ‘Walker’ and ‘Tucker’ or ‘Towkare’ or ‘Toker,’ as it was

variously spelt, together with ‘Tuckerman,’ have, however, disappeared

as terms of this trade; and it is in our directories alone we can find

them declaring these forgotten mysteries of a more uncouth manufacture.

The ‘taseles’ mentioned in the poem quoted above were the common

‘teasel’ or ‘tassel,’ a rough prickly plant allied to the thistle, which

when dried was used for scratching the cloth, and thus raising a nap

thereupon. Thus in Willsford’s ‘Nature’s Secrets’ it is said, ‘Tezils,

or Fuller’s Thistle, being gathered or hanged up in the house, where the

air may come freely to it, upon the alteration of cold and windy weather

will grow smoother, and against rain will close up his prickles.’

(Brand’s ‘Pop. Ant.,’ vol. iii. p. 133.) In an inventory of the property

of Edward Kyrkelands, of Kendall, dated 1578, we find the following

articles mentioned:—iiii syckles, a pair wyes and iii stafs, tazills,

5_s._ 8_d._—more in tazills, 2_s._—iiii tentors, 40_s._ (‘Richmondshire

Wills,’ p. 274.) The occupation itself is referred to in an old statute

of Edward IV.—‘Item, that every fuller, from the said feast of St.

Peter, in his craft and occupation of fuller, rower, or _tayseler_ of

cloth, shall exercise and use _taysels_ and no cards, deceitfully

impairing the same cloth’—‘en sa arte et occupacion de fuller et

scalpier ou tezeiler de drap, exercise et use teizels, &c.’ (4 Ed. IV.

c. 1.) It is probable that our ‘Taylors’ have engrossed this name. We

find it lingering in Westmoreland, about Kendal, till the middle of the

sixteenth century, in a form which required but little further change to

make it the same. In the will of Walter Strykland, dated 1568, there is

mentioned among other legatees a certain ‘Edward Taylzer,’ a manifest

corruption of ‘Teazeler.’ (‘Richmondshire Wills,’ p. 224.) A century

earlier than this, however, such names as ‘Gilbert le Tasseler’ or

‘Matilda le Tasselere’ were entered in our more formal registers.

Our ‘Baters’ and ‘Beaters,’ relics of the old ‘Avery le Batour’ or ‘John

Betere,’ were all but invariably cloth-beaters, although, like the

fuller ‘wollebeter,’[326] they may have been busied at an earlier stage

of the manufacture. Capgrave, in his ‘Chronicles,’ under date 30 A.D.,

says, ‘Jacobus, the son of Joseph first bishop of Jerusalem, was throwe

there fro the pinacle of the temple and after smet with a fuller’s

bat.’[327] With the mention of our ‘Shearers’ (‘Richard le Sherere,’ M.)

and endless ‘Shearmans,’ ‘Sharmans,’ or ‘Shermans’ (‘Robert le Sherman,’

‘John le Shereman,’ M.), who represent the shearing of the manufactured

fabric, rather than that of the sheep itself, we have the process

complete. The cloth is at length ready to be transmitted into the care

of our ‘Drapers’ and ‘Clothiers,’ and from them again through the

skilled and nimble fingers of our numberless ‘Tailors.’ From all this we

may readily see what an important influence has England’s one great

staple of earlier days had upon the nomenclature of our countrymen.

Such a name as ‘Ralph le Flexman,’ with its many descendants, reminds us

of the manufacture of linen, which, if not so popular as that of wool,

was nevertheless anything but unfamiliar to the early craftsman. Our

‘Spinners’ carry us to the primary task of thread-making, an employment,

however, all but entirely in the hands of the women. The distaff and the

weaker sex have been ever associated, whether in sacred or profane

narrative. Thus it is that ‘spinster’ has become stereotyped even as a

legal term. Chaucer, four hundred years ago, somewhat uncourteously

said:—

Deceite, weping, spinning, God hath given

To women kindly, while that they may liven.

Our modern ‘linen’ is formed from ‘lin’ or ‘line’—flax—as ‘woolen’ is

from ‘wool.’ Hence we still speak of the seed of that plant as

‘linseed.’ That this was the common form of the word we might prove by

many quotations.

He drank never cidre nor wyn

Nor never wered cloth of lyn,

says an old poem. Even Spenser speaks of ‘garment of line,’ and in

‘Cocke Lorelle’s Bote’ allusion is made to ‘lyne-webbers’ and

‘lyne-drapers.’[328] We need not be surprised, therefore, to meet with

such names as ‘Elias Lyndraper,’ or ‘Henry le Lindraper,’ or ‘John le

Lyner.’ Only this last, however, has survived the changes of intervening

centuries, and still holds a precarious existence as ‘Liner.’ ‘Weaver’

was more common. A more Norman equivalent is found in such a sobriquet

as ‘John le Teler,’ or ‘Henry le Telere,’ or ‘Ida la Teleress,’ a name

which is not necessarily of modern French refugee origin, as Mr. Lower

would lead us to suppose. Indeed, a special part of the ladies’

head-dress had early obtained the name of a ‘teler,’ from the fine

texture of the linen of which it was composed.[329] It is but too

probable that this name has become lost, like ‘Taylzer,’ in the more

common ‘Taylor.’ This process of absorption we shall find to be not

unfrequent. Nor are we without a memorial of the bleaching of linen.

‘Whiter,’ if not ‘Whitster,’ still lives in our directories. It seems

strange that our ‘Blackers’ should denote but the same occupation; but

so it is—they, like our old ‘Walter le Blakesters’ or ‘Richard le

Bleckesters,’ being but the harder and more antique form of our present

‘bleacher.’[330] Our term ‘bleak,’ preserving as it does the earlier

pronunciation, is but the same word, being formerly used to denote

pallor, or wanness, or absence of colour. From this, by a natural

change, it came to signify anything cheerless or desolate. With perfect

honesty in this case, at any rate, we may ‘swear that black is white.’

With regard to silk, we had but little to do. The manufacture of this

important cloth was barely carried on in Western Europe during the

period of the establishment of surnames. It was nigh the close of the

fifteenth century before it appeared in France. All our silks were

imported from the East by Venetian and Genoese merchants. Of the latter

an old poem says, they come—

Into this londe wyth dyverse merchaundysses,

In grete karrekis arrayde wythouten lack,

Wyth clothes of golde, silke, and pepir black.

Still we find a company of silkwomen settled in London at an early

period. In the records of this city occur such names as ‘Johanna

Taylour, Silkwyfe,’ in 1348, and ‘Agatha Fowere, Silkewoman,’ in

1417.[331] In 1455 a complaint was raised by ‘the women of the mystery

and trade of silk and threadworkers in London, that divers Lombards and

other foreigners enriched themselves by ruining the said mystery.’ I

think, however, we shall find that all these were engaged less in the

manufacture of fabrics than of threads for the embroiderers to use.

Thus, as connected with the throwing or winding of these silken tissues,

we come across such names as ‘Thrower’ and ‘Throwster,’ the former

having been further corrupted into ‘Trower.’[332]

Next to wool, perhaps leather formed the most important item of early

manufacture. We can hardly now conceive the infinite use to which it was

put at this period. In military dress it had an especial place, and in

the ordinary costume it was far from being confined to the extremities,

as we have it now. Jerkins, chausses, girdles, pouches, gipsire—all came

under the leather-dresser’s hands. In 1378 we find a jury, called

together to decide upon a case of alleged bad tanning, to have been

composed of ‘saddlers, pouchmakes, girdlers, botel-makers, tanners,

curriers, and cordwainers.’ Of the more general manufacture of hides we

have numerous relics; indeed, we are at once introduced into the midst

of a throng of tradesmen, the very list of which proves the then

important character of the article on which they spent their energies.

