[92] It should seem, from the pages of PEZ and NIDANUS, that Charlemagne

was either the founder, or the patron, or endower, of almost every

monastery in Germany. Stengelius, however, gives a a very romantic

origin to the foundation of Chremsminster. "The eldest son of Tassilo,

a Duke or Elector of Bavaria, went out a hunting in the winter; when,

having been separated from his companions, in a large wood, he met a

wild boar of an enormous size, near a fountain and pool of water.

Notwithstanding the fearful odds between them, Tassilo gallantly

received the animal upon the point of his hunting spear, and

dispatched him with a tremendous wound: not however without a fatal

result to himself. Rage, agony, and over exertion... proved fatal to

the conqueror: and when, excited by the barking of the dogs, his

father and the troop of huntsmen came up to see what it might be, they

witnessed the spectacle of the boar and the young Tassilo lying DEAD

by the side of each other. The father built the MONASTERY of

CHREMSMINSTER upon the fatal spot--to the memory of his beloved but

unfortunate son. He endowed it with large possessions, and his

endowments were confirmed by Pope Adrian and the Emperor

Charlemagne--in the year 777. The history of the monastery is lost in

darkness, till the year 1046, when Engelbert, Bishop of Passau,

consecrated it anew; and in 1165, Diepold, another Bishop of Passau,

added greatly to its possessions; but he was, in other respects, as

well as Manegold in 1206, a very violent and mischievous character.

Bishop Ulric, in 1216, was a great benefactor to it; but I do not

perceive when the present building was erected: although it is

possible there may be portions of it as old as the thirteenth century.

See _Pez: Script. Rer. Austriac._, vol. i. col. 1305, &c.: _vol. ii._

col. 67, &c. At the time of publishing the _Monasteriologia of

Stengelius_, 1638, (where there is a bird's-eye view of the monastery,

as it now generally appears) Wolffradt (or Wolfardt) was the

Abbot--who, in the author's opinion, "had no superior among his

predecessors." I go a great way in thinking with Stengelius; for this

worthy Abbot built the Monks a "good supper-room, two dormitories, a

sort of hospital for the sick, and a LIBRARY, with an abundant stock

of new books. Also a sacristy, furnished with most costly robes, &c.

_Monasteriologia_; sign. A. It was doubtless the BIBLIOTHECA

WOLFRADTIANA in which I tarried--as above described--with equal

pleasure and profit.

[93] See vol. ii. p. 199.

[94] This I presume to be the "spurious" Birmingham edition, which is

noticed by Steevens in the _Edit. Shakspeare_, 1813. 8vo. vol.

ii. p. 151.

[95] They were both secured. One copy is now in the ALTHORP LIBRARY, and

the other in that of Mr. Heber.

[96] On the very night of my arrival at Lintz, late as it was, I wrote a

letter to the Abbot, or head of the monastery, addressed thus--as the

Professor had written it down: "_Ad Reverendissimum Dominum Anselmum

Mayerhoffer inclyti Monasterii Cremifanensis Abbatem vigilantissimum

Cremifanum_." This was enclosed in a letter to the Professor

himself with the following direction: "_Ad Rev. Dm. Udalricum

Hartenschneider Professum Monasterij Cremifanensis et Historiæ ibidem

Professorem publicum. Cremifanum_:" the Professor having put into

my hands the following written memorandum: "Pro commutandis--quos

designasti in Bibliotheca nostra, libris--primo Abbatem adire, aut

litteris saltem interrogare necesse est: quas, si tibi placuerit, ad

me dirigere poteris."

[Autograph]

This he wrote with extreme rapidity. In my letter, I repeated the

offer about the Monasticon; with the addition of about a dozen

napoleons for the early printed books above mentioned; requesting to

have an answer, poste restante, at Vienna. No answer has since reached

me. The Abbot should seem to have preferred Statius to Dugdale. [But

his Statius NOW has declined wofully in pecuniary worth: while the

Dugdale, in its newly edited form, has risen threefold.]

LETTER IX.

THE MONASTERIES OF ST. FLORIAN, MÖLK, AND GÖTTWIC.

_Vienna; Hotel of the Emperor of

Hungary, Aug. 31, 1818._

MY DEAR FRIEND;

Give me your heartiest congratulations; for I have reached, and am well

lodged at, the extreme limit of my "BIBLIOGRAPHICAL, ANTIQUARIAN, AND

PICTURESQUE TOUR." Behold me, therefore, at VIENNA, the capital of Austria:

once the abode of mighty monarchs and renowned chieftains: and the scene

probably of more political vicissitudes than any other capital in Europe.

