Chapter II

In the World

The funeral of the organist and music master, Johann Christoph Bach, was

marked by all the ceremony becoming the burial of an excellent man, a

faithful servant of the church and school, and an accomplished musician.

The mourners returned from the churchyard, speaking with subdued voices.

They were plain, earnest men, clad in simple black coats, long-skirted

waistcoats over short knee-breeches and stockings, and buckled shoes.

They also wore the three-pointed hat over a small periwig.

Arrived at the house, those not belonging to the family took their

departure after a few words of condolence, but the relatives entered and

assembled in the sitting-room of the deceased around the old black

family-table, which had been made ready for such business as it might be

necessary for them to settle before they separated. This did not take

long. The joint bequest, very moderate in amount, fell to the five sons

of the deceased, to be divided at a fitting time. The principal

difficulty was to decide as to the further care and education of the

little Johann Sebastian; but they were spared any trouble on his

account, for they had hardly begun to consider the question when

Sebastian, who had been sitting in the window looking at the funeral

hymn, arose, and decorously advanced to the table.

“Dear cousins,” he boldly began, looking round the circle with large,

bright eyes, “do not trouble yourselves about me. I am in my fourteenth

year and am old enough to take care of myself hereafter. I thank my dead

brother for all the love and kindness which he bestowed upon me to the

very end, but I am not willing longer to be a burden to anyone; I shall

leave this good home as early as possible to-morrow to seek my fortunes

elsewhere. I beg you to give me the organ compositions which Johann

Christoph took away from me, likewise the old box with my

christening-money, together with your blessing, and let me go in peace.”

All present were greatly astonished at the boy’s bold little speech, and

there was silence in the room for a time. It was broken by the most

prominent one in the circle, Johann Valentin, eldest son of George

Christoph, cantor at Schweinfurt, who said: “Your statement greatly

astonishes us, dear Johann Sebastian; you are not yet of age nor able to

earn a living by the practice of our beloved music. Tell us what your

plans are and how you expect to support yourself. Your little

christening-money will not go far.”

“My first move will be to the city of Lüneburg,” said the boy, with

confidence, “where I hope to take lessons from the great organist, Böhm.

My friend Erdmann, who has a kind uncle living there, goes to him

to-morrow, and will take me with him and introduce me to him. I have a

good singing voice and an excellent method, so I expect I shall easily

secure a position as chorister and thus provide for the ordinary

expenses of life. In case of extreme need, my friend Erdmann has

promised me his uncle’s assistance.”

Johann Valentin replied: “Our family, honorably known as the Bachs, are

of a contented spirit by nature, and have always been so well satisfied

with their fatherland and their circumstances that, with the exception

of your brother, Johann Jakob, none of them until now has desired to

seek service and fortune outside of Thuringia. The Bachs until now have

considered the approbation of their superiors and of their native places

as more desirable than the quest for fame at great trouble and expense

among jealous strangers. Are you now to be an exception, dear Johann

Sebastian? Do you not believe one can become a good organist here, one

well pleasing to God and man, and live here contented with his position?

Your good father, Johann Ambrosius, I think, set you a commendable

example. How is it then that you alone have this restlessness and this

inordinate desire to associate with so-called ‘great musicians’? Oh, my

dear Johann Sebastian, music is not a mere matter of show and glory; it

is a solemn reality. It is of little consequence whether the world hears

of us, so that we strive with all our might that God may hear us and

recognize our simple art.”

“What you say, cousin,” replied Sebastian, with an earnestness not often

found in one so young, “is as true as gold, and yet I cannot longer

remain satisfied with what our family has thus far accomplished. What I

mean is, that the Bachs should not continuously learn only from the

Bachs. They must go out into the world. Every master craftsman lets his

son go among strangers so that he may learn some other master’s style

and ways, and thus improve, or, as it were, bring fresh blood into his

workmanship. Painters and sculptors go to Italy, where there are good

masters and teachers, and infuse new life into their artistic work at

home; while musicians alone sit immovable in their little organ-lofts

and hear no one but themselves. There is no progress in that. And it is

because I believe all this that I am determined to travel and try to

study in other places and among other people, to hear good musicians,

and to learn from them what I need to learn.”

The boy’s eyes glistened and his cheeks reddened as he spoke. He grew

more and more excited as he proceeded, until at last he was well-nigh

breathless. Finally, he ceased and looked around the circle, awaiting a

gracious answer. But the cousins were also silent, and looked at each

other as if paralyzed by the boy’s passionate utterances, until at last

Johann Ernst, Johann Christoph’s eldest son, expressed the sentiment of

the family, and said, in a tone of the deepest conviction, “It is only

pride and the craving for empty honors that have induced you to leave

here.”

“That is not so,” replied Sebastian, excitedly. “I am striving for the

same ends as you, only in my own way. If I master my art, I will elevate

and improve sacred music in a worthy and judicious manner; I will play

for the praise of the Lord. I will walk honestly, as did my blessed

father. If I seek other ends than these may someone shatter my

instrument, for I shall no longer be worthy to touch the consecrated

keys.”

It was no longer a boy who spoke, but a young man, who had seriously

considered his art and who was determined nothing should turn him from

the right way to the highest achievements.

As such a youth the Bachs at last recognized him. After a whispered

consultation the eldest voiced the final decision: “We have agreed, dear

Johann Sebastian, to let you go the way you have chosen, hoping and

praying it may end well; we have the utmost confidence in the sincerity

of your purpose, and as for the rest we leave you in the Almighty’s

hands. Forget not, among strangers, who you are and where you belong.