Such names as ‘Jordan le Tannur,’ or ‘Loretta le Tannur,’ ‘Richard le

Skynnere,’ or ‘Hamo le Skynnere,’ are still numerous both in the tanyard

and the directory, and need little explanation. Our ‘Curriers’ are also

self-evident; but I have not met with any instance as yet in mediæval

times. Our more rare ‘Fellmongers’ were once occupied more directly with

the larger hides, or _fells_, as they were called, of the farmyard

stock. Less connected with them, therefore, than with the others, we may

mention such men as ‘William le Barcur,’ or ‘Nicholas le Barkere,’ or

‘Robert Barcarius,’ the ancestors of our modern ‘Barkers,’[333] who, by

the very frequency with which they are met, show how important was the

preparation of bark in the tanners’ yard. In the conversation between

Edward the Fourth and the Tanner of Tamworth, as given by Percy, it is

said—

‘What craftsman art thou?’ said the king;

‘I pray thee telle me trowe,’

‘I am a Barker, Sir, by my trade;

Now tell me, what art thou?’

Such names as ‘John le Tawyere’ or ‘Geoffrey le Whitetawier’ (now found

as ‘Whittear,’ ‘Whittier,’ and ‘Whityer’), not to mention such an entry

as that of ‘Richard le Megucer,’ throw us back upon the time when the

terms these men severally bore as surnames would be of the most familiar

import. Their owners spent their energies in preparing the lighter goat

and kid skins, which they whitened, and made ready for the glovers’

use.[334] The verb ‘to taw,’ however, was also used of dressing flax,

and we may have to place ‘Tawyer’ in some instances in this category.

And whilst that they did nimbly spin

The hemp he needs must taw,

we are told in ‘Robin Goodfellow.’ Our ‘Towers,’ while apparently local,

may be in some instances but a corruption of this same term. So early as

the 14th century we find a certain ‘Eustace le Wittowere’ occurring in

the Hundred Rolls, and that the simpler form should similarly be

corrupted would be natural enough.[335] Thus we see that leather, too,

is not without its memorials. The more furry skins, as used in a

somewhat more specific form as articles of dress, or to attach thereto,

we will allude to by-and-by. As we traverse in some semblance of order

the more definite wants and requirements of early social life, the

importance of these several crafts will be more clearly brought out. We

must not forget that there were the same needs then as now, though of a

different mould. Man in all time has had to be fed, and clothed, and

housed; and if in all these respects he has in these modern days become

more civilized and polished, it has been the result of a gradual process

by which he has slowly, and not without many a struggle, thrown off, one

by one, this custom and that, which belonged to a ruder era and a

rougher cast of society. Our surnames of occupation are a wonderful

guide in this respect. A tolerable picture of early life may be easily

set before us by their aid; for in them are preserved its more definite

lineaments, and all we need is to fill up the shading for ourselves.

Forgotten wants, needs now no longer felt, requirements of which a

progressive civilization slowly slipped the tether, necessities of

dress, of habit, of routine, all, while the reality has long faded from

view, have left their abiding memorial in the nomenclature of those who

directly supplied them. Let us, however, observe, as in our other

chapters, some kind of order—clothing, food, and general needs, this

seems the proper course of procedure. And yet one more observation ere

we do so. We have already spoken of the early system of signs as

advertising the character of the articles to be sold. The early shop was

far more prominent as a rule than the modern one. The counter, instead

of being within the walls of the house, projected forward upon the

pathway, so much so that we can only compare them to those tables we may

often see at night, where under the lee of the walls costermongers offer

shellfish, or tripe, or coffee to the passers-by. This was objectionable

enough; but it was not all. Each dealer loudly proclaimed to the

wayfarer the merits of his goods, vying with his neighbour in his

endeavours to attract attention to himself or distract it from the

other, especially if, as was often the case, a number of traders

trafficked in the same class of merchandise. Others, and their name was

legion, had no shop at all, not even the street table or counter, but

passing up and down with wooden platters or deep baskets, made the very

air discordant with their loudly reiterated cries of ‘Hot sheep’s feet,’

or ‘Mackerel,’ or ‘Fresh-herring,’[336] or ‘Hot peascods,’ or

‘Coloppes.’ It is in reference to this we find Langland saying—

Cokes and their knaves,

Cryden, ‘Hote pies, hote!

Goode gees and grys!

Gowe, dyne, gowe!’

Lydgate has a still fuller and more detailed description of this in his

‘London Lackpenny,’ and as it is tolerably humorous I will quote it

somewhat largely, using Mr. Bowen’s modernization of it—

Within this hall neither rich nor yet poor

Would do for me aught, although I should die:

Which seeing, I got me out of the door,

When Flemings began on me for to cry:

‘Master, what will you copen or buy?

Fine felt hats, or spectacles to read?

Lay down your silver, and here you may speed.’

Then into London I did me hie—

Of all the land it beareth the prize.

‘Hot peascods!’ one began to cry;

‘Strawberries ripe, and cherries in the rise!’

One bade me come near and buy some spice:

Pepper and saffron they gan me bede,

But, for lack of money, I might not speed.

Then to the Chepe I gan me drawen,

Where much people I saw for to stand.

One offered me velvet, silk, and lawn:

Another he taketh me by the hand:

‘Here is Paris thread, the finest in the land!’

I never was used to such things indeed,

And, wanting money, I might not speed.

Then went I forth by London Stone,

And throughout all Candlewick Street:

Drapers much cloth me offered anon;

Then comes me one crying, ‘Hot sheep’s feet!’

One cried ‘Mackerel!’ ‘Ryster green!’ another gan me greet.

One bade me buy a hood to cover my head:

But, for lack of money, I might not speed.

Then into Cornhill anon I rode,

Where there was much stolen gear among.

I saw where hong mine owne hood

That I had lost among the throng—

To buy my own hood, I thought it wrong—

I knew it as I did my Creed,

But, for lack of money, I could not speed.

If we pass on from shop to shop in a more quiet and undisturbed fashion

than poor ‘London Lackpenny,’ we must not forget that we are, at least

so far, enjoying that which our forefathers could not.

With regard to the head-dress, and to begin with this, we have many

memorials. ‘Tire,’ once a familiar word enough, is still preserved from

decay by our Authorized Version of the Scriptures. Thus, for example, it

is said in Ezekiel, ‘make no mourning for the dead, bind the tire of

thine head upon thee.’[337] I do not know how comprehensive are the

duties belonging to our present ‘tirewoman’ or lady’s-maid, but in the

day when the tragic story of Jezebel was first translated, the sense of

the word was entirely confined to the arrangement of her mistress’s

‘tiara,’ which is but another form of the same term. In the ‘Paradise

Lost’ it is found as ‘tiar’—

Of beaming sunny rays, a golden tiar circled his head.

