After the "barbarians," as the Germans call them, followed the

Anglo-Saxons, clad in their khaki uniforms, the perfection of utility

and smartness. There were the English, the Australians, and the

Canadians, and, following them, a regiment of Indian cavalry. Then came

the Scotch, headed by their pipers. They marched perfectly, swinging

their legs in unison. Each time their right feet came forward a hundred

white tartans rose together and exposed to the view of the astonished

populace a hundred kilts and a hundred bare knees.

After the Allies came the French. The first regiment was from the

Twentieth Corps. These were the men who had saved Verdun. There were

many other units represented, many other regiments and brigades, but

none received the welcome and the enthusiasm caused by the appearance of

"Petain's Iron Brigade" as they marched by in their quick, business-like

step, with bayonets fixed to their rifles.

There have been many parades in Paris during the past decade, but there

never was one like this. It was not a review--it was a war. Yesterday

all these men were at the front. To-morrow they would be back there

again. For them this was only a momentary drop of the curtain on the

tragedy in which they had been called upon to be participants. I could

not help thinking of these poor fellows, some of whom I had very likely

seen before, passing me in ambulances and motor-buses, muddy from head

to foot and benumbed by the shock of battle. How many of these that I

was seeing to-day would be in the ranks at the next review? I doubt

whether these thoughts were in their minds. To-morrow they would be on

their way to take part in the battle of the Somme, but with refreshed

spirits and light hearts.

There was very little gayety or color in the parade. All the troops

were in their service uniforms. This was an hour of heroism and

suffering, an hour of fixed determination which impressed upon one the

feeling that the Germans could never win the war.

After the troops had filed by I joined some friends on the boulevards.

It seemed difficult to believe that only a few miles away the hostile

lines were linked in a death-grapple. Paris seemed normal. Of course

there was not the animation that we formerly associated with the French

capital, but there was little to remind one of the great conflict--only

the aeroplanes patrolling overhead and the hundreds of permissionnaires

wandering about the streets in their weather-stained and battle-stained

uniforms.

That night I had to leave Paris for Dijon, to report at headquarters

before going to Pau. By a strange coincidence I arrived at the same

hour as on my first appearance to enlist. Now I viewed everything with

different eyes. Instead of being a mere "petit bleu," as they call the

young soldier, I was now a "pilote" who had been at the front. I felt

privileged therefore to walk right up to the buffet, and before long I

was sharing a bottle of wine with a captain, a sergeant, and a

second-class poilu. Such is the democracy of war.

*THE FINISHING TOUCHES*

Great changes had taken place at Pau since my first visit six months

before. The school had been improved and enlarged. Permanent sheds had

replaced the canvas hangars, and the German prisoners had built a

narrow-gauge railway from the town out to the field. The trains ran out

to the aviation school every morning and afternoon, and returned before

luncheon and again in the evening. This was a great convenience for

many of us and in bad weather saved us many a long, weary walk. When

the days were clear, however, we often made the journey on foot, as in

this way we had sufficient exercise to keep us in good physical

condition.

Only men who had already qualified as pilots or who had had previous

experience at the front were allowed at the Ecole de Combat. We enjoyed

practically the same liberties as at the front. We were free to go

where we pleased, except during the working hours, when strict

attendance and discipline were enforced.

I thought that my previous experience with the heavier machines would

enable me to omit some of the more elementary courses, but this was not

the case. I had to start at the very bottom. The management of a

monoplane or of a small Nieuport is more delicate than anything I had

ever tried, and the pilots have, therefore, to acquire a new "sense of

touch" which is not required when flying in the larger biplanes.

[Illustration: A Penguin.]

