It was dark when we entered Ratisbon, and having been recommended to the

hotel of the _Agneau Blanc_ we drove thither, and alighted ... close to the

very banks of the Danube--and heard the roar of its rapid stream, turning

several mills, close as it were to our very ears. The master of the hotel,

whose name is _Cramer_, and who talked French very readily, received us

with peculiar courtesy; and, on demanding the best situated room in the

house, we were conducted on the second floor, to the chamber which had been

occupied, only two or three days before, by the Emperor of Austria himself,

on his way to _Aix-la-Chapelle_. The next morning was a morning of wonder

to us. Our sitting-room, which was a very lantern, from the number of

windows, gave us a view of the rushing stream of the Danube, of a portion

of the bridge over it, of some beautifully undulating and vine-covered

hills, in the distance, on the opposite side--and, lower down the stream,

of the town-walls and water-mills, of which latter we had heard the

stunning sounds on our arrival.[157] The whole had a singularly novel and

pleasing appearance.

But if the sitting room was thus productive of gratification, the very

first walk I took in the streets was productive of still greater. On

leaving the inn, and turning to the left, up a narrow street, I came in

view of a house ... upon the walls of which were painted, full three

hundred years ago, the figures of _Goliath and David_. The former could be

scarcely less than twenty feet high: the latter, who was probably about

one-third of that height, was represented as if about to cast the stone

from the sling. The costume of Goliath marked the period when he was thus

represented;[158] and I must say, considering the time that has elapsed

since that representation, that he is yet a fine, vigorous, and

fresh-looking fellow. I continued onwards, now to the right, and afterwards

to the left, without knowing a single step of the route. An old, but short

square gothic tower--upon one of the four sides of which was a curious old

clock, supported by human figures--immediately caught my attention. The

_Town Hall_ was large and imposing; but the _Cathedral_, surrounded by

booths--it being fair-time--was, of course, the great object of my

attention. In short, I saw enough within an hour to convince me, that I was

visiting a large, curious, and well-peopled town; replete with antiquities,

and including several of the time of the Romans, to whom it was necessarily

a very important station. Ratisbon is said to contain a population of about

20,000 souls.

The Cathedral can boast of little antiquity. It is almost a building of

yesterday; yet it is large, richly ornamented on the outside, especially on

the west, between the towers--and is considered one of the noblest

structures of the kind in Bavaria.[159] The interior wants that decisive

effect which simplicity produces. It is too much broken into parts, and

covered with monuments of a very heterogeneous description. Near it I

traced the cloisters of an old convent or monastery of some kind, now

demolished, which could not be less than five hundred years old. The

streets of Ratisbon are generally picturesque, as well from their

undulating forms, as from the antiquity of a great number of the houses.

The modern parts of the town are handsome, and there is a pleasant

inter-mixture of trees and grass plats in some of these more recent

portions. There are some pleasing public walks, after the English fashion;

and a public garden, where a colossal sphinx, erected by the late

philosopher _Gleichen_, has a very imposing appearance. Here is also an

obelisk erected to the memory of Gleichen himself, the founder of these

gardens; and a monument to the memory of Keplar, the astronomer; which

latter was luckily spared in the assault of this town by the French in

1809.

But these are, comparatively, every day objects. A much more interesting

source of observation, to my mind, were the very few existing relics of the

once celebrated monastery of ST. EMMERAM--and a great portion of the

remains of another old monastery, called ST. JAMES--which latter may indeed

be designated the _College of the Jacobites_; as the few members who

inhabit it were the followers of the house and fortunes of the Pretender,

James Stuart. The monastery, or _Abbey of St. Emmeram_ was one of the most

celebrated throughout Europe; and I suspect that its library, both of MSS.

and printed books, was among the principal causes of its celebrity.[160]

