I have heard Cambridge men say, indeed, that after rowing on the Cam

they feel quite strange on Thames water. They feel, they say, as if

the boat were running away with them. I have experienced the feeling

myself, when rowing on the Thames anywhere below Teddington; but most

markedly below Kew. It is not due, however, to the mere difference

in the depth of the two streams, but mainly, if not wholly, to the

circumstance that the lower part of the Thames is a tidal river. It is

not noticeable above Teddington, save (in a somewhat modified form) in

those portions of the river called 'races,' where the stream runs with

unusual rapidity. I should suppose that Oxonians felt the influence of

this peculiarity fully as much as Cambridge oarsmen do; in fact, I know

that this is the experience of some Oxonians, for they have told me as

much.

I believe that the principal disadvantage which the narrowness of the

Cam entailed upon boating-men at Cambridge, lay in the circumstance

that Cambridge men never had an opportunity of rowing a level race.

They had 'bumping races' for the college eights--as the Oxonians

had--and time-races to decide between the merits of two or three boats,

whereas at Oxford two boats could contend side by side. Thus it was

to many Cambridge men a novel and somewhat disturbing experience to

find themselves rowing close alongside of their opponents. It may seem

fanciful to notice any disadvantage in such a matter as this; yet I

believe that the matter was not a trifle. The excitement which men

feel just before a race begins, and during the first half-mile or so

of its progress, is so intense that a small difference of this sort is

apt to produce much more effect than might be expected. I think the

somewhat flurried style in which the Cantabs were often observed to row

the first half-mile of the great race might be partly ascribed to this

cause. Of course, I am far from saying that if a Cambridge crew had

been decidedly better than their opponents, the race could have been

lost or even endangered from such a cause as this.

And now it remains that I should point out that peculiarity in what

may be called the Cambridge style of rowing--though it is not now

systematically adopted by Cambridge crews--to which the defeats of

the light-blue flag in the years 1861-69 were I believe to be chiefly

attributed.

It should be remembered that before we can recognise a peculiarity

of style as the cause of a long series of defeats, it must be shown

that the peculiarity is neither trifling nor accidental. There are

peculiarities in rowing which have a very slight effect upon the speed

with which the boat is propelled by the crew. Amongst these may be

fairly included such points as the following:--the habit of throwing

out the elbows just before feathering, feathering high or low, rowing

short or long (a technical expression now commonly, though incorrectly,

applied to the length of the stroke, but properly relating to the

distance at which the stretcher or foot-board is placed from the seat),

sitting high or low, and so on. All these peculiarities--of course

within reasonable limits--are unimportant, save in so far as they

indicate that the style of the stroke itself is faulty. Then again

there are accidental peculiarities, which may be exceedingly important

in themselves, but which yet produce only a transient influence,

because they are personal peculiarities of such and such a stroke, and

when he has left his university they remain no longer in vogue. As an

illustration of this sort of peculiarity, I may notice the remarkably

effective stroke rowed by Hall of Magdalen in the year 1858-60. There

the radical defect of the Cambridge style was almost obliterated, and

all the good points of that style were fully brought out. The result

was that, out of three races rowed with Oxford, Cambridge won two, and

though they lost the third, yet they lost it in such a manner as to

obtain more credit than any winning race could have brought them. I

refer to the memorable race of 1859, in which the Cambridge boat was,

at starting, half full of water, and gradually filling as the race

proceeded, sank about half-a-mile from the winning-post, being at the

moment of sinking only four lengths behind Oxford, notwithstanding

the tremendous difficulties under which the crew had all along been

rowing.[13] Mr. Hall also rowed stroke in the great race with the

famous London crew--Casamajor, Playford, the two Paynes, &c.--when

Cambridge won by half a boat's length. We have, however, to inquire

whether there is any point held to be essential by Cambridge oarsmen,

which is sufficiently important and sufficiently faulty to account for

the marked want of success which attended the light-blue flag in the

years 1861-69. The following peculiarity appears to me to be precisely

of such a character.

It was formerly held by nearly all the Cambridge oarsmen that 'the

instant the oar touches the water' (I am quoting from a pamphlet called

'Principles of Rowing,' much read by rowing-men at Cambridge) 'the arms

and body should begin to fall backwards, the former continuing at their

full stretch till the back is perpendicular; they are then bent, the

elbows being brought close past the sides,' etc. If a Cambridge oarsman

broke this rule, so that his arms began to bend before his back was

upright, he would be told that he was jerking. 'This is caused,' says

our authority, 'by pulling the first part of the stroke with violence

and not falling gradually backwards to finish it. The most muscular men

are more than others guilty of it, because they trust too much to their

arms, instead of making each part of the body do its proportionate

quantity of work. It is most annoying to the rest of the crew, injures

the uniform swing throughout the boat, and soon tires out the man

himself, however strong he may be, because he is virtually rowing

unsupported, and he has nearly the whole weight of the boat on his arms

alone.'

