But the Baron laid the greatest stress upon a copper plate impression of a

crucifixion, of the date of 1430: which undoubtedly had a very staggering

aspect.[175] It is described in the subjoined note; and for reasons,

therein detailed, I consider it to be much less valuable than the _St.

Catherine_.[176] I also purchased of the Baron a few _Martin Schoens,

Albert Durers_, and _Israel Van Mechlins_; and what I preferred to either,

is a beautiful little illumination, cut out of an old choral book, or

psalter, said, by the vendor, to be the production of _Weimplan_, an

artist, at Ulm, of the latter end of the fifteenth century. On my return to

England, I felt great pleasure in depositing this choice morceau of ancient

art in the very extraordinary collection of my friend Mr. Ottley--at the

same price for which I had obtained it--about five and twenty shillings.

Upon the whole, I was well satisfied with the result of the "temptation"

practised upon me at Baron Derschau's, and left the mansion with my purse

lightened of about 340 florins. The Baron was anxious to press a choice

_Aldus_ or two upon me; but the word "choice" is somewhat ambiguous: and

what was considered to be so at _Nuremberg_, might receive a different

construction in _London_. I was, however, anxious to achieve a much nobler

feat than that of running away with undescribed printed volumes, or rare

old prints--whether from copper or wood. It was at Nuremberg that the EBNER

FAMILY had long resided: and where the _Codex Ebnerianus_--a Greek MS. of

the New Testament, of the XIIth. century--had been so much celebrated by

the elaborate disquisition of De Murr--which is accompanied by several

copper plate fac-simile engravings of the style of art in the illuminations

of the MS. in question. I had heard that the ancient splendors of the Ebner

family had been long impaired; that their library had been partly

dispersed; and that THIS VERY MS. was yet to be purchased. I resolved,

therefore, to lose no opportunity of becoming possessed of it ... preparing

myself to offer a very considerable sum, and trusting that the spirit of

some private collector, or public body, in my own country, would not long

allow it to be a burden on my hands. Accordingly, by the interposition and

kind offices of M. Lechner, the bookseller, I learnt, not only in what

quarter the MS. was yet preserved, but that its owners were willing to

dispose of it for a valuable consideration. A day and hour were quickly

appointed. The gentleman, entrusted with the MS.--M. Lechner as

interpreter, my own valet, as interpreter between myself and M. Lechner,

who could not speak French very fluently--all assembled at the _Cheval

Rouge_: with the CODEX EBNERIANUS, bound in massive silver, lying upon the

table between us. It is a small, thick quarto volume; written in the

cursive Greek character, upon soft and fair coloured vellum, and adorned

with numerous illuminations in a fine state of preservation. Its antiquity

cannot surely be carried beyond the XIIth century. On the outside of one of

the covers, is a silver crucifix. Upon the whole, this precious book, both

from its interior and exterior attractions, operated upon me infinitely

more powerfully than the ivory-handled knives, gilt-studded daggers,

gorgeous scraps of painting, or antique-looking prints ... of the Baron

Derschau.

We soon commenced an earnest conversation; all four of us frequently being

upon our legs, and speaking, at the same time. The price was quickly fixed

by the owner of the MS.; but not so readily consented to by the proposed

purchaser. It was 120 louis d'or. I adhered to the offer of 100: and we

were each inflexible in our terms. I believe indeed, that if my 100 louis

d'or could have been poured from a bag upon the table, as

"argent-comptant," the owner of the MS. _could_ not have resisted the

offer: but he seemed to think that, if paper currency, in the shape of a

bill, were resorted to, it would not be prudent to adopt that plan unless

the sum of 120l. were written upon the instrument. The conference ended by

the MS. being carried back to be again deposited in the family where it had

so long taken up its abode. It is, however, most gratifying for me to add,

that its return to its ancient quarters was only temporary; and that it was

destined to be taken from them, for ever, by British spirit and British

liberality. When Mr. John Payne visited Germany, in the following year, I

was anxious to give him some particulars about this MS. and was sanguine

enough to think that a second attempt to carry it off could not fail to be

successful. The house of Messrs. Payne and Foss, so long and justly

respected throughout Europe, invested their young representative with ample

powers for negotiation--and the _Codex Ebnerianus_, after having been

purchased by the representative in question, for the sum first insisted

upon by the owner--now reposes upon the richly furnished shelves of the

BODLEIAN LIBRARY--where it is not likely to repose _in vain_; and from

whence no efforts, by the most eminently successful bibliographical

diplomatist in Europe, can dislodge it.

