XVII. A FEW MEN AND A WOMAN

A stealthy figure joined his highness at the foot of the steps,

coming from the darkness below the veranda. It was Courant. What he

said to the prince when they were safely away from the house caused

the Italian's face to pale and his hands to twitch with rage. The

French detective had heard and understood the conversation of the

man and woman on the porch, and he had formed conclusions that drove

all doubt from the mind of the noble lover.

Quentin looked up and down the street for his cab. It was not in

sight, but he remembered telling the man to drive to the corner

below. The rainstorm that had been threatening dry and dusty

Brussels all day was beginning to show itself in marked form. There

were distant rumbles of thunder and faint flashes of lightning, and

now and then the wind, its velocity increasing every minute, dashed

a splattering raindrop in one's face. The storm for which the city

had been crying was hurling itself along from the sea, and its full

fury was almost ready to break. The few pedestrians were scurrying

homeward, the tram cars were loaded and many cabs whirled by in the

effort to land their fares at home before the rain fell in torrents.

Phil drank in the cool, refreshing breeze and cared not if it rained

until the streets were flooded. At the corner stood a cab, the

driver softly swearing to himself. He swung down and savagely jerked

open the door.

“Back to the Bellevue,” said the fare airily, as he climbed into the

vehicle. The cab had started off into a cross-street, when Phil

imagined he heard a shout in the distance. He looked forth but could

see no one in the rushing darkness, The rattle of the cab, the

growing roar of the night and toe swish of the rain, which was now

falling quite heavily, drowned all other sounds and he leaned back

contentedly.

Suddenly the cab came to a stop, loud voices were heard outside and

he was about to throw open the door when a heavy body was flung

against the side of the vehicle. The next instant the half-lowered

glass in the door was shattered and a voice from the rainy night

cried:

“Don't resist or you will be shot to pieces.”

“What the dev--” gasped Quentin, barely able to distinguish the form

of a man at the door. Some strange influence told him that the point

of a revolver was almost touching his breast and the word died in

his mouth.

“No outcry, Monsieur. Your valuables without a struggle. Be quick!

There are many of us. You have no chance,” came the hard voice, in

good English.

“But I have no valuables--”

“Your diamond ring and your watch, at least, monsieur. The ring is

in your vest pocket.”

“Search me, you scoundrel! I have no ring, and my watch is in my

room. I'm mighty slim picking for such noted gentlemen as you. I

presume I have the honor of meeting the diamond collectors the town

is talking so much about.” He was now aware of the presence of

another man in the opposite window, and there was the same uncanny

feeling that a second revolver was levelled at his person.

“Step outside, Monsieur. It is cruel to force you into the rain, but

we assure you it is very refreshing. It will make you grow. Whatever

you choose to call us we are wet to the skin. This must not,

therefore, be a fruitless job. Step forth, quickly, and do not

resist.”

Quentin hesitated for an instant, and then seeing resistance was

useless, boldly set foot upon the curbing. A flash of lightning

revealed four or five men in the group. One of them had the driver

covered with a pistol, and two of them were ready to seize the

passenger. He observed, with amazement, that one of the men was a

policeman in full uniform.

“Officer!” he exclaimed. “Don't you see what they are doing?”

“O, Monsieur,” said the spokesman, pleasantly, “you may tell the

police of Brussels that they cannot hunt us down until they hunt

themselves down. What's that? A carriage? Quick! Your watch, your

ring!”

Far down the street could be seen the lamps of an approaching cab,

and Quentin's heart took a bound. He had not feared injury, for he

was willing to submit to the searching without resistance, but now

he thrilled with the excitement of possible conflict. A second flash

in the sky revealed altered conditions in the setting of the tragic

scene. The driver was on his box and the policeman was climbing up

beside him. A short man, masked to the chin, had pushed aside the

man with the revolver and a harsh voice cried as the darkness shut

out the vivid picture:

“Short work of him! The knife!” “The club, Carl! Hell! Into the cab

with him!” shouted another voice, and Phil began to strike out with

his fists. But the attack was too sharp, the odds too great.

Something crashed down upon his head, he felt himself lunge backward

into the open cab door, and then a heavy body hurled itself upon his

half-prostrate form. Another stinging blow caught him over the ear,

and, as he lost consciousness, a tremendous force seemed to be

crushing the breath from his body.

