Elizabeth, is four feet long; the handle is gold, richly chased, and the
scabbard set with beautiful pearls. The mace was the gift of one of the
Charleses, but whether the first or second we have not been able to
ascertain. In the _Illustrated London News_ of 1844, we find the
following description of the collar and jewel: "The collar and jewel are
badges of great beauty; the former is formed of pure gold, and is
composed of a series of links, each one formed of the letter S, which
formerly signified squire or gentleman, a united York and Lancaster, or
Henry VII. rose, and a massive knot. The ends of the chain are formed by
the portcullis, the celebrated badge of Henry VII.; and from the points
of it, suspended by a ring of diamonds, hangs the jewel. The entire
collar contains 28 S's, 14 roses, and 14 knots, and measures 64 inches.
The jewel contains in the centre the City arms cut in cameo of a
delicate blue on an olive ground. Surrounding this is a garter of bright
blue, edged with white and gold, bearing the City motto, 'Domine dirige
nos,' in gold letters. The whole is encircled with a costly border of
gold S's alternating with rosettes of diamonds set in silver." On
ordinary occasions the Lord Mayor wears a black silk robe, and in the
courts of Common Council one of blue; when on the bench, or on the
occasion of a royal visit, he has other robes of scarlet and crimson.
The Mansion House stands on the site of the old Stocks Market, where a
pair of stocks formerly stood, which were the terror of those who dealt
in stale fish or otherwise offended. A little more than a century ago,
the market was removed to opposite the Fleet Prison, and is still held
there, under the name of Farringdon Market.
In Suffolk-lane stands the Merchant Taylors' School, built on the site
of a mansion that formerly belonged to the Suffolk family; hence the
next turning is called "Duck's-foot-lane"--no doubt a corruption of
"Duke." The present building was erected a few years after the Great
Fire, although there have been additions made to it as recently as
twenty years ago. Many very eminent men have been educated at this
school; amongst them James Shirley, the dramatist, and author of that
beautiful poem commencing with--
"The glories of our birth and state
Are shadows--not substantial things;
There is no armour against fate--
Death lays his icy hand on kings."
In Thames-street, we have still a building bearing the name of Steelyard
or Stilliard, an old name still in use in the country for the beam
balance on which the portions of a pound are notched on the one side,
with figures giving the number of pounds, and a hanging and sliding
weight. It is principally used by butchers, and is known by no other
name than that of stilliards in the north of England: hence, no doubt,
the name of this ancient haunt of the Hanse merchants. The last church
on the west side of London Bridge, in Upper Thames-street, is called
Allhallows-the-Great; it was built by Wren, and contains a carved
screen, presented by the Hanse merchants, who obtained a settlement in
England a century or two after the Norman Conquest. At the Old Swan
Pier, or Swan stairs, timid passengers were wont to land who had not
courage enough to remain with the waterman in his wherry, and shoot the
dangerous arches of old London Bridge, but generally walked on to some
other landing-place below the bridge, where they again embarked.
New London Bridge is built of granite; and was first opened by William
IV. and the good Queen Adelaide, in 1831. It cost nearly two millions
sterling.
In King William-street stands the statue of King William IV., by Nixon,
looking towards London Bridge. This statue, which is of granite, cost
upwards of 2000_l._, of which 1600_l._ was voted by the Common Council
of London. It is considered an admirable likeness; and the folds of the
cloak are beautifully arranged, while the coil of rope reminds us of the
"Sailor King." The width and beauty of King William-street is very
striking, especially after emerging from the narrow streets and hilly
lanes which we have just described.
The churches of St. Michael and St. Peter, Cornhill, were both built by
Wren, except the tower of the former, which escaped the Great Fire, but
was rebuilt some fifty years after that terrible event. St. Peter's
possesses a rood-screen, a great rarity, and seldom found except in our
old country churches. From the pamphlet which records the doings of the
Puritans, and which we have before mentioned, we find the rector of St.
Michael's, Cornhill, "Dr. Brough, sequestered, plundered; wife and
children turned out of doors; his
[Illustration: ST. MICHAEL'S CHURCH, CORNHILL.]
wife dead with grief; Mr. Weld, his curate, assaulted, beaten in the
church, and turned out." At St. Peter's, Cornhill. "Dr. Fairfax,
sequestered, plundered; imprisoned in Ely House and the ships; his wife
and children turned out of doors." One of the first Christian churches
built in England is supposed to have been St. Peter's, Cornhill. The
present church contains an ancient tablet which bears the following
inscription: "Be it known unto all men that the year of Lord God.
C.lxxix., Lucius, the first Christian king of this land, then called
Britain, founded the first church in London, that is to say, the church
of St. Peter, upon Cornhill," &c. &c. The inscription runs on to the
coming of Augustine, and the making of Milletus bishop of London, &c.
We give an engraving of St. Michael's, Cornhill, the tower of which is a
copy of the one that escaped the fire; the upper portion is very
beautiful--pity it is hidden by the houses in St. Michael's-alley.
As we are now in busy Lombard-street, so proverbial for its wealth, we
will pause a few moments, and look at it through the dim haze of former
years, how different from what it is now! As we gaze through the
twilight of past centuries, we catch glimpses of the objects and echoes
of the sounds that moved and floated over this ancient neighbourhood
nearly three centuries before the _Diamond_ let off her steam, or the
_Rob Roy_ omnibus carried thirteen "insides:" glimpses of vaulters, and
dancers, and bear-wards, and leaders of apes, crossing and crowding
where now the bank clerks hurry to clear out, carrying thousands of
pounds in their bill-cases; still, however, reminding you that the old
"rogueries" of London have not vanished, by the strong steel chains with
which they secure their banking books. What a roaring and barking there
must have been in that narrow thoroughfare in bygone days, when the bear
was followed by all the dogs "from some four parishes," as Ben Jonson
has narrated! What a stir there was on that merry morning when Kemp set
out from the house of the Lord Mayor to dance all the way to Norwich,
accompanied by his taborer, Thomas Sly; or when Banks (the Ducrow of the
Elizabethan period) exhibited his wonderful horse, named Morocco, in the
London streets, and many of the simple citizens believed that both he
and his marvellous steed had dealings with the old gentleman who manages
the fire-office below! What cramming and jamming there would be about
the Exchange on the day Queen Elizabeth ordered it to be opened by sound
of trumpet; what motions and raree-shows, and antics of wooden puppets,
such as Hogarth has preserved in his picture of "Southwark Fair," and
Jonson has called "a civil company" who live in baskets! Add to these
all the "street-cries," the balancers of straws and feathers, and all
other out-of-door amusements, not forgetting the hares that played on
tabors; the buzz also of the bearded merchants, who took up no small
space with their ample trunk-hose: then you have, in the mind's eye, the
whole of this ancient panorama, moving in that high narrow street, with
half the houses sleeping in shadow, while the other half caught the full
sunshine. Seated at those carven and diamond-shaped lattices, which went
bowing out far over the ill-paved pathway, were the wives and pretty
daughters of these "gray forefathers" of commerce; while below, many an
apprentice sat sighing over his desk, wishing it were Sunday again, and
he carrying the large clasped Bible behind his handsome young mistress,
while thinking more about the neat foot and ankle she displayed than the
sermon that was to be preached at St. Peter's or St. Michael's; or, as
he passed some richly-sculptured conduit, wondering when it would again
run with wine; or, if he walked that way, turning a longing look as he
passed towards the apple-trees that grew around St. Martin's Church, in
Ironmonger-lane, and thinking how he should like to make a party to rob
that City orchard. Such were the picturesque features of the London of
this period in the streets.
How different were the old ordinaries from the quiet chop-houses we now
find in every court and alley that runs into Lombard-street! In those
days, ten to one you had to fight your man after having finished your
dinner; for swash-bucklers abounded in every tavern. Still there were
merry doings; and Queen Bess's ruff at last bristled out with anger at
the tidings of the quantity of venison those "fat and greasy citizens"
consumed, and then the Lord Mayor and aldermen were called upon to
interfere.
Now merchants whose autographs to a cheque would load the bearer with
gold lunch in the neighbouring alleys on their humble chop and steak;
and gentlemen worth thousands turn up their cuffs and peel their own
potatoes--then hurry off by the train, or omnibus, or steamer, to their
snug suburban residences to dinner, except on rare occasions. They no
longer retire to the ancient hostels to smoke tobacco, which was sold
for its weight in silver, and to purchase which they looked out their
newest crowns and shillings to place in the opposite scale. Smoking then
was a different thing from "burning" tobacco as we do now; yet there
were men in those days who, no doubt, "blew a cloud" with Sir Walter
Raleigh and Ben Jonson; and even Shakspeare himself must have sat in the
society of these early smokers.
How the bankers of England sprang from goldsmiths and lenders of money
on plate and other pledges, is already matter of history; and were King
John now alive, he would hesitate before he dared to venture on a little
dental surgery to fill his exchequer; the bench would get judgment
signed a thousand times over with much more pleasure than he affixed his
signature to the Great Charter. Even the fiery daughter of Henry VIII.
would, under the existing state of things, pause before commanding the
citizens to take back the money she had borrowed of them, without
interest, in loan for which she demanded seven per cent should be paid,
and all their gold and silver
[Illustration: LOMBARD-STREET.]
plate deposited with her as security for the payment--a most original
and profitable way of "paying them back in their own coin."
[Illustration: ST. MARY'S WOOLNOTH.]
There is something very beautiful and almost poetical in the domestic
history of these early bankers, telling us that their honesty and honour
were upheld by a rigid adherence to pure morality, which is confirmed by
the many marriages which took place between the apprentices and their
masters' daughters. Day after day, and year after year, did these
youthful citizens live under the same roof, and under the strong control
of the same strict masters, practising every kind of self-denial for her
sake, whom they perhaps saw but once a day, or it might be at each
meal-time; or, in strict establishments, only once a week, when they
walked behind her to St. Mary's Woolnoth, which stood on the site of the
modern church our engraving represents. Through the dim light of bygone
years we are enabled to see a face here and an arm there, a faint
guarded smile, that would fall like a sunbeam all day long on the heavy
ledger, as the youthful lover bent over his desk and sighed for a moment
as he thought of his stern task-master; then, like Ferdinand in _The
Tempest_, exclaimed, as he conjured up the image of his beautiful
mistress--
"Oh, she is ten times more gentle than her father's crabbed!"
At the present day there is nothing either grand or striking in this
wealthy street. You see, here and there, a name on a common brass plate
which, in the commercial world, is "a tower of strength;" except this,
there is no visible sign of the "unsunned treasures" that lie within.
The houses have a plain, substantial look--a kind of commanding
solidity, which seems in accordance with their unostentatious owners.
Enter, and you tread the true "Californian" regions, where the gold is
ready minted: bring a good cheque, and you need neither spade nor
shovel; the "digging and the washing" are not required here. What a
staff of clerks! all busily engaged. What a number of ledgers are in
use! And after the day's business is closed, all those account-books are
stowed away in a fire-proof room under ground, and brought up again in
the morning, and placed in readiness before the banker's clerks arrive;
and in some of these houses expensive machinery has been fitted up, to
facilitate the lowering and raising of the bulky ledgers in and out of
the fire-proof vaults below. Look at that young man, with his
banking-case chained under his arm; the rolls of cheques and notes he
holds in his hand probably amount to thousands of pounds; he only
catches the eye of one of the clerks, calls out the amount, hands the
bulky bundle over the brass railing, and departs, leaving the sum to be
counted over at leisure. See how carelessly the cashier handles that
heavy bag of gold: he has no time to count it, but thrusts it into the
scale as a coal-heaver would a sack of coals--so long as it's weight,
that's all he cares about; he then shoots it out into his large drawer,
and throws the bag aside as if he did not mind a straw whether a
sovereign or two stuck inside or not; this done, he begins to shovel it
out, and pay away. He counts sovereigns by twos and threes at a time;
you feel confident that he must have given you either too many or too
few, he appears so negligent: you count, and there they are to one--he
never makes a mistake.