The ferocious Turk, the subtle Italian, and the impetuous Frenchman, have

each claimed Vienna as their place of residence by right of conquest; and

its ramparts have been probably battered by more bullets and balls than

were ever discharged at any other fortified metropolis.

At present, however, my theme must be entirely monastic. Prepare,

therefore, to receive an account of some MONASTIC VISITS, which have

perfectly won my heart over to the Institutions of ST. BENEDICT and ST.

AUGUSTIN. Indeed I seem to have been mingling with a new set of human

beings, and a new order of things; though there was much that put me in

mind of the general character of my ever-cherished University of Oxford.

Not that there is _any one_ college, whether at Oxford or at Cambridge,

which in point of architectural magnificence, can vie with some of those

which I am about to describe. My last letter, as you may remember, left us

upon the point of starting from Lintz, for the monastery of ST. FLORIAN.

That monastery is situated within about three miles of _Ens_, the next post

town from Lintz. The road thither was lined, on each side, with the plum

and the pear tree--in their alternate tints of saffron and purple--but far

from being ripe. The sight, altogether, was as pleasing as it was novel:

and especially were my spirits gladdened, on thinking of the fortunate

escape from the perils that had seemed to have awaited us in our route from

Chremsminster the preceding evening.

On turning out of the main road, about a dozen miles from Lintz, we began

to be sensible of a gentle ascent,--along a pleasant, undulating road,

skirted by meadows, copses, and corn-fields. In ten minutes, the valet

shouted out--"_Voilà le Monastère de St. Florian!_" It was situated upon an

eminence, of scarcely half the height of Chremsminster; but, from the

abruptness of the ascent, as you enter the village, and make towards the

monastery, it appears, on an immediate approach, to be of a very

considerable elevation. It looked nobly, as we neared it. The walls were

massive, and seemed to be embedded in a foundation of granite. Some

pleasing little cultivated spots, like private gardens, were between the

outer walls and the main body of the building. It rained heavily as we

rolled under the archway; when an old man and an old woman demanded, rather

with astonishment than severity, what was the object of our visit? Having

received a satisfactory answer, the gates were opened, and we stopped

between two magnificent flights of steps, leading on each side to the

cloisters. Several young monks, excited by the noise of the carriage, came

trooping towards the top of the stairs, looking down upon us, and

retreating, with the nimbleness and apparent timidity of deer. Their white

streamers, or long lappets, suspended from the back of the black gown, (the

designation of the _Augustine_ order) had a very singular appearance.

Having received a letter of recommendation to the librarian, M. KLEIN, I

delivered it to the porter--and in a few seconds observed two short monks

uncovered, advancing towards me. M. Klein spoke French--after a certain

fashion--which however made us understand one another well enough; and on

walking along the cloisters, he took me by the arm to conduct me to the

Abbot. "But you have doubtless _dined_?" observed he,--turning sharply upon

me. It was only between one and two o'clock; and therefore I thought I

might be pardoned, even by the severest of their own order, for answering

in the _negative_. My guide then whispered to his attendant (who quickly

disappeared) and carried me directly to the Abbot. Such a visit was worth

paying. I entered with great solemnity; squeezing my travelling cap into a

variety of forms, as I made obeisance,--on observing a venerable man,

nearer fourscore than seventy, sitting, with a black cap quite at the back

part of his head, and surrounded by half a dozen young monks, who were

standing and waiting upon him with coffee (after dinner) which was placed

upon the table before him. He was the Principal. The old gentleman's

countenance was wan, and rather severely indented, but lighted up by a dark

and intelligent pair of eyes. His shoulders were shrouded in a large gray

fur tippet; and, on receiving me, he demonstrated every mark of

attention--by giving his unfinished cup of coffee to one of his attendants,

and, pulling off his cap, endeavouring to rise. I advanced and begged there

might be no further movement. As he spoke French, we quickly understood

each other. He bade me see every thing that was worth seeing; and, on his

renewing the _dinner_ question, and receiving an answer in the negative, he

commanded that a meal of some sort should be forthwith got ready. In this,

however, he had been anticipated by the librarian.