When we remember their former size, their horned and peaked character,

and the variety of the material used, arguing as they do the then

importance of the fact, we need not be surprised at meeting with

comparative frequency such a surname as ‘Tyrer,’ ‘Tyerman,’ or

‘Tireman.’ It is somewhat hard to say whether our ‘Coffers’ are relics

of the old ‘Coffrer’ or ‘Coifer,’ but as the latter business was all but

entirely in the hands of females, perhaps it will be safer to refer them

to the other. Such names, however, as ‘Emma la Coyfere’ or ‘Dionysia la

Coyfere,’ found in the thirteenth century, may serve to remind us of the

peculiar style of the head-gear which the ladies affected in these

earlier times. The more special occupation of preparing feathers or

plumes has left its mark in our ‘Plumer’ and ‘Plummer,’ memorials of the

old ‘Mariot le Plumer’ or ‘Peter le Plomer.’ The old ‘caul’ or ‘call’

still lives in our ‘Calmans’ and ‘Callers.’ ‘Elias le Callere’ occurs in

the Parliamentary Writs, and ‘Robert le Callerere’ in the ‘Munimenta

Gildhallæ.’ Judging from the ‘Wife of Bath’s Tale,’ we should imagine

this also to have been a female head-dress. There the old witch appeals

to the Queen and her court of lady attendants as to them who wear

‘kercheif or calle’—

Let see, which is the proudest of them alle,

That weareth on a kercheif or a calle.

Another form of the surname is found in ‘Alicia la Kellere,’ now simple

‘Keller,’ the article itself being also met with in a similar dress. In

the ‘Townley Mysteries’ a fallen angel is represented as saying that a

girl—

If she be never so foul a dowde

With her kelles and her pynnes,

The shrew herself can shroud

Both her chekys, and her chynnes.

In its several more general uses it has always maintained its strict

meaning of a covering.[338] Hoshea, we may recollect, speaks

figuratively of God’s ‘rending the caul of Israel’s heart.’ Probably the

word is connected with the ‘cowl’ of other monkish days, and thus may be

associated with our ‘Coulmans’ and ‘Cowlers.’ ‘Richard le Couhelere,’ an

entry of the fifteenth century, may belong to the same group.[339] A

once familiar sobriquet for a hood was that of ‘chapelle,’[340] whence

our edifice of that name and the diminutive ‘chaplet.’ The Parliamentary

Writs give us an ‘Edmund le Chapeler;’ the Hundred Rolls furnish us,

among other instances, with a ‘Robert le Chapeler.’ ‘Theobald le

Hatter,’ ‘Robert le Hattare,’ ‘Thomas le Capiere,’ ‘Symon le Cappere,’

or ‘John Capman’ need no explanation. The articles they sold, whether of

beaver, or felt, or mere woollen cloth, were largely imported from

Flanders. Thus it is that Lydgate, as I have but recently shown,

picturing the streets of London, mentions spots in his progress

therethrough where—

Flemings began on me for to cry,

‘Master, what will you copen or buy?

Fine felt hats, or spectacles to read?’

That many of these wares, however, were of home manufacture is equally

undoubted, and of this we are reminded by our ‘Blockers,’

representatives of the old ‘Deodatus le Blokkere.’ The ‘block’ was the

wooden mould upon which the hat was shaped and crowned. In ‘Much Ado

About Nothing’ Beatrice is made to say: ‘He wears his faith but as the

fashion of his hat; it ever changes with the next block.’ The ‘blocker,’

I doubt not, was but a hat-maker; we still call a stupid man a

_blockhead_. Our ‘Hurrers’ (‘Alan le Hurer,’ H.R., ‘Geoffrey le

Hurwere,’ H.R.), once so important as to form a special company with

articles and overseers, as representative of an old general term, are

not so familiar as we might have expected them. Bonnets, caps, hoods,

hats, all came under their hands. Strictly speaking, however, a ‘hure’

or ‘howre,’ as Chaucer spells it, was a shaggy cap of fur, or coarse

jagged cloth. In an old political song of Edward the First’s time it is

said—

Furst there sit an old cherle in a blake hure,

Of all that there sitteth seemeth best sure.

That the word itself should have dropped from our vocabulary is to me a

mystery.[341] Even in our nomenclature the rarity of our ‘Hurers’ and

‘Hurrers’ is to me inexplicable, bearing as it does no possible

proportion to the former importance of the occupation. But this, as I

have said before, is one of the peculiarities of personal nomenclature,

depending entirely as it does on the uncertainties of descent. The head,

we see, was not neglected.

The sale of woollen cloth by our ‘clothiers’ and ‘drapers’ we have

already mentioned. The tailor then, as now, made it up into the garments

which the age required. Few names went through so many metamorphoses as

this. ‘Mainwaring,’ it is said, can be found in over a hundred and

thirty different spellings. The exact number with regard to ‘Taylor’ I

cannot state, as I have not dared hitherto to encounter the task of

collecting them. The forms recorded in one register alone give us such

varieties as ‘le Tayllur,’ ‘le Tayllour,’ ‘le Tayller,’ ‘le Taylir,’ ‘le

Taylour,’ ‘le Taylur,’ ‘le Taillur,’ and ‘le Talur.’ We have also the

feminine ‘la Taylurese’ in the same roll.[342] A name obsolete now in a

colloquial sense, but common enough in our directories, is ‘Parminter,’

‘Parmenter,’ or ‘Parmitar,’ a relic of the old Norman-French

‘Parmentier,’ a term a few hundred years ago familiarly used also for

the snip. Among other mediæval forms are ‘Geoffrey le Parmunter,’ ‘Saher

le Parmentier,’ ‘William le Parmeter,’ and ‘Richard le Parmuter.’ The

Hundred Rolls give us the same sobriquet in a Latin dress as ‘William

Parmuntarius.’[343] As associated with the tailor, we may here set down

our ‘Sempsters,’ that is, ‘Seamster,’ the once feminine of ‘Seamer,’ one

who seamed or sewed. Mr. Lower hints that our ‘Seymours’ may in some

instances be a corruption of this latter form, but I must confess I

discover no traces of it.

The sobriquet of ‘William le Burreller’ introduces us to a cloth of a

cheap mixture, brown in colour, of well-nigh everlasting wear, and worn

by all the poorer classes of society at this period. So universal was it

that they came to be known by the general term of ‘borel-folk,’ a phrase

familiar enough to deeper students of antiquarian lore. The Franklin

premises his story by saying—

But, sires, because I am a borel man,

At my beginning first I you beseech

Have me excused of my rude speech.

Our ‘Burrells’ are still sufficiently common to preserve a remembrance

of this now decayed branch of trade. They may derive their name either

from the term ‘borel’ or ‘burel’ pure and simple, or from ‘Burreller,’

and thus represent the trade from which the other, as a sobriquet, owed

its rise. The manufacturer is referred to by ‘Cocke Lorelle,’ in the

line—

Borlers, tapestry-work-makers, dyers.

Special articles of costume now wholly disused, or confined or altered

in sense, crop out abundantly in this class of surnames. At this period

a common outdoor covering for the neck was the wimple, or folded vail,

worn by women. To this day, I need not say, it is part of the conventual

dress. The author I have just quoted beautifully describes Shame as—

Humble of her port, and made it simple

Wearing a vaile, instede of wimple,

As nuns done in their abbey.

Of this princess, too, whose careful dress he so particularly describes,

he says—

Full seemly her wimple pinched was.