The intelligent and truly obliging Mr. A. Kraemer, librarian to the Prince

of Tour and Taxis, accompanied me in my visit to the very few existing

remains of St. Emmeram--which indeed are incorporated, as it were, with the

church close to the palace or residence of the Prince. As I walked along

the corridors of this latter building, after having examined the Prince's

library, and taken notes of a few of the rarer or more beautiful books, I

could look through the windows into the body of the church itself. It is

difficult to describe this religious edifice, and still more so to know

what portions belonged to the old monastery. I saw a stone chair--rude,

massive, and almost shapeless--in which _Adam_ might have sat ... if dates

are to be judged of by the barbarism of form. Something like a crypt, of

which the further part was uncovered--reminded me of portions of the crypt

at _Freysing_; and among the old monuments belonging to the abbey, was one

of _Queen Hemma_, wife of Ludovic, King of Bavaria: a great benefactress,

who was buried there in 876. The figure, which was whole-length, and of the

size of life, was painted; and might be of the fourteenth century. There is

another monument, of _Warmundus, Count of Wasserburg_, who was buried in

1001. These monuments have been lithographised, from the drawings of

Quaglio, in the "_Denkmahle der Baukunst des Mittelalters im Koenigreiche

Baiern_," 1816. Folio.

Of all interesting objects of architectural antiquity in Ratisbon, none

struck me so forcibly--and indeed none is in itself so curious and

singular--as the MONASTERY OF ST. JAMES, before slightly alluded to. The

front of that portion of it, connected with the church, should seem to be

of an extremely remote antiquity. It is the ornaments, or style of

architecture, which give it this character of antiquity. The ornaments,

which are on each side of the door way, or porch, are quite extraordinary,

and appear as if the building had been erected by Mexicans or Hindoos.

Quaglio has made a drawing, and published a lithographic print of the whole

of this entrance. I had conjectured the building to be of the twelfth

century, and was pleased to have my conjecture confirmed by the assurance

of one of the members of the college (either Mr. Richardson or Mr. Sharp)

that the foundations of the building were laid in the middle of the XIIth

century; and that, about twenty miles off, down the Danube, there was

another monastery, now in ruins, called _Mosburg_, if I mistake not--which

was built about the same period, and which exhibited precisely the same

style of architecture.

But if the entire college, with the church, cloisters, sitting rooms, and

dormitories, was productive of so much gratification, the _contents_ of

these rooms, including the _members_ themselves, were productive of yet

greater. To begin with the Head, or President, DR. C. ARBUTHNOT: one of the

finest and healthiest looking old gentlemen I ever beheld--in his

eighty-second year. I should however premise, that the members of this

college--only six or eight in number, and attached to the interests of the

Stuarts--have been settled here almost from their infancy: some having

arrived at seven, and others at twelve, years of age. Their method of

speaking their _own_ language is very singular; and rather difficult of

comprehension. Nor is the _French_, spoken by them, of much better

pronunciation. Of manners the most simple, and apparently of principles the

most pure, they seem to be strangers to those wants and wishes which

frequently agitate a more numerous and polished establishment; and to move,

as it were, from the cradle to the grave ...

"The world forgetting, by the world forgot."

