CHAPTER XXII.

HOLIDAYS OF THE LONDON POOR.....293

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LIST OF ENGRAVINGS.

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PAGE

Frontispiece.

Vignette in Title.

Roman Hypocaust, Thames-street 22

Roman Remains, found in Thames-street 23

St. Paul's Cathedral.--Charity Children's Anniversary Festival 31

Prerogative Court.--Doctors' Commons 39

Saracen's Head, Friday-street 48

Roman Lamp 49

Gerard the Giant 50

Gerard's Hall Crypt 52

Bow Church, Cheapside 54

St. Stephen's, Walbrook 61

Roman Vessels found in Cannon-street 63

The London Stone 64

Lord Mayor's Jewel 65

St. Michael's Church, Cornhill 68

Lombard Street 71

St. Mary's Woolnoth 73

Old Billingsgate 83

St. Dunstan's-in-the-East 92

Silver-gilt Shrine 95

Tippoo's Elephant Howdah 97

Ajunta Caves 99

Tower of London 107

Queen's Diadem, Queen's Coronation Bracelets, Prince of Wales' Crown,

Old Imperial Crown, Queen's Crown, Spiritual Sceptre, and Temporal

Sceptre 115

Imperial Orb, Ampulla, Golden Salt-Cellar of State, Anointing Spoon,

and State Salt-Cellars 117

Mast-House, Blackwall 129

London Docks--Outer Basin 140

Butcher Row, Whitechapel 143

The Four Swans' Inn Yard 151

St. Giles's, Cripplegate 165

Old Staircase in Christ's Hospital 171

Christ's Church 172

Smithfield 179

Newgate 185

Somerset House 204

Church of St. Mary-le-Savoy 205

Interior of the Savoy Church 206

Westminster Abbey 218

Horse-Guards 222

The Rookery, St. Giles's 231

Queen Anne's Bath 241

Street Performers 258

Highgate Cemetery 271

One-Tree Hill, Greenwich Park 284

Old Pensioner, Greenwich Park 285

Telescopes, Greenwich Park 286

Gipsies, Greenwich Park 287

Greenwich Park 289

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ADVERTISEMENT.

The greater portion of the following work originally appeared in the

columns of the _Illustrated London News_. The beauty of the sketches,

and the permanent interest attached to them, led the proprietors of the

_National Illustrated Library_ to believe that a reprint of them would

form a valuable and welcome addition to that series of illustrated

works. The various articles have accordingly been carefully revised by

the author; many additions have been made, and curious extracts from

rare old works have been introduced, more completely to illustrate the

various scenes and objects described.

The engravings, which consist chiefly of views of churches and other

public buildings, of antiquities, views of streets and markets, sketches

of street scenes, &c., have been carefully executed from original

drawings.

The work is not to be considered as a guide-book, but as a series of

sketches in "poetic prose" of various parts of London, in which, while

perfect accuracy is preserved, the dulness of a mere itinerary is

avoided; in which London of the _present_ is sketched from constant

personal observation, and London of the _past_ from the rich historical

and legendary lore that exists regarding it, and in which the thoughts

that arise in "a free mind and loving heart," from a contemplation of

the various objects and scenes described, are expressed in eloquent and

forcible language.

Nor must the work be considered as exhaustive of the subject. The places

and scenes chosen for "Picturesque Sketches" are chiefly in the eastern

or older part of London. To have included the whole of the metropolis

would have required not one volume, but many. Nevertheless, it will be

found that the subjects to which chapters are devoted are the most

interesting in London, and that though the work is not complete as

regards the whole of this mighty city, yet each chapter is complete as

far as regards its individual subject.

_227 Strand, July 1, 1852._

PICTURESQUE SKETCHES OF LONDON.

Ancient London.

Instead of wasting words on traditions which few can believe, or filling

my pages with accounts of the fabulous kings who are said to have

descended from Æneas, and to have reigned in Britain centuries before

the Roman Invasion, I shall commence the present work by shewing that

the remote past will ever remain a mystery which man is not permitted to

penetrate. The following opening to my _History of the Anglo-Saxons_

applies to the "unknown" origin of London--the new Troy of ancient

fiction--the Augusta of the Romans--for in it I have described my

impression of the unwritten History of the Past:

"Almost every historian has set out by regretting how little is known of

the early inhabitants of Great Britain and its metropolis--a loss which

only the lovers of hoar antiquity deplore, since, from all we can with

certainty glean from the pages of contemporary history, we should find

but little more to interest us than if we possessed written records of

the remotest origin of the Red Indians; for both would alike but be the

history of an unlettered and uncivilised race. The same dim obscurity,

with scarcely an exception, hangs over the primeval inhabitants of every

other country; and if we lift up the mysterious curtain which has so

long fallen over and concealed the past, we only obtain glimpses of

obscure hieroglyphics; and, from the unmeaning fables of monsters and

giants, to which the rudest nations trace their origin, we but glance

backward and backward, to find that civilised Rome and classic Greece

can produce no better authorities than old undated traditions, teeming

with fabulous accounts of heathen gods and goddesses. What we can see of

the remote past through the half-darkened twilight of time, is as of a

great and unknown sea, on which some solitary ship is afloat, whose

course we cannot trace through the shadows which every where deepen

around her, nor tell what strange land lies beyond the dim horizon to

which she seems bound. The dark night of mystery has for ever settled

down upon the early history of our island, and the first dawning which

throws the shadow of man upon the scene, reveals a rude hunter clad in

the skins of beasts of the chase, whose path is disputed by the maned

and shaggy bison, whose rude hut in the forest fastnesses is pitched

beside the lair of the hungry wolf, and whose first conquest is the

extirpation of these formidable animals. And so, in as few words, might

the early history of any other country be written. The shores of Time

are thickly strewn with the remains of extinct animals, which, when

living, the eye of man never looked upon, as if from the deep sea of

Eternity had heaved up one wave, which washed over and blotted out for

ever all that was coeval with her silent and ancient reign, leaving a

monument upon the confines of this old and obliterated world, for man in

a future day to read, on which stands ever engraven the solemn sentence,

'Hitherto shalt thou come, but no farther: beyond this boundary all is

mine!'

"Neither does this mystery end here; for around the monuments which were

reared by the earliest inhabitants of Great Britain there still reigns a

deep darkness; we know not what hands piled together the rude remains of

Stonehenge; we have but few records of the manners, the customs, or the

religion of the early Britons: here and there a colossal barrow heaves

up above the dead; we look within, and find a few bones, a few rude

weapons, either used in war or the chase, and these are all; and we

linger in wonderment around such remains! Who those ancient voyagers

were that first called England the 'Country of Sea Cliffs,' we know not;

and while we sit and brood over the rude fragments of the Welsh Triads,

we become so entangled in doubt and mystery as to look upon the son of

Aedd the Great, and the Island of Honey to which he sailed, and wherein

he found no man alive, as the pleasing dream of some old and forgotten

poet; and we set out again with no more success to discover who were the

earliest inhabitants of England, leaving the ancient Cymri and the

country of Summer behind, and the tall, silent cliffs to stand, as they

had done for ages, looking over a wide and mastless sea.

"We then look among the ancient names of the headlands, and harbours,

and mountains, and hills, and valleys, and endeavour to trace a

resemblance to the language spoken by some neighbouring nation; and we

only glean up a few scattered words, which leave us still in doubt, like

a confusion of echoes, one breaking in upon the other; a minglement of

Celtic, Pictish, Gaulish, and Saxon sounds; where, if for a moment but

one is audible and distinct, it is drowned by other successive clamours

which come panting up with a still louder claim; and in very despair we

are compelled to step back again into the old primeval silence. There we

find geology looking daringly into the formation of the early world, and

boldly proclaiming that there was a period of time when our island

heaved up bare and desolate amid the silence of the surrounding

ocean--when on its ancient promontories and grey granite peaks not a

green branch waved nor a blade of grass grew; and no living thing,

saving the tiny corals, as they piled dome upon dome above the naked

foundations of this early world, stirred in the 'deep profound' which

reigned over those sleeping seas. Onward they go, boldly discoursing of

undated centuries that have passed away, during which they tell us the

ocean swarmed with huge monstrous forms; and that all those countless

ages have left to record their flight are but the remains of a few

extinct reptiles and fishes, whose living likenesses never again

appeared in the world. To another measureless period are we fearlessly

carried--so long as to be only numbered in the account of time which

eternity keeps--and other forms, we are told, moved over the floors of

dried-up oceans--vast animals which no human eye ever looked upon alive;

these, they say, also were swept away, and their ponderous remains had

long mingled with and enriched the earth; but man had not as yet

appeared, nor in any corner of the whole wide world do they discover, in

the deep-buried layers of the earth, a single vestige of the remains of

the human race.

