ROOT RUNNER BASKETS IN VIRGINIA

[Illustration: Root Runner Basket]

The Rappahannock Indians of Virginia make a basket of Japanese

honeysuckle root runners of a wicker type weave which is crude in

weaving technique in comparison with baskets from North Carolina.

(Rappahannock of Virginia.) Quoting Dr. Speck, “The art was revived by

some of the women in 1922, when the Indian Association was formed. Susie

and Lizzie Nelson, old Bob Nelson and other Rappahannock Indians made

these baskets at that time. Chief Otto Nelson, his wife Susie, and

Lizzie Nelson remember that when they were young about 1890, their

grandmother Sallie Ronnie, who was then about 60 years old, had a

honeysuckle sewing basket shaped like an oval bowl, similar in weave to

the baskets mentioned above.

“There is a native local, variety of Red Honeysuckle (Lonicera

sempervirens) in Virginia which is not a ground runner but clings for

six feet or so to trees and fences; it is finer stemmed than the

Japanese variety and Indian women of the Rappahannock tribe have agreed

to weave with it. All honeysuckle runners are kept soaked in water to

preserve their pliability for weaving. They can be gathered and woven at

any time of the year if treated in this manner.”

As far as known no other fine root runner is used for basket weaving by

the Indians of this state, although other fine root runners such as

Devil’s Shoestring and London Pride grow there. Comments on honeysuckle

wicker-weave baskets among the Mattaponi Indians of Virginia are made by

Dr. Frank Speck in his book “At Mattaponi,” in which he speaks of the

girls making baskets of honeysuckle stems, meticulously neat and with a

technique suspiciously European in detail. We cannot be too sure that

something like this did not exist before as many references to baskets

of various forms made in the early days are encountered.[4] The Pamunkey

Tribe, living on a reservation ten miles south of Mattaponi, have used

honeysuckle runners for over twenty years. In both bands the details of

form and weave are identical, and the historical circumstances may also

be.

The Art and the Romance of Indian Basketry Clark Field Collection, Philbrook Art Center, Tulsa, 1964 · 第 38 / 47 题