As soon as the present Head ceases to exist,[161] the society is to be

dissolved--and the building to be demolished.[162] I own that this

intelligence, furnished me by one of the members, gave a melancholy and yet

more interesting air to every object which I saw, and to every Member with

whom I conversed. The society is of the Benedictine order, and there is a

large whole length portrait, in the upper cloisters, or rather corridor, of

ST. BENEDICT--with the emphatic inscription of "PATER MONACHORUM." The

_library_ was carefully visited by me, and a great number of volumes

inspected. The local is small and unpretending: a mere corridor,

communicating with a tolerably good sized room, in the middle, at right

angles. I saw a few _hiatuses_, which had been caused by disposing of the

volumes, that had _filled_ them, to the cabinet in St. James's Place. In

fact, Mr. Horn--so distinguished for his bibliographical _trouvailles_--had

been either himself a _member_ of this College, or had had a _brother_, so

circumstanced, who foraged for him. What remained was, comparatively, mere

chaff: and yet I contrived to find a pretty ample sprinkling of Greek and

Latin Philosophy, printed and published at Paris by _Gourmont_, _Colinæus_,

and the _Stephens_, in the first half of the sixteenth century. There were

also some most beautifully-conditioned Hebrew books, printed by the

_Stephen family_;--and having turned the bottoms of those books outwards,

which I thought it might be possible to purchase, I requested the librarian

to consider of the matter; who, himself apparently consenting, informed me,

on the following morning, that, on a consultation held with the other

members, it was deemed advisable not to part with any more of their books.

I do not suppose that the whole would bring 250l. beneath a well known

hammer in Pall-Mall.

The PUBLIC LIBRARY was also carefully visited. It is a strange, rambling,

but not wholly uninteresting place--although the collection is rather

barbarously miscellaneous. I saw more remains of Roman antiquities of the

usual character of rings, spear-heads, lachrymatories, &c.--than of rare

and curious old books: but, among the latter, I duly noticed _Mentelin's

edition of the first German Bible_. No funds are applied to the increase of

this collection; and the books, in an upper and lower room, seem to lie

desolate and forlorn, as if rarely visited--and yet more rarely opened.

Compared with the celebrated public libraries in France, Bavaria, and

Austria, this of RATISBON is ... almost a reproach to the municipal

authorities of the place. I cannot however take leave of the book-theme, or

of Ratisbon--without mentioning, in terms of unfeigned sincerity, the

obligations I was under to M. AUGUSTUS KRAEMER, the librarian of the Prince

of Tour and Taxis; who not only satisfied, but even anticipated, my wishes,

in every thing connected with antiquities. There is a friendliness of

disposition, a mildness of manner, and pleasantness both of mien and of

conversation, about this gentleman, which render his society extremely

engaging. Upon the whole, although I absolutely gained nothing in the way

of book-acquisitions, during my residence at Ratisbon, I have not passed

three pleasanter days in any town in Bavaria than those which were spent

here. It is a place richly deserving of the minute attention of the

antiquary; and the country, on the opposite side of the Danube, presents

some genuine features of picturesque beauty. Nor were the civility, good

fare, and reasonable charges of the _Agneau Blanc_, among the most

insignificant comforts attending our residence at Ratisbon.

We left that town a little after mid-day, intending to sleep the same

evening at NEUMARKT, within two stages of Nuremberg. About an English mile

from Ratisbon, the road rises to a considerable elevation, whence you

obtain a fine and interesting view of that city--with the Danube encircling

its base like a belt. From this eminence I looked, for the last time, upon

that magnificent river--which, with very few exceptions, had kept in view

the whole way from Vienna: a distance of about two hundred and sixty

English miles. I learnt that an aquatic excursion, from Ulm to Ratisbon,

was one of the pleasantest schemes or parties of pleasure, imaginable--and

that the English were extremely partial to it. Our faces were now

resolutely turned towards Nuremberg; while a fine day, and a tolerably good

road, made us insensible of any inconvenience which might otherwise have

resulted from a journey of nine German miles.

We reached _Neumarkt_ about night-fall, and got into very excellent

quarters. The rooms of the inn which we occupied had been filled by the

Duke of Wellington and Lord and Lady Castlereagh on their journey to

Congress in the winter of 1814. The master of the inn related to us a

singular anecdote respecting the Duke. On hearing of his arrival, the

inhabitants of the place flocked round the inn, and the next morning the

Duke found the _tops of his boots half cut away_--from the desire which the

people expressed of having "some memorial of the great captain of the

age."[163] No other, or more feasible plan presented itself, than that of

making interest with his Grace's groom--when the boots were taken down to

be cleaned on the morning following his arrival. Perhaps the Duke's _coat_,

had it been seen, might have shared the same fate.