I was myself trained to row the Cambridge style, and when I became

captain of a boat-club, I was careful to inculcate this style

on my crew, and on other crews which came more or less directly

under my supervision. But I am convinced that the peculiarity so

carefully enjoined in past time by the Cambridge club-captains, and

still retained, is altogether erroneous for boats of the modern

build. I first became aware that the Cambridge style is not the

water-man's--and, therefore, presumably not the most effective--through

practising in a racing-four with three of our most noted Thames

watermen--the two Mackinnys, and Chitty of Richmond. They were then

preparing for the Thames National Regatta, though not as a set crew.

Accordingly the coxswain would frequently call upon us for a good

lifting spurt of a quarter of a mile or so. During these spurts the

coxswain was continually telling me that I was not keeping stroke,

and I was sensible myself that something was going wrong. One who

has taken part in boat-races very soon detects any irregularity in

the rowing--by which I do not of course refer to so gross a defect as

not keeping time. All the men of a crew may be keeping most perfect

time, and may even present the appearance of keeping stroke together,

and yet may not be feeling their work simultaneously. I was aware

that something was going wrong, but I found it impossible, without

abandoning the style of rowing in which I had been so carefully

trained, to keep stroke with the rest of the crew. It seemed to me that

they were doubling over their work, because while I was still swaying

backwards they had reached the limit of their swing. Then they did not

seem to me to feather with that lightning flash which the Cambridge

style enjoins. Altogether, I left them after three or four long pulls

with the impression that, though they might be very effective watermen,

they had but a poor style.

Soon after, however, I had occasion to watch Oxford oarsmen at their

work, and I found that they row in a style which, without being

actually identical with that of the London waterman, resembles it in

all essential respects. The moment the oar catches the water, the body

is thrown back as in the Cambridge style, but the arms, instead of

being kept straight, immediately begin to do their share of the work.

The result is that when the body is upright the arms are already bent,

and the stroke is finished when the body is very little beyond the

perpendicular position.

Now let us compare the two strokes theoretically. In each stroke the

body does a share of the work, and in the Cambridge stroke the body

even seems to do more work than in the Oxford stroke, since it is

swayed farther back. In each stroke, again, the arms do a share of the

work, but in the Oxford stroke the work of the arms is distributed

equally as a help to that of the body, whereas in the Cambridge stroke

the work of the arms is all thrown upon the finish of the stroke. At

first sight it seems to matter very little in what order the work is

done, so long as the same amount of work is done in the same space of

time. But here an important consideration has to be attended to.

There are two things which the oarsman does in whatever style he rows.

He propels the boat along, by pressing the blade of his oar against the

water as a fulcrum; but he also propels his oar more or less through

the water. If instead of the actual state of things, the boat were to

slide along an oiled groove in some solid substance, whose surface was

so ridged that the oar could bear upon the ridges without any flexure,

then indeed it would matter very little in what way the oar was pulled,

so long as it was pulled through a good range in a short space of time.

But the actual state of things being different, we have to inquire

whether it is not possible that one style of rowing may serve more than

another to make the slip of the oar through the water (a dead loss, be

it remarked, so far as the propulsion of the boat is concerned) bear

too large a proportion to the actual work done by the rower.

Let us make a simple illustration. Suppose a person standing on the

edge of a sheet of water seeks to propel across the sheet a heavy

log lying near the bank. If he gives the log a violent kick, it will

scarcely move at all through the water, but after a few vibrations

will be seen to lie a few inches from its former position. The force

expended has not been thrown away, however, but has resulted in a

violent shock to the kicker. But if instead of kicking the log the

person apply the same amount of force gently at first and then with

gradually increasing intensity, the log will receive a much more

effective impetus, and its motion will continue long after the force

has ceased to be exerted. The same amount of force which before

produced a motion of a few inches will now project the log several

yards.

And now to apply this illustration. If the object of the rower were to

move his oar through the water--the boat being supposed for the moment

to be a fixture--he could not do better than to adopt the Cambridge

style of pulling. For this style gives a steady pressure on the oar

at the beginning of the stroke, followed by a gradual increase, and

ending by a sharp lift through the water. On the contrary, the Oxford

style, in which arms and body apply all their strength at once to the

oar, would probably, as in the case of our imaginary _fixed boats_,

result in the fracture of the oar. If the boat were not fixed, but very

heavy and clumsy, conclusions very different from the above would be

arrived at. The Oxford style would be unsuitable to the propulsion of

a heavy boat, because, although the oar would have very little slip

through the water, yet the boat itself could not be moved in so sudden

a manner as to make the applied force available. On the other hand,

the Cambridge style would be very suitable; because, although there

would be considerable 'slip' this would in any case be inevitable, and

the force would be applied to the boat (as well as to the oar) in the

gradual increasing manner best suited to produce motion through the

water. Hence we can understand the long series of victories gained by

the light-blue oarsmen in the 'old fashioned racing eights'. But when

we come to consider the case of a boat like the present wager-boat--a

boat which answers immediately to the slightest propelling force--we

see that that mode of rowing must be the most effective which permits

the oar to have the least possible motion _through_ the water, which

lifts the boat along from the water _as from an almost stable fulcrum_.