"What historian, then, while such proofs as these are before his eyes,

will not hesitate ere he ventures to assert who were the first

inhabitants of any country, whence they came, or at what period of time

that country was first peopled? As well might he attempt a description

of the scenery over which the mornings of the early world first

broke,--of summit and peak which, ages ago, have been hurled down, and

ground and powdered into atoms. What matters it about the date when such

things once were, or at what time or place they first appeared? We can

gaze upon the gigantic remains of the mastodon or mammoth, or on the

grey silent ruins of Stonehenge; but at what period of time the one

roamed over our island, or in what year the other was first reared, will

for ever remain a mystery. The earth beneath our feet is lettered over

with proofs that there was an age in which these extinct monsters

existed, and that period is unmarked by any proof of the existence of

man in our island. And during those not improbable periods, when oceans

were emptied and dried amid the heaving up and burying of rocks and

mountains,--when volcanoes reddened the dark midnights of the world,

when the "earth was without form and void,"--what mind can picture aught

but His Spirit "moving upon the face of the waters?"--what mortal eye

could have looked upon the rocking and reeling of those chaotic ruins

when their rude forms first heaved up into the light? Is not such a

world stamped with the imprint of the Omnipotent--from when He first

paved its foundation with enduring granite, and roofed it over with the

soft blue of heaven, and lighted it by day with the glorious sun, and

hung out the moon and stars to gladden the night, until at last He

fashioned a world beautiful enough for the abode of his "own image" to

dwell in: then He created man. And what matters it whether or not we

believe in all these mighty epochs? Surely it is enough for us to

discover throughout every change of time the loving-kindness of God for

mankind: we see how fitting this globe was at last made for man's

dwelling-place; that before the great Architect had put his last finish

to his mighty work, instead of leaving us to starve amid the Silurian

sterility, He prepared the world for man, and in place of the naked

granite, spread out a rich carpet of verdure for him to tread upon, then

flung upon it a profusion of the sweetest flowers. Let us not, then,

daringly stand by, and say thus it was fashioned, and so it was formed;

but by our silence acknowledge that it never yet entered the heart of

man to conceive how the Almighty Creator laid the foundation of the

world.

"To his great works must we ever come with reverential knee, and before

them lowly bow; for the grey rocks, and the high mountain summits, and

the wide-spreading plains, and the ever-sounding seas, are stamped with

the image of Eternity; a mighty shadow ever hangs over them. The grey

and weather-beaten headlands still look over the sea, and the solemn

mountains still slumber under their old midnight shadows; but what human

ear first heard the murmur of the waves upon the beaten beach, or what

human foot first climbed up those high-piled summits, we can never know.

"What would it benefit us could we discover the date when our island was

buried beneath the ocean; when what was dry land in one age became the

sea in another; when volcanoes glowed angrily under the dark skies of

the early world, and huge extinct monsters bellowed and roamed through

the old forests and swam in the ancient rivers, which have perhaps ages

ago been swept away? What could we find more to interest us were we in

possession of the names, the ages, and the numbers of the first

adventurers who were perchance driven by some storm upon our sea-beaten

coast, than what is said in the ancient Triad before alluded to? "There

were no more men alive, nor any thing but bears, wolves, beavers, and

the oxen with the high prominence," when Aedd landed upon the shores of

England. What few traces we have of the religious rites of the early

inhabitants of Great Britain vary but little from such as have been

brought to light by modern travellers who have landed in

newly-discovered countries in our own age. They worshipped idols, and

had no knowledge of the true God; and, saving in those lands where the

early patriarchs dwelt, the same Egyptian darkness settled over the

whole world. The ancient Greeks and Romans considered all nations,

except themselves, barbarians; nor do the Chinese of the present day

look upon us in a more favourable light; while we, acknowledging their

antiquity as a nation, scarcely number them amongst such as are

civilised. We have yet to learn by what hands the round towers of

Ireland were reared, and by what race the few ancient British monuments

that still remain were piled together, ere we can enter those mysterious

gates which open upon the history of the past. We find the footprint of

man there, but who he was, or whence he came, we know not; he lived and

died, and whether or not posterity would ever think of the rude

monuments he left behind concerned him not; whether the stones would

mark the temple in which he worshipped, or tumble down and cover his

grave, concerned not his creed; with his hatchet of stone, and

spear-head of flint, he hewed his way from the cradle to the tomb; and

under the steep barrow he knew that he should sleep his last sleep, and,

with his arms folded upon his breast, he left the dead past to bury its

dead: he lived not for us."

At what remote period of time the spot on which London now stands was

first peopled can never be known. A few rude huts peering perchance

through the forest-trees, with grassy openings that went sloping

downwards to the edge of the Thames, where the ancient Briton embarked

in his rude coracle, or boat made of wicker and covered with the hides

of oxen,--a pile of rugged stones on the summit of the hill which marked

the cromlech, or druidical altar, and probably stood on the spot now

occupied by St. Paul's, and which nearly two thousand years ago was

removed to make room for the Roman temple dedicated to Victory--was,

from all we know of other ancient British towns, the appearance of

London soon after the period when the old Cymri first landed in England,

and called it the "Country of Sea-Cliffs."

We next see it through the dim twilight of time occupied by the Romans.

Triumphal arches and pillared temples and obelisks look down upon the

streets of the Roman city. Then comes Boadicea thundering at the head of

her revengeful Britons in her war-chariot: we hear the tramp of horses

and the dealing of heavy blows; see the tesselated pavement stained with

blood; behold pale faces upturned in the grim repose of death; then many

a night of darkness again settles upon the streets of the old city.

[Illustration: ROMAN HYPOCAUST, THAMES-STREET.]

But deep down it is rich in Roman remains; far below the invading

legions tramped, upheaving the victorious eagles above the dim old

tesselated pavements; for London has its Pompeii and Herculaneum.

Unnumbered generations have trampled into dust its splendour, even as

our own glory may one day be mingled in the urn that holds the ashes of

empires. Crushed Samian ware, a rusted demi-god, a headless hero, whose

very memory has perished; the coins of conquerors, whose features time

and decay have corroded, and whose mere names (without a good or evil

deed to tell how they came there,) are just catalogued in the "lots" of

history; these are the mouldering remains of conquest, lying as far

beneath our feet as we in intellectual arts have towered above their

former possessors. We belong to the future, as they do to the present;

and when we perish, our glory will be found lettered in every corner of

the rounded globe. The finger of the shattered giant will be picked up

in the remotest continent, and unborn generations will sigh, as they

exclaim, "Here lies a fragment of the once mighty England that gave us

life."

Westward of London we turn backward, and endeavour to obtain a view of

that ancient neighbourhood as it looked when the Roman city stood upon

the hill; and the Strand, as it is still called, was a low, waste, and

reedy shore, over which the tide came and went, and rocked the tufted

reeds which waved over many a surrounding acre. Something like what it

was in ancient days may yet be seen in those reedy and willowy inlets

above the Red House at Battersea; and could we have stood and looked

across the river while the spot on which Westminster now stands was an

island, covered with thorns, and down to the water edged with green

flags and rushes, we should have seen, far below what was called the

Long Ditch (where the river divided, beside a low, lonely shore, on

which the waves went lapping and surging, as they still do about those

dreary bends that skirt the marshes of Woolwich), the fisherman in his

coracle, the only figure that moved beside the sedgy margin of that

mastless river, over which the piping of the tufted plover might then

have been heard.

[Illustration: ROMAN REMAINS, FOUND IN THAMES-STREET.]