Go and pay in a sum of money, or take up a bill, with gold that looks
light, and you will see another of his sleight-of-hand tricks. He jerks
the one out of the scale without touching it, except with the sovereign
he puts in, with such rapidity that you cannot catch the action, cannot
see how it is done; the sovereign seems to fly in and out as if by
magic. You might try for months and never be able to catch that peculiar
jerk. You fancy that he must be weary of counting sovereigns; that a
good pile of dirty brown coppers would be a great relief to him, equal
at least to a change of diet. You wonder that his countenance is not
yellow through bending over such piles of coin, and that, like the
buttercups in the meadows steeped in sunshine, his face does not
"Give back gold for gold."
Sometimes these clerks are kept for hours beyond their usual time to
rectify an error of sixpence in the balance, when during the day
thousands of pounds have been entered. The mistake rests somewhere, and
must be discovered before they quit the banking-house; and column after
column is gone over again; that weary array of figures is summed up and
up, and compared and called over until the mistake is righted. They
would gladly pay the amount twenty times over to get away; but that
would be the ruin of a system the very stability of which rests upon its
being correct to the "uttermost farthing."
The following picture of an old-fashioned banker we select from a recent
work on _Banks and Bankers_: "He bore little resemblance to his modern
successor: he was a man of serious manners, plain apparel, the steadiest
conduct, and a rigid observer of formalities. As you looked in his face,
you could read, in intelligible characters, that the ruling maxim of his
life, the one to which he turned all his thoughts, and by which he
shaped all his actions, was, that he who would be trusted with the money
of other men, should look as if he deserved the trust, and be an
ostensible pattern to society of probity, exactness, frugality, and
decorum. He lived the greater part of the year at his banking-house, was
punctual to the hours of business, and always to be found at his desk."
We have, in our opening article, made mention of Sir Thomas Gresham, the
greatest of our old "merchant-princes," and have now only to notice the
three churches in Lombard-street, one of which, St. Mary's Woolnoth, we
have shewn in our engraving, and have but to add, that it was built by a
pupil of Wren's about 130 years ago. The following entry occurs in the
old pamphlet we have before quoted from: "St. Mary's Woolnoth: Mr.
Shuite molested and vexed to death, and denied a funeral sermon to be
preached by Dr. Holdsworth, as he desired." The church of Allhallows,
Lombard-street, partially escaped the Fire, but was not considered,
after careful examination, to be secure enough to stand, even when the
body of the old church had been coped with "straw and lime." The present
building is by Wren, and contains nothing remarkable. The other church,
St. Edward the King, is worth a visit, on account of one or two pictures
it contains, together with some beautiful modern specimens of stained
glass. Externally, we see nothing striking in the building.
Birchin-lane was in former times the Holywell-street of London, so far
as regarded the sale of second-hand garments. The church of St. Mary's,
in Abchurch-lane (that portion on the opposite side of King
William-street), is mentioned, as follows, in the old pamphlet: "Mr.
Stone plundered, sent prisoner, by sea, to Plymouth, and sequestered."
It was built by Wren, contains some excellent carving by Gibbons, and
the cupola is painted by the artist who decorated the dome of St. Paul's
Cathedral. St. Clement's, in Clement's-lane, is another of Wren's
churches; and the living appears to have been held by the same Mr. Stone
who held that of St. Mary's, Abchurch, at the commencement of the Civil
War; for under the name of the last-mentioned church we find the same
entry, with the addition that "Mr. Stone was shamefully abused."
With Gracechurch-street and Fish-street-hill we close this section of
our work. Gracechurch-street, with its conduit, is often mentioned in
the old processions. In 1501, when Catherine of Spain entered the city
by London-bridge, a pageant was erected in the broadest part of
"Grasschurch-street, in the middle of the street, where the water
runneth into the channel"--a primitive way of draining the street. In
the time of Elizabeth, it was changed from Grasschurch-street to
Gracious-street; and Dekker, in describing a royal procession in 1604,
says, "it was never worthy of that name (Gracious-street) it carries
till this houre." It is a great mustering-ground for omnibuses,
especially such as come from the Surrey side of the river.
The church at the end of Fenchurch-street is called St. Bennet's: it was
built by Wren. William Harrison was "minister" of Grace Church, and one
who signed his name to the following remonstrance, headed, "The
Dissenting Ministers' Vindication of themselves from the horrid and
detestable Murder of King Charles the First, of glorious memory:"
London, 1648. Calamy also signed the "Vindication." In no instance is
the saint's name affixed by them to the churches; some sign themselves
"pastor," one "minister of the word," another "preacher." We must do
these old Puritans the justice to state, that this remonstrance was
signed before the execution of King Charles, and during the time of his
trial, namely, January 28, 1648, that is, two days before the
ill-starred monarch was beheaded. We give the following spirited extract
from this old pamphlet, the whole of which only consists of six pages:
"We hold ourselves bound in duty to God, religion, the King, parliament,
and kingdom, to profess before God, angels, and men, that we verily
believe that which is so much feared to _be now_ in agitation--the
taking away the life of the King, in the present way of tryal--is not
only _not_ agreeable to any word of God, the principles of the
Protestant religion (never yet stained with the least drop of the blood
of a king), or the fundamental constitution and government of this
kingdom, but contrary to them, as also to the oath of allegiance, the
protestation of May 5th, 1641, and the solemn 'League and Covenant;'
from all or any of which engagements, we know not any power on earth
able to absolve us or others."
The Monument on Fish-street-hill, which was designed by Wren, is about
200 feet high, and stands as many feet distant from the spot where the
Fire first commenced on that awful Sunday, September 2, 1666, in
Pudding-lane. The ascent is by 345 steps up a spiral staircase, lighted
by what we might term, in old castellated architecture, arrow-slits. The
interior of the column is nine feet wide. Several persons have committed
suicide, by throwing themselves off the Monument; and it is now covered
in with a kind of cage-work, to prevent such awful self-destruction. The
view from the summit is not to be compared with that from St. Paul's;
and we should advise all sight-lovers to ascend the Monument first, on
that account, and peep at the "wilderness of shipping," and the
thousands of house-roofs that rise in ridging disorder, as if some dark
sea had suddenly been struck motionless, and so left silent with all its
edged waves. On one side of the base is the following inscription of the
destruction caused by the Great Fire, according to the translation of
Maitland: "Eighty-nine churches, the city gates, Guildhall (not
totally), many public structures, hospitals, schools, libraries; a vast
number of stately edifices, 13,500 dwelling-houses, 400 streets; of
twenty-six wards it utterly destroyed fifteen, and left eight others
shattered and half burnt. The ruins of the city were 436 acres, from the
Tower by the Thames side to the Temple Church, and from the north-east
gate along the city wall to Holborn-bridge. To the estates and fortunes
of the citizens it was merciless, but to their lives very favourable
(only eight being lost)." One poet of the period, in be-rhyming the
praiseworthy conduct of King Charles at the Great Fire, compares him to
Cæsar, coming "with buckets in his eyes." Pepys gives an interesting
account of the Great Fire. Dryden also describes it in his _Annus
Mirabilis_, commencing at verse 212.
CHAPTER IV.
THE NEIGHBOURHOOD OF BILLINGSGATE, NEW COAL EXCHANGE, AND TOWER OF
LONDON.
All doubts about the immense population of London would vanish from the
mind of a stranger could he but stand on London Bridge Wharf, and see
the vast multitudes that embark on the steamers, either at Easter or
Whitsuntide, for Greenwich alone: he would behold such a sight as would
convince him that no other city in the world could pour forth so many
inhabitants; and all he had before seen would sink into insignificance
beside what he would witness on the Thames, to say nothing of the
numerous railways which throw out their iron arms into the country from
almost every corner of the metropolis. It is a sight never to be
forgotten, to see the steamers darting in and out amid the shipping
below London Bridge, as if they had wills of their own, and could pick
their way wherever there was space enough for them to pass, like aquatic
birds that ever keep sailing around each other playfully upon the
waters. Eastward, they hurry along to Woolwich, Erith, Gravesend,
Sheerness, Herne Bay, Margate, and all the towns that dot our coast;
while others move westward, under the bridges, and along the whole
length of the river-front of London, on their way to Twickenham and
Richmond: many of the smaller steamers also halting at almost every
pretty village that stands on the banks of the Thames between London and
Richmond. But we are wandering away from the neighbourhood we have now
reached, and glancing at subjects which belong to the suburbs of the
metropolis.
The church at the entrance of this wharf is called St. Magnus, and was
rebuilt by Wren. Miles Coverdale, whose name is associated with the
earliest printed version of the holy Bible, was rector of St. Magnus
above 300 years ago. He was buried in the church of St. Bartholomew, by
the Exchange; and when that building was taken down to enlarge the space
for the new Royal Exchange, his remains were removed to the present
church, and re-interred on the spot which he had hallowed by his pious
labours. But few who look at the projecting clock, as they await the
arrival or departure of the steamboats, are aware that the remains of
Miles Coverdale, Bishop of Exeter, and one among the first translators
of the Bible, rest so near the stir and traffic of that busy wharf.
The first turning on the opposite side of the way, behind the Monument,
is Pudding-lane, in which the Great Fire that destroyed nearly the whole
of the City first broke out. It now contains nothing worthy of our
notice: the same may be said of Botolph lane, so called from the church
which was destroyed in the Fire and never rebuilt.
On St. Mary's-hill stands a church partly built by Wren, and called St.
Mary's-at-Hill. On the 29th of May 1533, according to Hall's
_Chronicle_, "the mayor and his brethren, all in scarlet, such as were
knights having collars of SS, and the remainder gold chains, and the
council of the City with them, assembled at St. Mary's-hill, and at one
o'clock took barge. The barges of the companies amounted in number to
fifty, and set forth in the following order: First, at a good distance
before the mayor's barge, was a foist or wafter, full of ordnance,
having in the midst a dragon, continually moving and casting wild fire,
and round about it terrible monsters and wild men casting fire and
making hideous noises." This procession, that embarked at the foot of
St. Mary's-hill, above 300 years ago, was "commanded" by Henry VIII. to
go to Greenwich and bring Queen Anne Boleyn to London, to be crowned in
Westminster Hall.
It is on record that the old ports or quays of Billingsgate and
Queenhithe were the cause of as many squabbles in ancient days as were
ever witnessed in our own times by any two rival companies struggling
for pre-eminence; for when the customs derived from the latter furnished
the queen of Henry III. with pin-money, a sharp look-out was kept on the
river, and fines frequently inflicted on masters of vessels who landed
their fish at Billingsgate instead of the royal quay. But great London
soon burst through all these restraints: the old merchants were proof
against even royal mandates; they objected to passing through the
dangerous arches of the crazy old bridge--so at last obtained the
privilege of landing goods at whichever quay they pleased.
Those ancient fishmongers must have been able to muster together a
goodly company; for, hearing of the victory Edward I. had obtained over
the Scots, they paraded the City with above a thousand horsemen,
trumpets sounding and banners streaming, on which were emblazoned their
quaint old arms, and followed by all the pride of their honourable
guild.
What a stir there must have been about Fish-street and Fish-street-hill,
and all along the line of those streets which we have already described,
when that famous fishmonger Walworth, Lord Mayor of London, slew Wat
Tyler in Smithfield, and thus at one blow cut off the "head and front"
of the great rebellion! What a running to and fro and shaking of hands
there must have been! What talking along the quays about privileges
which would be extended to their own company, and which none other would
be allowed to share! And what disappointment must have been depicted on
their countenances when they found that all the reward the City was to
receive was an addition to its arms! If true, it was like giving the
chaff to him that had separated it from the wheat.
Those who were purveyors to the court had, in former times, the first
pickings of the market; not a single fish was allowed to be sold until
they had been served. We can picture the swagger with which the officers
of the royal household entered the fish-market in those days, when a
banquet was about to be given in the Tower. What pushing and cramming
would there be to obtain a nod of recognition! now recommending the
quality of some fish, then inquiring when the next execution would take
place--their conversation shifting from salmon to the scaffold--from
oysters, which, in those primitive times, sold for twopence a bushel, to
the means of obtaining the best place when the next nobleman was to be
beheaded.