I made my retreating bow, and followed my guide who, by this time, had

assumed quite a pleasant air of familiarity with me. I accompanied him to

the Library. It is divided into three rooms; of which the largest, at the

further end, is the most characteristic. The central room is small, and

devoted to MSS. none as I learnt, either very old, very curious, or very

valuable. The view from this suite of apartments must, on a fine day, be

lovely. Bad as was the weather, when I looked from the windows, I observed,

to the left, some gently sloping and sweetly wooded pleasure grounds, with

the town of _Ens_, in the centre, at the distance of about three miles. To

the right, were more undulating hills, with rich meadows in the foreground;

while, immediately below, was the ornamented garden of the monastery.

The prospect _within_ doors was not quite of so gratifying a description.

It seemed to be the mere shadow of a library. Of old books, indeed, I saw

nothing worth noticing--except a white and crackling, but cropt, copy of

_Ratdolt's Appian_ of 1478, (always a beautiful book) and a _Latin Version

of Josephus_, printed at Venice in 1480 by _Maufer_, a citizen of Rouen.

This latter was really a very fine book. There was also _Ratdolt's Euclid_

of 1485--which indeed is every where abroad--but which generally has

variations in the marginal diagrams. Of _Bibles_, either Latin or German, I

saw nothing more ancient than the edition by Sorg, in the _German_ language

of the date of 1477. I paused an instant over the _Tyturell_ of 1477, (the

only really scarce book in the collection) and threw a gilded bait before

the librarian, respecting the acquisition of it;--but M. Klein quite

_screamed_ aloud at the proposition--protesting that "not a single leaf

from a single book should be parted with!" "You are quite right," added I.

"My guide eyed me as if he could have said, "How much at variance are your

thoughts and words!" And yet I spake very sincerely. Mr. Klein then placed

a clean, but cropt, copy of the _first Aldine Pindar_ before me; adding,

that he understood it to be rare. "It is most rare," rejoined I:--but it is

yet "rarer than most rare" when found UPON VELLUM!--as it is to be seen in

Lord Spencer's library." He seemed absolutely astonished at this piece of

intelligence--and talked about its pecuniary value. "No money can purchase

it. It is beyond all price"--rejoined I. Whereupon my guide was struck with

still deeper astonishment.

There were all the _Polyglott Bibles_, with the exception of the

_Complutensian_; which appears to be uncommon in the principal libraries

upon the continent. _Walton's Polyglott_ was the Royal copy; which led to a

slight discussion respecting the Royal and Republican copies. M. Klein

received most implicitly all my bibliographical doctrine upon the subject,

and expressed a great desire to read Dr. Adam Clarke's Essay upon the same.

When I spoke of the small number of copies upon LARGE PAPER, he appeared to

marvel more than ever--and declared "how happy the sight of such a copy

would make him, from his great respect for the Editor!" There was a poor

sprinkle of _English books_; among which however, I noticed Shakspeare,

Milton, Swift, and Thomson; I had declared myself sufficiently satisfied

with the inspection of the library, when dinner was announced; but could

not reconcile it to myself to depart, without asking "whether they had the

_Tewrdanckh_?" "Yes, and UPON VELLUM, too!" was the Librarian's reply. It

was a good sound copy.

The dinner was simple and nourishing. The wine was what they call the white

wine of Austria: rather thin and acid. It still continued to rain. Our

friends told us that, from the windows of the room in which we were eating,

they could, in fair weather; discern the snow-capt mountains of the

Tyrol:--that, from one side of their monastery they could look upon green

fields, pleasure gardens, and hanging woods, and from the other, upon

magnificent ranges of hills terminated by mountains covered with snow. They

seemed to be proud of their situation, as they had good reason to be. I

found them exceedingly chatty, pleasant, and even facetious. I broached the

subject of politics--but in a very guarded and general manner. The lively

Librarian, however, thought proper to observe--"that the English were doing

in _India_ what Bonaparte had been doing in _Europe_." I told him that such

a doctrine was a more frightful heresy than any which had ever crept into

his own church: at which he laughed heartily, and begged we would not spare

either the _bouillé_ or the wine.

We were scarcely twenty minutes at our meal, being desirous of seeing the

CHURCH, the PICTURE GALLERY, and the SALOON--belonging to the monastery. It

was not much after three o'clock, and yet it was unusually dark for the

hour of the day. However, we followed our guides along a magnificent

corridor--desirous of seeing the pictures first. If the number of

paintings, and of apartments alone, constitute a good collection of

pictures, this of Saint Florian is doubtless a very fair specimen of a

picture gallery. There are three rooms and a corridor (or entrance passage)

filled with paintings, of which three fourths at least are palpable copies.

