“I have already said that your silence often tortures me. I thank you

for the money you sent. In your next letter (even if it’s ‘_official_,’

for I don’t know yet whether it is possible for me to correspond with

you)--in your next, write as fully as you can of all your affairs, of

Emilie Fyodorovna, the children, all relations and acquaintances; also

of those in Moscow--who is alive and who is dead; and of your business;

tell me what capital you started with, whether it is lucrative, whether

you are in funds, finally, whether you will help me financially, and

how much you will send me a year. But send no money with the official

letter--particularly if I don’t find a covering address. For the

present, give Michael Petrovitch as the consignor of all packets (you

understand, don’t you?). For the time, I have some money, but I have no

books. If you can, send me the magazines for this year, or at any rate

the _O.Z._

“But what I urgently need are the following: I need (very necessary!)

ancient historians (in French translation), modern historians: Guizot,

Thierry, Thiers, Ranke, and so forth; national studies, and the Fathers

of the Church. Choose the cheapest and most compact editions. Send them

by return.

“People try to console me: ‘They’re quite simple sort of fellows

there.’ But I dread simple men more than complex ones. For that matter,

men everywhere are just--men. Even among the robber-murderers in

the prison, I came to know some men in those four years. Believe me,

there were among them deep, strong, beautiful natures, and it often

gave me great joy to find gold under a rough exterior. And not in a

single case, or even two, but in several cases. Some inspired respect,

others were downright fine. I taught the Russian language to a young

Circassian--he had been transported to Siberia for robbery with murder.

How grateful he was to me! Another convict wept when I said good-bye to

him. Certainly I had often given him money, but it was so little, and

his gratitude so boundless! My character, though, was deteriorating;

in my relations with others I was ill-tempered and impatient. They

accounted for it by my mental condition, and bore all without

grumbling. Apropos, what a number of national types and characters I

became familiar with in prison! I lived _into_ their lives, and so I

believe I know them really well. Many tramps’ and thieves’ careers

were laid bare to me, and above all, the whole wretched existence of

the common people. Decidedly I have not spent my time there in vain. I

have learnt to know the Russian people as only a few know them. I am a

little vain of it. I hope that such vanity is pardonable....

“Send me the Koran, and Kant’s _Critique of Pure Reason_, and if you

have the chance of sending me anything not officially, then be sure

to send Hegel, but particularly Hegel’s _History of Philosophy_. Upon

that depends my whole future. For God’s sake, exert yourself to get

me transferred to the Caucasus; try to find out from well-informed

sources whether I shall be permitted to print my works, and in what way

I should seek this sanction. I intend to try for permission in two or

three years. I beg you to sustain me so long. Without money I shall be

destroyed by military life. So please!...

“Now I mean to write novels and plays. But I must still read a great

deal. Don’t forget me.

“Once again farewell.

“F. D.”[41]

This letter, like so many others, remained unanswered. It is evident

that Dostoevsky was left without news from his family during his

whole term of imprisonment. Are we to suppose, on his brother’s part,

prudence, fear of compromising himself, or maybe indifference? I cannot

tell. Mme. Hoffmann, in her biography, inclines to the last-mentioned

supposition.

The first we know of Dostoevsky’s letters subsequent to his release and

enlistment in the 7th Siberian Line Regiment is dated March 27, 1854.

It does not appear in the French edition of his correspondence. In this

letter we read as follows:

“Send me--not newspapers, but European histories. Economists--Church

Fathers--as many of the classics as possible. Herodotus, Thucydides,

Tacitus, Pliny, Flavius, Plutarch, Diodorus, etc., in French

translations. And the Koran and a German Dictionary. Not all at once,

of course, but as much as you can. Send me Pissaren’s _Physics_

too, and a manual of physiology, any one, in French if better than

in Russian. All in the cheapest editions. Not in one consignment,

but slowly, one book after another. I shall be grateful for every

little thing you can do for me. Do realize how urgently I need this

intellectual food!...”