The maker of such was, of course, our ‘Wympler.’[344] Among other

ornaments belonging to the princess, also, is mentioned ‘a pair of

beads,’ that is, bracelets of small coral, worn upon the arm, and in

this case ‘gauded with green.’ A ‘Simon Wyld, Bedemaker,’ is found in

the London records of this time, and no doubt ‘Thomas le Perler’ could

have told us something about the same. Beside these, therefore, we may

set our still existing ‘Paternosters,’ relics of the old ‘Paternostrer,’

who strung the chaplet of beads for pattering aves. ‘Paternoster Row,’

literally the ‘Paternostrer’s Row’ was some centuries ago the abode of a

group of these, doubtless then busy artisans. Mr. Riley, in his

interesting ‘Memorials of London,’ records a ‘William le Paternostrer’

as dwelling thereby.[345] It is among such valuables we must undoubtedly

set pins at this period. Judging by those which have descended to us, we

should best describe them as ‘skewers.’ So anxious was Absolom the clerk

to please Alison that, according to Chaucer, he sent her—

Pinnes, methe (mead), and spiced ale.

Whatever her appetite for the latter, there can be little doubt that the

first would be acceptable enough in a day when these were so valued and

costly as to be oftentimes made objects of bequeathment. Such entries as

‘Andrew le Pynner’ or ‘Walter le Pinner’ are, of course, common at this

time, and their descendants still flourish in our midst. Our more rare

‘Needlers’ are but relics of such folk as ‘Richard le Nedlere’ or ‘John

le Nedlemakyere.’[346] Piers, in his Vision, speaks of—

Tymme the tynkere

And tweyne of his ’prentices:

Hikke the hakeney-man,

And Hugh the nedlere.

‘Cocke Lorelle’ also mentions—

Pavyers, belle-makers, and brasyers,

Pynners, nedelers, and glasyers.

The Norman form ‘le Agguiler,’ or ‘Auguiler,’ still lives in our

‘Aguilers’ if not ‘Aguilars.’ A ‘Thomas le Agguiler’ represented York in

the Parliament of 1305. Chaucer uses ‘aguiler’ in the sense of a

needlecase—

A silver needle forth I drew,

Out of an aguiler quaint ’ynow.

But if pins and needles were valued more highly then than they are now,

none the less did ‘buttons’ fulfil their own peculiar and important use.

‘Henry le Botoners’ or ‘Richard le Botyners’[347] may be found in most

of our records. I do not see, however, that their descendants have

preserved the sobriquet, unless, after the fashion of several other

words in our vocabulary, they are flourishing secretly among our

‘Butlers,’ and thus helping to swell the already strong phalanx that

surname has mustered. While, however, all these representatives of so

many though kindred occupations seem to have flourished in their

separate capacities, I do not doubt but that ‘Richard le Haberdasher’

would have been able to supply most of the wares they dealt in. His was

a common and lucrative employment in a day when, to judge by the

contents of a shop of this kind as set down in the London Rolls, he

could offer for purchase such a wide assortment as spurs and shirts,

chains and nightcaps, spectacles and woollen threads, beads and

pen-cases, combs and ink-horns, parchments and whipcords, gaming-tables

and coffins (Riley’s ‘London Memorials,’ p. 422). There seems to be

little doubt, however, that in the first place he dealt simply in the

‘hapertas,’ a kind of coarse, thick cloth much in vogue at this time,

and that it was from this he acquired the name he bore.[348]

The now, I fear, obsolete ‘Camiser’ made the ‘camis’ or chemise, or

linen underdress—he was the shirtmaker, in fact. The former spelling

lingered on to Spenser’s time, who writes of a

Camis light of purple silk.

It is with him we must properly associate our ‘Smockers,’ ‘Smookers,’

and anachronistic ‘Smokers,’ who, though their chief memorial remains in

the rustic smockfrock still familiar in our country districts, were

nevertheless chiefly busied with the ‘smok,’ such as the patient

Griselda wore. Of one of his characters Chaucer says—

Through her smocke wroughte with silke

The flesh was seene as white as milke.

Such phrases as ‘smock-treason,’ ‘smock-loyalty,’ and ‘smock-race,’ and

the flower ‘Lady-smock,’[349] still remind us that the word was once

generally understood of female attire. Of the flower Shakespeare makes

beautiful mention when he says—

And ladysmocks all silver white,

Do paint the meadows with delight.

The word slop is now well-nigh confined to the nether garments of our

youngsters, but though, in this pluralized sense, it can date back to

the time when the bard of Avon said of one of his personages that he

was—

From the waist downwards all slops,

still, singularly used, it was in vogue far earlier. A ‘slop’ in

Chaucer’s day, and even up to the fifteenth century, was a kind of frock

or overmantle.[350] In the ‘Chanon Yemannes’s Tale,’ the host expresses

his surprise that the Chanon, a ‘lord of so high degree,’ should make so

light of his worship and dignity as to wear garments well-nigh worn out.

He says—

His overest sloppe is not worth a mite.

Our ‘Slopers’ still remind us of this. Our ‘Pilchers,’ relics of ‘Hugh

le Pilecher’ or ‘Nicholas le Pilchere,’ are equally interesting. In his

proverbs on covetousness and negligence, the writer I have just

instanced thus speaks—

After great heat cometh cold,

No man cast his pylche away.

A ‘pilch’ was a large outer tippet made of fur, and worn in winter. The

modern ladies’ ‘pelisse’ is but another form of the same root. Speaking

of furs, however, we must not forget our ‘Furriers,’ and once common

‘Pelters’ and ‘Pellipers.’ They were engaged in the preparation of the

more furry coats of the wilder animals. In the Hundred and other Rolls

mention is frequently made of such names as ‘Geoffrey le Pelter’ or

‘Reyner le Peleter.’ A ‘pell’ or ‘pelt’ was any undressed skin. The

‘clerk of the Pells’ used to be the guardian of the rolls of the

Exchequer, which were written upon a coarse parchment of this kind. As a

general term of dress it was once of the most familiar import.

Wicklyffe, in his complaint to the king, speaks of the poor being

compelled to provide gluttonous priests with ‘fair hors, and jolly and

gay saddles and bridles, ringing by the way, and himself in costly cloth

and pelure.’ An old song written against the mendicant friars, too,

says—

Some friars beren pelure aboute,

For grete ladys and wenches stoute,

To reverce with their clothes withoute,

All after that they are.

Among the many ordinances passed to curtail the subject’s liberty in

regard to his attire, much is written on the fashion of wearing furs. It

seems to have been the great mark between the higher and lower classes.

In 1337 it was enacted by Edward III. that no one of those whom we now

term the operative class should wear any fur on his or her dress, the

fur to be forfeited if discovered. The names I have mentioned above

still remain in fair numbers as a memorial of this period.

Such a name from the ‘Rolls of Parliament’ as that of ‘John Orfroiser,’

although now obsolete, reminds us of an art for which English craftsmen

obtained a well-nigh European reputation in mediæval times, that of

embroidery. ‘Aurifrigium’ was the Latin word applied to it, and this

more clearly betrays the golden tissues of which its workmanship mainly

consisted. In the ‘Romance of the Rose,’ it is said of the fair maid

‘Idlenesse’—

And of fine orfrais had she eke

A chapelet, so seemly on,

Ne wered never maide upon.[351]

The term ‘Broiderer,’[352] however, was the more common, and with him

all textures and all colours and all threads came alike. The Hebrew word

in our Bible, variously rendered as ‘broidered work,’ ‘needlework,’ and

‘raiment of needlework,’ was translated in a day when this would be of

the most familiar import. Our ‘Pointers’ and ‘Poynters’ manufactured the

tagged lace which fastened the hose and doublet together. In

Shakespeare’s ‘1 Henry IV.’ there is a playful allusion to this where

Falstaff, in the act of saying—

Their points being broken,

is interrupted by the response—

Down fell their hose.