I must now say a few words respecting the present state of the FINE ARTS at

Nuremberg, and make mention of a few things connected with the vicinity of

the town, ere I conduct the reader to Manheim: regretting, however, that I

am necessitated to make that account so summary. I consider M. KLEIN to be

among the very brightest ornaments of this place, as an artist. I had seen

enough of his productions at Vienna, to convince me that his pencil

possessed no ordinary powers. He is yet a young man; somewhere between

thirty and forty, and leads occasionally a very romantic life--but

admirably subservient to the purposes of his art. He puts a knapsack upon

his back, filled with merely necessary articles of linen and materials for

work--and then stops, draws, eats, drinks, and sleeps where it pleases him:

wherever his eye is gratified by strong characteristics of nature--whether

on cattle, peasants, soldiers, or Cossacks.

Klein appears to have obtained his exquisite knowledge of animal painting

from having been a pupil of GABLER--a professed studier of natural history,

and painter of animals. The pupil was unluckily absent from Nuremberg, when

I was there; but from many enquiries of his ultimate friends, I learnt that

he was of a cheerful, social disposition--fond of good company, and was in

particular a very active and efficient member of a _Society of Artists_,

which has been recently established at Nuremberg. Klein himself, however,

resides chiefly at Vienna--there not being sufficient patronage for him in

his native city. His water-coloured drawings, in particular, are considered

admirable; but he has lately commenced painting in oil--with considerable

success. His _etchings_, of which he has published about one hundred, are

in general masterly; but perhaps they are a little too metallic and severe.

His observation of nature is at once acute and correct.

In the neighbourhood of Nuremberg--that is to say, scarcely more than an

English mile from thence--are the grave and tomb-stone of ALBERT DURER. Dr.

Bright having printed that artist's epitaph at length[177]--and it being

found in most biographical details relating to him--it need not be here

repeated. The monument is simple and striking. In the churchyard, there is

a representation of the Crucifixion, cut in stone. It was on a fine, calm

evening, just after sunset, that I first visited the tombstone of Albert

Durer; and shall always remember the sensations, with which that visit was

attended, as among the most pleasing and impressive of my life. The silence

of the spot,--its retirement from the city--the falling shadows of night,

and the increasing solemnity of every monument of the dead--- together with

the mysterious, and even awful effect, produced by the colossal crucifix...

but yet perhaps, more than either, the recollection of the extraordinary

talents of the artist, so quietly sleeping beneath my feet ... all

conspired to produce a train of reflections which may be readily conceived,

but not so readily described. If ever a man deserved to be considered as

the glory of his age and nation, ALBERT DURER was surely that man. He was,

in truth, the Shakspeare of his art--for the _period_.

Notwithstanding I had made every enquiry among the principal booksellers,

of _Antiquars_, [178] for rare and curious old volumes, I literally found

nothing worth purchasing. The Baron Derschau was doubtless my best friend

on this score. Yet I was told that, if I would put a pair of horses to my

carriage, and drive, to _Furth_--a short two German mile stage from

Nuremberg, and which indeed I had distinctly seen from the windows of the

citadel--I should find there, at a certain Antiquar's, called HEERDEGEN, an

endless, variety of what was precious and curious in the department of

which I was in search. Accordingly, I put the wheels of my carriage in

motion, within twenty-four hours of receiving the intelligence. The road to

Furth is raised from the level of the surrounding country, and well paved

in the centre. It is also lined by poplar trees, a great part of the way. I

have reason to remember this visit for many a long day. Having drove to M.

Heerdegen's door, I was received with sufficient courtesy; and was told to

mount to the top of the house, where the more ancient books were kept,

while he, M. Heerdegen, settled a little business below. That business

consisted in selling so many old folios, by the pound weight, in great

wooden scales;--the vendor, all the time, keeping up a cheerful and

incessant conversation. The very _sight_ of this transaction was sufficient

to produce an hysterical affection--and, instead of mounting upwards, I

stood--stock still--wondering at such an act of barbarity! Having requested

permission to open the volumes in question, and finding them to contain

decretals, and glosses upon councils, I recovered myself by degrees ... and

leisurely walked to the very topmost floor of the house.