Turning to the ancient city, Erkenwin the Saxon first appears with his

boasted descent from Wodin, the terrible god of battle, conquers the

remnant of the ancient Britons, tramples upon their standard of the red

dragon, and plants the banner of the white horse upon the rude

fortifications of their capital. After many convulsions we see the

kingdoms of the Octarchy overturned by Egbert, the first king of all the

Saxons; and in some old hall, with its low stunted pillars and heavy

vaulted roof (centuries ago levelled to the earth), we behold him seated

gravely with his witenagemot, or assembly of wise men, deliberating upon

the best means of repelling the incursions of the Danes. Under the reign

of Ethelwulf the city is plundered by the stormy sea-kings and their

fearless followers. We next see the army of Alfred hovering between the

outskirts of the city and the foot of Highgate-hill, and protecting the

old Londoners while they gather in their harvest; for Hastings, with his

ivory horn swung to his baldric, was encamped with his Danish army

beside the river Lea, and Alfred had thrown himself like a shield

between the city and its enemies. We behold Etheldred the Unready escape

into Normandy, and Sweyn, king of Denmark, passes the low-browed archway

which leads into the capital. The old grey wall which stretched beside

the Thames, where wharves and warehouses now stand, is defended by

Edmund Ironside and his followers against Canute the Dane, and ships

bearing the banner of the black raven are moving below the rude bridge,

which at that early period stretched over into Southwark. Harold, the

last king of the Saxons, next crosses that old bridge, in the sunset of

an autumnal evening, on his way to the fatal field of Hastings; and when

we again look upon those ancient streets they are filled with Norman

soldiers, and echoing to the bray of Norman trumpets, for William the

Conqueror is passing through the city to take possession of the remains

of the old Roman Tower.

We next glance at that ancient bridge, covered with houses, which

spanned across the Thames, part of which stood even a few years ago, and

had, after much patching and repairing, endured the wear and tear of

time, with all the assaults of wind, water, war, and fire, for above six

hundred years. Even until within the last half century the wheels of the

great water-works first erected by Peter the Dutchman continued to moan

and groan, and splash and dash, just as they had done for many a weary

year,--for those ever-moving water-wheels seemed like the living spirit

of the old bridge; and when they stopped, the ancient fabric, which had

so long tottered to its crazy foundations, was soon swept away and

numbered amongst the things that have been. Narrow, dark, and dangerous

was the gloomy old street that, hung between the water and the sky, went

stretching across the broad bosom of the Thames. Great darksome gables

spanned overhead every way; and if you looked up in the twilight of

those past days, you saw grinning above you, and looking down from the

battlements, the ghastly and gory heads of murdered men, which were

stuck upon spikes and left to bleach in the sun, wind, rain, and

darkness, day after day and night after night. When you looked down,

you still seemed to see them, as if they moved side by side with you,

past the windows of the old chapel, underneath the low-browed arches,

beside the ancient shops; and ever below went the mad waters, gibbering

and groaning and hissing; and in the deep midnight, when the old piers

echoed back every footfall, you almost fancied that all those bodiless

heads had leaped off the battlements, and, with their gory locks

streaming out, were at your heels, hallooing and shrieking above and

below the bridge, and "mopping and mowing" from every overhanging gable

you hurried under.

When the wind was high, it ever went singing through those old houses

and that silent chapel all night long; and the crazy old water-works

sent out a thousand strange supernatural sounds; while all the rickety

casements chattered again like a thousand teeth that have no power over

the bitter blast which set them in motion. Then, too, the old

swing-signs, which the least wind shook, swung and groaned upon their

rusty hinges, one against the other; and what with the creaking of the

signs, the whistling and moaning of the wind, that went booming with a

hollow and unearthly sound under and over the vaulted street, mingled

with the rush of the waters, and the cries for help from those beneath,

who had run foul against the jutting sterlings, you wonder how any one

could ever get a wink of sleep in those high old houses. That ancient

bridge was the only highway into Kent and Surrey, and many a time had it

been crossed by the conqueror and the conquered--one day a kingly

procession, the next a train of prisoners in chains. It was alternately

shaken by the shouts of Wat Tyler and his rebels, then by the acclaim

which greeted some heroic king from the throats of the assembled

citizens. And sometimes the drawbridge was raised, and the inhabitants

of Southwark left to defend themselves as they could, while the citizens

on the Middlesex side were safe, for between them there yawned an

impassable gulf.

Below the Tower we find a few old churches and ancient mansions, which

stood long before the Great Fire went reddening and blackening through

the streets of the old City. The row of picturesque shops at the

entrance of Whitechapel will recall the period when this was the court

end of London. The second house, with the projecting bay-windows, is

rich in ornamental details. The Prince of Wales's feathers, the arms of

Westminster, the _fleur de lis_ of France, and thistle of Scotland are

still standing on the front of this ancient mansion; and it is just

possible that the house was once the residence of Prince Henry, son of

James I., as the monogram, yet visible, bears the initials H.S.,

surmounted with plumes, which, very probably, stand for Henry Stuart.

The Earls of Northumberland, the Throgmortons, and many noble families

and wealthy merchants, in former days, resided in this neighbourhood;

for, beside the Tower, there was Crosby-place at no great distance,

where the Protector, afterwards Richard III., held his court.

How changed is this ancient neighbourhood! The very house in which the

Black Prince lodged when he resided in the City had long before Stowe's

time been turned into an hostel, and the apartments in which grave

councils were held, and where many a glorious victory was planned, even

then echoed back the voice of some Francis, as, amid "the clinking of

pewter," he exclaimed, "Anon, anon, sir;" or, "Score a pint of bastard

in the Half-Moon." The citizens had at that early period turned into

bowling-alleys the quaintly laid-out gardens in which the Percies of old

Northumbria "took their pleasure;" and where some pretty Kate, shewing

her pearly teeth, had no doubt threatened to "break the little finger"

of her fiery Hotspur, who was too eager to leave her dainty bower and

hasten to the wars.

He also has long since vanished--the haughty Prior of the Holy Trinity,

who, with "jingling bridle" in hand, bestrode his prancing palfrey, and

rode "second to none" amongst the rich aldermen of London, proud of his

broad domains, which in those days extended to the margin of the Thames,

and over many rich acres beside those on which Whitechapel now stands.

No Earl of Salisbury now goes "sounding" through the City streets, with

his long train of five hundred mounted followers, clad in his household

livery, and causing the old shopkeepers to cease their cry of "What do

you lack?" while they watched the gay cavalcade until it was lost under

the low-browed archway that stood before his ancient City mansion by

Dowgate.

Baynard Castle, where Henry VII. received his ambassadors, and in which

the crafty Cecil plotted against Lady Jane Grey, almost before the ink

was dry with which he had solemnly registered his name to serve her, has

long ago been numbered amongst the things that were; and seldom do the

"silver snarling trumpets," with their loud acclaim, disturb the deep

sleep of the old City, to announce the in-coming or the out-going of

royalty. The archers of Mile-end, with their chains of gold, have

departed. The spot on which the tent stood where bluff Hal regaled

himself after having witnessed their sports, is now covered with

mean-looking houses: the poetry of ancient London is dead. The voice of

the stream is for ever hushed that went murmuring before the dwellings

of our forefathers, along Aldgate and down Fenchurch-street, and past

the door of Sir Thomas Gresham's house in Lombard street, until it

doubled round by the Mansion House and emptied itself into the river.

There is still a sound of waters by the wharf at London Bridge; but,

oh, how different from the "brawling brook" of former days is the evil

odour that now arises from the poisonous sewer which there empties

itself into the Thames!

Remains of ancient London are still to be found in the neighbourhood of

Smithfield. The courts and alleys about Cloth Fair, and behind

Long-lane, are perfect labyrinths, and so full of ins and outs, that

they astonish the stranger who ventures to thread his way through them.

Bartholomew's Church is also one of the very oldest in the City; and we

never look upon its weather-beaten tower without recalling the scenes

which have taken place in the vast area which stretches out before it.