The _subjects_ of some of the paintings were not exactly accordant with

monastic gravity; among these I regret that I am compelled to include a

copy of a Magdalen from Rubens--and a Satyr and Sleeping Nymph, apparently

by Lucas Giordano. Nevertheless the collection is worth a second and a

third examination; which, if time and circumstances had allowed, we should

in all probability have given it. A series of subjects, fifteen in number,

illustrative of the LIFE OF ST. FLORIAN,[97] (the great fire-extinguishing

Saint,--to whom the Monastery is dedicated, and who was born at _Ens_, in

the neighbourhood) cuts a most distinguished figure in this collection.

There is a good, and I think genuine, head of an old woman by Rubens, which

I seemed to stumble upon as if by accident, and which was viewed by my

guides with a sort of apathy. Mr. Lewis was half lost in extacies before a

pretty little sketch by Paolo Veronese; when, on my observing to him that

the time was running away fast, M. Klein spoke aloud in the English

language--"_Mister Louise_, (repeating my words) _teime fleis_." He laughed

heartily upon uttering it, and seemed to enjoy the joke full as much as my

companion, to whom the words were addressed. There were several specimens

of the old German masters, but I suspect most of them were copies.

The day seemed to be growing darker and darker, although it was only

somewhere between three and four o'clock. We descended quickly to see the

church, where I found Charles (the valet) and several other spectators. We

passed through a small sacristy or vestry, in the way to it. This room was

fitted up with several small confessionals, of the prettiest forms and

workmanship imaginable: having, in front, two twisted and slender columns,

of an ebony tint: the whole--exceedingly inviting to confession. Here the

Dean met us; a grave, sober, sensible man, with whom I conversed in Latin.

We entered the church, on the tip-toe of expectation: nor were we

disappointed. It is at once spacious and magnificent; but a little too

profuse in architectural ornament. It consists of a nave and transepts,

surmounted by a dome, with a choir of very limited dimensions. The choir is

adorned, on each side, just above the several stalls, by an exceedingly

rich architrave, running the whole length, in a mixed roman and gothic

style. The altar, as usual, is a falling off. The transepts are too short,

and the dome is too small. The nave is a sort of elongated parallelogram.

It is adorned on each side by pillars of the Corinthian order, and

terminated by an _Organ_ ... of the most gorgeous and imposing appearance.

The pipes have completely the appearance of polished silver, and the wood

work is painted white, richly relieved by gold. For size and splendor

united, I had never seen any thing like it. The whole was perfectly

magical.

On entering, the Dean, M. Klein, and three or four more Benedictins, made

slight prostrations on one knee, before the altar; and, just as they rose,

to our astonishment and admiration, the organ burst forth with a power of

intonation (every stop being opened) such as I had never heard exceeded. As

there were only a few present, the sounds were necessarily increased, by

being reverberated from every part of the building: and for a moment it

seemed as if the very dome would have been unroofed, and the sides burst

asunder. We looked up; then at each other: lost in surprise, delight, and

admiration. We could not hear a word that was spoken; when, in some few

succeeding seconds, the diapason stop only was opened ... and how sweet and

touching was the melody which it imparted! "Oh Dieu! (exclaimed our valet)

que cela est ravissant, et même pénétrant." This was true enough. A solemn

stave or two of a hymn (during which a few other pipes were opened) was

then performed by the organist ... and the effect was, as if these notes

had been chanted by an invisible choir of angels. The darkness of the

heavens added much to the solemnity of the whole. Silence ensuing, we were

asked how we liked the church, the organ, and the organist? Of course

there could be but one answer to make. The pulpit--situated at an angle

where the choir and transept meet, and opposite to the place where we

entered--was constructed of the black marble of Austria, ornamented with

gold: the whole in sober good taste, and admirably appropriate.

We left this beautiful interior, to snatch a hasty view of the dormitories

and saloon, and to pay our farewell respects to the Principal. The

architect of this church was a Florentine, and it was built something more

than a century ago. It is doubtless in too florid a style.