It has been asserted that the presence of this name in our modern

directories is entirely the result of later French refugee immigration;

but such registered forms as ‘John le Poyntour,’ ‘Robert le Poynter,’ or

‘William Poyntmakere’ are found in the records of the thirteenth and

fourteenth centuries with sufficient frequency to justify the belief

that it was a much earlier denizen than many suppose.[353] In the former

‘Henry le Lacer’ or ‘Richard le Lacer’ we have, too, but a

fellow-manufacturer. Lace, it is true, is now rather a delicate fabric

of interwoven threads; once, however, it was but the braided string for

fastening the different articles of dress together. Thus, the

‘shoes-_latchet_’ mentioned in Scripture is a mere diminutive of the

word as thus used. The hose and doublet were invariably so attached. The

verb ‘to lace,’ I need not add, is still entirely employed in this its

literal sense. There were other means, however, of holding the several

garments together, and not a few of which are still brought to our

remembrance in our nomenclature. ‘Adam le Gurdlere’ or ‘Robert le

Girdlere’ speaks for himself. It was for the girdle our former ‘Agnes

Pouchemakers,’ ‘Henry Pouchers,’ ‘Robert le Purseres,’ and ‘Alard le

Bursers’ (when not official) made the leathern pouch carried thus at her

side for greater readiness by the careful housewife. Chaucer, whose

sharply-cut descriptions of the dress of his company are invaluable to

those who would study more closely the habits of the time, tells us of

the Carpenter’s wife that—

By her girdle hung a purse of leather,

Tasseled with silk and pearled with laton.

The Norman equivalent of Girdler was ‘le Ceynturer’ (‘Nicholas le

Ceynturer,’ A.) or ‘le Ceinter,’ but I have failed to find any traces of

it beyond the fourteenth century.[354] Our decayed ‘Brailers’[355] and

‘Bregirdlers’ represent but the same occupation in more definite terms.

The old English ‘brayle’ (from the Norman ‘braie’ or ‘braye,’ meaning

‘breeches’) was a waistband merely, a kind of strap, oftentimes attached

to and part of the trousers themselves. The nautical phrase of ‘brailing

up sails’ is, I fear, the only relic we possess conversationally of this

once useful term. A ‘brailer’ (‘Roger le Braeler,’ A., ‘Stephen le

Brayeler,’ X.) or ‘bregirdler’ (‘John le Bregerdelere,’ X.) was, of

course, a manufacturer of these. Maundeville, in his ‘Travels,’ speaks

of a ‘breek-girdille’ (p. 50). The now almost universal suspender was a

later introduction, the names of ‘Bracegirdler’ and ‘Bracegirdle,’ which

are not yet extinct, denoting, seemingly, the process of change by which

the one gradually made way for the other. A ‘brace,’ from the Latin

‘brachium,’ the arm, encircles the shoulder as a ‘bracelet’ does the

wrist. It is quite possible, however, they may be but a form of

‘breek-girdle.’ ‘Ivo le Glover’ or ‘Christiana la Glovere’ have left

descendants in plenty, but they had to fight a hard battle with such

naturalized foreigners as ‘Geoffery le Ganter’ or ‘Philip le Gaunter.’

At one time these latter had firmly established themselves as the

nominees of the manufacture, and the only wonder to me is how we managed

to prevent ‘gants’ from superseding ‘gloves’ in our common parlance. The

connexion of the ‘gauntlet’ with military dress, however, has preserved

that form of the term from decay. Both ‘Ganter’ and ‘Gaunter,’ I need

scarcely say, are firmly set in our midst.

And now we must descend once more till we come to the lower extremities,

and in a day of so much tramping it on foot we need not feel surprised

if we find many memorials of this branch of the personal outfit. The

once common expression for a shoemaker or cobbler was that of

_souter_.[356] It is of constant occurrence in our olden writers. Thus

the Malvern Dreamer speaks of—

Plowmen and pastours,

And othere commune laborers,

Sowters and shepherdes.

Elsewhere, too, he uses the feminine form when he makes mention of—

Cesse the souteresse.

The masculine term, I need not remind Scotchmen, is still in colloquial

use across the Border, and that it was once so in England our many

‘Souters,’ ‘Sowters,’ and ‘Suters,’ and ‘Suitors,’ misleading as these

latter are, are sufficient evidence. Such entries as ‘Andrew le

Soutere,’ ‘Robert le Souter,’ or ‘Richard le Sutor’ are common to old

registers. In the ‘Promptorium Parvulorum’ ‘sowtare’ is defined as a

‘cordewaner’ or ‘cordynare,’ and this at once brings us to our

‘Cordwaners,’ ‘Cordiners,’ and ‘Codners.’ They were so termed because

the goatskin leather they used came, or was supposed to have come, from

Cordova in Spain. In the ‘Rime of Sire Thopas,’ that personage is thus

described:—

His hair, his beard was like safroun,

That to his girdle raught adown,

His shoon of cordewane;

Of Brugges were his hosen brown,

His robe was of ciclatoun,

That cost many a jane.

In the ‘Libel on English Policy,’ too, we find it said of Portugal—

Their londe hath oyle, wyne, osey, wex, and grain,

Fygues, reysyns, honey and cordwayne.

In the Hundred Rolls it is represented by such a name as ‘Hugh le

Cordwaner’ or ‘Ranulph le Cordewaner.’[357] ‘William le Corviser,’ from

the same records, or ‘Durand le Corveser,’ held a name which struggled

for some time for a place, but had finally to collapse.[358] ‘Cobbler’

(‘Richard le Cobeler,’ A.), though it has existed as a name of

occupation fully as long as any of the above, has, I believe, never been

able so far to overcome the dislike to the fact of its being a mere

mending or patchwork trade as to obtain for itself an hereditary place

in our nomenclature. ‘Cosier’ has fared better, as have ‘Clouter’ and

‘Cloutman,’ relics of the old ‘John’ or ‘Stephen le Clutere,’ why I do

not know. We all remember how the inhabitants of Gibeon ‘did work

wilily, and went and made as if they had been ambassadors, and took old

sacks upon their asses, and wine bottles, old and rent, and bound up,

and old shoes and clouted upon their feet, and old garments upon them.’

Another name we may notice here is that of ‘Patten-maker,’ a ‘James

Patyn-makere’ being found enrolled in a Norwich guild of 1385. Cocke

Lorelle mentions among others:—

Alys Easy a gay tale-teller,

Also Peter Patynmaker.[359]

A patten seems in the thirteenth and fourteenth centuries to have been

very similar to our clog, only that the former was more easily put on

and off. It was of a wooden sole, rimmed with iron. We find in 1464 the

Patynmakers of London presenting a grievance in that the fletchers alone

were allowed to use aspen-wood, whereas it was the ‘lightest tymbre to

make of patyns or clogges.’ (Rot. Parl. iv. 567.) Mr. Way, in his Notes

to the ‘Promptorium Parvulorum,’ says they were worn much by

ecclesiastics to protect the feet from chill when treading the cold bare

pavements of the churches, and he quotes a Harleian MS. dated 1390

regarding an archiepiscopal visitation at York: ‘Item, omnes ministri

ecclesie pro majore parte utuntur in ecclesiâ et in processione _patens_

et _clogges_ contra honestatem ecclesie, et antiquam consuetudenem

capituli.’ The patten-maker was evidently of some importance at this

time.[360]

Perhaps fashion never went to such an absurd extreme as it did in the

fourteenth century with respect to wearing peaked shoes. An old poem

entitled the ‘Complaint of the Ploughman,’ says of the friars, and

alluding to their inconsistencies, that they wear—

Cutted clothes to shewe their hewe,

With long pikes on their shoon:

Our Goddes Gospell is not trewe

Either they serve the devill or none.