The morning gave me an opportunity of examining the town of _Neumarkt_,

which is surrounded by a wall, in the _inner_ side of which is a sort of

covered corridor (now in a state of great decay) running entirely round the

town. At different stations there are wooden steps for the purpose of

ascent and descent. In a churchyard, I was startled by the representation

of the _Agony in the Garden_ (so often mentioned in this Tour) which was

executed in stone, and coloured after the life, and which had every

appearance of _reality_. I stumbled upon it, unawares: and confess that I

had never before witnessed so startling a representation of the subject.

Having quitted Neumarkt, after breakfast, it remained only to change horses

at _Feucht_, and afterwards to dine at Nuremberg. Of all cities which I had

wished to see, before and since quitting England, NUREMBERG was that upon

which my heart seemed to be the most fixed.[164] It had been the nursery of

the Fine Arts in Bavaria; one of the favourite residences of Maximilian the

Great; the seat of learning and the abode equally of commerce and of wealth

during the sixteenth century. It was here too, that ALBERT DURER--perhaps

the most extraordinary genius of his age--lived and died: and here I learnt

that his tombstone, and the house in which he resided, were still to be

seen.

The first view of the spires and turretted walls of Nuremberg[165] filled

me with a sensation which it is difficult to describe. Within about five

English miles of it, just as we were about to run down the last descent,

from the bottom of which it is perfectly level to the very gates of the

city--we discovered a group of peasants, chiefly female, busied in carrying

barrows, apparently of fire wood, towards the town. On passing them, the

attention of Mr. Lewis was caught by one female countenance in

particular--so distinguished by a sweetness and benevolence of

expression--that we requested the postilion to stop, that we might learn

some particulars respecting this young woman, and the mode of life which

she followed. She was without stockings; of a strong muscular form, and her

face was half buried beneath a large flapping straw hat. We learnt that her

parents were engaged in making black lead pencils (a flourishing branch of

commerce, at this moment, at Nuremberg) for the wholesale dealers; and they

were so poor, that she was glad to get a _florin_ by conveying wood (as we

then saw her) four miles to Nuremberg.

It was market-day when we entered Nuremberg, about four o'clock. The inn to

which we had been recommended, proved an excellent one: civility,

cleanliness, good fare, and reasonable charges--these form the tests of the

excellence of the _Cheval Rouge_ at Nuremberg. In our route thither, we

passed the two churches of St. _Lawrence_ and St. _Sebald_, of which the

former is the largest--and indeed principal place of worship in the town.

We also passed through the market-place, wherein are several gothic

buildings--more elaborate in ornament than graceful in form or curious from

antiquity. The whole square, however, was extremely interesting, and full

of population and bustle. The town indeed is computed to contain 30,000

inhabitants. We noticed, on the outsides of the houses, large paintings, as

at Ratisbon, of gigantic figures: and every street seemed to promise fresh

gratification, as we descended one and ascended another.

My first object, on settling at the hotel, was to seek out the PUBLIC

LIBRARY, and to obtain an inspection of some of those volumes which had

exercised the pen of DE MURR, in his Latin _Memoirs of the Public Library

of Nuremberg_. I was now also in the birthplace of PANZER--another, and

infinitely more distinguished bibliographer,--whose _Typographical Annals

of Europe_ will for ever render his memory as dear to other towns as to

Nuremberg. In short, when I viewed the _Citadel_ of this place--and

witnessed, in my perambulations about the town, so many curious specimens

of gothic architecture, I could only express my surprise and regret that

more substantial justice had not been rendered to so interesting a spot. I

purchased every thing I could lay my hand upon, connected with the

_published antiquities_ of the town; but that "every thing" was

sufficiently scanty and unsatisfactory.