Hence it is that that sharp grip of the water which is taken by London

watermen, and by rowers at Oxford, Eton, Radley, and Westminster, is so

much more effective than the heavy drag followed by a rapid and almost

jerking finish which marks the Cambridge style.

The mention of public-school rowing leads me to urge another

consideration. There are public-school oarsmen at Cambridge, and

they hold, as might be supposed, a high position amongst university

rowing-men. In general they form so small a minority of college

racing-men, that they have to give up their own workmanlike style, and

adopt the style of those they row with. But there is one club--the

Third Trinity Club--which consists exclusively of Eton and Westminster

men, and although it is a small club, it has been repeatedly at the

head of the river, holding its own successfully against clubs which

have sent in far heavier and better-trained crews. But even more

remarkable is the fact that powerful college crews were sent from

Cambridge to Henley between the years _1860-69 which have actually

been unable to maintain their own against Eton lads_! This of itself

suffices to show that there was something radically wrong in the style

then prevalent at Cambridge; for in such races age, weight, strength,

and length of practice were all in favour of the Cambridge crews.

When I first expressed these views about the Oxford and Cambridge

style in the 'Daily News' in April 1869, several Oxford and Cambridge

men denied that the difference between the two styles was that which

I have indicated, asserting that neither Oxford nor Cambridge oarsmen

advocated working with the arms in the beginning of the stroke. It was

so great a novelty to myself to learn, in 1858, that London watermen

row in the manner I have described, and I found the very watermen who

rowed in that way so confidently denying that they did so, that I was

not greatly surprised to find many University men, and not a few of

the first University oarsmen, persisting that the rules laid down in

'Principles of Rowing' before the modern racing-boats were used are

still valid and are still followed at Oxford as well as Cambridge. It

was denounced as a special heresy to teach that work should be done by

the arms at the beginning of the stroke, instead of the old rule being

followed according to which the arms were to remain straight till the

body was upright in the backward swing, the work being done entirely

by the body and legs up to that moment, and then finished by the arms.

But before I ventured to enunciate a theory on the subject I had been

careful to apply a number of tests not only while watching Oxford and

Cambridge eights, but in actual practice. I had inquired diligently

also of those who are not merely able to adopt a good rowing style but

to analyse it, so as to learn precisely where and how they do their

work. In some cases, I found first-rate oarsmen had given very little

thought to the matter; but on the question being put to them, they

quickly recognised the essential principles on which the most effective

and the least tiring style for the modern racing-boat depends. One

such oarsman said to me, after giving a few days' trial as well as

thought to the matter--'You are quite right; arms, legs, and body must

work together from the very beginning'; the work is done when the body

comes upright; and not only must this be so for the work to be done in

the most effective way, but it is essential also if the hands are to

be quickly disengaged, the recovery quick, and a good reach forward

obtained.

I found, however, that the essential distinction between a good style

in the modern racing eight, and a good style in the old-fashioned

boats, had been recognised (at least, so far as the modern boats are

concerned) a year before my article in the 'Daily News' appeared. In an

article on 'Water Derbies,' 'Wat Bradwood,' describing the University

race of 1868, draws the following distinctions between the two crews,

which precisely accord with my own observations on that occasion; only

it is to be noticed that, whereas he is describing the beginning of

the race, the whole of which he witnessed from the Umpire's boat, my

observations were made from the shore not far from the finish, when

Oxford was so far ahead that there was ample time to note separately

and closely the style of each boat:--'The styles of progress of the

two boats themselves are palpably distinct,' he says; 'Cambridge

take a shorter time to come through the air than to row through the

water; they go much farther backward than Oxford, and are very slow

in getting the hands off the chest; their boat is drawn through the

water at each stroke, but has hardly any perceptible "lift." Oxford,

on the other hand, swing just the reverse of Cambridge, a long time in

getting forward' (he means of course, a _relatively longer_ time, for

no good oarsman would ever take a long time in getting forward), 'and

very fast through the water, driving the oars through with a hit like

sledgehammers, while the boat jumps out of the water several inches

at each stroke.' These last words again relate rather to contrast

between the boats than to the actual lift. The 'drag at the end' in

the Cambridge style used always to dip the nose of the eight, whereas

the quick disengagement of the hands in the Oxford style prevents any

dipping, so that by contrast the Oxford boat seen beside the Cambridge

seemed lifted at the end of each stroke. In reality there was very

little if any lifting, though the sharp grip of the water at the

beginning of the stroke caused the boat to dip a little as compared

with her position at the end. Theoretically, the less change of level

throughout the stroke (from feather to finish) the better; but if there

is any such change, it is far better it should be of the nature of a

lift above the flotation-level than of the nature of a dip below that

level.

