T.

[Footnote 1: John Scheffer, born in 1621, at Strasburg, was at the age

of 27 so well-known for his learning, that he was invited to Sweden,

where he received a liberal pension from Queen Christina as her

librarian, and was also a Professor of Law and Rhetoric in the

University of Upsala. He died in 1679. He was the author of 27 works,

among which is his Lapponia, a Latin description of Lapland, published

in 1673, of which an English version appeared at Oxford in folio, in

1674. The song is there given in the original Lapp, and in a rendering

of Scheffers Latin less conventionally polished than that published by

the Spectator, which is Ambrose Philipss translation of a translation.

In the Oxford translation there were six stanzas of this kind:

With brightest beams let the Sun shine

On Orra Moor.

Could I be sure

That from the top o' th' lofty Pine

I Orra Moor might see,

I to his highest Bough would climb,

And with industrious Labour try

Thence to descry

My Mistress if that there she be.

Could I but know amidst what Flowers

Or in what Shade she stays,

The gaudy Bowers,

With all their verdant Pride,

Their Blossoms and their Sprays,

Which make my Mistress disappear;

And her in envious Darkness hide,

I from the Roots and Beds of Earth would tear.

In the same chapter another song is given of which there is a version in

No. 406 of the Spectator.]

* * * * *

No. 367. Thursday, May 1, 1712. Addison.

'--Perituræ parcite chartæ.'

Juv.

I have often pleased my self with considering the two kinds of Benefits

which accrue to the Publick from these my Speculations, and which, were

I to speak after the manner of Logicians, I would distinguish into the

Material and the Formal. By the latter I understand those Advantages

which my Readers receive, as their Minds are either improv'd or

delighted by these my daily Labours; but having already several times

descanted on my Endeavours in this Light, I shall at present wholly

confine my self to the Consideration of the former. By the Word Material

I mean those Benefits which arise to the Publick from these my

Speculations, as they consume a considerable quantity of our Paper

Manufacture, employ our Artisans in Printing, and find Business for

great Numbers of Indigent Persons.

Our Paper-Manufacture takes into it several mean Materials which could

be put to no other use, and affords Work for several Hands in the

collecting of them, which are incapable of any other Employment. Those

poor Retailers, whom we see so busy in every Street, deliver in their

respective Gleanings to the Merchant. The Merchant carries them in Loads

to the Paper-Mill, where they pass thro' a fresh Set of Hands, and give

life to another Trade. Those who have Mills on their Estates, by this

means considerably raise their Rents, and the whole Nation is in a great

measure supply'd with a Manufacture, for which formerly she was obliged

to her Neighbours.

The Materials are no sooner wrought into Paper, but they are distributed

among the Presses, where they again set innumerable Artists at Work, and

furnish Business to another Mystery. From hence, accordingly as they are

stain'd with News or Politicks, they fly thro' the Town in Post-Men,

Post-Boys, Daily-Courants, Reviews, Medleys, and Examiners. Men, Women,

and Children contend who shall be the first Bearers of them, and get

their daily Sustenance by spreading them. In short, when I trace in my

Mind a Bundle of Rags to a Quire of Spectators, I find so many Hands

employ'd in every Step they take thro their whole Progress, that while I

am writing a Spectator, I fancy my self providing Bread for a Multitude.

If I do not take care to obviate some of my witty Readers, they will be

apt to tell me, that my Paper, after it is thus printed and published,

is still beneficial to the Publick on several Occasions. I must confess

I have lighted my Pipe with my own Works for this Twelve-month past: My

Landlady often sends up her little Daughter to desire some of my old

Spectators, and has frequently told me, that the Paper they are printed

on is the best in the World to wrap Spice in. They likewise make a good

Foundation for a Mutton pye, as I have more than once experienced, and

were very much sought for, last Christmas, by the whole Neighbourhood.

It is pleasant enough to consider the Changes that a Linnen Fragment

undergoes, by passing thro' the several Hands above mentioned. The

finest pieces of Holland, when worn to Tatters, assume a new Whiteness

more beautiful than their first, and often return in the shape of

Letters to their Native Country. A Lady's Shift may be metamorphosed

into Billet[s]-doux, and come into her Possession a second time. A Beau

may peruse his Cravat after it is worn out, with greater Pleasure and

Advantage than ever he did in a Glass. In a word, a Piece of Cloth,

after having officiated for some Years as a Towel or a Napkin, may by

this means be raised from a Dung-hill, and become the most valuable

Piece of Furniture in a Prince's Cabinet.

The politest Nations of Europe have endeavoured to vie with one another

for the Reputation of the finest Printing: Absolute Governments, as well

as Republicks, have encouraged an Art which seems to be the noblest and

most beneficial that was ever invented among the Sons of Men. The

present King of France, in his Pursuits after Glory, has particularly

distinguished himself by the promoting of this useful Art, insomuch that

several Books have been printed in the Louvre at his own Expence, upon

which he sets so great a value, that he considers them as the noblest

Presents he can make to foreign Princes and Ambassadors. If we look into

the Commonwealths of Holland and Venice, we shall find that in this

Particular they have made themselves the Envy of the greatest

Monarchies. Elziver and Aldus are more frequently mentioned than any

Pensioner of the one or Doge of the other.

The several Presses which are now in England, and the great

Encouragement which has been given to Learning for some Years last past,

has made our own Nation as glorious upon this Account, as for its late

Triumphs and Conquests. The new Edition which is given us of Cæsar's

Commentaries, has already been taken notice of in foreign Gazettes, and

is a Work that does honour to the English Press. [1] It is no wonder

that an Edition should be very correct, which has passed thro' the Hands

of one of the most accurate, learned and judicious Writers this Age has

produced. The Beauty of the Paper, of the Character, and of the several

Cuts with which this noble Work is illustrated, makes it the finest Book

that I have ever seen; and is a true Instance of the English Genius,

which, tho' it does not come the first into any Art, generally carries

it to greater Heights than any other Country in the World. I am

particularly glad that this Author comes from a British Printing-house

in so great a Magnificence, as he is the first who has given us any

tolerable Account of our Country.

My Illiterate Readers, if any such there are, will be surprized to hear

me talk of Learning as the Glory of a Nation, and of Printing as an Art

that gains a Reputation to a People among whom it flourishes. When Men's

Thoughts are taken up with Avarice and Ambition, they cannot look upon

any thing as great or valuable, which does not bring with it an

extraordinary Power or Interest to the Person who is concerned in it.

But as I shall never sink this Paper so far as to engage with Goths and

Vandals, I shall only regard such kind of Reasoners with that Pity which

is due to so Deplorable a Degree of Stupidity and Ignorance.

The Spectator, Volume 2. · 第 300 / 384 题