SECTION 3

Special Ceremonies

The two ceremonies which follow do not have a wide distribution,

neither are they hereditary. They are given at this time because of

their similarity to the great ceremonies just described.

_Pinasal_.--This rather elaborate rite seems to be confined to San

Juan and nearby settlements. The right to it is not hereditary, and

any one who can afford the expense involved may celebrate it. However,

it usually follows the _Sayang_, if some member of the family is ill,

and is not benefited by that ceremony, for "all the spirits are not

present at each ceremony, and so it may be necessary to give others,

until the one who caused the sickness is found."

On the first day the house is decorated as in _Tangpap_ and _Sayang;_

a bound pig is placed beside the door, and over it the mediums recite

a _diam_ and later summon several spirits. Liquor is served to the

guests, who dance _tadek_ or sing songs in praise of the family.

Early the next day, the pig is killed and, after its intestines have

been removed, it is covered with a colored blanket, and is carried

into the dwelling. Here it is met by the mediums who wave rain coats

above the animal, and then wail over the carcass. "The pig and its

covering are in part payment for the life of the sick person. They

cry for the pig, so they will not need to cry for the patient." Later

the pig is cut up and prepared as food, only the head and feet being

left for the spirits.

_Gipas_, the dividing, follows. A Chinese jar is placed on its side,

and on each end a spear is laid, so that they nearly meet above

the center of the jar. Next a rolled mat is laid on the spears,

and finally four beads and a headband are added. The mat then is

cut through the middle, so as to leave equal parts of the headband

and two beads on each half. "This shows that the spirit is now paid,

and is separated from the house."

The next act is to stretch a rattan cord across the center of the

room and to place on it many blankets and skirts. A man and a woman,

who represent the good spirits Iwaginán and Gimbagon, are dressed in

fine garments, and hold in their hands pieces of gold, a fine spear,

and other prized articles. They are placed on one side of the cord,

and in front of them stand a number of men with their hands on each

others' shoulders. Now the mediums enter the other end of the room,

spread a mat, and begin to summon the spirits. Soon they are possessed

by evil beings who notice the couple representing the good spirits,

and seizing sticks or other objects, rush toward them endeavoring

to seize their wealth. When they reach the line of men, they strive

to break through, but to no avail. Finally they give this up, but

now attempt to seize the objects hanging on the line. Again they

are thwarted. "If the evil spirits get these things, they will come

often, their children will marry, and they also will harm the family;

but if the good beings keep their wealth, their children will marry,

and will aid the owner of the house."

Later one of the mediums and an old woman count the colors in a fine

blanket. Usually there are five colors, so "the spirit is powerless

to injure the people for five years." Next the couple gamble, but

the medium always loses. Finally the spirit becomes discouraged

and departs. The decorations are now taken from the room, and

the sick person is carried down to the river by the members of the

family. Arrived at the water's edge, the oldest relative will cut off

a dog's head as final payment for the life of the invalid. Since the

act is carried on beside the river, the spirits will either witness

the act, or see the blood as it floats away, and hence will not need

to visit the town. The rattan cord and vines used in the dwelling

are thrown onto the water for the same reason.

The whole family is covered with a large blanket, and a medium swings

a coconut over them, then resting the halves on the head of each one

for a moment, she releases them, meanwhile calling to the spirit,

"You see this; this is your share; do not come any more." After

assuring them that the sickness will now fall away from them, she

waves burning _cogon_ grass over their heads while she cries, "Go

away, sickness." The blanket is removed, and the family bathes. While

they are still in the water, the medium takes a spear and shield

in her hands, and going to the edge of the stream, she begins to

summon spirits, but all the while she keeps sharp watch of the

old man who killed the dog, for he is now armed and appears to be

her enemy. However, she is not molested until she starts toward the

village. When quite near to the settlement, she is suddenly attacked by

many people carrying banana stalks which they hurl at her. She succeeds

in warding these off, but while she is thus engaged, an old man runs

in and touches her with a spear. Immediately she falls as if dead,

and it is several moments before she again regains consciousness. This

attack is made to show the spirit how unwelcome it is, and in hopes

that such bad treatment will induce it to stay away.

After the return of the family to the village, the guests drink

_basi_, sing and dance, and usually several spirits are summoned by

the mediums.

The next morning two _Pinalásang_ [167] are constructed in the

yard. Each supports a plate containing beads, a string of beads

is suspended from one of the poles, and a jar of _basi_ is placed

beneath. In front of them the mediums call the spirits, then offer the

heart, livers, and intestines, while they call out, "Take me and do not

injure the people." The final act of the ceremony is to construct the

spirit raft _taltalabong_, load it with food, and set it afloat on the

river, "so that all the spirits may see and know what has been done."

In addition to the regular pay for their services, the mediums divide

the jaw of a pig and carry the portions home with them, as their

protection against lightning, and the spirits whose hostility they

may have incurred.

_Binikwau_.--This ceremony, like the one just described, seems

to be limited to the San Juan region, and is given under similar

circumstances.

The room is decorated as usual, and a bound pig is laid in the

center. This is known as "the exchange," since it is given in place

of the patient's life. Two mediums place betel-nut on the animal,

then stroke it with oil, saying, "You make the liver favorable,"

i.e., give a good omen. After a time they begin summoning the spirits,

and from then until late evening the guests divide their time between

the mediums and the liquor jars. Soon all are in a jovial mood, and

before long are singing the praises of their hosts, or are greeting

visiting spirits as old time friends.

The pig is killed early next morning, and its liver is eagerly examined

to learn whether or no the patient is destined to recover. A part of

the flesh is placed on the house rafters, for the use of the spirits,

while the balance is cooked and served. Following the meal, the gongs

and drums are brought up into the house, and the people dance or sing

until the mediums appear, ready to summon the spirits. The first to

come is Sabían, the guardian of the dogs. He demands that eight plates

and a coconut shell be filled with blood and rice; another shell is

to be filled with uncooked rice, in which a silver coin is hidden; and

finally a bamboo dog-trough must be provided. When his demands are met,

he begins to call, "Come, my dogs, come and eat." Later the blood and

rice are placed in the trough, and are carried to the edge of the town,

where they are left. This done, the spirit pierces the pig's liver with

a spear and, placing it on a shield, dances about the room. Finally,

stopping beside the mat, he lays them on the patient's stomach. The

next and final act is to scrape up a little of the liver with a small

head-axe, and to place this, mixed with oil, on the sick person.

On the third and last day, the medium leads a big dog to the edge of

the village, and then kills it with a club. A piece of the animal's ear

is cut off, is wrapped in a cloth, and is hung around the patient's

neck as a protection against evil, and as a sign to all spirits that

this ceremony has been held.

Throughout the rest of the day many spirits visit the mediums, and at

such a time Kakalonan is sure to appear to give friendly advice. The

final act is to set the spirit raft afloat on the stream.

The Tinguian: Social, Religious, and Economic Life of a Philippine Tribe · 第 3 / 11 章