There was a struggle for free-trade in those high narrow streets five
hundred years ago: from Billingsgate to Queenhithe all was a scene of
commotion; for the great fishmongers were aiming at monopoly, but the
poor hawkers who picked up their living, as they do in our day, by
crying fish in the streets, rose in a body, and so far carried the day
that they were allowed to hawk fish, but not to keep a stall, nor stay
in any of the streets a moment longer than while supplying their chance
customers; for there was a strict police ever on the look-out after the
poor hawkers, and the command of "Now then, move on there," is nothing
new. Nor were the fishmongers themselves free from "most biting laws;"
for they were only allowed, at one period, to take a penny profit in
every shilling, not to offer the same fish for sale (as fresh) a second
day, nor to water their fish more than twice a day. If they did, and
were found out, there stood the stocks ever in readiness, and up went
the beam, and in went their legs; and there they were compelled to sit
out the given time, no doubt to the great merriment of many of the
bystanders. Their stalls in these primitive times were only boards
placed beside the pavement. From these they got to erecting little
sheds, then shops and high houses. But the fronts of these were ordered
to be left open, and the fish exposed. They would not allow sales to
take place in dark and obscure spots; all must be done in the open noon
of day, or heavy penalties be paid for offending against the laws.
In remote times, long before the Norman invasion, frequent mention is
made of the English fisheries. To three plough-lands in Kent, a fishery
on the Thames is added. Ethelstan gave a piece of land for the use of
taking fish, and forty acres were given with fishing, on the condition
of every year receiving fifty salmon. The rent of land was frequently
paid in eels; and in Elphit's _Dialogues_, written for the instruction
of the Saxon youths, we find that the implements used were nets, rods,
lines, and baited hooks, which varied but little from those of the
present time.
Those who have once reached the Monument, may "smell" their way to
Billingsgate; for there is an old monastic odour about the shops,
recalling Lent and stock-fish, and telling you that you are hemmed in
with smoked haddock and salted herrings--which, when nothing else could
be had, it must have been a heavy penance to have lived upon, and caused
the poor sinner to have made many a wry face while devouring such dry
and thirsty food. Once in Lower Thames-street, and you are in a land of
danger. You come in contact with big men bending beneath bulky boxes;
huge hogsheads swing high above you, and make you tremble as you look
up, while treading the slippery pavement; and you know that if the
crane-chain were to slip, or the hooks to which the ponderous packages
are affixed to give way, you must be crushed like an egg which an
elephant tramples upon; for danger ever dangles in the air about
Billingsgate. The pavement is often blocked up by barrels of oranges and
herrings, and hampers of dried sprats, the latter crammed together as
close as white-bait in the stomach of an alderman when he has just dined
at Lovegrove's. Sometimes the atmosphere is so impregnated with the
smell of shrimps, that you almost fancy it has been raining shrimp
sauce.
You are now, as it were, in the very manufactory, where fish are brought
and emptied out to be sold; where there is no attempt at show; but,
rough and shining as when they flapped about on the ocean sand, or were
thrown from the first hand ashore, so do you see them here in the early
morning, rough and fresh as potatoes just dug out of the mould. There is
none of that clean blue twilight look which gleams and plays about the
shops of the West-End fishmongers, and is sometimes enlivened by the
sunny flash of the gold-fishes that float about the silver-looking
globes, which give such a picturesque appearance to the shops in that
more refined neighbourhood. Here all is of "the fish, fishy."
To this "rough and ready" market, those who wish to see how matters are
managed must come early; for a minute or two before five o'clock the
wholesale dealers are seated in their stalls, or recesses; while at the
end of the market, nearest the river, the porters are drawn up in a row,
each ready with his first load of fish, each standing within the
allotted line, like hounds eager to spring from the leash. The clock
strikes, and off they rush, helter skelter, every man Jack putting his
best leg foremost, each eager to be the first to reach the stall of his
employer. Slap goes the skate out of the baskets--they shoot out cod
like coke, pitching the plaice wherever they can find room; and off they
run for another load at the same rapid pace, nor cease until the
salesman has received the whole of his stock.
Then the sale commences, the seller fixing his price, and the buyer
offering what he considers to be the value; sometimes they "meet each
other halfway," as it is called, one lowering and the other advancing.
The fish are generally sold in lots without being weighed, and it
requires good judgment on both sides to reach the right mark. Although
there are so many salesmen, and generally such ample choice, the prices
vary much, as fish brought from one part of the coast are often superior
to what come from another.
But the fun of the market commences with the hawkers, when they come to
see what has been left by the large retail dealers: then you may hear a
little of what is called "Billingsgate;" though, instead of the old
renowned blackguardism, it is generally most good-natured "chaff."
"Fresh do you call these?" says one, who finds the price too high for
him. "Look how they rolls up the whites of their eyes, as if they vanted
a little rain. I should say they hasn't had a blessed smell of water for
this week past."
"Think I've been robbing somebody?" says another. "Vy, bless you, all
the whole bilin' of my customers hasn't got so much amongst them as
would buy the lot--no, not if they sold their toothpicks!"
Billingsgate is more like a wholesale warehouse than a fish-market,
although you may purchase a single mackerel in it. The hundreds of carts
which are drawn up in Thames-street, proclaim how far and wide the
produce of river and ocean is dispersed. From the next street to the
most remote suburb are the loads of fish borne, to be washed and laid
out temptingly in the thousands of shops which abound in London and the
surrounding suburbs. Nor is the supply limited to this circle; the rapid
trains carry off tons of fish to the distant towns, where they arrive in
time enough for dinner; thus sending
[Illustration: BILLINGSGATE.]
into the country the turbot and salmon as fresh as we receive it in the
metropolis; for what are a hundred miles on the great railways?
Old Billingsgate is now pulled down; the muddy dock, where so many
fishing-smacks have been harboured is filled up; and, instead of the
old-fashioned market which illustrates this chapter, a pile is erected
more befitting the greatest city in the world, and more like the noble
edifice--the New Coal Exchange--that faces it.
Eels cannot be brought to Billingsgate in such perfection as they
formerly were. We have now before us a Parliamentary report, given in
above twenty years ago, complaining of the poisonous state of the
Thames. The following evidence of Mr. Butcher, a fish-salesman, and
agent for Dutch vessels, will be interesting at this moment, while the
Thames is made the great sewer of London:
"Eight Dutch vessels arrived at Gravesend with full cargoes of healthy
eels in July 1827, and the following is the state in which they reached
the London market:
First 15,000 lbs. Reached market alive 4000 lbs.
Second 14,000 " " " 4000 "
Third 13,000 " " " 3000 "
Fourth 14,000 " " " about 4000 "
And so on in proportion, but little more than a fourth of the cargo
being marketed alive."
Mr. Butcher stated to the commissioners, that in 1815 (or twelve years
before), "one of these vessels seldom lost more than thirty pounds
weight of eels in a night in coming up the river; but that the water had
become so bad, that as it flowed through the wells in the bottom of the
vessels it poisoned the eels, and the quantity which died was more than
three times the quantity marketed."
Another witness (James Newland, master of a vessel, and sixteen years in
the trade,) says: "Eels have not lived in Thames water as they did
formerly. First observed the difference five or six years ago (before
1827), and find it gets worse every summer. Other fish are also affected
by bad water, and will endeavour to get out of it on pieces of floating
wood."
Another witness says, "An hour after high water, eels will die in so
short a time that I have had 3000 lbs. weight dead in half an hour."
"I have seen flounders," says Thomas Hatherill, "put up their heads
above the water; and if there was a bundle of weeds in the river, they
would get on it out of the water."
Mr. John Goldham, the yeoman of Billingsgate, deposed, that, "as clerk
of the market, it was his business to ascertain the quality of fish, and
seize and condemn that which was bad; that, twenty-five years ago
(1802), above and below London-bridge, between Deptford and Richmond,
400 fishermen, each having a boy and a boat, gained their livelihood by
fishing in the river; that he had known them take 3000 smelt and ten
salmon at one haul; the Thames salmon were then the best, and frequently
sold for 3_s._ or 4_s._ a pound; now the fishery is gone."
As early as 1307, the Earl of Lincoln complained before Parliament that
the river of Wells (Walbrook, Clement's Well, Skinner's Well, Clerk's
Well, Holy Well, &c.), running into the Thames, was obstructed by "filth
of the tanners, and such others." On this complaint being made, the
river was ordered to be cleansed.
Honest old Stowe says of the Thames in his day, "What should I speak of
the fat and sweet salmons daily taken in this stream, and that in such
plenty (after the time of smelt is past) as no river in Europe is able
to exceed it. But what store also of barbels, trouts, chevens, perches,
smelts, breams, roaches, daces, gudgeons, flounders, shrimps, eels, &c.,
are commonly to be had therein, I refer me to them that know by
experience better than I, by reason of their daily trade of fishing in
the same. And albeit it seemeth from time to time to be as it were
defrauded in sundry wise of these her large commodities, by the
insatiable avarice of fishermen, yet this famous river complaineth
commonly of no want, but the more it loseth at one time it gaineth at
another."
The immense traffic carried on in the winding Thames will never allow of
its being stored with "fat sweet" fish as in Stowe's time; but still we
hope the great changes which are in progress will at least turn this
mighty common sewer into something more like the ancient "silver Thames"
which our old poets sang about, and prevent so many dead and dying eels
being baked up into pies, and devoured by the poor purchasers of these
dangerous dainties, as there now are.
Mr. Simon's report to the City Commissioners of Sewers will, if we
mistake not, do more towards arousing the inhabitants of London to
agitate for pure air and sweet water, than any other remonstrance has
hitherto done. It is clearly, ably, and powerfully drawn up; and done in
such terse and simple language, that a child can understand it.
The following graphic description of the Babel of sounds heard at
Billingsgate, is from Mayhew's _London Labour and the London Poor_, a
work revealing more of the real life in London in the streets, courts,
and alleys, than was ever before made known:
"All are bawling together--salesmen, and hucksters of provisions, capes,
hardware, and newspapers--till the place is a perfect Babel of
competition. 'Ha-a-ansome cod! best in the market! All alive! alive!
alive O!' 'Ye-o-o! Ye-o-o! here's your fine Yarmouth bloaters! Who's
the buyer?' 'Here you are, governor: splendid whiting! Some of the right
sort!' 'Turbot! turbot! all alive, turbot!' 'Glass of nice peppermint
this cold morning, a ha'penny a glass!' 'Here you are at your own price!
Fine soles O!' 'Oy! oy! oy! Now's your time! fine grizzling sprats! all
large and no small!' 'Hullo! hullo here! beautiful lobsters! good and
cheap! fine cock crabs all alive O!' 'Five brill and one turbot--have
that lot for a pound! come and look at 'em, governor; you won't see a
better sample in the market.' 'Here, this way! this way for splendid
skate! skate O! skate O!' 'Had-had-had-had-haddick! all fresh and good!'
'Currant and meat puddings! ha'penny each!' 'Now, you mussel-buyers,
come along! come along! come along! now's your time for your fine fat
mussels!' 'Here's food for the belly and clothes for the back, but I
sell food for the mind' (shouts the newspaper vender). 'Here's smelt O!'
'Here ye are, fine Finney haddick!' 'Hot soup! nice pea-soup! a-all hot!
hot!' 'Ahoy! ahoy here! live plaice! all alive O!' 'Now or never! whelk!
whelk! whelk! whelk.' 'Who'll buy brill O! brill O!' 'Capes! waterproof
capes! sure to keep the wet out! a shilling a-piece!' 'Eels O! eels O!
Alive! alive O!' 'Fine flounders, a shilling a lot! Who'll buy this
prime lot of flounders?' 'Shrimps! shrimps! fine shrimps!' 'Wink! wink!
wink!' 'Hi! hi-i! here you are, just eight eels left, only eight!' 'O
ho! O ho! this way--this way--this way! Fish alive! alive! alive O!'"