Piers Plowman, too, speaks of a knight coming to be dubbed—

To geten him gilte spurs

Or galoches y-couped.

This last reminds us that they were commonly styled ‘copped shoon.’ Such

a sobriquet as ‘Hugh le Coppede’ or ‘John le Copede’ would seem to refer

to this. Probably the owner had carried on the practice to an even more

extravagant length than his neighbours, and very likely he was one of

those who caused a law to be passed in 1463 forbidding any knight, or

any one beneath that rank, to wear any shoes or boots having pikes

passing the length of two inches! Even this curtailment, I imagine,

would astonish the weak minds of pedestrians in the nineteenth century.

Of a similar craft with the shoemaker came ‘the hosier’ or ‘chaucer,’

the latter of which has become, surnominally, so famous in English

literature. Though now obsolete, such a name as ‘Robert le Chaucer’ or

‘William le Chaucier’ was anything but uncommon at this time. Like

‘Suter,’ above-mentioned, it has a Latin source, its root being

‘calcearius.’ Chausses, however, were not so much boots as a kind of

leathern breeches worn over mail armour. There is probably, therefore,

but little distinction to be made between them and the ‘hose’ of former

days, though it is somewhat odd that leather, which once undoubtedly was

the chief object of the hosier’s attention, should now in his shop be

conspicuous by its absence. While ‘Chaucer’ has long ago become extinct,

‘Hosier’ or ‘Hozier’ is firmly established in our nomenclature. Thus we

see that clothing is not without its mementoes.

A curious surname is presented for our notice in our ‘Dubbers,’ not to

be confounded with our ‘Daubers’ already mentioned. To ‘dub’ was to

dress, or trim, or decorate. Thus, with regard to military equipment,

Minot says in one of his political songs—

Knightes were there well two score

That were new dubbed to that dance.

It is thus we have acquired our phrase ‘to dub a knight.’ The term,

however, became very general in the sense of embellishing, rather than

mere dressing, and it is to this use of the word we owe the surname.

Thus, in the ‘Liber Albus’ we find a ‘Peter le Dubbour’ recorded, whose

trade was to furbish up old clothes; he was a fripperer in fact. In the

York Pageant, already referred to more than once, we see the ‘Dubbers’

walking in procession between the ‘Bookbinders’ and ‘Limners,’ and here

they were evidently mere trimmers or decorators externally of books. In

another register we find a ‘dubbour,’ so called because as a hawker of

fish he was in the habit of putting all the fine ones at the top of his

basket, a trick still in vogue in that profession, I fear.[361] In all

these cases we see that ‘adornment’ or ‘embellishment’ is the main idea.

I need not remind my more North-country readers how every gardener still

speaks of ‘dubbing’ when he heaps up afresh the soil about his flowers

and plants. The old forms of the name were ‘Jordan le Dubber,’ ‘Payen le

Dubbour,’ and ‘Ralph le Douber,’ which last most nearly approaches its

root, the old Norman-French ‘adouber,’ to arrange.

A curious occupation is preserved from oblivion in our somewhat rare

‘Raffmans.’ We have the root meaning of the word in our ‘reft’ and

‘bereft,’ implicative of that which is snatched away or swept off. Thus

we still use ‘riff-raff’ in regard to the off-scouring of the people. A

raff-merchant was a dealer in lumber of any kind. In the Guild of Saint

George, Norwich, 1385, we find not merely the name of ‘John Raffman,’

but such entries as ‘Robert Smith, raffman,’ or ‘John Smith, rafman.’

The term ‘raff’ for a low fellow is not yet obsolete, and Tennyson, when

he says

Let raffs be rife in prose or rhyme,

is only using a sobriquet which, until recently, was a very familiar one

in the mouths of our peasantry. I have placed the surname here because I

doubt not the occupation whence it sprung was chiefly in respect of

trimmings, and the shearings of cloth, wool, and such like articles of

merchandise.

Another surname we must consider here is that belonging to ‘Ketel le

Mercer’ or ‘Henry le Mercer,’ now found also as ‘Marcer.’ We see in the

very title that the term has engrossed a sense not strictly its own, and

that, though we visit the mercer’s shop for silken goods, he was

originally a dealer in every kind of ware. He represented in mediæval

times, in fact, the storekeeper of our colonies. Indeed I believe that

to this day in some of our more retired country parts the mercer will

supply his customers with haberdashery, drugs, draperies, hardware, and

all general wants, saving actual comestibles. Mr. Lower quotes an old

political song against the friars, in which this more correct sense of

the word is conveyed—

For thai have nought to live by,

They wandren here and there,

And dele with divers marcerye

Right as thai pedlars were.

Our ‘Chaloners’ and ‘Challenors,’ representatives of such old names as

‘Peter le Chaloner,’ ‘Jordan le Chaluner,’ or ‘Nicholas le Chalouner,’

originated in a foreign but most useful manufacture. Chalons-sur-Marne,

at this time one of the most thriving towns of the Continent, was

chiefly renowned for its woollen and worsted stuffs, and a peculiar

coverlet of this sort, called by the special name of a ‘chalon,’ became

celebrated over the more civilized world. In the ‘Reves’ Tale’ we are

told of the miller that—

In his owen chambre he made a bedde

With shetes, and with chalons fair yspredde.[362]

Any importer or manufacturer of these was a ‘Chaloner.’ In a public

solemn pageant held in 1415 in the City of York, at the end of a list of

trades to be represented, there follows this: ‘It is ordained that the

Porters and Coblers should go first, then, of the right, the Wevers and

Cordwaners: on the left, the Fullers, Cutlers, Girdellers, Chaloners,

Carpenters, and Taillyoures: then the better sort of citizens,’ etc.

(‘History and Antiquities of York,’ vol. ii. p. 126.) The trade name

seems to have died out about the end of the fifteenth century. How

corrupted a word may become in the lapse of time may be seen in the

modern ‘shalloon,’ a term used for a species of worsted cloth. In such a

name as ‘Hugh le Shetare’ or ‘Roger le Shetere’ we recognize him who

provided that other portion of the bed gear which is referred to in the

extract from Chaucer. This name is now extinct. Not so, however, our

‘Quilters,’ who still thrive in our midst hale and hearty, and need

never fear obsoletism. Doubtless, as the cold of winter set in, and its

warm padded qualities began to be appreciated, the quilters would be

busy enough in providing such a coverlet as this. ‘Quiltmaker’ (‘John le

Quyltemaker,’ H.) is also found as a variation of the above: an old poem

mentions among others—

Quyltemakers, shermen, and armorers;

Borlers, tapestry-work makers, and dyers.