A revolver cracked, but he did not hear it, nor did he know that

friends were at hand. Before the miscreants could hurl his body into

the cab a vehicle whirled up, the feeble glare from its lanterns

throwing light upon the scene. The man who had fired from the door

of the second cab leaped to the ground, followed by a companion, and

in a moment they were among the scuffling robbers. Whatever might

have been the original intentions of Quentin's assailants, they were

not prepared to offer battle. Their aim was to escape, not to fight.

A couple of shots were fired, a rush of feet ensued and the earth

seemed to swallow all but the two newcomers and the limp figure that

lay half inside the cab.

In an instant Quentin was drawn from the cab by the taller of the

two, the smaller having made a short dash in pursuit of the bandits.

Blood rushed from the head of the unconscious man and he was a dead

weight in the arms of his rescuer.

“Good God, Phil! Have they killed you? Here, Turk! Never mind those

fellows! Come here, quick; we must get him to a surgeon. I'm afraid

they've fixed him. Into our cab with him! Gad, he's like a rag!” It

was Dickey Savage, and he was filled with dread. Turk, exploding

with impotent rage, and shivering with fear that his master was

dead, came to his assistance and they were soon racing for the

Bellevue. A pair of wondering, patient, driverless horses watched

the departure, but they did not move from the spot where they had

been checked by the first attack. Across the doubletree behind them

hung the limp form of their driver, a great, gaping wound in his

head. He had driven them for the last time, and they seemed to know

that his cold lips could never again command them to “go on.” Driven

almost to the hilt, in the floor of the cab, was an ugly knife. Its

point had been intended for Quentin's throat, but the hand that

struck the blow was not as true as the will of its owner.

In a high state of alarm and excitement the two men in the cab took

their friend to his room, their advent creating great commotion in

the hotel The wildest curiosity prevailed, and they were besieged

with questions from hotel men, guests and the crowd that had found

shelter from the storm. Within ten minutes the news was spreading

forth over the city that a wealthy American had been held up and

murdered by the daring diamond thieves. Police and reporters hurried

to the hotel, and the uproar was intense. The house surgeon was soon

at work with the bloody, unconscious victim; Savage and Turk, with

their friend, the millionaire, keeping the crowd away from the

couch. It was impossible to drive the people from the room until the

police arrived.

There were two ugly gashes in Quentin's head, one of which, it was

feared at first, would disclose a fracture of the skull. Dr.

Gassbeck, the surgeon who had attended a wounded prince in the same

hotel less that twenty-four hours before, gave out as his opinion

that Quentin's injuries were not dangerous unless unexpected

complications appeared. Several stitches were taken in each cut, and

the patient, slowly recovering from the effects of the blows and the

anesthetics, was put to bed by his friends.

Savage observed one thing when he entered the hotel with the wounded

man. Prince Ugo and Count Sallaconi were among the first to come

forward when the news of the attack spread through the office and

corridors. The prince, in fact, was conversing with some gentlemen

near the doors when the party entered. It was he who sent messengers

to the central police office and who told the detectives where and

how he had last seen the victim of the diamond thieves.

Dickey sat all night beside his rolling, moaning friend, unnerved,

almost despairing, but the morning brought the change that gladdened

his heart and gave him a chance to forget his fears and

apprehensions long enough to indulge in an impressive, though

inadequate, degree of profanity, with continued reference to a

certain set of men whom the world called thieves, but whom he

designated as dogs.

About ten o'clock a telegram from Ostend came to the hotel for him.

It read: “Are you not coming to Ostend for us? Jane.” An hour later

a very pretty young lady in Ostend tore a telegram to pieces,

sniffed angrily and vowed she would never speak to a certain young

man again. His reply to her rather peremptory query by wire was

hardly calculated to restore the good humor she had lost in not

finding him at the dock. “Cannot come. Awfully sorry. Can't leave

Brussels. Hurry on. Will explain here. Richard Savage.” Her

sister-in-law and fellow-traveler from London was mean enough to

tease her with sly references to the beauty of Brussels women and

the fickleness of all mankind. And so there was stored away for Mr.

Savage's benefit a very cruel surprise.

The morning newspapers carried the story of Quentin's adventure to

the Garrison home, and Dorothy's face, almost haggard as the result

of a sleepless night, grew whiter still, and her tired eyes filled

with dread. She did not have to recall their conversation of the

night before, for it had not left her mind, but her thoughts went

back to a former conversation in which he had ridiculed the bandits.