“Now you know my chief occupations,” he writes a little later. “Really

I have none but these connected with my duty. No outside events, no

disturbances in my life, no mishaps. But what is happening in soul,

heart, and mind, what has sprung up, ripened or been blighted, what

has been cast aside with the tares, _that_ cannot be told and written

down on a scrap of paper. Here I live in isolation; I shrink out of

sight, as usual. Moreover, for five years I lived with an escort,

and there are times when it is pure bliss for me to be alone. On

the whole, prison has destroyed many things in me and created new.

For example, I’ve already spoken about my illness: strange attacks

resembling epilepsy. And yet not epilepsy. Some day I shall give you

particulars.”[42]

In the last of these causeries we shall come back to this terrible

question of his illness.

In a letter dated November 6 of the same year we find:

“It will soon be ten months since I took up my new life. As for the

other four years, I look upon them as a period when I was buried alive

and closed in a coffin. What terrible years! I cannot, my friend, tell

you how terrible. Unspeakable suffering without end, for every hour,

every minute lay heavy on my soul. During the whole of these four

years, not a moment but what I was conscious of my prison walls.”[43]

But, immediately after, watch how far his optimism rises above it all:

“I was so busy all summer that I had scarcely time for sleep. But now

I have grown used to things. My health too has improved slightly.

And, hope not wholly lost, I can look at the future with moderate

fortitude.”[44]

Three letters from the same period were given in the _Niva_, April,

1898. Of these the French edition of Dostoevsky’s _Correspondence_

includes the first only. In one (August 21, 1855) there is reference to

a letter of the previous October, which has not been traced.

“When, in my letter of last October, I repeated my complaints at your

silence, you answered that these had made very painful reading for

you. Oh, Mysha! for the love of God, bear me no ill-will; remember

my loneliness. I am like a pebble cast aside. I’ve always been of

a gloomy, sickly, susceptible disposition. I am myself thoroughly

convinced I was in the wrong.”

Dostoevsky returned to Petersburg on November 29, 1859. At

Semipalatinsk he had married the widow of a deportee, mother of a

growing son whose intelligence seemingly was less than mediocre.

Dostoevsky adopted the boy, for whom he made himself answerable. He had

a perfect mania for assuming burdens.

“He was but little altered,” his friend Miliukov tells us. “His mien

is more confident than of yore, and his features have lost none of the

energy they used to express.”

In 1861 he published _Insulted and Injured_; in 1861-2 his _Memories of

the House of the Dead_. _Crime and Punishment_, the first of his great

novels, did not appear till 1866.

During the years 1863-1865, he busied himself actively with a review.

One of his letters speaks so eloquently of the years between that I

must read further passages: this is, I think, the last time I shall

quote to you from his correspondence! This particular letter is dated

March 31, 1865.

“I am going to recount my life during this time. Not the whole of it,

though. That is impossible, for in such a case one never tells in

letters the essential facts. There are things I cannot narrate simply.

That’s why I shall confine myself to a summary account of the past year

of my life.

“You probably know that four years ago my brother Michael undertook

the publication of a review, wherein I collaborated. Everything was

going well. My _House of the Dead_ had met with considerable success

and given a fresh lease of life to my literary reputation. When my

brother began publication, he owed a lot of money; his debts were

being paid off when suddenly, in May, 1863, the review was suspended

on account of a strong and patriotic article, which, misinterpreted,

was read as a protest against the conduct of the Government and public

opinion. The blow killed him; debt after debt accumulated, and his

health became impaired. At the moment, I was far away, in Moscow, at

the bedside of my dying wife. Yes, dear friend, you wrote to sympathize

in my cruel loss, the death of my beloved brother, but you did not know

how heavy the hand of fate was upon me. Another creature who loved me,

and whom I loved infinitely--my wife--died of consumption in Moscow,

where she had been settled for a twelvemonth. The whole winter of 1864

I never left her bedside....

“... Ah, dear friend, she loved me deeply, and I returned her love;

yet, we did not live happily together. I shall tell you all about it

when I see you. Let me say just this. Although we were unhappy (by

reason of her difficult character--she was hypochondriac, and full of a

sick woman’s whims), we could not cease to love each other. Indeed, the

unhappier we grew, the closer we were drawn together. Strange though

it may seem, it is true. She was the best, the noblest, the most

generous-hearted woman I have ever known. After she was gone (despite

all my anxieties during the twelvemonth I watched her dying), although

I felt and painfully realized what I was burying with her, I could not

picture the emptiness and misery of my life. That is a year ago now,

and the feeling is still the same.