Before, however, I make mention of the Public Library, it may be as well

briefly to notice the two churches--- _St. Sebald_ and _St. Lawrence_. The

former was within a stone's throw of our inn. Above the door of the western

front, is a remarkably fine crucifix of wood--placed, however, in too deep

a recess--said to be by _Veit Stoss_. The head is of a very fine form, and

the countenance has an expression of the most acute and intense feeling. A

crown of thorns is twisted round the brow. But this figure, as well as the

whole of the outside and inside of the church, stands in great need of

being repaired. The towers are low, with insignificant turrets: the latter

evidently a later erection--probably at the commencement of the sixteenth

century. The eastern extremity, as well indeed as the aisles, is surrounded

by buttresses; and the sharp-pointed, or lancet windows, seem to bespeak

the fourteenth, if not the thirteenth century. The great "wonder" of the

interior, is the _Shrine of the Saint_,[166] (to whom the church is

dedicated,) of which the greater part is silver. At the time of my viewing

it, it was in a disjointed state--parts of it having been taken to pieces,

for repair: but from Geisler's exquisite little engraving, I should

pronounce it to be second to few specimens of similar art in Europe. The

figures do not exceed two feet in height, and the extreme elevation of the

shrine may be about eight feet. Nor has Geisler's almost equally exquisite

little engraving of the richly carved gothic _font_ in this church, less

claim upon the admiration of the connoisseur.

The mother church, or Cathedral of _St. Lawrence_, is much larger, and

portions of it may be of the latter end of the thirteenth century. The

principal entrance presents us with an elaborate door-way--perhaps of the

fourteenth century--with the sculpture divided into several compartments,

as at Rouen, Strasbourg, and other earlier edifices. There is a poverty in

the two towers, both from their size, and the meagerness of the windows;

but the slim spires at the summit, are, doubtless, nearly of a coeval date

with that which supports them. The bottom of the large circular, or

marygold window, is injured in its effect by a gothic balustrade of a later

period. The interior of this church has certainly nothing very commanding

or striking, on the score of architectural grandeur or beauty; but there

are some painted glass-windows--especially by _Volkmar_---which are

deserving of particular attention. Nuremberg has one advantage over many

populous towns; its public buildings are not choked up by narrow streets:

and I hardly know an edifice of distinction, round which the spectator may

not walk with perfect ease, and obtain a view of every portion which he is

desirous of examining. _The Fraüenkerche_, or the _church of St. Mary_, in

the market-place, has a very singular construction in its western front. A

double arched door-way, terminated by an arch at the top, and surmounted by

a curious triangular projection from the main building, has rather an odd,

than a beautiful effect. Above, terminating in an apex--surmounted by a

small turret, are five rows of gothic niches, of which the extremities, at

each end, narrow--in the fashion of steps, gradually--from the topmost of

which range or rows of niches, the turret rises perpendicularly. It is a

small edifice, and has been recently doomed to make a very distinguished

figure in the imposing lithographic print of Quaglio.[167] The interior of

this church is not less singular, as may be seen in the print published

about sixty years ago, and yet faithful to its present appearance.

I know not how it was, but I omitted to notice the ci-devant church of

_Ste. Claire_, where there is said to be the most ancient stained glass

window which exists--that is, of the middle of the thirteenth century; nor

did I obtain a sight of the seven pillars of _Adam Kraft_, designating the

seven points or stations of the Passion of our Saviour. But in the

_Rath-hauz Platz_, in the way to the public library, I used to look with

delight--almost every morning of the four days which I spent at

Nuremberg--at the fragments of gothic architecture, to the right and left,

that presented themselves; and among these, none caught my eye and pleased

my taste, so fully, as the little hexagonal gothic window, which has

sculptured subjects beneath the mullions, and which was attached to the

_Pfarrhof_, or clergyman's residence, of St. Sebald. If ever Mr. Blore's

pencil should be exercised in this magical city for gothic art, I am quite

persuaded that _this window_ will be one of the subjects upon which its

powers will be most successfully employed.

A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three · 第 25 / 29 段