M. Heerdegen was not long after me. He is a most naïf character; and when

he is pleased with a customer, he presents him with an india ink drawing of

his own portrait. On receiving this testimony of his approbation, I did not

fail to make my proper acknowledgements: but, with respect to the books

with which I was to load my carriage, there was scarcely a shadow of hope,

of even securing a dozen volumes worth transporting to the banks of the

Rhine. However, after three hours pretty severe labour--having opened and

rejected I know not how many books of Medicine, Civil and Canon Law,

Scholastic Divinity, Commentaries upon Aristotle, and disputations

connected with Duns Scotus, together with a great number of later

impressions of the Latin Bible in the XVth century--I contrived to get a

good _Latin Plutarch_, some pretty Aldine octavos, a few _Lochers_ and

_Brandts_, a rare little German poetical tract, of four leaves, called the

_Wittemberg Nightingale_, and an _Italian Bible_ printed by the _Giuntæ_,

which had belonged to _Melancthon_, and contained his autograph:--all

which, with some pieces by _Eckius_, _Schottus_, and _Erasmus_, to the

amount of 4_l._ 4_s._ of English money, were conveyed with great pomp and

ceremony below.

However, I had not been long with M. Heerdegen, before a clergyman, of

small stature and spare countenance, made his appearance and saluted me. He

had seen the carriage pass, and learnt, on enquiry, that the traveller

within it had come expressly to see M. Heerdegen. He introduced himself as

the curate of the neighbouring church, of which M. Fronmüller was the

rector or pastor: adding, that _his own_ church was the only place of

Christian worship in the village. This intelligence surprised me; but the

curate, whose name was _Link_, continued thus: "This town, Sir, consists of

a population of ten thousand souls, of which four-fifths are _Jews;_ who

are strictly forbidden to sleep within the walls of Nuremberg. It is only

even by a sort of courtesy, or sufferance, that they are allowed to

transact business there during the day time." M. Link then begged I would

accompany him to his own church, and to the rector's house--taking his own

house in the way. There was nothing particularly deserving of notice in the

church, which has little claim to antiquity. It had, however, a good organ.

The rector was old and infirm. I did not see him, but was well pleased with

his library, which is at once scholar-like and professional. The library of

the curate was also excellent of its kind, though limited, from the

confined means of its owner. It is surprising upon what small stipends the

Protestant clergy live abroad; and if I were to mention that of M. Link, I

should only excite the scepticism of my readers.

I was then conducted through the village--which abounded with dirty figures

and dirty faces. The women and female children were particularly

disgusting, from the little attention paid to cleanliness. The men and boys

were employed in work, which accounted for their rough appearance. The

place seems to swarm with population--and if a plague, or other epidemic

disorder should prevail, I can hardly conceive a scene in which it is

likely to make more dreadful havoc than at _Furth_. Although I had not

obtained any thing _very special_ at this place, in the book way, I was yet

glad to have visited it--were it only for the sake of adding one more

original character to the _bibliopolistic fraternity_ upon the

Continent. In spite of the very extraordinary _line_ of business which M.

Heerdegen chooses to follow, I have reason to think that he "turns a good

penny" in the course of the year; but own that it was with surprise I

learnt that Mr. Bohn, the bookseller of Frith Street,[179] had preceded me

in my visit--and found some historical folios which he thought well worth

the expense of conveyance to England.