The fishmongers of ancient times were not "scaly" men, in the present
acceptation of the phrase, when they were disposed to shew their
loyalty. On one occasion, Stowe says, "On St. Magnus' day, * * * * the
fishmongers, with solemn procession, paraded through the streets,
having, among other pageants and shows, four sturgeons gilt, carried on
four horses; and after, six and forty knights armed, riding on horses
made like 'luces of the sea:' and then, St. Magnus, the patron saint of
the day, with a thousand horsemen." These "luces" or pike, pleasantly
recall Shakspeare and the armorial bearings of Justice Shallow.
Stepping across the street, we arrive at the Coal Exchange, opened by
Prince Albert, at the close of 1849, at which period the following
description of the building appeared in the _Illustrated London News_.
"The _façades_ of the building are of very simple, yet bold and
effective design; and, with the exception of the cornice, but few
projections are introduced. The fronts in Thames-street and St.
Mary's-at-hill are respectively about 112 feet in width by 61 feet in
height. The unequal form of the plot of ground on which the Exchange
stands is skilfully masked at the corner by breaking the mass of
building, and introducing a circular tower in the re-entering angle,
within which is the entrance vestibule. This circular tower is 109 feet
to the top of the gilded ball, and 22 feet in diameter at the lowest
part, and is divided into three stories. The lowest story, containing
the vestibule, is of the Roman-Doric style of architecture; and there is
a striking peculiarity in the arrangement of this part, to which we must
advert. The wall of the tower not only shrines the vestibule by which
entrance to the hall or Rotunda is attained, but serves also as a centre
to flights of steps, which lead, on either hand, to a landing on the
first story of the building, and thence a spiral staircase is carried up
in the tower to the other stories. The first story is of the Ionic
order, carrying an entablature, and is lighted by windows. The top
story, fifteen feet in diameter, is ornamented by pilasters, with
windows between--the roof rising to a cone, and being crowned with a
gilded ball. This is, to our view, the least successful portion of the
edifice, the termination being stiff, and not so piquant as it should
have been. We should mention, the exterior is of Portland stone.
"Entering the Rotunda, the attention of the visitor is immediately
arrested by its beautiful effect and extremely novel arrangement. It
forms a circle of some 60 feet in diameter, and is crowned with a dome,
or, in fact, a double dome, as a lesser cupola rises from the eye of the
great dome to the height of 74 feet from the floor. The dome rests on
eight piers of light character; the space between each pier is divided
by stancheons into three compartments; and there are three galleries,
and from these entrance is obtained to the numerous offices of the
building. The stancheons, galleries, ribs of dome, &c., are of iron;
and, in fact, every part seems to be made of iron; and the arrangement
of patterns in the stancheons, brackets of galleries, and soffits of
galleries is original and good. There are about 300 tons of iron used in
the building, in the several parts, each rib, of which there are
thirty-two, weighing two tons. The ornament chiefly used is a cable,
twisted about in various patterns; and the balustrade to the galleries
is of loops of cable, at intervals broken by the introduction of the
city arms. The framework to the offices is of wood, and panelled with
rough plate-glass. By this means they receive light from the great dome
of the hall. The dome itself is glazed with large pieces of roughened
plate-glass of great thickness, the small upper dome having glass of a
yellow tint. The chief public offices surrounding the Rotunda are those
appropriated to the Corporation officers who have to collect the coal
dues, and who are, we understand, appointed by the Corporation.
"The floor of the Rotunda is composed of inlaid woods, disposed in form
of a mariner's compass, within a border of Greek fret. The flooring
consists of upwards of 4000 pieces of wood, of various kinds. The
varieties of wood employed comprise black ebony, black oak, common and
red English oak, wainscott, white holly, mahogany, American elm, red and
white walnut, and mulberry. The appearance of this floor is beautiful in
the extreme. The whole of these materials were prepared by Messrs.
Davison and Symington's patent process of seasoning woods. The same
desiccating process has been applied to the woodwork throughout the
building. The black oak introduced is part of an old tree which was
discovered in the bed of the river Tyne, where it had unquestionably
lain between four and five centuries. The mulberry wood of which the
blade of the dagger in the shield of the city arms is composed, is a
piece of a tree planted by Peter the Great, when he worked as a
shipwright in Deptford Dockyard.
"The coloured decorations of this Exchange have been most admirably
imagined and successfully carried out. They are extremely
characteristic, and on this point deserve praise. The entrance vestibule
is peculiarly rich and picturesque in its embellishments: terminal
figures, vases with fruit, arabesque foliage, &c., all of the richest
and most glowing colours, fill up the vault of the ceiling; and looking
up through an opening in the ceiling, a figure of Plenty scattering
riches, and surrounded _figurini_, is seen painted in the ceiling of the
lantern. Over the entrance doorway, within a sunk panel, is painted the
city arms. Within the Rotunda, the polychromic decorations immediately
arrest the eye. The range of panels at the base of the dome, and the
piers which carry the dome, are all fully and harmoniously decorated. We
shall commence our description with the piers in the lowest story: the
Raffaelesque decorations are very rich in character; and in each pier
the scroll supports and encircles four compartments; the lowest are
simicircular panels, within which are painted symbolic figures of the
principal coal-bearing rivers of England: the Thames, the Mersey, the
Severn, the Trent, the Humber, the Ayre, the Tyne, &c. Small oblong
panels, with marine subjects, are a little above the symbolic figures
just described; and above them, within borders of flowers of every kind,
are figures symbolical of Wisdom, Fortitude, Vigilance, Temperance,
Perseverance, Watchfulness, Justice, and Faith. These figures are the
most prominent objects in the decorations of the piers in the lowest
story; and in circles above them are painted groups of shells; whilst at
the top, in semicircles corresponding with those at the base of the
piers, snakes, lizards, and other reptiles, are introduced. In the first
story the leading feature in the arabesques is a series of views of
coal-mines, including the air-shaft at Wallsend, Percy Pit Main
Colliery, Wallsend Colliery, Regent's Pit Colliery, &c. Groups of fruit
and flowers are in small circles just above the views, and in oblong
panels beneath the latter the series of nautical 'bits' is continued. At
the base, in each pilaster, are representations of different specimens
of _Sigilaria_--a fossil found in coal formations. In the second story
the largest panels contain figures of miners at different portions of
their avocations; whilst nautical subjects, clusters and flowers, are
introduced amongst the arabesques.
"The third story contains, within oval panels, miners at work picking
the coal, &c.: flowers and small landscapes add to the richness and
variety of the decorations on this floor; and both in this and the
lower, calamites (fossils from the coal formations) are depicted in the
arabesques. The twenty-four panels at the springing of the dome, of
which we have before spoken, have oval compartments painted in them,
surrounded by a gracefully-flowing border of extremely rich and varied
design, being light ornaments on a dark ground. The spaces within the
oval borders are coloured of a turquoise blue tint, on which is painted
a series of representations of different fossil plants met with in the
coal formations. This portion of the decoration is extremely striking
and appropriate; and we need scarcely say, the representations of the
plants are strictly correct.
"Ere we leave the pictorial portion of the Exchange, we must not forget
the groups of mining implements, most skilfully treated, in the narrow
panels in the dome over the piers.
"The whole of the artistic embellishments of the building were designed
by Mr. Sang, whose taste and skill in such works is well known, and
executed under his immediate directions; and it may be considered a most
successful specimen of the Raffaelesque style of ornamentation, now so
extensively adopted in the mansions of the nobility.
"For originality of design, this building is the most striking which has
been erected in London for a long time past, and reflects the very
highest credit on the talented architect, J. B. Bunning, Esq.
"Mr. William Trego was the builder; and the iron-work was executed by
Messrs. Dewer of Old-street."
While digging for the foundation of the Coal Exchange, a Roman hypocaust
was brought to light, which has since been arched over and
preserved--another addition to the many Roman remains which have been
discovered in the neighbourhood of Upper and Lower Thames-street.
Before quitting this part of the neighbourhood, we must state that the
Custom-House stands close by the places we have just described; and as
this is the last object in Lower Thames-street that requires notice, we
will briefly glance at it, and then ascend to the higher streets.
The following mention is made of the Custom-House in a large volume now
before us, consisting of upwards of 1200 pages, and entitled, _The
Historie of the Life and Reigne of that famous Princesse Elizabeth_;
printed at Oxford, 1634: "About this time [1590] the commodity of the
Custom-House amounted to an unexpected value; for the queen being made
acquainted by the means of a subtle fellow, named Caermardine, with the
mystery of their gains, so enhanced the rate, that Sir Thomas Smith,
master of the Custom-House, who heretofore farmed it of the queen for
14,000_l._ yearly, was now 'mounted' [raised] to 42,000_l._, and
afterwards to 50,000_l._, which, notwithstanding, was valued but as an
ordinary sum for such oppressing [extortionate?] gaine. The Lord
Treasurer [Cecil?], the Earls of Leicester and Walsingham, much opposed
themselves against this Caermardine, denying him entrance into the Privy
Chamber, insomuch that, expostulating with the queen, they traduced her
[for] harkening to such a fellow's information, to the disparagement of
the judgment of her council, and the discredit of their case." [A little
"palm-oil," we guess, did this, in the shape of a free distribution of
rose-nobles on the part of Sir Thomas Smith. Bribery, bribery! But look
at the reply of that real John Bull-like old queen.] "But the queen
answered them, that all princes ought to be, if not as favourable, yet
as just, to the lowest as to the highest, desiring that they who falsely
accuse her Privy Council of sloth or indiscretion should be severely
punished; but [that?] they who _justly accused them_ should be heard."
[Glorious Queen Bess!] "That she was queen as well to the poorest as to
the proudest, and that therefore she would never be deaf to their just
complaints. Likewise [further?], that she would not suffer that these
_toll-takers_, like _horse-leeches_, should glut themselves with the
riches of the realm, and starve her exchequer; which, as she will not
bear it to be 'docked'(?), so hateth she to enrich it with the poverty
of the people." (Page 31, second part, or volume, translated out of the
French by Abraham Darcie. Initials of the original author, P. D. B., who
knew Cecil intimately, had access to the original letters, and was
present at the trial of Mary Queen of Scots.) The first book or volume
is dedicated to King James I. I have been thus particular in describing
this old volume, as it contains matter relating to London in the time of
Elizabeth which I have not found in any other history.
The "Long Room" of the Custom-House is worthy of its name, as it
measures 190 feet, with a breadth of 66 feet, and there is not a
pleasanter place for viewing the traffic on the Thames below London
Bridge than the parade of the Custom-House quay. The present building
has been erected but little more than thirty years. The revenue now
derived from customs is near twenty millions a year.
[Illustration: ST. DUNSTAN'S-IN-THE-EAST]
On St. Dunstan's-hill stands the church dedicated to the old Saxon saint
whose name it bears. This church partly escaped the Fire, and was
restored by Wren. The beautiful tower is all that remains of this great
architect's work, the body of the church being rebuilt from the plans of
Mr. Laing, to whom we are indebted for the present Custom-House.
Speaking of this church, Mr. Elmes tells us, on the faith of an
anonymous correspondent, "When Sir Christopher Wren made first attempt
of building a steeple upon quadrangular columns, he was convinced of
the truth of his architectural principle; but, as he had never before
acted upon it, and as a failure would have been fatal to his reputation,
and awful in its consequences to the neighbourhood of the edifice, he
naturally felt intense anxiety, when the superstructure was completed,
in the removal of the supporters. The surrounding people shared largely
in the solicitude. Sir Christopher himself went to London Bridge, and
watched the proceedings through a lens. The ascent of a rocket
proclaimed the stability of the steeple; and Sir Christopher would
afterwards smile that he ever could, even for a moment, have doubted the
truth of his mathematics." While giving the anecdote, Mr. Elmes doubts
the truth of it. The eastern window is said to be a copy of the one
which formerly adorned the old church.