“Immediately after the funeral, I hastened to Petersburg to my brother.

He alone was left me! Three months later he, too, was no more. His

illness lasted only a month. It did not appear serious and the attack

which carried him off in three days was practically unforeseen.

“Then I was suddenly left alone; and I knew fear! It has become

terrible! My life is broken in two. On one hand, the past, with all

that I had to live for; on the other, the unknown, with not one loving

heart to comfort me in my loss. There was literally no reason why I

should go on living. Forge new links, start a fresh existence? The very

thought revolted me! Then I realized for the first time that I could

not replace my loved ones; they were all I held dear, and new loves

could not, ought not to exist.”[45]

This letter was continued in April, and a fortnight after this cry

of despair, we read, under the date April 14: “Of all my reserves of

strength and energy, there is nothing left save a vague uneasiness of

soul, a state bordering on despair. Bitterness and indecision--a mood

foreign to me. And then I’m utterly alone. I’ve lost the friend of a

lifetime. Yet I always have the feeling that I am going to begin to

live! Ridiculous, isn’t it? The cat and its nine lives?”[46]

He adds these words: “I write to you at great length, and I see that

of the very essence of my moral or spiritual life I have given you not

a notion,” which passage I should like to set side by side with an

extraordinary paragraph I find in _Crime and Punishment_.

In this novel Dostoevsky tells us the story of Raskolnikov, who commits

a crime and is sent to Siberia. In the last pages he speaks of the

strange feeling that takes possession of his hero’s being, the feeling

that at last he is going to live. “And what were all, all the agonies

of the past! Everything, even his crime, sentence, and imprisonment,

seemed to him now in the first rush of feeling an external, strange

fact, with which he had no concern. But he could not think for long

together of anything that evening, and he could not have analysed

consciously, he was simply feeling. Life had stepped into the place of

theory.”[47]

These sentences I have read to you in justification of my opening

remarks. The great external events of Dostoevsky’s life, tragic though

they were, are less important than this one small fact which it is

now time to consider. During his years in Siberia, Dostoevsky made the

acquaintance of a woman who put the New Testament into his hand--this,

by the way, being the only officially sanctioned reading matter in

gaol. This reading and meditating the Gospels was of vital importance

to Dostoevsky. All his subsequently written works are steeped in the

teaching of the Gospels, and we shall be obliged again and again to

revert to the truths he discovered in reading them.

I find it highly interesting to observe and compare in two natures

akin in so many respects, Nietzsche and Dostoevsky, the very different

reactions to contact with the Gospels. With Nietzsche the reaction,

immediate and marked, was, we may as well admit, jealousy. It does not

seem to me possible to understand Nietzsche’s works without taking

account of this feeling. Nietzsche was jealous of Jesus Christ, jealous

to the point of madness. In writing his _Zarathustra_, Nietzsche is

ever harassed by his desire to write a counterpart to the Gospels. He

even adopts at times the form of the Beatitudes the better to make

mockery of them. He wrote the _Anti-Christ_, and in his last work,

_Ecce Homo_, he poses as the adversary triumphant of Him he sought to

oust.

With Dostoevsky the reaction is far different. He felt at once that

he was face to face with something superior, not only to himself,

but to entire mankind, something divine.... The humility of which

I spoke earlier in the day, and to which I shall time and again

return, predisposed him to making submission before what was avowedly

better and higher than himself. He bowed his head humbly before Jesus

Christ, and the first, the greatest consequence of his submission

and self-surrender was the safeguarding intact his nature’s rich

complexity. No artist ever more truly practised the teaching of the

Gospel: “_For whosoever will save his life shall lose it; but whosoever

will lose his life for My sake, the same shall save it._”

By reason of this sacrifice and renunciation the most discordant

elements are able to live side by side in Dostoevsky’s soul, and the

extraordinary wealth of antagonisms is preserved.