There is no spot in London richer in historical associations than

Smithfield. There the marshal of England presided over the lists; and

there also the mitred bishops congregated to gaze upon the poor martyr

who was burnt at the stake: that old church-tower has many a time glared

redly as it was lit up by the blaze of those consuming fires; its

vaulted roof has echoed back the clang of arms, when battle-axe and

sword clashed against helmet and shield, while scarcely a murmur arose

from the lips of the mighty multitude that stood silent and breathless

around the combatants.

Shakspeare and Ben Jonson have doubtless passed through those old narrow

courts which still surround Bartholomew's Church. It was to Smithfield

Bardolph went to buy a horse, which we know he would steal if once

allowed to get astride, and that, if any inquiries were made after it at

the Boar's Head in Eastcheap, Falstaff would avouch for Bardolph's

honesty. To us the whole neighbourhood is hallowed by a thousand

poetical associations, and we never journey through it without feeling

as if we were living again amid the past. As for Bartholomew Fair,

though it now only lives in name, it will be remembered for ever in the

works of rare Ben Jonson. To the thoughtful man it is a land of pleasant

and solemn memories.

Then the streets of ancient London, what must they have been? In the

west the roads were in such a state that the king could not open

parliament in wet weather, unless faggots were first thrown into the

deep pits and ruts. Foot and carriage-way had no other distinction than

a row of posts; and if the passenger missed running his head against the

low pent-house-lids, which here and there projected over the way, ten to

one he came to some opening where a grim-headed and grinning spout sent

down its torrents of water from the old-fashioned gabled building, and

drenched him to the very skin. If he rushed out into the road, there

"Laden carts with thundering wagons meet,

Wheels clash'd with wheels, and barr'd the narrow street."

The roads of London were full of pits and hollows even in William and

Anne's time; and the coach-box was then a box indeed--a regular

coach-repairer's shop on a small scale; for to get through a long street

in bad weather without either sticking fast, breaking down, turning

over, or being turned over by some reckless carman, was something to

boast about in those days. The coachman had then need to be a good hand

at repairs, and was oftener seen tinkering up his vehicle than mounted

on his box, which in time was covered with the hammer-cloth, to conceal

the materials and implements which almost every hour were called into

use. What a night-journey was in those old unpaved streets may be

readily imagined, when it is known that there were not more than a

thousand lamps to light the whole City--that these were only kept

burning until midnight during one-half of the year, and the remainder of

the season were never once lighted. Such was the London we now live in,

a hundred years ago. Little link-boys then generally lay in wait at the

corner of every street, either ready for a few pence to light the

benighted wanderer home, or more probably to lead him astray, and

extinguish the light at some dangerous spot, where the thieves he was

associated with were in waiting.

Over thousands of troubles and trials rolled the rapid years; then the

"Great Fire" broke out, and nearly every ancient landmark was destroyed;

and now we have to grope our way through the twilight of dim records and

a few rudely executed prints, to catch a glimpse of the old London in

which our forefathers lived. This we shall endeavour to do as we thread

our way through city and suburb; now glancing at the London of the

present day, then turning the eye of the imagination to the ancient

metropolis, which Briton, Roman, Saxon, Dane, and Norman have in

succession traversed.

The old highway to London is that which the daring sea-kings poetically

called "the road of the swans"--the broad bosom of the sea,--and then

along the majestic river which leads to her grey old fortress, the

Tower. But the railroad has ploughed up the country, and this ancient

"silver pathway" is abandoned to commerce and pleasure-parties; so rapid

is the transit from every point of the coast, that few care to thread

the winding river when they can reach London by the railroads almost as

direct as "the crow flies." Such remains of ancient London as fall in

our way we shall again glance at; and shall now commence our

"Picturesque Sketches of London" by describing the most prominent

landmark in the City--St. Paul's Cathedral, together with a few of the

most interesting objects in the neighbourhood.

CHAPTER II.

ST. PAUL'S CATHEDRAL--DOCTORS' COMMONS--THE OLD CITY STREETS.

The Cathedral of St. Paul's is the great landmark of London. Long before

the eye of the approaching stranger obtains a glimpse of the graceful

spires, grey massy towers, and tall columns which ascend from every

corner of the outstretched city, it rests upon that mighty dome, which

looms through the misty sky, like some dim world hanging amid the

immensity of space; for so does it seem suspended when the smoke from

ten thousand homes throws a vapoury veil over the lower portion of the

invisible building. From the long range of hills that overlook Surrey

and Kent, from the opposite heights of Highgate and Hampstead, and for

miles away in the level valley through which the Thames ebbs and flows,

that rounded dome is seen standing sentinel day and night over the

two-million peopled city. Above the busy hum of the multitude it keeps

watch by day, and through the hushed night it looks up amid the

overhanging stars, and throws back from its golden cross (emblem of our

salvation) the silvery rays of the bright moon, when all the miles of

streets below are wrapt in drowsy silence. High up it towers, a tribute

of man to his Maker, carrying our thoughts almost unconsciously to God

while we gaze upon it, and pointing out to the unbelieving heathens who

have crossed the great deep a Christian land: an image of religion

reflected in the deep tide of our commerce, shadowing forth a haven

beyond the grave, when the fever and the fret of this life will have

died away like a forgotten dream. It stands like a calm bay amid the

ever-heaving sea of restless London, into which the tempest-tost mariner

may at any time enter and anchor his barque nearer the shores of

eternity; for while all around him the wild elements of worldly gain are

raging, scarcely a sound from without falls upon his ear to break the

solemn silence which reigns in that mighty fabric.

No stranger can say that he has seen the vastness of London until he has

mounted the hundreds of steps which lead to the Golden Gallery, and

looked out upon the outstretched city and suburbs below. It is a sight

never to be forgotten; the passengers underneath scarcely appear a foot

high, and the omnibuses so diminished, that you fancy you could take one

under your arm and walk off with it easily. But it is the immense range

of country which the eye commands that astonishes the stranger. Here

railroads branch out, there the noble river seems narrowed by distance

to an insignificant brook; while weary miles of houses spread out every

way, and the largest edifices of the metropolis are dwarfed beneath the

lofty height from which you gaze. There are hills before and hills

behind: to the right, a dim country, lost in purple haze; to the left,

thousands of masts, which look like reeds, while the hulls of the ships

seem to have dwindled to the smallness of boats.

Never did that cathedral appear to us more holy than when we visited it

last summer during the Anniversary Meeting of the Charity Children;

never did the sunbeams which occasionally streamed through the vaulted

dome seem so much like the golden ladder on which the "angels of God

ascended and descended" in the dream of the patriarch of old, as when

they shone for a few moments upon the heads of those thousands of

children who were congregated beneath. We seemed to picture Charity

herself newly alighted from heaven, and standing in the midst

overshadowing them with her white wings, while her angelic smile lighted

up the holy fabric, as she stood with her finger pointing to the sky. It

was a sight that went home to every heart, and made an Englishman proud

of the land of his birth, to know that thousands of those children, who

were fatherless and motherless, were watched over and tended by the

angel of charity; and that hundreds who waited to do her bidding, with

willing hearts and open hands, were assembled in the temple which her

overpowering presence then hallowed. Then to know that so vast a

multitude formed but a portion of the numbers which English charity

clothed, fed, and educated; and that, if all could have been assembled

tier above tier, as they then sat, they would have reached to the very

summit of the dome itself, extending, as it were, to heaven, and with

folded hands and meek supplicating faces seeming to plead in our behalf

before the footstool of God.

It was a sight never to be forgotten, to see those thousands of clean

and neatly clad children ranged one above another, to the height of

[Illustration: ST. PAUL'S CATHEDRAL. CHARITY CHILDREN'S ANNIVERSARY

FESTIVAL.]

twenty feet, beneath the huge overshadowing dome; to see the girls at

the beginning or ending of a prayer (as if touched by the wand of some

magician) raise or drop their thousands of snow-white aprons at the

self-same instant of time, was like the sudden opening and folding of

innumerable wings, which almost made the beholder start, as if he had

stepped suddenly upon the threshold of another world. The gaudiest

gardens that figure in oriental romance, with all their imaginary

colouring, never approached in beauty the rich and variegated hues which

that great group of children presented. Here the eye rested upon

thousands of little faces that peeped out from the pink trimmings of

their neat caps; there the pretty head-gear was ornamented with blue

ribands, looking like blue-bells and white lilies blended together;

farther on the high range of heads stood like sheeted May-blossoms,

while the crimson baise which covered the seats looked in the distance

as if the roses of June were peeping in between the openings of the

branches. The pale pearled lilac softened into a primrose-coloured

border, which was overhung by the darker drapery of the boys, upon whom

the shadows of the arches settled. Ever and anon there was a sparkling

as of gold and silver, as the light fell upon the glittering badges

which numbers of the children wore, or revealed the hundreds of nosegays

which they held in their little hands, or wore proudly in their bosoms.

