Next morning the camp was early astir before the dawn; and before the
sun was up, breakfast was over and the first boatload of the explorers
was standing on the site of the ruins watching the unloading of the
apparatus for opening solid masonry and excavating within the pyramids.
The feelings of every man in the party were ardently excited by the
approach to the city once the light of the world’s civilization. The
great French writer, Volney, exclaimed when first his eyes beheld the
sight, “How are we astonished when we reflect that to the race of
Negroes, the object of our extreme contempt, we owe our arts, sciences
and even the use of speech!”
From every point of view rose magnificent groups of pyramids rising
above pyramids. About eighty of them remaining in a state of partial
preservation. The principal one was situated on a hill two and a half
miles from the river, commanding an extensive view of the plain. The
explorers found by a hasty examination that most of them could be
ascended although their surfaces were worn quite smooth. That the
pyramids were places of sepulture they could not doubt. From every
point of view the sepulchres were imposing; and they were lost in
admiration and wonder with the first superficial view of the imposing
scene.
One of the approaches or porticoes was most interesting, the roof
being arched in regular masonic style, with what may be called a
keystone. Belonging without doubt to the remotest ages, their ruined
and defaced condition was attributed by the scientists to their great
antiquity. The hieroglyphics which covered the monuments were greatly
defaced. A knowledge of these characters in Egypt was confined to the
priests, but in Ethiopia they were understood by all showing that even
in that remote time and place learning and the arts had reached so high
a state as to be diffused among the common people.
For a time the explorers wandered from ruin to ruin, demoralized as to
routine work, gazing in open astonishment at the wonders before them.
Many had visited Thebes and Memphis and the Egyptian monuments, but
none had hoped to find in this neglected corner, so much of wonder and
grandeur. Within the pyramids that had been opened to the curious eye,
they found the walls covered with the pictures of scenes from what must
have been the daily life,--death, burial, marriage, birth, triumphal
processions, including the spoils of war.
Reuel noticed particularly the figure of a queen attired in long robe,
tight at neck and ankles, with closely fitted legs. The Professor
called their attention to the fact that the entire figure was
dissimilar to those represented in Egyptian sculpture. The figure was
strongly marked by corpulency, a mark of beauty in Eastern women. This
rotundity is the distinguishing feature of Ethiopian sculpture, more
bulky and clumsy than Egypt, but pleasing to the eye.
The queen held in one hand the lash of Osiris, and in the other a lotus
flower. She was seated on a lion, wearing sandals resembling those
specimens seen in Theban figures. Other figures grouped about poured
libations to the queen, or carried the standards graced and ornamented
by the figures of the jackal, ibis and hawk. At the extremity of each
portico was the representation of a monolithic temple, above which were
the traces of a funeral boat filled with figures.
Professor Stone told them that Diodorus mentions that some of the
Ethiopians preserved the bodies of their relatives in glass cases
(probably alabaster), in order to have them always before their eyes.
These porticoes, he thought, might have been used for that purpose.
The hair of the women was dressed in curls above the forehead and in
ringlets hanging on their shoulders.
One who had visited the chief galleries of Europe holding the treasures
accumulated from every land, could not be unmoved at finding himself on
the site of the very metropolis where science and art had their origin.
If he had admired the architecture of Rome and the magnificent use they
had made of the arch in their baths, palaces and temples, he would be,
naturally, doubly interested at finding in desolate Meroe the origin
of that discovery. The beautiful sepulchres of Meroe would give to him
evidence of the correctness of the historical records. And then it was
borne in upon him that where the taste for the arts had reached such
perfection, one might rest assured that other intellectual pursuits
were not neglected nor the sciences unknown. Now, however, her schools
are closed forever; not a vestige remaining. Of the houses of her
philosophers, not a stone rests upon another; and where civilization
and learning once reigned, ignorance and barbarism have reassumed their
sway.
This is the people whose posterity has been denied a rank among the
human race, and has been degraded into a species of talking baboons!
“Land of the mighty Dead!
There science once display’d
And art, their charms;
There awful Pharaohs swayed
“Great nations who obeyed;
There distant monarchs laid
Their vanquished arms.
They hold us in survey--
“They cheer us on our way--
They loud proclaim,
From pyramidal hall--
From Carnac’s sculptured wall--
From Thebes they loudly call--
“_Retake your fame_”
“Arise and now prevail
O’er all your foes;
In truth and righteousness--
In all the arts of peace--
Advance and still increase,
Though hosts oppose!”
Under the inspiration of the moment, Charlie, the irrepressible,
mounted to the top of the first pyramid, and from its peak proceeded
to harangue his companions, lugging in the famous Napoleon’s: “From
the heights of yonder Pyramids forty centuries are contemplating
you,” etc. This was admirably done, and the glances and grimaces of
the eloquent young American must have outvied in ugliness the once
gracious-countenanced Egyptian Sphinx.
We may say here that before the excavations of the explorers were
ended, they found in two of the pyramids, concealed treasures,--golden
plates and tables that must have been used by the priests in their
worship. Before one enormous image was a golden table, also of enormous
proportions. The seats and steps were also of gold, confirming the
ancient Chaldean records which tell of 800 talents of metal used in
constructing this statue.
There was also a statue of Candace, seated in a golden chariot. On
her knees crouched two enormous silver serpents, each weighing thirty
talents. Another queen (Professor Stone said it must be Dido from
certain peculiar figures) carried in her right hand a serpent by the
head, in her left hand a sceptre garnished with precious stones.
All of this treasure was collected finally, after indemnifying the
government, and carefully exported to England, where it rests today in
the care of the Society of Geographical Research.
They never forgot that sunset over the ancient capital of Ethiopia at
the close of the first day spent on the city’s site, in the Desert.
The awe-inspiring Pyramids throwing shadows that reminded one of the
geometrical problems of his student days; the backsheesh-loving Arabs,
in the most picturesque habiliments and attitudes; the patient camels,
the tawny sands, and the burnished coppery sunlight! They had brought
tents with them, leaving the most of the outfit on the opposite bank
under the care of Jim Titus, whom Reuel had desired the professor to
detail for that duty. Somehow since his adventure in the ruins with the
leopard, and the mysterious letter-reading, he had felt a deep-seated
mistrust of the docile servant. He concluded not to keep him any
nearer his person than circumstances demanded. In this resolve Charlie
Vance concurred; the two friends resolved to keep an eye on Titus, and
Ababdis was sent for the mail.
Reuel Briggs had changed much. Harassed by anxieties which arose from
his wife’s silence, at the end of two months he was fast becoming
a misanthrope. Charlie felt anxious as he looked at him walking
restlessly up and down in the pale moonlight, with fiery eyes fixed
on space. Charlie suppressed his own feelings over the silence of his
father and sister to comfort Reuel.
“You ought not, my dear Briggs,” he would say. “Come, for heaven’s
sake shake off that sadness which may make an end of you before you
are aware.” Then he would add, jestingly, “Decidedly, you regret the
leopard’s claws!”
On this night the excitement of new scenes had distracted the thoughts
of both men from their homes, and they lay smoking in their hammocks
before the parted curtains of the tent lazily watching Ababdis
advancing with a bundle in his hand. It was the long expected mail!