The newspaper fell from her nerveless fingers, and she left the

table, her breakfast untouched, stealing miserably to her room, to

escape her mother's inquisitive eyes.

Her wretched state was not improved by the visit of a veiled young

woman later in the day. The visitor was undoubtedly a lady, but the

story she poured into the unwilling ears was so astounding that

Dorothy dismissed her indignantly before it was finished. The

low-voiced, intense stranger, young and evidently beautiful, told

her that Quentin's injuries were not inflicted by thieves, but by

the hired agents of one who had cause to fear him. Before Miss

Garrison could remonstrate, the stranger went into the details of a

plot so cowardly that she was horrified--horrified all the more

because, in a large measure, it sustained the charges made against

her lover by Philip Quentin. When at last she could no longer endure

the villifying recital she bade the woman to leave the house, hotly

refusing to give countenance to the lies she was telling. The

stranger desisted only after her abject pleading had drawn from the

other a bitter threat to have her ejected by the servants.

“You will not hear me to the end, but you must give me the privilege

of saying that I do not come here to do him or you an injury,” said

the visitor, tremulously. “It is to save you from him and to save

him for myself. Mademoiselle, I love him. He would marry me were it

not for you. You think jealousy, then, inspired this visit? I admit

that jealousy is the foundation, but it does not follow that I am

compelled to lie. Everything I have said and would say is true.

Perhaps he loves you, but he loved me first. A week ago he told me

that he loved me still. It was I who warned the American gentleman

against him, and my reason is plain. I want him to win. It would

mean death to me if it were known that I came to you with this

story. Do you bid me go, or will you hear me to the end?”

“You must go. I cannot listen to the infamous things you say

about--about--him,” said Dorothy, her voice choking toward the end.

A horrible fear seized upon her heart. Was this woman mad or had

Quentin told the truth? A new thought came to her and she grasped

the woman's hand with convulsive fingers. “You have been sent here

by Mr. Quentin! O, how plain it is! Why did I not see through it at

once? Go back to your employer and tell him that--” She was crying

hysterically when the woman snatched away her hand, and drawing

herself to full height interrupted haughtily:

“I have humbled myself that I might do you the greatest service in

the world. You drive me from your presence and you call me a liar.

All of that I must endure, but I will not suffer you to accuse this

innocent man while I have voice to offer up in his defense. I may be

some one's slave, but I am not the servant of any man. I do not know

this American; he does not know me. I am my own agent and not his

tool. What I have tried to tell you is true and I confess my actions

have been inspired by selfish motives. Mademoiselle, the man you are

to marry promised to make me his wife long before he knew you.”

“To make you his wife? Absurd! Men of his station do not marry, nor

promise to marry, the grisettes or the--”

“'Madam! It is not a grisette to whom you are speaking. The blood in

my veins is as noble as that which flows in his, the name I

bear--and perhaps disgrace, God help me!--is as proud as any in all

France. But I have not millions, as you have. My face, my person may

win and hold the heart, but I have not the gold with which to buy

the soul. You will pardon my intrusion and you will forgive me for

any pang I have caused. He would not harken to the appeals from my

breaking heart, he would not give me all his love. There was left

but one course to preserve what rightfully belongs to me, and I have

followed it as a last resort Were you to tell him that a woman came

to you with this story, he would deny everything, and he would be

lost to me, even though you cast him off in the end. It is not in my

power to command you to protect the woman who is trying to help you.

You do not believe what I have told to you, therefore I cannot hope

for pity at your hands. You will tell him that I have been here, and

I shall pay the penalty for being the fool, the mad woman. I am not

asking for pity. If I have lied to you I deserve nothing but the

hardest punishment. You have one way to punish me for the wounds I

inflict, but it is the same to me, no matter how it ends. If you

marry him, I am lost; if you cast him off and yet tell him that it

was I who first sowed the seed of distrust in your heart, I am lost.

It will be the same--all the same! If he cannot wed you, he will

come to me and I will forgive. Madam, he is not good enough for you,

but he is all the world to me. He would wed you, but you are not the

one he loves. You are all the world to one whose love is pure and

honest. If you would save him, become his wife. O, Mademoiselle, it

grieves me so to see the tears in those good eyes of yours!

Farewell, and God bless and keep you.”

Castle Craneycrow · 第 22 / 38 题