High above this vast amphitheatre of youthful heads, the outspreading

banners of blue, and crimson, and purple, emblazoned with gold, were

ranged, all filled with

"Stains and splendid dyes,

As are the tiger-moth's deep-damask'd wings."

And when the sunlight at intervals fell upon the hair or the innocent

faces of some snow-white group of girls, they seemed surrounded with

"A glory like a saint's.

They look'd like splendid angels newly drest,

Save wings, for heaven."--KEATS.

Eastward the organ rose with its sloping gallery of choristers, selected

from Westminster, the Royal Chapel, and St. Mark's; and from thence the

full choir burst, and the sounds were caught up and joined by thousands

of voices, until the huge building seemed to throb again beneath that

mighty utterance. The eye fairly ached as it rested on the vast plane of

human faces, which inclined from the west end of the cathedral, and came

dipping down almost to the very foot of the choir, so chequered was the

richly-coloured field it fell upon.

As the anthem stole upon the ear, we seemed borne away to another

state, to that heaven of which we catch glimpses in our sweetest dreams,

when all those childish voices joined in the thrilling chorus; when we

beheld thousands of childish faces in the ever-shifting light, we could

almost fancy that we stood amid those ranks "who veil their faces with

their wings" before the blinding glory of heaven. Over all pealed the

full-voiced organ, sounding like music that belongs not to earth, now

high, now low, near or remote, as the reverberated sound rose to the

dome or traversed the aisles, coming in and out like wavering light

between the pillars and shadowy recesses, spots in which old echoes seem

to sleep, old voices to linger, which only broke forth at intervals to

join in the solemn anthem that rose up and floated away, and would only

become indistinct when it reached the star-paved courts above.

There was something pleasing in the countenances of many of the girls,

something meek and patient in the expression they wore, especially in

the little ones. You could almost fancy you could distinguish those who

were orphans, by their looking timidly round, as if seeking among the

spectators for some one to love them.

From such a scene our mind naturally turned to the huge amphitheatres of

old, when the populace of ancient cities congregated to see some

gladiator die, or to witness the struggle between man and the savage

beast, while the air was rent with applauding shouts, as the combatants

bled beneath each other's swords, or were torn by the tusks of

infuriated animals. How great the contrast! Instead of the shouts of the

heathen multitude, here the solemn anthem was chanted by thousands of

childish voices, while every heart seemed uplifted in silent prayer to

God. Here we saw the youthful aspirants of heaven tuning their notes

like young birds, dim, half-heard melodies, which can only burst forth

in perfect music when they reach that immortal land where "one eternal

summer ever reigns;" and we sighed as we thought how many thousands

still uncared for were scattered through the streets and alleys of

London, and left to live as they best could amid ignorance, rags, and

hunger, with no one to teach them that, outcasts as they are on earth,

they have still a Father in heaven who careth for them. Charitably

disposed as England is to her poor children, she has yet much to do

before her great work is perfected; she has yet to bring together her

homeless thousands who have neither food nor raiment, nor any place at

night where they can lay their weary and aching heads. The time will

come when she will be convinced that she must do more than save a

remnant, when there will be none left in hunger and ignorance to hang

about her great cathedral, as we saw them then, envying the thousands of

clean and healthy-looking children, who, more fortunate than they, were

under the care of charitable guardians. All these her protecting arms

will in time encircle in one warm motherly embrace, without distinction.

God send that the time may be near at hand!

Many a "rapt soul" looked out with moistened eyes from that assemblage,

which, when this earthly pilgrimage is ended, shall hear the voice of

the great Master whom they have served exclaim: "For I was an hungered,

and ye gave me meat; I was thirsty, and ye gave me drink; I was a

stranger, and ye took me in." Such we could distinguish, who felt no

greater pleasure than in sharing their wealth amongst the poor and

needy; on whose brow benevolence had set her seal; who do good by

stealth, and "blush to find it fame." Such as these feel an innate

pleasure which the miser never experienced while gloating over his

hoarded gold; and when the Angel of Death comes, he will bear them away

gently; and in the soft beating of his dark wings they will hear again

the sweet voices of those dear children singing a little way before, as

if they had but to shew their faces, when the gates of Paradise would

"Wide on their golden hinges swing;"

while outstretched arms would be seen through the surrounding halo,

holding forth the crowns of glory which had been prepared for them "from

the foundation of the world."

Glancing at the building, we must state that, from the base to the top

of the cross, which overlooks the dome, the height is 400 feet; and that

of the campanile towers, which front Ludgate-hill, 220 feet; the length

of the building, from east to west, is 500 feet; and the breadth 100

feet; while the ground enclosed by the palisade measures upwards of two

acres. As all the world knows, the architect was Sir Christopher Wren,

whose grave is in the crypt below, and whose monument is the building

itself; such a pile as no monarch ever erected to his own memory. The

choir is enriched by the beautiful carving of Grinling Gibbons, who

ought to have slept beside the great architect of St. Paul's in the

vault beneath. The sculpture on the west front is by Bird, and the

beholder will be struck by the colossal size of the figures, if he

pauses to look out as he ascends the dome. They are, Paul preaching to

the Romans, his Conversion, &c.; while those at the sides represent the

Evangelists. The minute-hand of the clock measures eight feet, and the

dial is fifty-seven feet in circumference; while the great bell, which

strikes the hour, weighs between four and five tons. It is only tolled

at the deaths and burials of the royal family, and a few others, who may

have been connected with the cathedral.

The Whispering-gallery, the Clock-room, the Library, and Model-room,

have been so often described, that we shall pass them by, and briefly

glance at the monuments.

The monument to Nelson, by Flaxman, interests us all the more through

knowing that the remains of the hero of Trafalgar, encased in a portion

of the mainmast of _L'Orient_, repose below. The memorial to

Abercrombie, by one stroke of genius, carries the mind to Egypt, while

gazing on the symbols which are introduced. There are statues or

monuments to Lord Cornwallis, Sir John Moore, Lord Heathfield,

Collingwood, St. Vincent, Howe, Rodney, Ponsonby, and Picton, and many

other naval and military heroes. John Saunders, in _Knight's London_,

says, "There must be something shocking to a pure and devout mind filled

with the spirit of Him who came to preach 'peace on earth, good will

among men,' to find the records of deeds of violence and slaughter

intruded upon his notice in the very temples where he might least expect

to find such associations, ... to make every pier, and window, and

recess in our chief cathedral repeat the same melancholy story of war,

war, still every where war. There are now about forty-eight monuments in

St. Paul's, of which there are but seven devoted to other than naval and

military men ... 'paragraphs of military gazettes,' to use Flaxman's

phrase." The other monuments are to Howard the philanthropist, Dr.

Johnson, Sir Joshua Reynolds, Sir William Jones, Bishop Heber,

Babington, Middleton, and Sir Astley Cooper.

The paintings by Sir James Thornhill look dim and faded, and can

scarcely be seen at all except through a few chinks in the dome, which

you cannot peep down through without feeling dizzy, such a depth yawns

beneath. This door, or trap, or whatever it is called, that opens above

the dome, is for the convenience of hoisting up great and celebrated

visitors, who are too distinguished and too lazy to climb the 600 steps

which lead to the summit of St. Paul's. Speaking of the summit recals to

our recollection that, when we looked from it in the afternoon sunshine,

the shadow of St. Paul's extended to the Bank, while the dome threw all

the houses on the left of Cheapside into the shade, and its rounded

shoulder darkened the crowded buildings far behind, thus depriving

hundreds of the citizens of sunshine.