Stowe, in his _Chronicle_, describes a quarrel which took place in this
church as follows: "In the year 1417, and on the afternoon of Easter
Sunday, a violent quarrel took place in this church, between the ladies
of the Lord Strange and Sir John Trussel, Knt., which involved the
husbands, and at length terminated in a general contest. Several persons
were seriously wounded, and an unlucky fishmonger, named Thomas
Petwarden, killed. The two great men who chose a church for their field
of battle were seized and committed to the Poultry Compter, and the
Archbishop of Canterbury excommunicated them. On the 21st of April, that
prelate heard the particulars at St. Magnus Church; and finding Lord
Strange and his lady the aggressors, he cited them to appear before him,
the Lord Mayor, and others, on the 1st of May, at St. Paul's, and there
submit to penance, which was inflicted by compelling all their servants
to march before the rector of St. Dunstan's in their shirts, followed by
the lord bareheaded, and the lady barefooted [rather too hard on the
lady], and Kentwode, Archdeacon of London, to the church of St. Dunstan,
where, at the hallowing of it, Lady Strange was compelled to fill all
the sacred vessels with water, and offer an ornament, value 10_l._, and
her husband a piece of silver, worth 5_l._"
Leaving Eastcheap, with its Shakspearean Boar's Head (long ago
destroyed), and Great Tower-street, memorable for the carousals of Peter
the Great, we come to Mincing-lane, where stands Clothworkers' Hall, a
company to which Pepys belonged, and which still possesses the "loving
cup" he presented to the Clothworkers.
King James I. was a member of this company; and the following extract
from Nichol's _Progresses_ furnishes us with the speech he made on the
day he enrolled himself among the Clothworkers: "Now, I drink unto all
my good brethren, the clothworkers; and I pray God to bless them all,
and all good clothworkers; and for proof of our especial favour to this
fraternity, and for their increase of mutual amity, I do here give unto
this company two brace of bucks yearly, for ever, against the time of
the election of the master and wardens of this society." This was on the
12th of June, 1607, after the king had privately dined "at the house of
Sir John Watts, then lord mayor."
In Mark-lane we find the great Corn Exchange (lately damaged by fire).
About three centuries ago, the corn-market was held at Queenhithe,
although the oldest place for the sale of corn was Cornhill, a market
having been held there, according to Stowe, "time out of mind."
In Knight's _London_, vol. iii. p. 364, we find the following curious
remarks on this great metropolitan corn-market: "The market-days are
Monday, Wednesday, and Friday, the first being by far the busiest day of
the three; and the hours of business are from ten to three. A bargain
does not become valid until an hour after the commencement of business
on the next market-day. The general commercial reader will perhaps be
interested in knowing that wheat is paid for in bills at one month, and
all other descriptions of corn and grain in bills of two months. But the
Kentish 'hoymen,' who may be distinguished by their sailors' jackets,
are privileged, by the custom of the market, to sell for ready money,
though, of course, they sell only what they bring up themselves. They
have stands free of expense, and pay less for metage and dues than
others. The Essex dealers also enjoy some privileges. Their origin, in
both cases, is said to have been in consideration of the men of Kent and
Essex having continued to supply the City at a time when it was ravaged
by the plague."
In Mark-lane stands the church of Allhallows Staining, which escaped the
Fire, though the tower is all that remains of the ancient edifice. Here
it is said Queen Elizabeth went to return thanks after her release from
the Tower; and when the service was over, she adjourned to the adjoining
tavern, the King's-head, in Fenchurch-street, where she dined off the
unladylike luxuries of pork and peas, in memory of which event the dish
and cover are still preserved. In the parish-books of Allhallows are the
following entries relating to old ecclesiastical holidays: "Paid unto
Goodman Chese, broiderer, for making a new mitre for the Bishop, against
St. Nicholas's night, 2_s._ 8_d._;" and again, "Paid for the hiring of a
pair of wings and a crest for an angel on Palm Sunday, 8_d._" Merry
doings were there in the olden time at church-ales and Easter-tide, and
many another ancient holiday which now lives but in name.
At the corner of Seething-lane stands the church of Allhallows Barking.
In this lane died Sir Francis Walsingham, who in Elizabeth's time
planted so many spies around the unfortunate Mary Queen of Scots. Here
also lived Pepys, adjoining the old Navy-office. He makes frequent
mention of Seething-lane in his _Diary_. The church of Allhallows
Barking very nearly marks the site of the termination of the Great Fire
eastward; for though the church itself escaped destruction, its walls
were licked by the flames and the porch destroyed. A glance at the map
of London will shew its proximity to the Tower, and readily suggest that
many a headless victim was removed from the scaffold to the grave in the
old churchyard of Allhallows. The Earl of Surrey, who was beheaded in
1547, was buried here; also Bishop Fisher, beheaded in 1535, though his
body was afterwards removed; so were the remains of Archbishop Laud. The
first chapel founded on the site of the present church dates as far back
as the time of Richard I.; and there is an old tradition that the heart
of the king of the Crusaders was buried under the altar of that church.
Here Edward I. set up an image of the Virgin Mary, which almost became
as famous as the shrine of Thomas à Becket, so many were the pilgrims
who visited it. Our engraving represents a silver-gilt shrine, in which,
in ancient times, the relics of saints were deposited.
[Illustration: SILVER-GILT SHRINE.]
Richard III. (it may be, to make amends for the murders he caused to be
committed in the adjacent Tower) rebuilt this church, and founded within
it a college of priests. Even now it bears proofs of its great
antiquity, in its massive and stunted Norman pillars, old inscriptions,
ancient monuments, and early brasses, one of the latter dating back
nearly four centuries. There is a story about an explosion of gunpowder,
which destroyed twenty or thirty houses, and in which a cradle, "baby
and all," was blown on the leads of this church, and there found
uninjured.
Seething-lane runs into Hart-street, Crutched Friars, and Jewry-street,
Aldgate. In Hart-street stands the church of St. Olave, so often
mentioned by Pepys. It escaped the Fire, and contains a few tablets well
worth visiting. Some portion of the interior appears to be very ancient,
though I am not able to assign any date to these remains, nor when the
first church was built. Here Pepys and his wife (the "poor wretch" of
his _Diary_) are buried. The chapel in which the Crutched Friars dwelt
was, in Stowe's time, demolished, and its site occupied by a
tennis-court and other buildings.
On the right-hand side of Leadenhall-street stand the East India House
and Leadenhall Market, the latter of which need only be mentioned as
celebrated for its poultry and game. Stowe says, in his day it was used
for "the making and resting of pageants shewed at Midsummer, in the
watch; * * * * the lofts above were partly used by the painters in
working for the decking of pageants, and other devices for the
beautifying of the watch and watchmen." Those who visit Leadenhall
Market in Christmas-week will form some idea of the supply needed for
the two-million mouthed metropolis.
The East India House was built but little more than half a century ago,
though it contains portions of the older edifice, erected in 1726. The
present building is about 200 feet in length, and wears somewhat of a
princely look in its pillared portico and sculptured pediment, over the
centre of which Britannia is placed, while figures representing Asia and
Europe stand on each side of her. The ground-floor contains committee
and other rooms, in which the directors and proprietors transact
business.
The handsomest saloon in the East India House is occupied by the Court
of Directors, and is usually termed the Court-room: it is said to be an
exact cube of 30 feet; it is superbly gilt, and embellished with large
looking-glasses; the effect of its too great height being much
diminished by the position of the windows near the ceiling. From the
cornice hangs six pictures, representing the three presidencies--the
Cape, St. Helena, and Tellichery. Over the chimney is a fine piece of
sculpture in white marble, representing Britannia seated on a globe by
the sea-shore, receiving homage from three female figures--Asia,
Africa, and India. Asia offers spices with her right hand, and with her
left leads a camel; India presents a box of jewels; and Africa rests her
hand upon the head of a lion. The Thames, as a river-god, stands upon
the shore; a labourer is cording a bale of merchandise, and ships are
sailing in the distance. The whole is supported by two caryatid figures,
intended for Brahmins.
[Illustration: TIPPOO'S ELEPHANT HOWDAH.]
In another room there are six statues of Clive, Hastings, Cornwallis,
Coote, Lawrence, and Pococke--all men who won for themselves
distinguished names in India.
The upper part of the house, besides offices, contains the library and
museum: the latter is open on Saturdays from eleven to three; and with
the exception of the Tower, we know of no place where four hours can be
more agreeably and profitably spent in the City, than in examining this
rare collection. Here we see beautiful specimens of every
description--Goorkha swords, Sumatra shields, and Lahore gauntlets. In
another compartment we find models of Oriental manufactures: objects of
natural history are also there--animals, birds, insects, and shells of
the richest colours.
Here also is Tippoo Sultan's tiger. "It is a curious piece of mechanism,
displaying both the ingenuity and barbarism of the artist who produced
it, no less than the ferocity of nature which could induce a prince to
esteem it as a favourite toy. By turning a crank, like the handle of an
organ, sounds are emitted resembling the shrieks of a man in the jaws of
a tiger, while ever and anon a deeper tone is heard, intended to
represent the roar of the animal."
We find here Tippoo's howdah, or elephant seat, together with his
quilted corslet. The seat is of silver, and the bird forming the canopy
is of the same material, while the eyes are said to be of precious
stones. The padded shirt is said to have belonged to Tippoo Sultan; also
the corslet, which is lined with blue diaper.
There are Hindoo idols of gold and silver, marble and wood, remnants of
shrines and inscriptions, the very letters of which "would have made
Quintilian stare and gasp."
The Chinese curiosities are well worth examining, especially the
materials for engraving, writing, and printing; nor ought the mariner's
compass to be overlooked, for we must remember that this strange nation
have some claim to the invention of our "ocean guide," though rude,
perhaps, the first form may have been, and its bearings but little
understood.
From the _Illustrated London News_, we give the following description of
the paintings found in the Ajunta Caves, in India, copies of which have
lately been added to the Museum of the East India Company:--"These
paintings were found upon the interior walls and roofs of a series of
temples, excavated out of the solid rock, situated near the Ajunta Pass,
where the road from central Hindostan ascends the mural heights
supporting the table-land of the Dekkan. The town of Ajunta is about 200
miles north-east from Bombay; and in a ravine amongst the hills, some
four or five miles distant, occur the caves. According to Mr. Fergusson,
in his 'Memoir on the rock-cut Temples of India,' published in the
'Journal of the Royal Asiatic Society,' the entrance to the ravine is
nearly half a mile in width; but the ravine becomes narrower as the
traveller winds up it, until it terminates in a cascade of seven falls,
or leaps: the lowest is about 100 feet high, the others about 100 feet
higher. Immediately below the fall the
[Illustration]
ravine makes a sharp turn to the right, and it is in the perpendicular
cliff forming the outer side of the bend, and facing the fall, that the
caves are situated; the whole series extending about 500 yards from
north to south-east. There are in this space twenty-seven caves, which
are accessible by a sort of ledge or terrace of the cliff; but this has
given way at the southern extremity, and left the face of the cliff
perpendicular, to the height of about 300 feet. The general appearance
of the ravine and of some of the excavations is given in our engraving,
reduced from the original plate, forming part of Mr. Fergusson's
interesting illustrations of these and other Rock Temples delineated by
him in India.
"The Ajunta Caves are richly decorated with sculptured porticoes and
columns; but their peculiar feature is the embellishment of their roofs
and walls with paintings, which it is not yet determined to call
frescoes. They have suffered much from time and neglect; and to
counteract, in some measure, the further depredations of both, the Court
of Directors have instructed their local governments to take measures
for their careful delineation. An officer of the Madras Establishment,
Captain Gill, made copies of them, and sent home those now at the India
House. In one we have on the left a number of warriors apparently
setting out on an expedition. The chief, indicated by the umbrella, is
taking leave of his princess, whilst a group of women on the right are
also bidding them farewell. The men are characterised by the
intertwining of the hair with the cloth of the turban, a costume now
chiefly met with amongst the Burmas. It is doubtful if it is to be found
on the continent of India. There is nothing to denote the religion of
the persons represented; but in another painting a group very similar
are offering their adoration to a Chaitya or Buddhist monument, which is
conclusive as to their professing the Buddhist faith.