It remains only to return for a few hours to Nuremberg, and then to conduct

the reader to Manheim. One of the four days, during which I remained at

Nuremberg, happened to be _Sunday_; and of all places upon the Continent,

Sunday is, at Nuremberg, among the gayest and most attractive. The weather

was fine, and the whole population was alternately within and without the

city walls. Some Bavarian troops of cavalry were exercising near the public

walks, and of course a great multitude was collected to witness their

manoeuvres. On casting my eye over this concourse of people, attired in

their best clothes, I was particularly struck with the head dresses of the

women: composed chiefly of broad-stiffened riband, of different colours,

which is made to stick out behind in a flat manner--not to be described

except by the pencil of my graphic companion. The figure, seen in the

frontispiece of the third volume of this work, is that of the _Fille de

chambre_ at our hotel, who was habited in her Sunday attire; and it

displays in particular the riband head-dress--which was of black

water-tabby sarsenet. But as these ribands are of different colours, and

many of them gay and gorgeous, their appearance, in the open air--and where

a great number of people is collected, and in constant motion--is that, as

it were, of so many moving suns. In general, the _Nurembergeoises_ have

little pretensions to beauty: they are; however, active, civil, and

intelligent.

It is rarely one takes leave of an hotel with regret when every days

journey brings us sensibly nearer home. But it is due to the kind treatment

and comfortable lodgings, of which I partook at Nuremberg; to say, that no

traveller can leave the _Cheval Rouge_ without at least wishing that all

future inns which he visits may resemble it. We left Nuremberg after

dinner, resolving to sleep at _Ansbach_; of which place the Margrave and

Margravine were sufficiently distinguished in our own country. I had

received a letter of introduction to Monsieur Le Comte de Drechsel,

President de la Regence--and President of the corporation of

Nuremberg--respecting the negotiation for the Boccaccio of 1472; from

which, however, I augured no very favourable result. The first stage from

Nuremberg is _Kloster Heilbronn_: where, on changing horses, the master of

the inn pressed me hard to go and visit the old church, which gives the

name to the village, and which was said to contain some curious old

paintings by Albert Durer: but there was literally no time--and I began to

be tired ... almost of Albert Durers! At Ansbach we drove to the _Crown_, a

large and excellent inn. It was nightfall when we entered the town, but not

so dark as to render the size and extent of the Margrave's palace

invisible, nor so late as to render a visit to two booksellers, after a

late cup of tea, impracticable. At one place, I found something in the

shape of old books, but purchased nothing--except an edition of Boccaccio's

Tales, in French, with the well known plates of Roman Le Hooge, 1701. 8vo.

It was loosely bound in sorry calf, but a florin could not be considered

too much for it, even in its sombre state. The other bookseller supplied,

by the tender of his friendly offices, the deficiencies of his

collection--which, in fact, consisted of nothing but a stock of modern

publications.

The next morning I visited the Comte Drechsel--having first written him a

note, and gently touched upon the point at issue. He received me with

courtesy; and I found him particularly intelligent--but guarded in every

expression connected with any thing like the indulgence, even of a hope, of

obtaining the precious volume in question. He would submit my proposition

to the municipality. He understood English perfectly well, and spoke French

fluently. I had received intimation of a collection of rare and curious old

books, belonging to a Mr...., in the environs of Ansbach; who, having

recently experienced some misfortunes, had meditated the sale of his

library. The owner had a pretty country house, scarcely a stone's throw

from the outskirts of the town, and I saw his wife and children--but no

books. I learnt that these latter were conveyed to the town for the purpose

of sale; and having seen a few of them, I left a commission for a copy of

_Fust and Schoeffher's_ edition of Pope Boniface's Councils of 1465, UPON

VELLUM. I have never heard of the result of the sale.

From Ansbach to _Heilbronn_, which can be scarcely less than sixty English

miles, few things struck me on the road more forcibly than the remains of a

small old church and cloisters at _Feuchtwang_--where we stopped to change

horses, the first stage after Ansbach. It rained heavily, and we had only

time to run hastily through these very curious old relics, which, if

appearances formed the test of truth, might, from the colour of the stone

and the peculiarity of the structure, have been old enough to designate the

first christian place of worship established in Germany. The whole,

however, was upon a singularly small scale. I earnestly recommend every

English antiquary to stop longer than we did at Feuchtwang. From thence to

_Heilbronn_, we passed many a castle-crowned summit, of which the base and

adjacent country were covered by apparently impenetrable forests of fir and

elm; but regretted exceedingly that it was quite nightfall when we made the

very steep and _nervous_ entrance into _Hall_--down a mountainous descent,

which seemed to put the carriage on an inclined plane of forty-five

degrees. We were compelled to have four horses, on making the opposite

ascent; and were even preceded by boys, with links and torches, over a

small bridge, under which runs a precipitous and roaring stream. Hall is a

large, lively, and much frequented town.