Such a name as ‘Christiana le Heldere’ or ‘Robert le Holdere’ must, I

doubt not, be set here, both forms being still in existence. They

belonged, I think, to the craft of upholdsters or upholders, at this

time confined, it would seem, entirely to the manufacture and sale of

mattresses, bolsters, pillows, and quilts, anything of a padded nature

connected with bed furniture.[363] The insertion of flocks and feathers

and the stitching together of such would seem to be a woman’s work, and

this is the clue, I suspect, to the fact of our now using the feminine

form of upholdster. There is a curious complaint made to Parliament in

1495, by the metropolitan upholders, that ‘Quyltes, mattres, and

cussions (were) stuffed with horse hair, fen downe, neetis here, deris

here (deers’ hair), and gotis here, which is wrought in lyme fattes and

by the hete of mannys body the savour and taste is so abhomynable and

contagious that many of the King’s subgettis thereby been

destroied.’[364] It is prayed, therefore, that only one kind of stuff be

allowed to be inserted in any one of these articles (‘Stat: of Realm,’

Henry VII.). In ‘Henry le Canevacer’ or ‘Richard le Canevacer’ we are

carried back to a class of now all but entirely decayed trade. The

canvaser, of course, turned out canvas, and this more especially for

bags for the conveyance of the raw wool, or for tapestry purposes. In an

old poem relating to German imports, it is said at the close—

Coleyne threde, fustaine, and canvase,

Carde, bokeram, of olde time thus it wase.

Tapestry work would engage much of this. Hangings of this kind, ere

wainscot came into use, were the ordinary decorations of the baronial

apartment, covering as they generally did the entire length of the lower

wall. In the ‘Boke of Curtasye’ we are told of the duties of one

officer—

Tapetis of Spayne on flore by side

That sprad shall be for pompe and pryde,

The chambur sydes rygt to the dore

He hangs with tapetis that ben fulle store.

The name of ‘Tapiser,’ for one who wove this article, is familiarized to

us as that of one of the immortal company who sat down together at the

‘Tabard’ in Southwark. Our modern ‘Tapsters,’ I doubt not, afford but

another example of a surname engrossing what have been originally two

separate and distinct titles. In an old sacred pageant given in York in

1415, amongst other trades represented we find coupled together the

‘Couchers’ and ‘Tapisers.’[365] Our ‘Couchers’ and ‘Couchmans’ are thus

explained. They were evidently engaged less in the wooden framework, as

we might have supposed, than in the manufacture of the cushions that

covered it, and doubtless, like the broiderer mentioned above, worked in

gold and silver and coloured threads the raised figures thereon.[366]

Thus we must ally them with such names as ‘Robert le Dosier’ or ‘Richard

le Dosyere,’ makers of the ‘doss,’ a technical term given at this time

for cushions or stools worked in tapestry.[367] Thus the same book which

I have just quoted says of the groom’s duties—

The dosurs, curtines to hang in halle,

These offices needs do he shalle.

As a specific name for productions of this class the word is now quite

obsolete, though familiar enough in early days; tapestry indeed, in

general, has ceased to be popular, and is now all but entirely confined

professionally to the weaving of carpets, and as an amateur art among

ladies to those figured screens so much in vogue not more than one or

two generations ago, traces of which still remain in the framed

embroideries yet lingering in many of our drawing-rooms—embroideries of

cats with grizzly whiskers and tawny terriers—embroideries which as

children we heard with bated breath had been worked by our grandmothers

when they were little girls, and thus we realised for the first time,

not so much that they had done these wonderful things as that they had

once been small at all, like ourselves.

We have no surname to represent the weaving of carpets, as this was an

introduction of much later date than most of our other household

comforts in the way of furniture. In Brand’s ‘Popular Antiquities’ an

interesting quotation is given from Hentzner’s ‘Itinerary,’ who,

describing Queen Elizabeth’s Presence Chamber at Greenwich, says, ‘The

floor, after the English fashion, was strewed with hay.’ The strewing of

church pews with rushes was common until recent times, and in the North

of England the peculiar customs attaching to the ‘Rush-bearing,’ a kind

of ‘wakes,’ are not yet extinct. It is fair to add, however, that

carpets were in course of introduction at the beginning of the sixteenth

century; an old poem of that date mentions—

Broudurers, strayners, and carpyte-makers,

Spooners, turners, and hatters.

Before proceeding any further we had better introduce our ‘Lavenders,’

or washers, for be it linen or woollen stuff, be it garment for the back

or covering for the bed, all needed washing then as now. The contracted

feminine ‘laundress’ is still in common use. That the masculine form,

however, was early applied to the other sex is proved in the ‘Legend of

Good Women,’ where we are told—

Envie is lavender of the court alway,

For she ne parteth neither night ne day.

The gradation from ‘lavenderie’ to ‘laundry’ is marked by Stowe, who in

his ‘Chronicles’ writes it ‘laundery.’ By similar contractions our

‘Lavenders’ are now found also in the other forms of ‘Launder’ and

‘Lander.’ An old poem says—

Thou shalt be my launder,

To washe and keep clean all my gere.[368]

‘Alicia la Lavendar’ figures in the Hundred Rolls. Doubtless, like our

more Saxon ‘Washers,’ she was a professional washerwoman. The stiffening

process, of infinitely more consequence then than now, has left its mark

in such a name as ‘Ralph le Starkere,’ or even in that of ‘William

Starcman,’ starch and stark being once but synonymous words. Whether it

were the carefully pinched wimple or the kerchief, whether it were of

silk or lawn, both alike required all the rigidity that could be

imparted to them, would the head be befittingly adorned. Employed,

therefore, either in the sale of the starch itself or in the work of

stiffening the dress, we find men of such a title as the above.

Doubtless they are referred to by the author of ‘Cocke Lorelle’s Bote’

where he speaks of—

Butlers, sterchers, and mustardmakers,

Hardeware men, mole seekers, and ratte-takers.

From the outer we may now naturally and fitly turn to the provision for

the inner man. Nor are we without interesting relics also in this

respect. We have already described the process by which the flour was

provided. The agencies in the towns for the sale of this, and the uses

to which it was put, are all more or less well defined, and well

established also in our present directories. I do not know whether

French rolls had obtained celebrity so early as this, but the name of

‘Richard Frenshbaker’ would seem at least to give some kind of credence

to the supposition. There can be no doubt, however, that he dealt in a

fancy way, for in solid bread-baking the Saxon ‘Baker’ has ever kept his

hands in the kneading-trough, and need never fear, so far as our

nomenclature is concerned, being ousted therefrom. The feminine form has

become almost equally well established among us, ‘Bagster’ or

‘Baxter’[369] or ‘Backster’ (the latter spelling found in Foxe’s Roll of

Marian martyrs) being among other forms of the old female ‘bakester.’

Piers Plowman speaks of—

Baksteres, and brewesteres,

And bochiers manye;

and such good folk as ‘Elias le Baxter’ or ‘Ralph le Bakster’ or

‘Giliana le Bacster’ are very plentifully represented in our olden

registers.[370] Still the foreigner did not give way without a struggle.

We have ‘Pollinger,’ ‘Bullinger,’ ‘Bollinger,’ and ‘Ballinger,’ as

corruptions of the ‘boulanger’ or ‘Richard le Bulenger,’ as he is

recorded. In our ‘Furners’ we see the representatives of such a name as

‘William le Furner’ or ‘Walter le Fernier,’ he who looked to the oven,

while in the all but unaltered form of ‘Pester’ we may still not

uncommonly meet with the descendants of many an old ‘Richard le Pestour’

or ‘Herman le Pestur,’ who had spent the best of his days in the

bakehouse. Such a name as ‘John Pastemakere’ or ‘Gregory le Pastemakere’

or ‘Andrew le Pyebakere,’ which once existed, reminds us of the

pastrycook, a member, as he then was, no doubt, of a by no means

unimportant fraternity—that of the ‘Pastelers’ or ‘Pie-bakers.’ An old

poem speaks of—

Drovers, cokes, and pulters,

Yermongers, pybakers, and waferers.