"In another section we have various groups, which belong to the interior
of the palace. The chief in one place is seated, in another standing,
and in both attitudes is evidently communicating orders or instructions.
This is probably a representation of Sakyasinha or Buddha, who admitted
females to become his disciples, and was allowed free access to the
female apartments. The privilege here is not confined to him, for in two
places are men bringing presents carried upon a pole, with slings, as
they are at the present day. In the right-hand corner we have what seems
to be a garden; in the left a group of elephants very accurately
represented--one appears to have triple tusks; a seated female in front
appears to hold a book.
"The third picture represents a very different series of figures from
either of the two preceding, and evidently belongs to the Saiva branch
of Brahminism. The much-defaced head in the centre, with a rich crown,
ornamented amongst other things with crosses, is a not uncommon
representation of Siva; and in the right compartment we have the same
divinity attended by some of his hideous train of goblins. In one place,
on the left, of two smaller figures the male is playing a flute. The
figures appear to be partly in the clouds, partly in edifices and in
gardens--perhaps the city of the God of Wealth upon the celestial
mountain Kailas is intended.
"The indications of Buddhism are, however, the prevailing subjects of
the paintings, although some of them are Saiva. Fragments of
inscriptions are found on two of them, which, although too imperfect to
be capable of translation, are valuable as guides to the age of the
paintings. The characters in which they are written went out of use
about the third century of our era, and the paintings in which they
occur must, consequently, be of prior date. They were painted, probably,
about the beginning of the Christian era."
Trinity-square, Tower-hill, in which stands Trinity House, is the last
object of any importance that claims notice in our present chapter. At
what period Trinity House was established is not, for certainty, known,
though it is believed to have been founded by Henry VIII., about the
time that he formed the Navy-Office. Like all other jurisdictions, it
gathered power gradually, through a long range of time, being at first
limited in its privileges and circumscribed in its limits, until
Elizabeth made the Company guardians of our sea-marks. Trinity House now
has the sole management of the light-houses and buoys, and its
operations may often be seen by a reference to the first page of the
_Times_, where it announces new marks laid down by wrecks, and different
changes made in beacons, "those watchmen of the sea."
[Illustration]
CHAPTER V.
THE TOWER.
The oldest remains of London, with few exceptions, nearly stand facing
each other, and are on opposite sides of the river. Thus, the Tower,
though some distance "below" bridge, looks on its ancient neighbour a
little higher up, the Church of St. Mary Overies, now called St.
Saviour's; while westward, Lambeth Palace confronts Westminster Abbey
and Hall, where they stand looking at each other, as they have done for
more than six centuries. Had that highway of waters which rolls between
these ancient edifices a tongue, what "deeds of other years" it might
babble forth! scenes mirrored on its surface, of which we have no
mention--events of which history has made no note, nor time preserved
any record.
At what period a fortress was first built on the spot now occupied by
the Tower will probably never be known, though it must have been a place
of some strength when Edmund Ironside defended it against the Danes, and
probably was centuries before that period.
No one doubts but that London was long inhabited by the Romans; and from
all we know of the many habits of those cautious warriors, we are
certain that they would not leave the river front of their city
undefended. Ancient foundations have been discovered in the Tower within
the last century, so strong and thick, as to call back Fitz-Stephen's
description of those large and strong walls which rose up from a deep
foundation, the mortar of which is "tempered with the blood of beasts."
Nearly seven hundred years ago did Fitz-Stephen write thus; so that the
"Tower Palatine," as he calls it, must have been so ancient even in his
day, that he knew nothing of its origin, more than that of the mortar
being "tempered with the blood of beasts." Nearly all our Roman remains
in Lower Thames-street have been discovered "deep down," and this goes
far in favour of those strong and undated foundations, laid bare within
the Tower, being Roman; the great width--three yards--corresponds also
with all we have seen of such ancient relics.
We know that the first London Bridge was built of wood, but we know not
the date of its erection, though it is mentioned many times long before
the Norman invasion. We also know that Edmund Ironside defended a walled
fortress which stood on the City side of the river; and that in those
days there was a bridge which Canute the Dane's ships did not pass
under, and that the battle on the river and on land was at the foot of
this old wooden bridge; and that the wall Edmund and his followers
defended must have been somewhere about the spot on which the Tower now
stands. This battle took place more than eight hundred years ago; and
after Canute's forces were repulsed by the London citizens, headed by
the son of Ethelred the Unready, the Danish king sailed out of the
Thames and landed in Mercia, somewhere near the mouth of the Humber.
This fortress was defended, and this wooden bridge stood, more than 150
years before Peter of Colechurch commenced his stone bridge in 1176; but
how much longer we know not. London must have been well fortified to
have held out as it did, against the invasion of Swein king of Denmark,
who came up to its very walls with his ships, and was compelled to
retreat. There must have been either tower or fortress beside the river,
for the Saxon citizens to have driven back such a powerful enemy.
It is generally admitted that Gundulp, Bishop of Rochester, was the
architect of the White Tower; and that it was built in the time of
William the Conqueror. Nor must we forget that soon after his first
entry into London, William the Norman resided in the Tower, in proof (if
true) that this fortress, whatever it might have been, was one of the
strongest in London--one of the safest to retire into in a land filled
with enemies, for he had then but few friends except his own soldiers.
What William the Norman built, and Rufus and Henry I. added to the old
Saxon Tower of London, cannot distinctly be defined, for we read of the
Great Tower, and a castle fronting the river beneath this Tower; and
then we pass over a few years, and find Flambard, the fighting Bishop of
Durham, a prisoner within the Tower walls, and from which, with the aid
of a rope, he made his escape.
Another Bishop, Longchamp, held the Tower against John and his retainers
while the lion-hearted King Richard I. was waging war in Palestine.
Here we see it used as a prison, and find it a fortress too strong for
Prince John and his followers to storm.
Henry III., who built the Lion Tower and kept leopards in it, made many
additions and improvements.
Mr. Bayley says, "The records of that era, which abound with curious
entries, evincing Henry's great and constant zeal for the promotion of
the fine arts, contain many interesting orders which he gave for works
of that kind to be executed in different parts of the Tower." Edward I.
strengthened the fortifications, and seems to have left the Tower much
in the state that we now see it; for, after this period, but few
alterations or additions appear to have been made. Edward III. repaired
it, and Mr. Bayley, in his _History of the Tower_, tells us how the sum
(nearly 1000_l._) was expended. The first interesting description we
have of the Tower was written by a foreigner named Paul Hentzner, in the
reign of Elizabeth, and is as follows:
"Upon entering the Tower of London we were obliged to leave our swords
at the gate, and deliver them to the guard. When we were introduced, we
were shewn above a hundred pieces of arras belonging to the Crown, made
of gold, silver, and silk; several saddles, covered with velvet of
different colours; an immense quantity of bed-furniture, such as
canopies and the like, some of them richly ornamented with pearl; some
royal dresses, so extremely magnificent as to raise any one's admiration
at the sums they must have cost. We were next led to the Armoury, in
which are these particulars: Spears out of which you may shoot; shields
that will give fire four times;(?) a great many rich halberts, commonly
called partisans, with which the guards defend the royal persons in
battle; some lances covered with red and green velvet, and the suit of
armour of King Henry VIII.; many and very beautiful arms, as well for
men as for horse-fights; the lance of Charles Brandon, Duke of Suffolk,
three spans thick; two pieces of cannon--the one fires three, the other
seven balls at a time; two others made of wood, which the English had at
the siege of Boulogne in France; and by this stratagem, without which
they could not have succeeded, they struck a terror as at the appearance
of artillery, and the town was surrendered upon articles: nineteen
cannons, of a thicker make than ordinary, and in a room apart,
thirty-six of a smaller; other cannons for chain-shot, and balls proper
to bring down masts of ships; cross-bows and arrows, of which to this
day the English make use in their exercises. But who can relate all that
is to be seen here? Eight or nine men employed by the year are scarce
sufficient to keep all the arms bright. The mint for coining money is in
the Tower. N.B.--It is to be noted, that, when any of the nobility are
sent hither on the charge of high crimes punishable with death, such as
murder, &c., they seldom or never recover their liberty. Here was
beheaded Anne Bolen, wife of King Henry VIII., and lies buried in the
chapel, but without any inscription; and Queen Elizabeth was kept
prisoner here by her sister, Queen Mary, at whose death she was
enlarged, and by right called to the throne. On coming out of the Tower,
we were led to a small house close by, where are kept a variety of
creatures; viz. three lionesses, one lion of great size, called Edward
VI., from his having been born in that reign; a tiger, a lynex, a wolf,
exceedingly old: this is a very scarce animal in England, so that their
sheep and cattle stray about in great numbers without any danger, though
without any body to keep them. There is, besides, a porcupine and eagle:
all these creatures are kept in a remote place, fitted up for the
purpose with wooden lattices, at the Queen's expense.
"Near to this Tower is a large open space; on the highest part of it
(Tower-hill) is erected a wooden scaffold for the execution of noble
criminals; upon which they say three Princes of England, the last of
their families, have been beheaded for high treason. On the Thames,
close by, are a great many cannon, such chiefly as are used at sea."
Such was the Tower in the reign of Elizabeth, and such as it is now we
shall proceed to explain, enriching our description with several
engravings, which, though not placed exactly beside the text they
illustrate, will be clearly understood by the names affixed to each
engraving.
Passing through the entrance-gate, we reach the Lion Tower, which stands
at the corner of the moat or Tower ditch facing the Thames. Proceeding
eastward, with the river on our right, we come to the Middle Tower--then
the Bell Tower--the Lieutenant's lodgings--and the Bloody Tower, which
faces Traitor's Gate, to which there is a water-entrance. Passing these,
we either approach the White Tower in the centre, or visit the Salt
Tower at the east end; then the Brick Tower on the north side, in which
Lady Jane Grey was imprisoned, from thence to the Bowyer Tower, in which
the Duke of Clarence was drowned in a butt of malmsey; and last to the
west side, where stands the Beauchamp Tower, in which Anne Boleyn was
imprisoned. The chapel of St. Peter ad Vincula, and the Jewel House, are
the last places we shall describe. In something like the plan we have
here adopted, we shall proceed to carry our readers with us while
describing the above-named portions of this ancient fortress.
The entrance is on the west side, leading to the Lion Tower, in which
the royal beasts were formerly kept. In Nicholl's _Progress of James
I._, we find the following:--"This spring of the year (1605)
[Illustration]
the king builded a wall, and filled up with earth all that part of the
moat or ditch about the west side of the lions' den, and appointed a
drawing partition to be made towards the south part thereof, the one
part thereof to serve for the breeding lioness when she shall have
whelps, and the other part thereof for a walk for the other lions. The
king caused also three trap-doors to be made in the wall of the lion's
den, for the lions to go into their walk at the pleasure of the keeper,
which walk shall be maintained and kept for especial place to bait the
lions with dogs, bears, bulls, boars, &c."
Ned Ward, of "merry memory," in his _London Spy_, published above a
century and a half ago, has left us the following anecdotes of the Lions
in the Tower.
"One of the keeper's servants, whilst he was shewing us his unruly
prisoners, entertained us with a couple of remarkable stories, which,
because the tragedy of the one will render an escape in the other story
the more providential, I shall proceed to give them to the reader in
their proper places--namely, that a maid, some years since, being a
servant to the keeper, and a bold, spirited wench, took pleasure now and
then in helping to feed the lions, and imprudently believing the
gratitude of the beasts would not suffer them to hurt her, she would
venture sometimes--though with extraordinary caution--to be a little
more familiar with them than she ought to be. At last she either
carelessly or presumptuously ventured too near their dens; and one of
the lions caught hold of her arm, and tore it off quite at the shoulder,
after a most lamentable manner, before any body could come to her
assistance; killing her with a gripe, before he would loose her from his
talons, till she was a miserable object of her own folly, the lion's
fury, and the world's pity.