_Heilbronn_, or _Hailbrunn_, is a large consequential town; and parts of it

are spacious, as well as curious from appearances of antiquity. The large

square, where we changed horses, was sufficiently striking; and the Hotel

de ville in particular was worthy of being copied by the pencil of my

companion. But we were only passing travellers, anxious to reach Manheim

and to cross the Rhine. The country about Heilbronn is picturesque and

fertile, and I saw enough to convince me that two days residence there

would not be considered as time thrown away. It is one of the principal

towns in the kingdom of Wirtemberg, and situated not many leagues from the

Black Forest, or _Schwartz Wald_, where wild boars and other wild animals

abound, and where St. Hubert (for aught I know to the contrary) keeps his

nocturnal revels in some hitherto unfrequented glen ... beneath the

radiance of an unclouded moon.

But if _Heilbronn_ be attractive, from the imposing appearance of the

houses, _Heidelberg_ is infinitely more so; containing a population of nine

thousand inhabitants. We reached this latter place at dinner time, on

Sunday--but as it rained heavily for the last hour previous to our

entrance, we could not take that survey of the adjacent country which we so

much desired to do. Yet we saw sufficient to delight us infinitely: having

travelled along the banks of the river _Neckhar_ for the last three or four

miles, observing the beautifully wood-crowned hills on the opposite side.

But it is the CASTLE, or OLD PALACE of HEIDELBERG--where the Grand Dukes of

Baden, or old Electors Palatine, used to reside--and where the celebrated

TUN, replenished with many a score hogshead of choice Rhenish wine--form

the grand objects of attraction to the curious traveller. The palace is a

striking edifice more extensive than any thing I had previously seen; but

in the general form of its structure, so like _Holland House_ at

Kensington, that I hesitated not one moment to assign the commencement of

the sixteenth century, as the period of the building in question. The date

of 1607,[180] cut in stone, over one of the principal doors, confirmed my

conjecture.

I now looked eagerly on all sides--observing what portions were more or

less dilapidated, and wondering at the extent and magnificence of the

building. Room after room, corridor succeeding corridor--saloons,

galleries, banquetting apartments, each and all denuded of its once

princely furniture--did not fail to strike my imagination most forcibly.

Here was the _Hall of Chivalry_, which had been rent asunder by lightning:

yonder, a range of statues of the old _Electors Counts Palatine_:--a tier

of granite columns stood in another direction, which had equally defied the

assaults of the foe and the ravages of time. In one part, looking down, I

observed an old square tower, which had been precipitated in consequence

(as I learnt) of an explosion of gunpowder. It was doubtless about a

century older than the building from which I observed it. On an eminence,

almost smothered with larch and lime, and nearly as much above ourselves as

we were from the town, stand the ruins of another old castle ... the

residence of the older Counts Palatine. The whole scene was full of

enchantment to an antiquarian traveller; and I scarcely knew how to quit

one portion of it for another.

The terrace, at the back of the castle, forms a noble and commanding walk.

Here, in former days, the counts and dukes of the empire, with all their

trains of duchesses and damoiselles, used to parade in full pomp and

magnificence, receiving the homage of their dependants, and the applause of

the townsmen. From hence, indeed, they might have looked down, in the proud

spirit of disdain, upon their vassal subjects:--or, in case of rebellion,

have planted their cannon and pulverised their habitations in a little

hour. It is hardly possible to conceive a more magnificent situation ...

but now, all is silence and solitude. The wild boar intrudes with impunity

into the gardens--and the fowls of heaven roost within those spacious

chambers, which were once hung with rich arras, or covered with gorgeous

tapestry. Scarcely three human beings ... who seem to sleep out their

existence ... are now the tenants of THAT MANSION, where once scarcely

fewer than one hundred noblemen with their attendants, found comfortable

accommodations. A powerful, and yet not unpleasing melancholy, touches the

heart ... as one moves leisurely along these speaking proofs of the

mutability of earthly grandeur.

A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three · 第 27 / 29 段