We, the elders, will remain here, and when you return to the dear

Thuringian land, come as a true Bach, as an able and pious musician, as

a worthy son of your brave, faithful father.”

“I promise you all solemnly to do so,” said Sebastian, with deep

emotion, as he extended his hand to each cousin, beginning with

Valentin. They shook it warmly and firmly, as a mark of conciliation,

and then Johann Valentin took a gulden from his little purse, as did all

the others, and handed the modest sum to the blushing boy as his

travel-money. They also gave him the tin savings-box with the

christening-money, and beside this his well-earned manuscript, an

autograph motet[9] of his dead brother’s (“Lord, if I have only Thee”)

for five voices, with the fundamental bass, and finally added to his

brother’s bequest a violin (not the supposed Amati), as well as the bow

and case, so that the little traveller “may have the opportunity further

to perfect himself on this instrument.”

Then they dismissed the boy, who was overcome with joy and gratitude, to

give him time to make his simple plans for the journey. He rushed out as

if beside himself with happiness, which was still further intensified by

the appearance of his true friend Erdmann at the door, whom he embraced

without any regard to the parcels in his arms.

“Erdmann, dearest Erdmann,” he shouted, scarcely lowering his voice, “I

am free! I am going with you, God be praised!”

“Have they really let you go, and with their free consent?” said the

astonished Erdmann.

“With their free consent,” replied Sebastian. “At first they hesitated.

They thought it improper for a Bach to go among strangers and to wish to

study with other masters, but I argued so stoutly against that view, and

defended my plans so earnestly, that at last they trusted me and gave

their consent with many good wishes. They also contributed an ample sum

of travel-money, and gave me this violin and a composition as a

remembrance of my dead brother,—but, oh, I could have remembered him

without that.” And the great spiritual eyes of the boy glistened with

rising emotion.

“Now all goes well,” said Erdmann. “Your cousins have taken the right

view of the case. You are free, and nothing can prevent you from

becoming a great musician—greater than all the Bachs, big and little,

before you.”

“Yes, yes,” cried Sebastian, trembling with joy; “but when shall we

start?”

“The first thing in the morning. We have a good conveyance to Gotha and

day after to-morrow to Mühlhausen. Bring your baggage this evening to

the Black Bear and be there yourself to-morrow morning at sunrise.”

“Hurrah!” shouted Sebastian, excitedly. His outcry rang so loudly

through the house that one of the Bach cousins opened the door and

reproved him: “Johann Sebastian, we are still in the house of death.”

“Forgive me,” said the really contrite lad, turning crimson, as he

started up to his little chamber, while Erdmann, taking some of the

reproof to himself, quietly withdrew.

Thus the memorable day came to an end crowning Sebastian’s dearest

wishes. His joy could hardly have been greater had he been vouchsafed a

glance into the future and realized he was taking the first step upon

the road leading him to the supreme heights of his art.

With eager hands he joyfully packed the little bag left him by his

devoted father with his scanty stock of clothes and the necessary books

and papers, and took it in the darkness of the evening to the Black

Bear, where the old and well-known house-servant took care of it. Then

he hastened back to the organist’s house, bade a cordial farewell to his

relatives, ate a little soup in the kitchen, made for him by the old

housemaid, took a big slice of bread, and hurried up to his chamber so

that he might have a good night’s rest and be ready for his early start.

There was not much sleep for him, however, that night. He lay upon his

bed with wide-open eyes looking out into the serene moonlight. Like the

light clouds which floated across the moon, memories and hopes swept

over his young soul. Gentle, beautiful melodies entranced him and made

his heart beat exultantly. Half waking, half dreaming, he raised his

hands as though they touched the keys of a celestial instrument and his

lips murmured disconnected words.

Thus the night hours passed between waking and sleeping. Toward morning

he sank into the deep, sound sleep of youth, and notwithstanding his

longings and his impatience for the journey would have slept beyond the

appointed hour had not his trusty friend, the old housemaid, awakened

him and reminded him of his purpose, at the first glow of dawn. It was a

joyful call. Thankfully he threw his arms about her neck and drew her

old head down to his. Then he dismissed her, arose and dressed, bathed

his flushed face in cold water, and repaired to the kitchen, where he

sat by the maidservant a few minutes while he ate his morning soup.

At last he was through. He bade farewell to his tearful friend and was

about to leave the house, when a room door opened and the plain, honest

face of Johann Valentin appeared.

“Johann Sebastian.”

“Dear cousin.”

“Come in.”

As the boy stood before him, he placed both hands upon his shoulders and

looked into his clear blue eyes.

“My dear Johann Sebastian,” he said with deep emotion, “my heart bids me

say a word to you before you leave your home. Some voice clearly tells

me that great achievements and fame are in store for you. But whatever

may be the outcome of the course you take this day, contrary to the

usages and habits of our family, the greatest human fame is as nothing

in God’s eyes if it is not humbly received by a pure and pious heart,

which ascribes the honor to Him. Remember this, dear Johann Sebastian,

and take from me, the eldest of the family, in place of your dear

father, my heartiest wishes and blessings.”

He placed his hand upon the boy’s head, whispered a prayer, kissed him

lightly upon the forehead, and softly said, “Now go in peace.”

“You shall not be disappointed in me, dear cousin,” said the boy with

emotion, as he reverently kissed the hand of his well-wisher. “I shall

never forget your words, never, and never shall I cease to be grateful

for your fatherly kindness. Farewell.”

“God’s angels guide and guard you.”

The next moment he had left the organist’s house and with weeping eyes

was hastening down the deserted street.

Johann Sebastian Bach(#65747) · 第 2 / 8 章