STARS

The star sign occurs as an equal armed cross formed by the approximation

of four squares, leaving a central uncolored area. It is generally

accompanied by a rain-cloud symbol or bird figures, although likewise

found without them. We often find one arm of the component arms of

the cross missing and two of the remaining arms adherent to a band;

often these crosses have a circular enlargement at the junction of

their arms. A simple equal armed cross is the sole decoration on the

interior of numerous food bowls, and there are several examples of St.

Andrew’s crosses, the triangular arms of which have been interpreted as

representing four conventionalized birds; no example of a cross with

unequal arms has yet been found on Sikyatki pottery.

[Illustration: FIG. 90.—Rain cloud.]

These crosses, like that with four arms representing the Sky god in

modern Hopi symbolism, probably represent the Heart of the Sky. A similar

cross is figured on paraphernalia used in modern Hopi rites or on altar

slabs; when it is represented by a wooden frame, it is called _tokpela_,

and hangs before the altar. The same object is sometimes attached

horizontally to the top of the helmet of the personification of the

Sky god.[35] The swastika is rare in ancient pottery and was not found

at Sikyatki, although a single example was dug up at Awatobi and a few

others were obtained from the Little Colorado ruins.

A multiple cross, formed of three parallel lines crossing three others

at an angle, generally accompanies certain conventionalized figures of

birds and in one example there are two multiple crosses, one on one side

and one on another of a moth or butterfly symbol. The multiple cross is

supposed to represent six canes used in a game, and on a prehistoric

decorated bowl from ancient Shongopovi,[36] we find what appears to be a

highly conventionalized bird figure occupying one-half of the interior

of the bowl, while four figures representing these canes appear on the

other. The bird figure, in this instance, is interpreted as a gambler’s

god, or a representation of the god of chance.

Designs on prehistoric Hopi pottery · 第 51 / 72 题