Instead of calling the bed-chambers by the homely name of "dormitories,"

they should be designated (some at least), as state bed rooms. At each

corner of several of the beds was a carved figure, in gilt--serving as a

leg. The beds are generally capacious, without canopies; but their

covertures--in crimson, blue, or yellow silk--interspersed with spots of

gold or silver--gave indication, in their faded state, of their original

costliness and splendor. The rooms are generally large: but I hurried

through them, as every thing--from the gloomy state of the afternoon, and

more especially from the absence of almost every piece of furniture--had a

sombre and melancholy air. Nothing is more impressive than the traces of

departed grandeur. They had once (as I learnt) carousals and rejoicings in

this monastery;--and the banquet below made sweet and sound the slumbers

above. But matters have recently taken a different and less auspicious

turn. The building stands, and will long stand--unless assailed by the

musquet and cannon--a proud monument of wealth and of art: while the

revenues for its support ... are wasting every year! But I hope my

intelligence is incorrect.

The highest gratification was yet in store for me: in respect to an

architectural treat. In our way to the Saloon, I noticed, over the door of

a passage, a small whole length of a man, in a formal peruke and dress,

walking with a cane in his hand. A noble building or two appeared in the

background. "Who might this be?" "That, Sir, (replied the Dean) is the

portrait of the architect of THIS MONASTERY and of MÖLK. He was born, and

lived, in an obscure village in the neighbourhood; and rose to unrivalled

eminence from the pure strength of native genius and prudent conduct." I

looked at the portrait with increased admiration. "Might I have a copy of

it--for the purpose of getting it engraved?" "There can surely be no

objection,"--replied the Dean. But alas, my friend, I fear it will never be

my lot to possess this portrait--in _any_ form or condition.

If my admiration of this architect increased as I continued to gaze upon

his portrait, to what a pitch was it raised on entering the _Saloon_! I

believe that I may safely say I never before witnessed such a banquetting

room. It could not be less than sixty feet long, by forty feet wide and

forty high;--and almost entirely composed of Salzburg marble,[98] which is

of a deep red tint, but mellow and beautiful. The columns, in exceedingly

bold alto-relievo, spring from a dado about the height of a man's chest,

and which is surmounted by a bold and beautiful architrave. These columns,

of the Ionic and Corinthian orders, judiciously intermixed, rise to a fine

bold height: the whole being terminated by a vaulted ceiling of a beautiful

and light construction, and elaborately and richly ornamented. I never

witnessed a finer proportioned or a more appropriately ornamented room. It

is, of its kind, as perfect as the Town Hall at Augsbourg;[99] and suitable

for an imperial coronation.

To a question respecting the antiquity of the monastery,[100] J M. Klein

replied, that their _crypt_ was considered to be of the eleventh century. I

had not a moment's leisure to examine it, but have some doubts of the

accuracy of such a date. The Dean, M. Klein, and several monks followed us

down stairs, where the carriage was drawn up to receive us--and helping us

into it, they wished us a hearty farewell. Assuredly I am not likely to

forget THE MONASTERY OF ST. FLORIAN.

We were not long in reaching _Ens_, the first post town on the high road

from Lintz to Vienna. On approaching it, our valet bade us notice the

various signs of _reparation_ of which the outer walls and the fronts of

many houses gave evidence. Nearly half of the town, in short, (as he

informed us) had been destroyed by fire in Bonaparte's advance upon Vienna.

The cannon balls had done much, but the flames had done more. We slept at

the next post town, _Strengberg_, but could not help continuing to express

our surprise and admiration of the fruit trees (the pear and plum) which

lined each side of the road. We had determined upon dining at Mölk the next

day. The early morning was somewhat inauspicious; but as the day advanced,

it grew bright and cheerful. Some delightful glimpses of the Danube, to the

left, from the more elevated parts of the road, accompanied us the whole

way; till we caught the first view, beneath a bright blue sky, of the

towering church and MONASTERY OF MÖLK.[101] Conceive what you please, and

yet you shall not conceive the situation of this monastery. Less elevated

above the road than Chremsminster, but of a more commanding style of

architecture, and of considerably greater extent, it strikes you--as the

Danube winds round and washes its rocky base--as one of the noblest

edifices in the world. The wooded heights of the opposite side of the

Danube crown the view of this magnificent edifice, in a manner hardly to be

surpassed. There is also a beautiful play of architectural lines and

ornament in the front of the building, indicative of a pure Italian taste,

and giving to the edifice, if not the air of towering grandeur, at least of

dignified splendour. I send you a small bird's-eye view of it--necessarily

furnishing a very inadequate representation--for which I am indebted to

Professor Pallas, the Sub-Principal.

[Illustration]

A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three · 第 14 / 29 段