At our next meeting we shall inquire whether several of Dostoevsky’s

characteristics, which to us Westerners seem perchance more than

strange, are not common to all Russians, and by so inquiring we may

be enabled to discern such features as are more purely individual and

personal.

II

The few psychological and moral truths Dostoevsky’s works will permit

us to touch upon are in my estimation so important that I am all

eagerness to reach them. By their very boldness and originality they

would seem paradoxical to you if I approached them directly. I needs

must proceed warily.

In our last talk I spoke to you of the figure of the man himself. The

moment is favourable, I think, for presenting it in its own atmosphere

the better to bring its particular features into relief.

I have been on intimate terms with some Russians, but I have never been

in Russia; hence, without help, my task would be extremely difficult.

I shall first of all submit a few observations on the Russian people

that I found in a German monograph on Dostoevsky. Mme. Hoffmann, in her

excellent biography, insists first and foremost on the solidarity, the

common brotherhood between all classes of Russian society, which end

in sweeping away social barriers and facilitate naturally the freedom

of intercourse we find in all Dostoevsky’s novels. An introduction, a

sudden feeling of sympathetic understanding; and we have at once what

one of his heroes so expressively describes as “chance relationships.”

Homes are transformed into hostelries, the stranger of yesterday

becomes the honoured guest of to-day: a friend’s friend visits you, and

immediately everything between you is on a footing of intimacy.

Another observation of Mme. Hoffmann’s concerning the Russian people.

It is inherently incapable of leading a strict and methodical

existence, of being punctual even. It would seem as if the Russian did

not suffer much in consequence of his own improvidence, for he makes no

great effort to free himself from it. And if I may be permitted to seek

an excuse for the lack of order in my causeries, I shall find it in the

very confusion of Dostoevsky’s ideas, in their extreme entanglement and

in the peculiar difficulties experienced in trying to hold them to a

plan which satisfies our Western logic. This wavering and indecision

Mme. Hoffmann ascribes partly to the weakening of time sense due to the

endless summer days and interminable winter nights, when the rhythm of

the passing hours is lost. In a short address delivered at the _Vieux

Colombier_ I already quoted Mme. Hoffmann’s illustration of the Russian

who met reproaches on account of his unpunctuality with “Yes, life is

difficult! There are moments which must be lived well, and this is more

important than the punctual keeping of any engagement!”--a sentence

full of significance, for it reveals at the same time the strange

consciousness a Russian has of his inner life, more important to him

than all social connections.

I should like to point out, with Mme. Hoffmann, the propensity to pity

and suffering, _Leiden und Mitleiden_, to compassion extending even

to the criminal. In Russia there exists but one word to designate the

poor and the criminal, but one to cover actual crime and ordinary

offences. Add to this an almost religious contrition and we shall

the better understand the Russian’s ineradicable mistrustfulness in

all his relations with strangers, with foreigners in particular.

Westerners often complain of this mistrustfulness, which proceeds,

so Mme. Hoffmann maintains, from the uneasy consciousness of his own

insufficiency and proneness to sin, rather than from any feeling that

other people are of no account: it is a mistrust that springs from

humility of spirit.

Nothing could better throw light on this strange religiosity of the

Russian, which persists even when belief is long since dead, than the

four conversations of Prince Myshkin, the hero of _The Idiot_. These I

shall now read to you.

“‘As to the question of faith,’ he began, smiling, ... ‘I had four

different conversations in two days last week. I came in the morning by

the new railway and talked for four hours with a man in the train. We

made friends on the spot. I had heard a great deal about him beforehand

and had heard he was an atheist, among other things. He really is a

very learned man. What’s more, he’s an unusually well-bred man, so that

he talked to me quite as if I were his equal in ideas and attainments.

