MR. PUNCH'S MANUAL FOR YOUNG RECITERS.

[Illustration:]

As has been observed earlier in this series, the Amateur Reciter is

influenced by a natural ambition to harrow his audience to the best of

his ability.

And, be it said, the average audience is not at all averse to being

harrowed--provided this is done with any science and refinement. When

persons are met together for social enjoyment, nothing apparently

affords them keener pleasure than a performance which produces certain

peculiar sensations, such as the feeling of partial want of control

over the facial nerves, smarting behind the eyes, increasing

obstruction in the throat, and a general conviction that, unless

something occurs to make them laugh at once, they will be irresistibly

compelled to sob like so many seals. It is, perhaps, a little odd--but

the taste exists, and must be taken into account. The sole drawbacks

are that, too often, the means adopted to secure the desired result

depend more than should be upon sentiment which might almost be

described as false; that the incidents occasionally have too little

relation to real life; and that, what might have proved eminently

touching, is marred by some involuntary association with the ludicrous

and grotesque. In his anxiety to preserve his pupils from such

pitfalls as these, _Mr. Punch_ offers an example in which the

blemishes he has hinted at have been sedulously avoided. It is at once

homely, wholesome, and tear-compelling--like the common onion. You

will find you produce a favourable impression at once by announcing it

as,--

Punch, or the London Charivari, Vol. 93., October 22, 1887 · 第 3 / 32 题