In conclusion, we have only to add that Divine service commences at a

quarter past ten in the morning, and a quarter to three in the

afternoon; and that to see the whole of the building, above and below,

the visitor must submit to pay the sum of 4_s._ 4_d._; "which," as

gossiping old Pepys says, "is pretty to observe"--we mean, the amount.

There is but little to detain us in the streets behind Ludgate-hill,

running into Upper Thames-street and Earl-street, beyond the mere

mention of Apothecaries' Hall, which stands in the Broadway, that unites

with Water-lane, and which was built soon after the Fire of London.

There is a portrait of James I., and a statue of Delware, at whose

intercession James granted a charter of incorporation. The controversy

between this Company and the College of Physicians called forth Garth's

poem entitled "The Dispensary," which was very popular at that period,

and is still worthy of perusal.

The _Times_ Office, in Printing-house-square, is the great lion of this

neighbourhood; and the same spot was occupied by the king's printers at

least as far back as the reign of Charles II. A description of this

mighty lever of the "fourth estate" does not come within the compass of

our light pages.

Neither St. Andrew's-hill nor Addle-hill requires much notice, though

the former contains one of Wren's churches, called St. Andrew by the

Wardrobe; also a beautiful monument to the Rev. W. Romaine. Paul's Chain

and Bennet-hill bring us back again to St. Paul's; and here our readers

will consider that we make a fair start eastward, with the intention of

describing the principal objects of interest that lie between the

nearest great thoroughfare and the river on the south side of the way,

while a few of the principal objects in the streets on the north will

arrest our attention as we return on our journey westward.

Paul's Chain took its name from the chain thrown across the road during

the time of Divine service; a duty now performed by policemen, who,

although they do not bar up the way, caution the drivers to go on slowly

during service-time.

We have now arrived at Doctors' Commons, and our engraving over-leaf

represents the Prerogative Court, one of the chambers in which the wills

of the dead are deposited. Through those doors many a beating and

anxious heart enters to return disappointed, or half delirious with

delight, through dreaming of the many pleasures which riches will

procure. What thousands of human beings, fluttering between hope and

fear, have passed through the shadow of that arched gateway which opens

into St. Paul's Churchyard; many to repass the possessors of riches, but

never again to find that sweet sleep which hard-handed industry brought,

and which moderate competency had never before heaved a sigh for!

Legacies left, which proved a curse instead of a comfort, by arousing

ambitious thoughts to soar amid airy speculations, where hundreds of

captivating bubbles floated, tinged with the richest hues, until all in

a moment burst, and left but a naked desolation behind--a hideous

barrenness--never seen while those painted vapours danced before the

eye. Wealth, over which Care ever after kept watch with sleepless eyes

and furrowed brow, uncertain into which stream of enjoyment he should

launch with his freight, and so pondered until old age and then death

came, and instead of the castle he had so long contemplated purchasing,

he was installed without a tear into the narrow coffin, and borne

without a sigh to the grave. Others, again, raised from enduring and

patient poverty to undreamed-of comfort, because he who would not have

advanced them a shilling, would it have saved them from starvation and

death, was now powerless; his greatest agony, when he passed away, being

the thought that he could not carry his unforgiving vengeance beyond the

grave; that he had not power to disinherit the child whom he spurned and

hated. We have gazed on those dark-bound volumes in the Prerogative

Will-Office, and thought that if the dead were permitted to return

again, what ghastly forms would enter that room, shrieking aloud names

once beloved, and blotting out for ever such as they had in their blind

passion inserted. One stroke of the pen, and she who sits weeping and

plying her needle in one of the neighbouring attics (her children crying

around her for bread) might have been trailing the roses around the

trellised porch of some beautiful cottage, while they were playing on

the green lawn, strangers to sorrow and hunger.

Let us pause for a few moments and examine the attitudes and

countenances of those who are perusing the wills. See how that woman's

hand shakes as she turns over the leaves; look at the working of the

muscles of that young man's face; behold the play of light over the

wrinkled features of that old lady; see how she clasps her hands

together and is looking upward; and you may tell what each has

discovered as clearly as if you knew them, had stood beside them, and

had read every line which they have been reading. That low sound,

falling on the ear like the faint dropping of the summer rain on the

leaves, is caused by the tears shed by that pale young lady in deep

mourning; they fall quicker and quicker on the pages, and she rests her

head on her hand, for she can no longer see to read through those

blinding tears. The old objects of a once happy home are floating before

the eye of her imagination; it may be that they are all there

enumerated; that she has in fancy been passing from room to room,

looking into the mirror that threw back her image in happy childhood,

leaning from the window where stood the box of mignonette which she

watered in the dewy morning, while her shadow fell upon the sunshine

which slept on the chamber-floor. Old faces and old voices have again

been before and around her; and she weeps not at finding that she is

forgotten, but because those she so fondly loved are either no more or

far away, and refuse to countenance her for marrying the object of her

love, a man rejected by all her family only

[Illustration: PREROGATIVE COURT, DOCTORS COMMONS.]

because he was poor. In that great mustering-ground beyond the grave,

who would not rather occupy the place of that sufferer than stand ranged

amid the ranks of those who have thus neglected her? Contrast her

deportment with that of the young man at the end of the desk; his fists

are clenched, the nails of his fingers are embedded in the palms of his

hands, his teeth set, his eyebrows knit; he strikes his hat as he places

it on his head, closes the door with a loud slam, and curses the memory

of a dead man, because he has left a reckless spendthrift just enough to

live on all his life without working, yet so bequeathed it that he can

but draw a given sum monthly. He is savage because he cannot have the

whole legacy at once in his possession. If he could, he would be likely

enough to squander it all away in a single night at some notorious

gambling-house.

On another countenance you behold utter amazement slowly changing into

the expression of contempt, disgust; and at last it settles down into

black and sullen hatred. She, whose features have in a few moments

undergone so many sudden alterations, finds that all her deeply-laid

schemes and subtle plans have been of no avail, but that the poor

relative, whose character she was ever disparaging in the eyes of the

old man, and whom she kept from his bedside by the falsehoods she

uttered to both, is now the possessor of all his riches. She is gnawing

the end of her glove through sheer vexation: all he has left her is a

book, an old volume, entitled, _The Value of true Sincerity_. The

hypocrite is justly rebuked in his last will and testament. She departs

burning red through shame and anger, and would give the world could she

but leave her conscience behind her.

Watch that old man tottering on the very verge of the grave, and with

hardly strength enough to lift the volume which he so eagerly scans:

although he could already bury himself in gold, and leave the yellow

lucre piled high above his narrow bed, he still covets more. He who has

neither appetite nor taste for any rational enjoyment, who is compelled

to sit up half the night because he cannot rest, is still eager to

increase his riches. For what? the love of money alone. If he lends it,

he never considers for what object; it may be good or evil, that

concerns him not; all he looks to is the security, and the interest he

is to receive on his capital: it may be to bring waste lands into

cultivation, to aid a poor and industrious people; but one per cent

more, and he would supply any armed tyrant with funds to destroy the

whole peaceful populace, to leave their homes a mass of burning ruins,

and the furrows of their fields running red with blood.

Here is the last Will and Testament of the immortal Shakspeare; the very

handwriting of the mighty bard "who was not for an age, but for all

time." On that document his far-seeing eyes looked, on that page his

hand rested; the same hand which obeyed the influence of his high-piled

thoughts while he drew Hamlet, and Lear, and Macbeth, Desdemona,

Ophelia, Perdita, and Imogen, held the pen which traced the very lines

we now look upon. But for such old home-touches as these, we should

almost doubt whether that god-like spirit ever descended to the common

duties of this hard work-a-day world. But here we find him

"Not too bright or good

For human nature's daily food."

But for proofs like these, we might fancy that such a soul had but

mistaken its way while wandering from the abodes of the gods, and

brought with it to the earth all the wisdom and poetry which it had

taken an immortality to gather; that when he returned to his native

home, the gates of heaven closed not suddenly enough upon him to shut

out the undying echoes of his golden utterance; but that for ever the

winds of heaven were chartered to repeat them--to blow them abroad into

every corner of the earth--nor cease their mission until the language he

spoke shall be uttered by "every nation, kindred, and tongue." Such a

deed as this alone proves his mortality; for the creations of his genius

carry him as far away from the common standard of men as heaven is from

earth.