He doesn’t believe in God. Only, one thing struck me: that he seemed

not to be talking about that at all the whole time; and it struck me,

just because whenever I have met unbelievers before, or read their

books, it always seemed to me that they were speaking and writing in

their books about something quite different, although it seemed to

me about that on the surface. I said so to him at the time, but I

suppose I didn’t say so clearly, or did not know how to express it,

for he didn’t understand. In the evening, I stopped for the night at a

provincial hotel, and a murder had just been committed there the night

before, so that every one was talking about it when I arrived. Two

peasants, middle-aged men, friends who had known each other for a long

time, and were not drunk, had had tea and were meaning to go to bed

in the same room. But one had noticed during those last two days that

the other was wearing a silver watch on a yellow bead chain, which he

seems not to have seen on him before. The man was not a thief: he was

an honest man, in fact, and by a peasant’s standard by no means poor.

But he was so taken by the watch, and so fascinated by it, that at last

he could not restrain himself. He took a knife, and when his friend

had turned away, he approached him cautiously from behind, and praying

fervently, “God forgive me for Christ’s sake!” he cut his friend’s

throat at one stroke like a sheep and took his watch.’

“Rogozhin went off into peals of laughter; he laughed as though he were

in a sort of fit. It was positively strange to see such laughter after

the gloomy mood that had preceded it.

“‘I do like that! Yes, that beats everything!’ he cried convulsively,

gasping for breath. ‘One man doesn’t believe in God at all, while the

other believes in him so thoroughly that he prays as he murders men!...

You could never have invented that, brother! Ha!--ha!--ha! That beats

everything!’

“‘Next morning I went out to walk about the town,’ Myshkin went on, as

soon as Rogozhin was quiet again, though his lips still quivered with

spasmodic convulsive laughter. ‘I saw a drunken soldier in a terribly

disorderly state staggering about the wooden pavement. He came up to

me. “Buy a silver cross, sir?” said he. “I’ll let you have it for

twenty kopecks. It’s silver.” I saw in his hand a cross--he must have

just taken it off--on a very dirty blue ribbon; but one could see at

once it was only tin. It was a big one with eight corners, of a regular

Byzantine pattern. I took out twenty kopecks and gave them to him, and

at once put the cross round my neck; and I could see from his face how

glad he was that he had cheated a stupid gentleman, and he went off

immediately to drink what he had got for it, there was no doubt about

that. At that time, brother, I was quite carried away by the rush of

impressions that burst upon me in Russia; I had understood nothing

about Russia before. I had grown up, as it were, inarticulate, and my

memories of my country were somehow fantastic during those five years

abroad. Well, I walked on, thinking, “Yes, I’ll put off judging that

man who sold his Christ. God only knows what’s hidden in these weak

drunken beasts.” An hour later, when I was going back to the hotel, I

came upon a peasant woman with a tiny baby in her arms. She was quite a

young woman, and the baby was about six weeks old. The baby smiled at

her for the first time in its life. “What are you doing, my dear?” (I

was always asking questions in those days.) “God has just such gladness

every time He sees from heaven that a sinner is praying to him with all

his heart, as a mother has when she sees the first smile on her baby’s

face.” That was what the woman said to me almost in those words, this

deep, subtle, and truly religious thought--a thought in which all the

essence of Christianity finds expression; that is the whole conception

of God as our Father and of God’s gladness in man, like a father’s in

his own child--the fundamental idea of Christ! A simple peasant woman!

It’s true she was a mother ... and who knows, very likely that woman

was the wife of that soldier. Listen, Parfyon! You asked me a question

just now; here is my answer. The essence of religious feeling does not

come under any sort of reasoning or atheism, and has nothing to do

with any crimes or misdemeanours. There is something else here, and

there will always be something else--something that the atheists will

for ever slur over; they will always be talking of something else. But

the chief thing is that you will notice it more clearly and quickly

in the Russian heart than anywhere else. And this is my conclusion.

It’s one of the chief convictions I’ve gathered from our Russia. There

is work to be done, Parfyon! There is work to be done in our Russian

world, believe me.’”[48]

And we see at the end of this story another characteristic reveal

itself: the belief in the special mission of the Russian people.

This belief we find in several Russian writers: in Dostoevsky it

becomes an active and painful conviction, and his chief grievance

against Turgeniev was simply that he could not trace in him this

national feeling, his opinion being that Turgeniev was too westernized.

Dostoevsky · 第 4 / 12 段