THE FIRST BALL OF THE SEASON

Of Harrison’s barn, with its muster

Of flags festooned over the wall,

Of the candles that shed their soft lustre

And tallow on headdress and shawl;

Of the steps that we took to one fiddle,

Of the dress of my queer vis-à-vis,

And how I once went down the middle

With the man who shot Sandy McGee.

Bret Harte: “Her Letter”

Among employees of the Desert Indian Service, the Marylander is a

rarity. Back in Maryland the Indian Service is unknown, all readers of

the Sun-paper believing that Indians were originally designed by

Buffalo Bill.

So when a lad seated himself on my porch one night, and announced:

“Why, Ah’m from Maheland too; yes, indeed!” it rather struck me where I

ought to have lived. I was eating at the mess then.

He was out with an irrigation crew, surveying levels, and in a few

months had become obsessed by all things Southwest Indian. He wore

moccasins and a bracelet studded with turquoise, and he could chant

like a cold Navajo on his way home from a Yabachai.

“Ah’m goin’ to get me a gourd-drum, an’ go in for ‘singing,’” he told

me, when we had become better acquainted, and he demonstrated the eerie

half-croon-half-yodel of the Medicine Man. “Say, Nultsose! have yo’

heard them?—Medicine ‘sings’?”

This was my first intimation that a title attached to my position.

“Nultsose—”

He explained it as Navajo for paper or writing, hence; one who writes

on or issues papers pertaining to the mysteries of white men’s wholly

unnecessary accounting. Nearly all clerks wear spectacles, as I did,

and one would think that the Indian, naming his own so often because of

infirmities, would have seized on this defect for a name. But not so;

the check, order, issue-script, permit, or warrant, the paper, the

“nultsose,” is the important thing to him. It means money in hard

dollars, authority perhaps, demand for goods, leave to go on a journey

with recommendation or safe-conduct; or, if fortune has waned, summons

to the Chief.

“And if yo’ go to a ‘sing,’ Nultsose, remember to take change, an’

don’t give the squaws more’n two bits at a time. Yo’ll have to dance

with ’em, yeh know, an’ instead of thankin’ ’em, yo’ pay ’em. Hand out

a dollar, an’ Good-night—they keep the change. Now old Beck-a-shay

Thlani is inviting to one sometime soon. It’ll be a reg’lar hoe-down,

an’ we’ll go.”

The doctor was present, and he grinned uncomfortably. The Nahtahni,

stretched in his hammock, rubbed his wig and grunted.

“Ah! yo’-all come too,” urged Roberts; “It’ll be fun. They all know me,

and I’ll do the interpreting. Every old shemah with a dotter has her

eye cast my way, anyhow. They pick out the handsome boys for the

weddings at ‘sings.’ I’ll have to get me a Piute wedding-basket,

though, next pay-day. There’s a trader over at Red Lake who’s got my

order for it.”

The doctor cautioned me later not to be too hasty in this matter, and I

perceived that he had reason for timidity.

“They’ll get you,” he declared. “They never fail to land a fellow; and

then he has to prance like a fool before five thousand Indians. That’s

all right for Roberts, ’cause he’ll wind up a squaw man; but I’m

advising you.”

And one twilight, when we were again arranged on deck after supper, a

half-dozen little Navajo boys from the school sidled up to the Chief,

daring and timid by turns, their eyes snapping with the fire of hope.

They hung around until he asked:—

“Ah-tish-ah?”

“Dence!” they exclaimed, breathlessly.

“Noki yisconga, epten,” the Nahtahni severely decided.

“Doe-yah-shaunta! She-no-be-hosen. E-yah-tay.”

The Old Man was proud of his linguistic ability, and this was the

complete extent of his Navajo on any topic. The last sentence but one

he had made up, somehow, all by himself. It bore no semblance to

anything any Navajo had ever enunciated; but he knew what it meant. A

free—a very free—translation would run something like this: “Two days

from now, nothing doing. Don’t you dare to do it. It’s bad for you. I

know nothing about it. Yes; all right!”

The last was all the kids wanted. The scrub crackled as they

disappeared into and through it, going as frightened rabbits.

Roberts spoke next.

“That’s old Beck-a-shay Thlani’s ‘sing.’ Say, boss, the Doc and young

Nultsose here are both pinin’ for to shake a toe in that soiree. Let us

have a team, will yeh?”

The Nahtahni grunted.

“You know the horses have worked hard to-day—”

“Yes; let us have a team,” said his stepdaughter, who afterward married

the doctor; and that settled it, and also bound the medico to the

adventures of the evening. There are a few things no different in the

Desert. The Navajo woman of the hogan, the Hopi dowager of the

household on the height, the Pueblo wife of the lower vineyards, all

settle these questions in much the same manner. Man proposes and begins

to make a noise with words, and immediately thereafter attends strictly

to the holding of his peace. Roberts knew this, and without further

parley disappeared in the direction of the barn. Shortly came a farm

wagon, drawn by two solid animals, and a dozen of us piled into it, the

doctor noticeably lagging.

“Don’t forget your change, Nultsose,” called Roberts.

It was no great distance to the river, and soon we were splashing

through shallow waters. Mounting the high farther bank, the wagon began

tossing and rolling over an old desert road. Then the dark laid down

its thick blanket, and the stars burned through overhead. From the next

rise we noticed a faint glow, away off, and this grew larger as we

blundered along. Now a whiff of pungent smoke came on the thin desert

wind. Now the deep shadows began to dissolve into a golden gloom, and

now gleamed the white-hot flare of burning cottonwood. Then a furious

challenge from the dogs, and we saw the camp. As feudal lords were once

accompanied by retainers and shock-headed varlets, so the nomadic lord

of the Desert is followed by a multitude of canines. It seemed that a

thousand of them started up to greet us, a fearsome, throaty bedlam.