Best known, however, to most people would he be under the simple

professional name of ‘cook.’ I need not remind any student of olden

English records how familiar is ‘Roger le Coke’ or ‘William le Cook’ or

‘John Cokeman,’ nor will he be astonished at his being so well

represented in all those forms in the directories of the nineteenth

century. I could give endless references to show that this term was not

confined to the kitchen servitor. The ‘City Archives’ give us an

ordinance passed 2 Rich. II. (A.D. 1378) by the ‘Cooks and Pastelers,’

as an associated company, and Piers Plowman speaks of

Punishing on pillories,

Or on pynnyng stools,

Brewesters, Bakers,

Bochers, and Cookes,

For these be men upon molde (earth)

That most harm worken

To the poor people.

‘Cook’ or ‘Coke’ certainly holds a high position in the scale of

frequency at present, and, as I have had occasion to notice in another

chapter, is one of those few tradal names that have taken to them the

filial desinence, ‘Cookson’ being by no means uncommon. Of all these we

might have said much, but to mention them must suffice, and to pass on.

Solid bread-baking, however, as I have just hinted, was not the sole

employment of this nature in early days. A poem I have recently quoted

speaks of ‘waferers.’ Our ‘Wafers,’ relics of the old ‘Simon’ or ‘Robert

le Wafre,’ seem to have confined themselves all but entirely to the

provision of eucharistic bread, though they were probably vendors also

of those sweet and spiced cakes which, under the name of ‘marchpanes,’

were decidedly popular. Among other gifts that Absolom the clerk gave

Alison, Chaucer hints of—

Wafers piping hot out of the glede,[371]

and the ‘Pardoner,’ in enumerating the company of lewd folks of

Flanders, speaks of ‘fruitsters,’ ‘singers with harps,’ and ‘waferers.’

Piers Plowman puts them amid still more disreputable associates. No

doubt, true to the old adage, ‘near the church, never in it,’ they were

wont to hang about the sacred edifice abroad and at home, offering their

traffic to the devouter worshippers as they entered in. We ourselves

know how searing to heart and conscience is such a life as this. That

all were not of this kind we are reminded by the will of an Archbishop

of York of the thirteenth century, who therein bequeaths a certain sum

to two ‘waferers,’ evidently on account of their exemplary conduct while

conducting their trade at the Minster door.

Chaucer, describing the prioress, says that—

With rosted flesh, and milk, and wastel brede,

she fed her small hounds. Cakes of wastel were of the purest flour and

most careful bake, and were only second to the simnel in quality.

Wasteler, found in such an entry as ‘John Wasteler,’ is extinct, but the

shorter ‘Wastel’ still exists in our midst. Probably, in the latter

case, it was originally but a sobriquet affixed to a baker of this

peculiar kind of bread. It is in a similar manner, I doubt not, arose

such early nicknames as ‘William Wytebred,’ or ‘John Holibread,’ or

‘Roger Blancpain,’ or ‘Josce Barlibred,’ or ‘Matilda Havercake,’ or

‘Lambert Simnel,’ the latter a name familiarized to the youngest student

of English history. Strange to say, ‘Barlibred’ is the only one of this

list that has disappeared from our directories, although ‘Barleycorn’

was in existence, I believe, but a few years ago. But to keep more

strictly to tradesmen: I have no doubt myself it is here we must place

our ‘Mitcheners,’ as makers of the ‘mitche’ or ‘mitchkin.’ The

diminutive was the modern cracknel, while the larger seems to have been

a small loaf of mixed flour. Chaucer, in his praise of contentment,

says—

For he that hath mitches tweine,

Ne value in his demeine,

Liveth more at ease, and more is rich

Than doeth he that is chich (niggardly),

And in his barne hath sooth to saine,

A hundred mavis of wheat grain.

I have, however, no proof of the connexion I deem exists, so I merely

mention it and pass on. We are more certain about our rare ‘Flawners’

and ‘Flanners,’[372] once the manufacturers of the ‘flaon’ or ‘flawn,’

so popular as to have left its mark in our ‘Pancake Tuesday.’ Caxton, in

his ‘Boke for Travellers,’ says, ‘of mylke and of eggs men make

flawnes.’ In the story of Havelok the Dane, too, mention is made of—

Brede an chese, butere and milk,

Pasties and flaunes.

A ‘Roger le Flaoner’ comes in the London Corporation records, A.D. 1307,

while much about the same time I find a ‘Walter le Flawner’ in the

Parliamentary writs.

I have kept our ‘Panyers’ and ‘Panniers’ till the last, because there is

just a shade of doubt as to whether they owe their name to the

manufacture of the basket so called or to the hawking of bread, the very

practice of which custom, so familiar as it was then, has given us the

term. The original meaning of ‘pannier,’ the French ‘panier,’ was

bread-basket, and the word seems to have acquired a peculiar prominence

from the fact that in mediæval times bakers, through being the subjects

of a careful supervision, were forbidden to sell their bread anywhere

but in the public market—nay, so particular were the authorities with

regard to this that an officer was specially appointed to watch the

‘hutches,’ boxes, or baskets in which the loaves were exposed. A surname

‘Robert le Huchereve’ is even found in the Guildhall records as a relic

of this. We can thus readily understand how hawkers of these portable

covers or baskets would acquire the sobriquet of ‘panyers.’ Certain it

is we find such entries as ‘Simon le Pannier,’ ‘Robert le Pannere,’

‘Amiscus Panarius,’ or ‘Geoffrey Panyman,’ while in another register the

occupation of ‘panyere’ is distinctly mentioned. We can equally readily

understand how from this the term itself would, in course of time,

obtain a wider and more general sense. That it has done so the donkey’s

panniers are a proof. It is, however, somewhat strange, when we reflect

upon it, that perhaps the last thing we should expect to see borne in

this fashion in the present day would be that very article to which the

receptacle itself owed its name.

It is somewhat remarkable that while our directories possess many

records of the early manufacture of and traffic in cheese, yet there are

no names whatever in the present day, I believe, and barely any in the

past, which are associated with the most important of all country

produce—butter.[373] The most satisfactory clue to the difficulty will

be to suppose that the cheese-merchant of that day, as often in the

present, dealt in both articles. This is the more likely, as the many

sobriquets given to dealers in cheese in the fourteenth century would

appear to give that edible, important as it was and is, a greater

prominence than singly it deserved. Thus we find such names as ‘Edward

le Cheseman’ or ‘Robert le Chesemaker,’ ‘John le Chesewright,’ or

‘William le Cheswright,’ or ‘Alen le Chesmongere,’ as representatives of

the Saxons, figuring somewhat conspicuously in the registers of the

period.[374] For the foreign element, too, cognomens were not wanting.

‘Benedict’ or ‘Michael le Casiere’ may even now be living in our

‘Cayzers,’ if they be not but another form of ‘Kaiser,’ and ‘Wilkin le

Furmager’ or ‘William le Formager’ in our ‘Firmingers,’ is in no risk of

immediate oblivion. The majority of the Saxon forms, I need scarcely

add, are also thriving in our midst.

English Surnames: Their Sources and Significations · 第 6 / 12 章