X.

[Footnote 1: Nil proprium ducas quod mutarier potest.]

[Footnote 2: Aulus Gellius. Noct. Att., Bk xx., ch. 5.]

[Footnote 3: Baltazar Grecian's Discreto has been mentioned before in

the Spectator, being well-known in England through a French translation.

See note on p. 303, ante [Footnote 1 of No. 293]. Gracian, in Spain,

became especially popular as a foremost representative of his time in

transferring the humour for conceits--cultismo, as it was called--from

verse to prose. He began in 1630 with a prose tract, the Hero, laboured

in short ingenious sentences, which went through six editions. He wrote

also an Art of Poetry after the new style. His chief work was the

Criticon, an allegory of the Spring, Autumn, and Winter of life. The

Discreto was one of his minor works. All that he wrote was published,

not by himself, but by a friend, and in the name of his brother Lorenzo,

who was not an ecclesiastic.]

[Footnote 4: Rosicrucius had been made fashionable by the Abbé de

Villars who was assassinated in 1675. His Comte de Gabalis was a popular

little book in the Spectators time. I suppose I need not inform my

readers that there never was a Rosicrucius or a Rosicrucian sect. The

Rosicrucian pamphlets which appeared in Germany at the beginning of the

17th century, dating from the Discovery of the Brotherhood of the

Honourable Order of the Rosy Cross, a pamphlet published in 1610, by a

Lutheran clergyman, Valentine Andreä, were part of a hoax designed

perhaps originally as means of establishing a sort of charitable masonic

society of social reformers. Missing that aim, the Rosicrucian story

lived to be adorned by superstitious fancy, with ideas of mystery and

magic, which in the Comte de Gabalis were methodized into a consistent

romance. It was from this romance that Pope got what he called the

Rosicrucian machinery of his Rape of the Lock. The Abbé de Villars,

professing to give very full particulars, had told how the Rosicrucians

assigned sylphs to the air, gnomes to the earth, nymphs to the water,

salamanders to the fire.]

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