"This story he succeeded by another, wherein was shewn as miraculous a
preservation of himself, contrary to the cruelty the lion had before
used to his unhappy fellow-servant, which he delivered after this
following manner, namely:
"''Tis our custom,' says he, 'when we clean the lions' dens, to drive
them down over-night through a trap-door into a lower conveniency, in
order to rise early in the morning and refresh their day apartments by
clearing them; and having through mistake, and not forgetfulness, left
one of the trap-doors unbolted, which I thought I had carefully secured,
I came down in the morning, before daylight, with my candle and lanthern
fastened before me to my button, with my implements in my hands, to
despatch my business, as was usual; and going carelessly into one of the
dens, a lion had returned through the trap-door, and lay couchant in a
corner, with his head towards me. The sudden surprise of this terrible
sight brought me under such dreadful apprehensions of the dangers I was
in, that I stood fixed like a statue, without the power of motion, with
my eyes steadfast upon the lion, and his likewise upon me. I expected
nothing but to be torn to pieces every moment, and was fearful to
attempt one step back, lest my endeavour to shun him might have made him
the more eager to have hastened my destruction. At last he roused
himself, as though to have a breakfast off me; yet, by the assistance of
Providence, I had the presence of mind to keep steady in my posture, for
the reasons before-mentioned. He moved towards me without expressing in
his countenance either greediness or anger; but, on the contrary, wagged
his tail, signifying nothing but friendship in his fawning behaviour;
and after he had stared me a little in the face, he raises himself up on
his two hindmost feet, and laying his two fore paws upon my shoulders
without hurting me, fell to licking my face, as a further instance of
his gratitude for my feeding him, as I afterwards conjectured; though
then I expected every minute when he would have stripped my skin over my
ears, as a poulterer does a rabbit, and have cracked my head between his
teeth, as a monkey does a small nut.
"'His tongue was so very rough, that with the few favourite kisses he
gave me, it made my cheeks almost as raw as a pork griskin, which I was
very glad to take in good part without a bit of grumbling. And when he
had thus saluted me, and given me his sort of welcome to his den, he
returned to his place, and laid him down, doing me no further damage;
which unexpected deliverance hitherto occasioned me to take courage,
that I slunk back by degrees till I recovered the trap-door, through
which I jumped, and pulled it after me; thus happily, through an
especial Providence, I escaped the fury of so dangerous a creature.'"
Ward also mentions two stuffed lions, one said to have been Queen
Mary's, the other King Charles's: and of the latter he says, he "had no
more fierceness in his looks that he had when living, than the effigies
of his good master at Westminster has the prescence of the
original."--_London Spy_, part 13.
We know of no historical incident of any interest connected with the
Middle Tower; but in the Bell Tower adjoining, Fisher, Bishop of
Rochester, is said to have been imprisoned. How much this venerable
bishop must have suffered before he wrote as follows to Cromwell we know
not: "I beseech you to be good, master, in my necessity; for I have
neither shirt nor yet other clothes that are necessary for me to wear,
but that be ragged and rent too shamefully. Notwithstanding, I might
easily suffer that, if they would keep my body warm. But my diet also,
God knoweth how slender it is at many times. And now in mine age [poor
old man, he was nearly eighty] my stomach may not away but with a few
kind of meats, which if I want, I decay forthwith."
How we feel to hate the brutal Defender of the Faith, whose supremacy he
refused to acknowledge, while perusing the catalogue of the venerable
prelate's sufferings.
The martyr and the murderer have long since gone to render an account of
their good and evil deeds.
The Lieutenant's lodgings contain a few old paintings, together with a
bust of James I., and a marble monument recording the names of those who
were examined regarding the Gunpowder Plot.
The Bloody Tower is supposed to have been the place in which the sons of
Edward IV. were murdered; but of this we have no proof; neither in the
discovery of the bones (which were found, in 1674, at the foot of the
staircase near the chapel in the White Tower,) any proof that the
princes were murdered in that part of the fortress. That they should be
buried near the White Tower chapel bespeaks a reverence for their
remains.
There is something ominous and gloomy about the grim gateway, with its
grated portcullis and grinning iron teeth, that leads to the Bloody
Tower, which even now seems to chill the blood as we pass beneath it.
Nor is this feeling at all diminished by the recollection that one of
the Earls of Northumberland either committed suicide or was privately
murdered within those very walls. It was at this gate where Sir John
Bridge seized Wyatt by the collar and shook him, when he was made
prisoner after the insurrection. "But that the law must pass upon thee,"
said the angry lieutenant, "I would stick thee through with my dagger."
To which Wyatt replied, holding his arms under his side, and looking
grievously with a grim look upon the lieutenant, "It is no mastery now,"
and so passed on.
The Salt Tower is remarkable for a curious engraving on the walls
representing the signs of the Zodiac, the work of Hugh Draper, of
Bristol, who was a prisoner in this turret in 1560. What a glimpse we
obtain of the superstitious ignorance of this period, when recalling the
"crime" he was committed for--that of practising the art of sorcery
against Sir William Lowe and his lady. The Brick Tower, on the
north-east side, near the mount, is said to be the spot in which Lady
Jane Grey, the "nine-days' Queen," as she is called by the old
chroniclers, was imprisoned.
In the Bowyer Tower, which stands behind the barracks, it is said the
Duke of Clarence was murdered, by being drowned in a butt of his own
favourite drink. The upper portion of this tower is modern, and the
whole was again greatly impaired in the fire which burnt down the great
storehouse in 1841, which also injured the Flint and the Brick Towers.
We next come to the Beauchamp or Wakefield Tower, in which are deposited
so many records. "This is perhaps the most interesting building of the
whole range, the White Tower not excepted," says Mr. Howitt, in his
_Tower of London_. "Employed for many years as a 'prison lodging,' its
walls are covered with the carved memorials of its unfortunate
occupants. Among those who have thus recorded their sorrows are John
Dudley, Earl of Warwick, 1553; Philip Howard, Earl of Arundel, 1578;
Charles Baily, a Fleming, and agent of Mary Queen of Scots; Arthur and
Edmund Poole, grandchildren of George, Duke of Clarence, brother to King
Edward IV.; Thomas Fitzger, son of the Earl of Kildare, 1534; Sedburn,
Abbot of Joreval, 1537; Dr. Abel, chaplain of Queen Catherine of
Arragon; Thomas Cobham, son of Lord Cobham, 1555; Robert Dudley, Earl of
Leicester, the favourite of Queen Elizabeth; Sir Ingram Percy, son of
the Earl of Northumberland, 1537; Eyremot Radclyffe, son of the Earl of
Sussex, 1576; with many others. Couplets, maxims, or allegories are
sometimes added, as--
'By torture strange my truth was tryed,
Yet of my liberty denied.'--1581, THOMAS MYAGH.
This torture was the rack.
'It is the poynte of a wyse man to try and then to truste,
For hapy is he who fyndeth on that is juste.'--R. C.
The following is the conceit of a poor lover:
'Thomas Willynagh, Goldsmithe. My hart is yours tel dethe.'
And by the side is a figure of a 'bleeding hart,' and another of
'dethe.' The initials, T. W. and P. A. on each side of the bleeding
heart, are doubtless those of the lover and his mistress."
This was the Tower in which Anne Boleyn was imprisoned. It is on record,
that, when she passed under the Traitor's Gate, she fell on her knees
and prayed, declaring herself innocent. When about to be beheaded on the
Green, she refused to have her eyes bandaged (those eyes into which her
brutal, tiger-like husband had so often fondly looked), but kept them
riveted on the headsman, who, while she gleamed on him, had not power to
strike the blow, until some one attracted her attention, and then, when
her eyes were turned away, he took off his shoes, strode forward
noiselessly, and struck off her head.
Another inscription in this tower, in Italian, runs as follows:
"Since fortune hath chosen that my hope should go to the wind, to
complain, I wish the time were destroyed, my planet being ever sad
and unpropitious."--WILIM TYRREE, 1541.
One underground cell was called the Rats' Dungeon; it was below
high-water mark, and dark as the grave. At high-water, hundreds of rats
are believed to have sought shelter in this hideous cavern, until the
tide subsided. In this den, it is said, prisoners were sometimes thrust,
when the rack was found of no avail in extorting a confession. But all
the shrieks and struggles would be drowned deep down in this inhuman
hell, and only the Angel of Death left to look on the maddening horrors
of the wretched prisoners. The imagination shrinks back, as, through the
darkness of bygone years, it pictures for a moment the terrible
tragedies which must have been enacted in such a blood-stained dungeon.
We now come to the White Tower, with its four turrets, which may be seen
from many an eminence that overlooks London, and is always pointed out
as "The Tower." It is to the east of London what Westminster Abbey is to
the west, and St. Paul's to the centre of the city--the great object of
attraction. The interior consists of three stories (beside the vaults),
the first floor having two rooms, the roofs of which are no doubt as old
as the walls that surround them. In ancient times they were used as
prisons. The second story also contains two large rooms, in which are
deposited arms and other stores; and here also stands the chapel, the
most interesting of all the apartments, and shewing how great must be
the strength of a building to support such massy pillars and heavy
arches on its second story. It is a splendid specimen of true unaltered
Norman architecture, and unlike any thing we have seen in London, except
the interior of St. Bartholomew, Smithfield; not that it is so beautiful
as a whole as the church of the old Priory, but there is a massiness
about it in solemn keeping with the heavy and stupendous pile of
buildings which it stands upon and overlooks, for it rises to the very
roof of the Tower--the remainder of the third story forming the Council
Chamber, which is a large, heavy, plain-looking room, and arrests the
eye as soon as you enter. It is so unlike the chapel, that you are
amazed at its rude and primitive appearance, its flat timber ceiling and
plain rows of wooden beams, give to it something of a gigantic,
barn-like look; lost, however, when you glance at the pierced walls and
side arches, that tell you that all is in keeping with the solemn
fortress that has stood the shock of war, and the wear and tear of time,
through the long nights of nearly eight centuries. The scenes that have
taken place in this vast chamber are written in the pages of English
history, and are, with few exceptions, the most important in all our
annals.
We will now glance at the Jewel-house, and give a brief description of
the chief curiosities and treasures it contains.
The regalia appears to have been kept within the Tower from an early
period, as mention is made of jewels deposited there as far back as the
days of Henry III. These jewels were often pledged, and were sometimes
in the hands of French and Flemish merchants. Henry VI. was the first,
we believe, who went to "his uncle" to raise money on them; and Beaufort
advanced him 7000 marks with the true pawn-broker-like proviso, that if
they were not redeemed by a certain day, they were to remain his
(uncle's) property. Henry VIII., who melted down so many old monastic
treasures, lightened the regalia of many a rich relic, and, free-trader
like, dispersed it again in the shape of the current coin of the realm.
Those who possess the rose-nobles of that period may retain a portion of
the crown which once encircled the brow of one of his beautiful wives,
whom, Bluebeard-like, he butchered. He thought no more of melting a rich
sacramental cup than he did of a broken spoon.
During the civil wars the regalia was again diminished; but to what
extent we are not able to state, though mention is made of the sale of
such plate as bore the emblems of the cross, or was engraven with
"superstitious pictures." In its present state there will be found
worthy of notice the crown known as St. Edward's, first worn by Charles
II., and since that time used by all the monarchs who have ascended the
throne of Great Britain. This is the very crown that Blood stole, as we
have before stated, and the one placed on the head of her present
Majesty when she was crowned in Westminster Abbey. The new crown made
purposely for her Majesty is also here, and is formed of purple velvet,
hooped with silver, and richly adorned with diamonds. The ruby in it is
said to have been worn by the Black Prince, and the sapphire is
considered to be of great value: the crown altogether is estimated at
above 100,000_l._
The Prince of Wales's crown is formed of pure gold, without much
addition of jewels; while that of the Queen's consort is enriched with
pearls, diamonds, and other precious stones. The Queen's diadem was made
for Maria d'Este, the unfortunate queen of James II., who stood
sheltering in the rain under the wall of Lambeth Church on the night her
husband abdicated, when he threw the great seal into the Thames as he
crossed the river at Westminster to join her. Little did she dream, when
that golden diadem first pressed her fair brow, of the troubles she was
doomed to undergo.