Again, towards the close of the same article 'Wat Bradwood' made the

following pertinent remarks respecting the Oxford style in 1868 and

generally: 'The general style of Oxford has not deteriorated; though

many outsiders fancied that Oxford rowed a short stroke, it was more

that the time occupied by them in slashing the oar through the water

was short than the reach itself; this deceived inexperienced eyes,

especially when compared to the slow 'draw through' (query 'drag') of

Cambridge, which often appeared for similar reasons a longer stroke

than it really was.[14] He attributed the defeat of the Cantabs, who

were a stronger set of men than the Oxonians, to the teaching of their

'coach,' who had been (though this he does not mention) as good a

'coach' as ever existed for rowing in the old fashioned style of boats,

but whose 'experience availed nothing to teach the modern style of

light-boat rowing.'

In another article by the same writer, in the 'Pall Mall Gazette,'

(1868), a noteworthy illustration is given of the value of a good

style. 'Among the college boats in the first division at Cambridge this

year, the strongest were perhaps First Trinity, Trinity Flail, and

notably Emmanuel; the weakest in the division was the Lady Margaret

crew,'--the crew representing St. John's College. 'But notwithstanding

this, Lady Margaret went up one place, and pressed Trinity very hotly.

There must, of course, be some special reason to account for eight

weak men proving superior to eight strong ones.' There is a little

(unintentional) exaggeration here; the stroke of the Lady Margaret

crew was a strong as well as an elegant oarsman, and two others of the

crew could certainly not be called weak; nevertheless the crew as a

whole was undoubtedly weak compared with most of the other crews of the

first division, 'That reason,' proceeds our author, 'is to be found

in _style_. Every day of practice on the Cam you hear the "coaches"

of the different racing-boats giving their crews certain directions,

some absurd, and nearly all, from some accidental reason, useless. The

chief of these is to "keep it long," and if you object to the results

of this teaching, you are told that "length" is the great requisite of

good rowing, and that "Oxford, sir, always beat us, because they are

longer than we are." Now, this is true and yet untrue. At Cambridge

"length" is acquired by making the men "finish the stroke," that is, by

making them "swing well back" beyond the perpendicular. Of course the

oar remains longer in the water, but we maintain that the extra time

it is kept there by the backward motion of the body is time lost. The

"swinging back" throws a tremendous strain on the abdominal muscles,

the weakest rowing muscles in the body; very soon the men feel this

strain, become exhausted, and unable to "get forward," and finally

lose time and swing and "go all to pieces." Length obtained by going

backwards is of no possible use. A crew ought to be "coached" to get

as far _forward_ as they can, to finish the stroke by bringing their

elbows past their sides, and their hands well into their bodies,

and then complaints about "wind" and "last" will be fewer. This was

abundantly proved in the late May races. First Trinity, it is true,

kept "head," but only because of their great strength, and because they

had a stroke who understood the duties of his position. Before, the

races every sporting newspaper, every supposed judge of rowing in the

University, was certain about only one thing, and that was that Lady

Margaret must go down; the only question was where they would stop.

They, however, not only kept away from Trinity Hall, but finished above

Emmanuel and Third Trinity, infinitely stronger' (which no doubt must

be understood as meaning 'far stronger') 'boats. The reason was that

they were the only boat on the river which rowed in anything like a

good style. They had the reach forward, the quick recovery, and the

equally quick disengagement of the hands, which marked the Oxford crew

of 1868. Consequently although a very weak lot of men, they were able

to vindicate style against strength. We hope' (added Wat Bradwood)

'that Cambridge generally will appreciate the lesson; it is one that

has not been taught them for years, and results on their own river

ought to show its value.' Less than a year after this was written,

the Cambridge boat, with Goldie, the Lady Margaret stroke, at the

aft thwart, were just beaten by Oxford in one of the best races ever

rowed, and the year after, with the same stroke, they won for the first

time in ten years. The subsequent successes of the Jesus boat on the

Cam afforded further illustrations of the superiority of style over

strength. For the Jesus boat has remained for years at the head of

the river, though the crew as a whole has often been far surpassed in

strength by the crews of Trinity, John's, and other colleges.

Rough Ways Made Smooth: A series of familiar essays on scientific subjects · 第 13 / 26 段