Hic Leo, surgendo, portas confregit Averni

Qui nunquam dormit, nusquam dormitat, in ævum.

(This Lion, rising, burst the gates of Death:

This, who sleeps not, nor shall sleep, for ever.)

Now here is the Christian change of the Heraclean conquest of Death

into Christ's Resurrection. Samson's bearing away the gates of Gaza is

another like symbol, and to the mind of Alfred, taught, whether by

the Pope Leo for his schoolmaster, or by the great-granddaughter of

Charlemagne for his schoolmistress, it represented, as it did to all

the intelligence of Christendom, Christ in His own first and last,

Alpha and Omega, description of Himself,--

"I am He that liveth and was dead, and behold I am alive for evermore,

and _have the keys_ of Hell and of Death." And in His servant St.

John's description of Him--

"Who is the Faithful Witness and the First-begotten of the dead, and

the Prince of the kings of the earth."

All this assuredly, so far as the young child, consecrated like David,

the youngest of his brethren, conceived his own new life in Earth and

Heaven,--he understood already in the Lion symbol. But of all this I

had no thought[31] when I chose the prayer of Alfred as the type of

the Religion of his era, in its dwelling, not on the deliverance from

the punishment of sin, but from the poisonous sleep and death of it.

Will you ever learn that prayer again,--youths who are to be priests,

and knights, and kings of England, in these the latter days? when

the gospel of Eternal Death is preached here in Oxford to you for the

Pride of Truth? and "the mountain of the Lord's House" has become a

Golgotha, and the "new song before the throne" sunk into the rolling

thunder of the death rattle of the Nations, crying, "O Christ, where

is Thy Victory!"

[Footnote 31: The reference to the Bible of Charles le Chauve was

added to my second lecture (page 54), in correcting the press,

mistakenly put into the text instead of the notes.]

NOTES.

1. _The Five Christmas Days_. (These were drawn out on a large and

conspicuous diagram.)

These days, as it happens, sum up the History of their Five Centuries.

Christmas Day, 496. Clovis baptized.

" " 800. Charlemagne crowned.

" " 1041. Vow of the Count of Aversa (Page 80).

" " 1066. The Conqueror crowned.

" " 1130. Roger II. crowned King of the Two Sicilies.

2. For conclusion of the whole matter two pictures were shown and

commented on--the two most perfect pictures in the world.

(1) A small piece from Tintoret's Paradiso in the Ducal Palace,

representing the group of St. Ambrose, St. Jerome, St. Gregory, St.

Augustine, and behind St. Augustine his mother watching him, her chief

joy even in Paradise.

(2) The Arundel Society's reproduction of the Altar-piece by Giorgione

in his native hamlet of Castel Franco. The Arundel Society has done

more for us than we have any notion of.

* * * * *

THE WORKS

OF

JOHN RUSKIN,

(SEPARATELY AND IN SETS.)

* * * * *

AN INQUIRY INTO SOME OF THE CONDITIONS

AFFECTING "THE STUDY OF ARCHITECTURE" IN

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ART CULTURE. A Hand-Book of Art Technicalities

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Art Student, with a new Glossary of Art Terms and

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block here and another there, as it has suited his purpose, has put

all these parts together again into a literary mosaic, constituting a

clear and harmonious system of art principles, wherein Ruskin all the

while is the teacher. He has reduced Ruskin to a code. On the whole,

we see not what this book lacks of being a complete text-book of the

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ART OF ENGLAND. Lectures given in Oxford

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AUTOBIOGRAPHY--PRÆTERITA.

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BIRTHDAY BOOK. A Selection of Thoughts,

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ELEMENTS OF DRAWING, THE. In Three

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The Pleasures of England Lectures given in Oxford · 第 6 / 6 段