St. Edward's Staff (why so called we know not, as the gold coronation
spoon is believed to be all that remains of the ancient regalia,) is
four feet seven inches long, bearing at the top an orb and cross; the
orb containing, it is said, a portion of the true cross. This staff is
made of beaten gold, to the bottom of which is fixed a steel spike, no
[Illustration: 1. Queen's Diadem. 2 and 3. Queen's Coronation Bracelets.
4. Prince of Wales's Crown. 5. Old Imperial Crown. 6. Queen's Crown. 7.
Spiritual Sceptre. 8. Temporal Sceptre.]
doubt intended for defence, as a strong arm would be able to drive it
through any assailant. Nothing is known of the history of this staff;
though we shall probably not be far wrong if we date the orb as far back
as the days of the Crusaders, on account of the portion of the "true
cross" which it is said to contain.
The Royal Sceptre is of gold, ornamented with precious stones; also with
the rose, shamrock, and thistle, all in gold; the cross is richly
jewelled, and contains a large diamond in the centre; the length of the
sceptre is two feet nine inches.
The Rod of Equity is three feet seven inches in length, and is made of
gold set with diamonds. The orb at the top is enriched with rose
diamonds, and on the cross which surmounts it stands the figure of a
dove with wings expanded. This is sometimes called the Sceptre with the
Dove. Another sceptre, called the Queen's Sceptre with the Cross, though
much smaller, is very beautiful in design, and thickly set with precious
stones. The Ivory Sceptre was made for Maria d'Este; and another
sceptre, found behind the wainscoting in the apartment in which the
regalia was formerly kept, is said to have been made for the queen of
William III. There are also two orbs well worthy of observation, as are
also the swords of Justice, ecclesiastical, and temporal, and the Sword
of Mercy, or Curtana, which is pointless. A few of these will be best
understood by a reference to the engravings, which shew the Ampulla for
the holy oil, formed like an eagle; the Armillæ, or coronation
bracelets, made of gold, and rimmed with pearls; the coronation spoon,
used for anointing the sovereigns, very ancient; and the golden
salt-cellar, shaped like a castle with turrets. There are several of
these state salt-cellars worthy of notice; also a baptismal font, and a
silver wine-fountain, beside many other valuable curiosities, which
would give our work too much the appearance of a catalogue were we to
describe them all.
On the south side of the White Tower stands the Horse Armoury, which was
erected about a quarter of a century ago. Many of the suits of armour
which these equestrian figures wear are very ancient; and a few are
highly interesting, through having been worn by kings and warriors who
stand proudly out in the annals of England. The first in supposed
antiquity is a Norman Crusader, said to be nearly as old as the time of
the Conqueror; and is formed of small iron rings, which make a kind of
net-work that must have given far more play to the body of the wearer
than the cumbrous mail worn on a later day. Similar armour was worn by
the Saxons before the reign of Alfred, as is shewn in a few of the
illuminated documents which have been preserved to the present day.
There is a kite-shaped shield, such as was used at this period, in the
Elizabethan Armoury, which
[Illustration: 1. Imperial Orb. 2. Ampulla. 3. Golden Salt-Cellar of
State. 4. Anointing Spoon. 5, 6, 7. State Salt-Cellars.]
ought to be removed and affixed to this figure of the Crusader. The next
in date that claims our attention, is the resemblance of a grim warrior,
armed from head to heel, after the fashion of the heroes who fought in
the days of Edward I. Here we have the long surcoat and rich emblazonry,
which is so often mentioned in the wars of Palestine: the prick-spears
are of a very primitive form, and worth examining, as is every portion
of the armour on this figure; for even what is modern is a strict
imitation of what was worn at this period. The next is a gorgeous
specimen of the time of Henry VI., both as regards the armour and the
trappings of the figured steed; the skirts and sleeves are splendid
specimens of chain-mail, and the fluted gauntlets, "beautiful
exceedingly." The breasts and back are made of flexible plates, that is,
loose, and put on in pieces; and the helmet, which is a salade, with a
vizor or pontlet, has a grand appearance, surmounted as it is with a
crest. All these it would require the skill of a Meyrick to describe
accurately; for he tells us of sollerets, and tuilettes, vambraces, and
rere-braces, camails, cuisses, and greaves, which are difficult to
explain, and still more difficult to comprehend, without the aid of
engravings. We then come to the reign of Edward IV., and here we find a
rich but very singular-looking suit of armour. The angular-shaped helmet
strikes the eye as being well adapted to throw off the point of a spear,
if struck on the volant piece, which stands out sharp and ridgy as the
point of a plough. The vambrace of the lance is very old, and shews how
the hand was protected; there is also an addition to the safety of the
wearer in the steel guard on the left side of the breast-plate, and also
on the elbow, compared to that worn in the preceding reign. Armour of
the time of Richard III. is placed on the next figure, very beautiful,
being ribbed or plated; and here we have rosettes on the shoulders,
which look like little wings or epaulets that have blown loose, and
stand erect. This suit was worn by the Marquis of Waterford, when
several gentlemen met to play at tournament at Eglintoun. Period of
Henry VII.: a warrior dismounted, the armour of German workmanship; the
figure remarkable for the change made in the helmet. Next to this
another suit of the same age, and the horse majestically armed,
especially about the head, neck, and upper parts of the chest. We now
come to a suit of what is called Damask armour, and this the great
wife-killer, Henry VIII., really wore--better for his fame if he had
been killed in it the first day he rode armed; but we have "said our
say" in a novel called _Lady Jane Grey_, and will pass on to mention
that there is another suit, said to have been presented to him by
Ferdinand, on his marriage with his daughter, Katherine of Arragon; of
this suit, Mr. Howitt, in his _Tower Armoury_, says, "The badges of this
king and queen, the rose and pomegranate, are engraved on various parts
of the armour. On the pins of the genouillères sheaf of arrows, the
device adopted by Ferdinand, the father of Katherine, on his conquest of
Granada; Henry's badges, the portcullis, the _fleur-de-lis_, and the red
dragon, also appear; and on the edge of the lamboys or skirts are the
initials of the royal pair, 'H. K.' united by a true-lover's knot." The
red dragon was the figure the ancient Britons bore on their standards in
their wars against the Saxons. It is frequently mentioned by the Welsh
bards who lived at that period, and also fought in these battles; but we
do not think they bore standards before the invasion of the Romans,
emblazoned with any devices. Passing by the armour of Edward VI., and
that said to have been used by Hastings Earl of Huntingdon, we come to a
suit that once covered the stately form of Dudley Earl of Leicester,
"the gipsy," as Essex called him, on account of those dark features that
Queen Elizabeth loved to look on. A suit, said to have been worn by his
once powerful rival, the Earl of Essex, is only divided from Dudley by
the armed figure that wears the mail assigned to Sir Henry Lea. Passing
by the figures of James I., Sir Maurice de Vere, and the Earl of
Arundel, we come to a beautiful suit of armour, made for Henry Prince of
Wales, who died young; it is gilt, and enriched with quaint designs of
ancient battles and stormy sieges, and other emblems of "grim-visaged
war." Then follow suits said to have been worn by the Duke of
Buckingham, James's favourite; Charles I., when Prince of Wales; and the
unfortunate Earl of Strafford, who was, like his royal master, beheaded.
The suit said to have belonged to James II., a curious head-piece,
believed to have been worn by Henry the Seventh's jester, and several
other curiosities, such as an ancient warder's horn, swords, &c., that
were formerly in the possession of Tippoo Saib, together with an old
suit of unpolished armour, are things which will be shewn, if the
stranger make himself agreeable to the warder.
Quitting this gallery, we enter Queen Elizabeth's Armoury by a
staircase, passing by two carved figures called "Gin and Beer," which
were brought from the old palace of Greenwich, probably at the time of
its destruction. We are again in the White Tower, and tread the very
rooms in which Sir Walter Raleigh was imprisoned, for no doubt he had
the privilege of stepping beyond what is called his sleeping-room. In
the recessed arch at the end of this groined and vaulted apartment,
stands the equestrian figure of Queen Elizabeth, in a similar costume to
what she wore when she rode to St. Paul's to return thanks for the
destruction of the Spanish Armada. It would but make a dry catalogue
were we to enumerate the whole of the miscellaneous articles in this
Armoury, which consist of shields, swords, bows, blocks, instruments of
torture, partisans, poles, match-locks, &c. &c., all hanging on the
walls, or standing upright, or huddled together like old iron in a
marine-store. There, however, is the axe with which Lady Jane Grey is
supposed to have been beheaded, nor can we in a more fitting place,
while the mind is filled with horror, which this "heading-axe" and block
(the latter comparatively new) call up, describe her execution, which we
copy from a work edited by J. G. Nichols, Esq., F.R.S., entitled the
_Chronicle of Queen Jane_, and another scarce pamphlet, called _The Ende
of Lady Jane Dudley_. The heroic spirit she displayed at her execution
was long the talk in the streets of old London, when Queen Mary ascended
her sanguinary throne.
"By this tyme was ther a scaffolde made apon the grene over agaynst the
White Tower, for the saide lady Jane to die apon. Who, with hir husband,
was appoynted to have ben put to deathe the fryday before, but was
staied tyll then, for what cause is not knowen, unlesse yt were because
hir father was not then come into the Tower. The saide ladye being
nothing at all abashed, (neither with feare of her owne deathe, which
then approached, neither with the sight of the ded carcase of hir
husbande, when he was brought in to the chappell,) came forthe, the
levetenaunt leding hir, in the same gown wherin she was arrayned, hir
countenance nothing abashed, neither hir eyes enything moysted with
teares, although her ij. gentylwomen, mistress Elizabeth Tylney and
mistress Eleyn, wonderfully wept, with her booke in hir hand, wheron she
praied all the way till she cam to the saide scaffolde, wheron when she
was mounted, &c."
From the last-named pamphlet the narrative is continued as follows:
"She sayd to the people standing thereabout: 'Good people, I am come
hether to die, and by a lawe I am condemned to the same. The facte,
indede, against the quenes highnesse was unlawful, and the consenting
thereunto by me; but touching the procurement and desyre therof by me or
on my halfe, I doo wash my handes thereof in innocencie, before God and
the face of you, good Christian people, this day,' and therewith she
wrong hir handes, in which she had hir booke. Then she sayd, 'I pray you
all, good Christian people, to bear me witness that I dye a true
Christian woman, and that I looke to be saved by none other meane but
only by the mercy of God in the merites of the blood of his only sonne
Jesus Christ: and I confesse, when I dyd know the word of God I
neglected the same, loved my selfe and the world, and therefore this
plague or punyshment is happely and worthely happened unto me for my
sins; and yet I thank God of his goodnesse that he hath thus geven me a
tyme and respet to repent. And now, good people, while I am alyve, I
pray you to assyst me with your prayers.' And then, knelyng downe, she
turned to Fecknam, saying, 'Shall I say this psalme?' And he said 'Yea.'
Then she said the psalme of _Miserere mei, Deus_, in English, in most
devout manner, to the end. Then she stode up, and gave her maiden,
mistress Tylney, her gloves and handkercher, and her booke to maister
Bruges, the levetenantes brother; forthwith she untyed her gown. The
hangman went to her to help her of therewith; then she desyred him to
let her alone, turning towardes her two gentylwomen, who helped her off
therwith, and also with her frose past and neckercher, geving to her a
fayre handkercher to knytte about her eyes. Then the hangman kneeled
downe and asked her forgevenesse, whome she forgave most willingly. Then
he willed her to stand upon the strawe; which doing, she sawe the
blocke. Then she sayd, 'I pray you dispatch me quickly.' Then she
kneeled down, saying, 'Wil you take it (her head) off before I lay me
downe?' and the hangman answered her, 'No, madame.' She tyed the kercher
about her eys; then feeling for the blocke, saide, 'What shall I do?
Where is it?' One of the standers-by guyding her therunto, she layde her
heade down upon the blocke, and stretched forth her body, and said,
'Lorde, into thy hands I commende my spirite!' And so she ended."