My first assignment was to a Penguin, so called because it is nothing

more than a Bleriot monoplane with its wings cut down so that it cannot

fly. The Penguins, however, are just as difficult to manage as a

full-fledged flying-machine, for on the ground your movements have to be

more rough than when flying in the air. There are so many

irregularities and air currents to affect your course that you have to

be very quick with the controls. The Penguin, besides, does not answer

the rudder as easily as the other types. I found that it was very

difficult to keep a straight course when tearing across a field at the

rate of about forty miles an hour. It was comical to see how the clumsy

contraption behaved, turning circles, making "chevaux de bois," rolling

over on its wing, and behaving in every way like a drunken sailor trying

to walk on a chalk line. You have to keep your head all the time,

because the slightest misjudgment may result in an accident. When

engaging a "chevaux de bois," you must turn off your motor instantly,

for neglect to do so will probably cause your machine to fall over

sideways on its wing. When moving you must constantly keep the tail of

the Penguin in the air in an imaginary line of flight, and if the tail

is lifted too high you run the risk of sticking the nose of the machine

into the ground and turning an unpleasant somersault. It was really

interesting to discover how much skill it takes to manage a Penguin. It

was several days before I could make the six straight lines required

before you are allowed to pass into the next higher class.

In the second course a thirty-horse-power Bleriot is used. I was made

to fly in straight lines at very feeble altitudes, varying from

twenty-five to fifty feet. The object of this instruction, it seems, is

to teach the aviator how to take small, fast machines off the ground and

bring them down properly. These smaller machines are able to climb much

faster than the larger artillery types. This advantage is

counterbalanced by the fact that they volplane much less, and are much

more prone to slip off the wing. You have to handle them with the

utmost care and gentleness. This point is very much emphasized in the

instruction which you receive when flying in the 30-Bleriots. Their

motors are so small that you have to be very careful with them. You

have to go about everything very gradually, except when making a

landing. Then you must dive, and dive quickly, in order to retain your

momentum.

As soon as I had been pronounced "apt" on the "ligne droite," I was

assigned to the 50-Bleriot. This, to my joy, included real flying. The

difference between this machine and the ones I had flown in at the front

was astonishing. There was practically no effort required of the pilot.

The slightest move on the controls produced an instant response in the

aeroplane. As in the case of the 30-Bleriot, I found that the moment

the motor was shut off, on account of the lack of volplaning qualities,

to descend I had to point the machine straight at the ground. With the

Farman I used to glide from unbelievable distances, but now I had to

change my tactics completely and learn everything over again.

This course completed, I was granted leave of absence to return to

America. Needless to say, I did not lose a moment in gathering my

effects and engaging my passage. Next month, upon my return to Pau,

however, I will have to take up my work where I left off. The first

test required is a series of figure eights in a 50-Bleriot and a number

of difficult landings after this performance. Then follows a course in

a Morane-Parasol. This machine, as I stated in an earlier chapter, is

by far the most tricky machine in use to-day. After you have learned to

handle a Parasol, everything else is child's play. That is the reason

why every pilot of a fighting escadrille is made to master them. It is

the best experience to give you a sense of balance yet discovered.

Before you are allowed to fly in a Nieuport and attend the School Aerial

Acrobatics there is another requirement. This is a brief period of

instruction at the Mitrailleuses School at Casso, where, on the shores

of the long lake, the French army has established an ideal range for the

training of its pointers. It is less than an hour by rail from Bordeaux

and well within the reach of every military depot in the south-western

part of France. Each branch of the service has its own course. For the

Flying Corps the range consists of a number of captive balloons and of a

series of moving targets on the lake. The pupil is taken up as a

passenger in a double-seated aeroplane and operates the mitrailleuse.

After two or three weeks of this practice he becomes quite used to

shooting from an aeroplane and finds that he can score hits almost as

easily as if he were on terra firma. In the beginning, however, one

experiences great difficulty in adjusting himself to the changes of

perspective found in the air.

After this the pilot is sent back to Pau, where he has to perfect

himself sufficiently in his art to master the various stunts essential

in combat-work. Until then he may not go to the front for service in an

"appareil de chasse."

The first test is looping the loop. The machine is made to dive very

fast for a short distance. Then the pilot gives a sharp pull on his

controls, which makes it climb very abruptly, at the same time shutting

off the motor. The little Nieuport climbs until it loses its speed, and

then falls over backward. At the instant of reaching the line of diving

the spark is then turned on again and the flight is resumed.