What records have we here of old families long since passed away!--their

very names forgotten in the places where they once enjoyed

"A little rule--a little sway,

A sunbeam on a winter's day,

Between the cradle and the grave."--DYER.

Perhaps the last of the race perished a pauper in some obscure

poorhouse; it may be, the one which his ancestors founded a century or

two ago.

Another visits the Will-Office, who gained information of the death of

some near and wealthy relative by chance--perhaps through the scrap of

an old newspaper which formed the wrapper of the pennyworth of butter or

cheese purchased at the little huckster's shop at the corner of the

filthy court in which for years the poor family have resided,--spots in

which misery clings to misery for companionship. Letter after letter had

they written, but received no answer; no one would take the trouble to

reply. Then they sank lower and lower, and removed from place to place,

until, at last, one single room in an undrained and breathless alley

held all their cares and all their heart-aches; and there they tried to

forget their wealthy relatives--to bury the remembrance of what they

once were.

Meantime, he who had long been dead had remembered them on his

deathbed; letters had been written and advertisements had appeared,

announcing "something to their advantage," but they had fallen amongst

the very poor, who, though living in the heart of London, concerned not

themselves with matters foreign to their own wretched neighbourhood,

unless it were some execution or low spectacle, suited to their depraved

tastes. Poverty had long ago prostrated all their finer feelings. Even

such as these have we seen enter the doors of the Prerogative Court,

after they had with difficulty raised the shilling which they were

compelled to pay before searching for the will, and come out exultingly

the possessors of thousands.

A strange place is that Prerogative Court, a fine picture of the great

out-of-door world; for there Hope and Despair stand sentinels at the

doors, and the living seem to jostle the dead in their eager hurry to

hunt after what those in the grave have left them. There is a smell as

of death about the place, as if grey old departed spirits lurked in the

musty folios, and had scattered their ashes amid the yellow and

unearthly-looking parchments, which rise up again in clouds of dust,

while you turn over the mouldy and crackling leaves, making you sneeze

again, while a hundred old echoes take up the sound, until every volume

seems to shake and laugh and mock you, as if the grim old dead found it

a rare spot to make merry in--to "mop and mow," and play off a thousand

devilish antics upon the living. That court is the great mart of

merriment and misery, and its open doors too often lead to madness;

groaning and moaning, when they open or shut, as if the spirits within

wailed over those who come in search of wealth, to return disappointed.

Beauty, Virtue, and Innocence also enter there, preceded by Pity; while

Hope, with downcast eyes, leads them gently by the hand--her smile

subdued, and her sweet countenance sorrowful. But these are angel

visitants, who are compelled to appear in that court--who come in tears,

and, when their duty is done, pass away for ever. There is a sound of

sighs within those walls--a smell of green, stagnant tears: if you

listen, you seem to hear the dead rustling among the old parchments:

they move like black-beetles, and murmur to one another in an old Saxon

language. Wickedness and Wrong have also their lurking-places

there--where they lie concealed, and laugh at Right and Justice amid a

pile of black-lettered laws, beneath which you find injured Poverty

mourning unpitied. The grim judge, who has sat here for hundreds of

years, is deaf and blind: he acts but for the dead--the living he can

neither hear nor see--but ever sits with his elbow resting on a pile of

musty volumes, mute as a marble image. It is a place filled with solemn

associations--the ante-room of Life-in-Death.

Knowing fellows are the porters who hang about this neighbourhood; you

can tell that they have not plied there for years without picking up "a

thing or two;" they appear almost as "'cute" as the learned proctors

themselves; and should you find yourself the possessor of a fat legacy,

and be so ignorant as to apply to these white-aproned messengers as to

the best way of getting it at once, they will undertake to introduce you

to a gentleman, who, from what you hear, you almost believe to be so

clever that he could whip your name into a will if he chose, and obtain

for you a fortune, if even you had no legal claim to a single shilling.

"God bless you, sir, we knows plenty of people what's got thousands as

never expected to have a blessed mag whatsomdever." And green countrymen

follow these plump images of Hope, and treat them to whatever they

please to take.

Besides the Prerogative Will-Office, Doctors' Commons contains the Court

of Arches, a name well known to all the readers of newspapers; the Court

of Faculties and Dispensation, having a good deal to do with

marriage-licenses, and many other less lawful matters; the Consistory

Court of the Bishop of London, and the High Court of Admiralty, so that

"all is fish" which falls into the net of these courts--from a lady

running away from her husband, to one ship running down another. A

captive of Cupid's or a capture in war, is all the same to these able

practitioners, where either the owner or the husband of the Nancy Dawson

may find redress--for either ship or spouse come alike to advocate or

proctor.

Here we have, also, the Heralds' College, well worthy of notice, as it

contains many curious rolls and valuable manuscripts.

At the bottom of Bennet's-hill stood Paul's-wharf--a famous

landing-place before the Great Fire; the church still bears the name of

St. Bennet, Paul's-wharf. Here Knightrider-street and Carter-lane extend

in the line of the river. Carter-lane has become classic ground, through

one Richard Quyney having directed a letter from the Bell Inn, which

formerly stood there, to Shakspeare. Little did Quyney dream how much

the handwriting of the poet he was then addressing would one day be

valued--of the hundreds of pilgrims who would visit the adjoining Court

to see the will of Shakspeare. The society which bears his name are

doing "good service" by hunting up and publishing such records as these,

for they throw a charm around the old poetical neighbourhood of

Blackfriars Bridge, and give to such places as Carter-lane an interest

which they never before possessed;

"For there is link'd unto a poet's name

A spell that can command the voice of fame."

Knightrider-street, Stowe tells us, derived its name from the knights of

old riding through it on their way from the Tower to Smithfield to hold

their jousts and tournaments. It was in Knightrider-street that the mace

was found which was stolen from the Lord Chancellor's closet, in Great

Queen-street, on Tuesday night, February 6th, 1676. A small quarto

pamphlet, of eight pages, published in 1676, bears the following

title:--"A perfect Narrative of the Apprehension, Trial, and Confession

of the five several persons who were confederates in stealing the Mace

and the two Privy Purses from the Lord High Chancellor of England, as it

was attested at the Sessions held at Justice Hall, in the Old Bailey,

the seventh and eighth of March, anno 1676." The following extract is

curious, as a picture of the old London thieves, and also of the

lodging-house keepers, many of whom still inherit the gift of "opening

the lock with a knife," or any thing that first comes to hand:--"The

manner of their apprehension was thus: some of the head of the gang had

taken a lodging in Knightrider-street, near Doctors' Commons, and there,

in a closet, they had lodged the mace and purses. The woman's daughter

of the house going up in their absence to make the bed, saw some silver

spangles, or some odd ends of silver, scattered about the chamber, which

she with no small diligence picked up, not knowing from whence such

riches should proceed. In this admiration she paused awhile, and it was

not long before her fancy led her, like the rest of her sex, to pry into

and search the furthermost point of this new and strange apparition; and

directing her course to the closet-door, she through the keyhole could

discern something that was not commonly represented to her view, which

was the upper end of the mace, but knew not what it was; however, she

thought it could not be amiss to acquaint her beloved mother with what

she had beheld; and with this resolve she hastens down stairs, and with

a voice betwixt fear and joy she cries out, 'O mother, mother! yonder is

the king's crown in the closet. Pray, mother, come along with me and see

it.'

"The admiring mother being something surprised at her daughter's report,

as also having no good opinion of her new lodgers, makes haste, good

woman, and goes to the closet-door, and opening the lock with a knife,

she entered into the closet, where she soon discerned it was not a crown

but a mace, and having heard that such a thing was lost, sends

immediately away to acquaint my Lord Chancellor that the mace was in her

house; upon which information a warrant was soon granted, and officers

sent to Mr. Thomas Northy, constable of Queenhithe ward, who, with a

sufficient assistance, went into Knightrider-street to their lodging,

and very luckily found them, being five in number, and of both sexes,

viz. three men and two women, whom they carried before the Right

Worshipful Sir William Turner, who, after examination, according to

justice, committed them to the common jail of Newgate."

