ROOT RUNNER BASKETRY

The association of root-runner basket forms in America would show a

number of instances of use of a “Rod” as a one rod foundation for coiled

baskets occurring originally in Arizona, Colorado, New Mexico and on the

plains.[1] This technologically simple form of basket building material

has implications bearing upon the age and area theory that challenges

attention on a wider scale. Apart from the coiling process, a single rod

construction appears in the Southeast in wicker work. What conclusions a

broader study of single rod basketry (to which class the root runner

series belongs) in any of its constructional forms, whether in coiling

or wicker work, would lead to is quite beyond the purpose of this

article.

It is the intent of the writer to record a simple phase of basketry

technique in the southern middle Atlantic slope and the northern part of

the south and southeast area, as it applies to the Cherokee of the North

Carolina highlands and of Oklahoma. In these areal habitats the two

subdivisions of the tribe make use of three diverse plant types, the use

of which in basketry construction in some districts does not overlap or

coincide. In Carolina an earlier root-runner style has either passed out

of memory or never existed among the Cherokee Indians, but came in later

through acculturative changes. As far as has been ascertained, all fine

root runner fibers used in the making of Indian baskets belong to two

family groups, the botanical names of which are Caprifoliceae and

Crataegus.

To the first family group belong:

Japanese Honeysuckle (Lonicera Japonica)

A vine introduced into America from Asia around 1906.[2]

Buckbrush (Symphoricarpos Orbiculatus)

Also called Indian Currant and Coral Berry.

To the second family belong:

Wild Hawthorne (Crataegus Crus Galli)

The Yuki Indians of California made a basket out of the stems of a

native honeysuckle (Lonicera Interrupta). It, however does not

have fine root runners.[3]

The Art and the Romance of Indian Basketry Clark Field Collection, Philbrook Art Center, Tulsa, 1964 · 第 37 / 47 题