The next requirement involves cork-screw looping, or, as they say in

French, "le renversement sur l'aile." This requires still greater skill

than the previous test. It is not an easy manoeuvre to explain and,

besides, I have not yet attempted it myself. The theory, however, is as

follows: If you tip your machine enough to fly in a vertical position,

your controls become reversed; in other words, the control for climbing

and diving becomes the rudder and the rudder becomes the climbing

control. To do the "renversement" the machine is put in a vertical

position and the spark is shut off. The machine then loses its momentum

and starts to fall. At that moment you must give a pull on your control

and push the rudder "hard a-port," as a sailor would say. This forces

the machine to complete the turn and dive from the normal horizontal

position.

The final examination for the second brevet involves the dreaded

"vrille," or tail-spin. For many years any aviator who engaged in a

vrille was given up for lost. Even to-day many aviators are killed

attempting to master this most important trick. Yet it has to be

learned, for in modern aerial warfare it may sometime be the one

manoeuvre which will enable you to escape from an assailant or make a

sudden attack. The modern aeroplane is so stable that when it is made

to dive it always attempts to rise and resume its flight. In the

"vrille," on the other hand, this resistance is overcome, and the

machine spins down with incredible rapidity. The beginner usually

commences by making one turn. He allows his machine to lose its speed

and slip off on the wing. After engaging in a spiral, instead of

continuing he then resumes his flight. The second time two turns have

to be made. More and more are made until the pilot feels that he has

mastered the trick to his satisfaction. The first turn is usually made

very slowly, but after that the speed increases with each succeeding

turn until the machine is spinning on the corner of one wing as an axis.

I have seen the more brilliant pilots at the front make as many as seven

or eight turns, while they fell as far as five thousand feet. Every

time I have seen any one doing a "vrille" I have thought of the young

lieutenant who was killed at Pau when I attended the school for the

first time. What are dangers for the beginner, in the hands of the

expert become weapons.

On completing this final course the pilot has learned everything that

his instructors can teach him. It remains only for him to prove that in

action he can avail himself of all the tricks that he has mastered. He

has a machine that can manoeuvre to the best advantage, and he will

enjoy a superiority which he never possessed with the heavier Farman

biplane. Often I thought of this when flying over Verdun in the

artillery machines. The little Nieuports seemed to circle about with

such ease, doing whatever they pleased, while we lumbered about in

constant danger of being attacked by some fast-flying "Fritzie" from the

enemy's lines.

The principal task assigned to our "avions de chasse" is to keep the

German airmen away from the French lines, and of attacking them when the

opportunity offers. From an altitude of about thirteen thousand feet

the Nieuports maintain a constant vigil. Although so small they are in

fact the protectors of the larger artillery and reconnoissance machines.

Far within the German lines several of the enemy's artillery biplanes

are flying low. Farther up their fighting planes are waiting for an

opportunity of coming over to attack the French. The shrapnel-puffs

from our own guns reveal that some one is crossing our lines. A German

artillery machine is coming to make a "reglage." One of the Fokkers is

flying high above it, but the Nieuports are doing "ceiling work" and

will look out for the intruders.

Different models of aeroplanes have a different position for their

mitrailleuses. The attacking pilot always tries to find out from where

he can make his attack without being riddled by his opponent. The

proper position being obtained, the Nieuport is quickly turned toward

its prey and at fifty yards the machine gun begins its staccato bark.

To simplify the pilot's task the guns are always mounted in a fixed

position and aimed dead ahead. Thus the pilot has only to think about

pointing his own machine at the enemy. If he had to fly one way and

shoot another he would be placed in a most disadvantageous position.

Combatants pass each other at terrific speed. There is time only for a

few shots. If a hit is not scored during the first encounter, the

attacking pilot goes through the same manoeuvre a second time. In the

meanwhile the German airman is also doing his best to catch his opponent

unawares. If the enemy succeeds in getting the Nieuport into a trap,

then is the moment when he can put himself "en vrille" and escape.

Such is the course of training imposed upon every airman in France. It

is the system which has been perfected under war conditions from the

lessons learned during two years of the most desperate air conflicts.

With the French Flying Corps · 第 6 / 6 段