Wagons loomed up, their canvas tops lending a touch of the pioneer

days; and in the spaces between the poles were the little

cooking-fires, around which women and children huddled amid pots and

pans, saddles and boxes and water-kegs and tangled harness—all the

clutter of a desert camp. Beyond the huge central fire was a hogan,

that queer house the Navajo builds of logs and plasters with adobe,

domed like a beehive, and from its roof wreathed a thin column of

smoke. There rested the sick man for whom all this preparation had been

made, the cost of which would likely break old Beck-a-shay Thlani, or

at least seriously strain his credit at the trading-posts.

Coarse Navajo rugs were spread close to the fire and, with grave

salutations from the older men and smiles from mothers who convoyed a

bevy of Navajo girls, we were invited to be seated in the place of

honor. This would have impressed any blank-record Easterner, going

about making notes, as rude but wholesome hospitality, and it was; but

the courtesy also enabled the Navajo to indulge himself—and

particularly herself—in a bit of fun. The doctor slipped away into the

shadows; and I noticed that the young men of the Navajo, scores of

them, sat their ponies, a long line of horsemen behind us. They eased

in their saddles, reins hanging, their faces having the grave solemnity

that marks a shy and diffident people.

That is, shy of strangers, before whom they draw on the mask of

gravity, mistaken since the days of Fenimore Cooper for stoicism. But

no one was shy of Roberts; and especially had he friends among the

ladies. Every old shemah greeted him with a smile and exclamations of

pleased surprise. He held the confidence of these people; and well he

might, considering the pains he had been to in acquiring a working

vocabulary of their language, which is probably as difficult to master

as Chinese. And I felt somewhat reassured in having him for sponsor. We

lolled comfortably on the rugs, and the fire burned our faces and

lighted everything as at a play.

“The doc’ has vamoosed,” he said, grinning; “but that won’t do him any

good. They’ll run him down in the scrub, and bring him in hog-tied.

I’ve told a dozen old women that he is stingy with his dancing.

Self-defense—otherwise you an’ me’d have to do it all.”

“Explain this dancing act,” I requested.

“Don’t worry,” Robert replied. “The squaws will attend to everything

for yeh. Just yield gracefully—an’ pay ’em. Don’t forget that.”

Now from the hogan came a band of solemn-featured men, led by an old

gentleman of the tribe who bore a strong resemblance to Rameses III,

straight out of glass case No. 12, as you go down the east corridor,

save that he was slightly animated. He bore a staff, to which a little

gourd-drum was tied. The group formed a wedge behind him. Silently they

swayed together, shoulders touching, for several seconds. Then the old

one tapped the drum and intoned a howl, and with one accord they were

off, like a flock of coon dogs on a cold night. In time with the

curious rhythm they continued swaying, and occasionally did a hop-step

without moving forward. The fire beat upon them and, as they warmed to

the chanting, heads thrown back, mouths agape, and vocal chords never

missing a note, the sweat beaded on their foreheads.

“This,” said Roberts to me, in solemn appreciation, “this is some

singing—I never heard better.” And I agreed with him. It laid over

anything I had ever heard, including a Mott Street theatre choir.

It is impossible to describe the nuances of the Navajo chants. At the

farthest northern trading-post there lives a lady who can translate the

Rain Song, the Prayer before Day, and other of their invocations; and I

know a white man who had a “medicine sing” held over him to comfort his

Navajo wife; but until you meet up with Roberts, properly chaperoned

nowadays in the great Jedito Wash, I pass giving any idea of that weird

combination of sounds. A long sustained note at times, now a crooning

melody, now a sad, half-wild cry, filled with minor effects that would

be the delight and the despair of any jazz artist, it is indeed a song

of the Desert.

And the most astounding thing of all was the endurance of that aged

vocalist, the old Medicine Man. The pitch of his drum simply encouraged

him in new effects. There was an energy, a sustaining confidence in his

efforts that must have had a rare effect on the ailing one within the

hogan. And for two mortal hours the others of the singing band followed

his lead without once rivaling him. When one hesitated, as might be

seen but not heard, the clamor of the pack smothered all defects; and

the faltering one would cough, spit straight upward into the air,

uncaring, and get a fresh start. But the old man was never headed; not

once did he waver, hesitate, or fail in the key. He had begun with that

first flat sounding of the drum, and he continued faithfully unto the

end. He was an artist. I admired him. And when Roberts told me that the

old charlatan would receive at least twenty sheep and five head of cows

for his fee, I began to understand his unflagging spirit. He had a

reputation to sustain.

The Regulations of the Interior Department, issued to Nahtahnis, state

that all such interesting old comedians should be in jail for this

offense against medical ethics. But, mark you! the Interior Department

does not encourage Nahtahni to put him in jail. There are too many of

him. The Navajo number between thirty and forty thousand souls on the

six Navajo reserves, and about every seventh man is a doctor of tribal

medicine. While a lucrative calling, it is not always a desirable one

for the neophyte, since failure to exorcise successfully the evil

spirits enmeshed in the patient has been followed more than once by

swift demise, and the blundering physician did not heal himself later,

nor did he hear the singing.

Indians of the Enchanted Desert · 第 32 / 91 题