It was only five years before that Colonel Blood had attempted to steal

the crown from the Tower, but he--more fortunate than Sadler--escaped

with his life, while the latter was hanged at Tyburn; the only one, we

believe, who was executed for stealing the Lord Chancellor's mace and

purses.

What melancholy processions passed through Knightrider-street, as

prisoners to the Tower, the old historian Stowe mentions not: like many

another ancient street, it was often the highway of merriment and

misery.

St. Paul's School was founded by the venerable Dean Colet about the year

1500, who made the Company of Mercers his trustees. The present building

was erected in 1824. At the commencement of June, when Anne Boleyn

passed through the City on her way from the Tower to Westminster, to be

crowned, we find, in Hall's _Chronicle_, that "at St. Paul's School, on

a scaffold, stood two hundred children, well appareled, who recited

various English versions of the ancient poets, to the honour of the king

and queen, which her grace highly commended."

To the church of St. Austin, or Augustin, Old Change and Watling-street,

was united that of St. Faith under St. Paul's, after the Fire. The

present church was built by Wren. The church of St. Faith stood in the

crypt of old St. Paul's, beneath the choir. Fuller called it the "babe

of old St. Paul's." The author of the _Ingoldsby Legends_, who has never

been surpassed in the art of grafting modern incident on the stem of old

ballad lore, was the rector of St. Augustin's.

To see this closely-crowded neighbourhood thoroughly would require many

"ups and downs." Old Fish-street was formerly the great fish-market of

London, when Queenhithe rivalled Billingsgate, and was the greatest

landing quay in the City; the church of St. Mary Somerset, built by

Wren, stands here. The former church was called St. Mary's Mounthaut, or

Mounthaw, as I find it spelt in an old pamphlet, which states that Mr.

Thrall was "sequestered and shamefully abused" when the clergymen of

London had to make room for the Puritans. Old Fish-street-hill had then

two churches, but after the Great Fire that of St. Mary's Mounthaw was

not rebuilt. This is the old Saxon name of the berry of the hawthorn,

and there was a time when Old Fish-street-hill was celebrated for its

hawthorns, when it was called Hagthorn-hill or Mounthaw, long before old

St. Mary's was built upon it. The pamphlet I have alluded to was printed

in 1661, and is entitled, "A general Bill of the Mortality of the

Clergy of London, or a brief Martyrology and Catalogue of the learned,

grave, religious, and painful Ministers of the City of London, who have

been imprisoned, plundered, and barbarously used, and deprived of all

livelihood for themselves and their families, in the late Rebellion, for

their constancy in the Protestant religion established in this kingdom,

and their loyalty to the king under that _grand_ Persecution. London:

printed against Bartholom' Day." This pamphlet, as the date shews, was

issued soon after the restoration of Charles II., no doubt with the view

of giving him a broad hint that their loyalty and sufferings ought not

to be forgotten in the then "good time coming." Whether or not any thing

was done for them by the "Merry Monarch," we have no means of

ascertaining. We shall occasionally refer to this curious list, to shew

the sufferings of the clergy during the period of the Commonwealth.

Stowe tells us that the monuments of the old church of St. Mary Somerset

were defaced; but whether by time or sacrilegious hands, he says not,

nor can we now know, for the Great Fire destroyed all the traces that

time had so long spared. We would rather the old church with the

poetical name had been rebuilt on the ancient Hawthorn Mount than this.

Stowe thinks that the old name of St. Mary Somerset was Summer Hithe.

Summer and hawthorns! how we love the memory of the old historian for

calling up these pleasant associations! We may be wrong in the name,

but, for the sake of the poetry, we must picture the pretty Saxon maids,

before London was a city, wandering down Mounthaw to Summer-wharf

between long lines of hawthorn hedges, to see their lovers return from

fishing in the Thames, or to watch the arrival of some corn-barque lower

down the bank by Queenhithe. In Fish-street we have still a portion of

the old burial-ground that belonged to St. Mary's Mounthaw.

St. Nicholas's Cold Abbey stands at the corner of Old Fish-street-hill,

and is one of the first churches completed after the Fire. There is

nothing either remarkable about this church or the neighbouring one

called St. Mary's Magdalen in Old Fish-street, except that both were

rebuilt by Wren. In the pamphlet before alluded to I find the following

entry: "St. Maudlin, Old Fish-street, Dr. Griffith sequestered,

plundered; wife and children turned out of doors; his wife dead with

grief. Mr. Weld, his curate, assaulted, beaten in the church, and turned

out." Rather rough handling of the old royalist clergymen in the stormy

times of Cromwell. What talk there must have been amongst the

parishioners of old St. Mary's Magdalen, or Maudlin, when the Ironsides

walked into the ancient City churches, and thus dragged out and beat the

venerable pastors. These brief entries bespeak volumes; and yet we wish

the details were more fully given. Some of the worthy citizens no doubt

dealt a blow or two in defence of their ministers. Poor Mr. Chestlin

seems to have made his escape for a time only to be recaptured. "St.

Matthew's, Friday-street, Mr. Chestlin sequestered, plundered, and

imprisoned in Newgate, whence being let out, he was forced to fly, and

since imprisoned again in Peter House."

Peter House stood in Aldersgate-street, and was used by Cromwell as a

prison at this period, as were also several other celebrated houses.

Friday-street was famous in former times for its taverns. Our engraving

represents the Saracen's Head, which was taken down about seven years

ago.

[Illustration: THE SARACEN'S HEAD, FRIDAY STREET.]

The stone beside the door in the wall of Allhallow's, Bread-street, and

in Watling-street, tells us that here John Milton was baptised on the

20th of December, 1608--that is, in the old church before the Fire. The

well-known lines, commencing "Three poets in three distant ages born,"

&c., are engraved on the same stone that records the date of Milton's

baptism. We wish that all the City churches had their names engraved on

some stone, like that of Allhallow's, Bread-street. We shall scarcely be

believed, when we say, that in one or two instances the people living

next the church did not know its name. When we consider how many

churches are crowded together here, on the space of a few acres of

ground, we think it would be of service to strangers visiting London,

and to thousands who reside in the City and suburbs, to have the names

either legibly engraved or painted on each building. Lower down is the

church of St. Mildred, also built by Wren. The interior is rather

pleasing, and there is some beautiful work about the pulpit; but we know

nothing of any interest connected with the church or the street, beyond

that Milton was born in it, which, to dreamers like ourselves, makes

Bread-street hallowed ground, although the Fire has swept away every

trace of the building in which the God-gifted poet first saw the light.

That this, the spot on which the great poet was born, was classic ground

long centuries ago, the portion of the Roman wall, and the ancient lamp

(which we have engraved), and which were discovered in Bread-street

about five years ago, fully prove. Who can tell what foot, renowned in

Roman history, may have trampled on the spot where the author of

_Paradise Lost_ was born?

[Illustration: ROMAN LAMP.]

Bread-street formerly contained a famous tavern and a prison. The

Mermaid is mentioned by Ben Jonson. There seems to have been a

celebrated tavern here long before the time of Stowe, for he mentions

Gerrarde's Hall in his days as a hostelry for travellers, and, in his

gossiping way, gives us an old-world story about the old building, which

stood above the ancient crypt, which we have here engraved (as one of

the vestiges of the London of our forefathers, doomed to be sacrificed

to modern improvement), and in it he gives us a giant, and a long pole,

which this son of Anak is said to have wielded in the wars. We have

heard that this Gerrarde the giant was buried under the ancient crypt,

which to this day sounds hollow to the tread. But the good old

historian, with his simple and child-like belief, and love for all

undated traditions, shall "tell the tale."

[Illustration: GERARD THE GIANT.]

"On the north side of Basing-lane is one great house of old time, built

upon arched vaults, and with arched gates of stone, brought from Caen in

Normandy, the same is now [about 1600] a common hostelry [inn] for

receipt of travellers, commonly and corruptly called Gerrarde's Hall, of

a giant said to have dwelt there. In the high-roofed hall of this house

some time stood a large fir-pole, which reached to the roof thereof, and

was said to be one of the staves that Gerrarde the giant used in the

wars to run with [away?]. There stood also a ladder of the same length,

which (as they say) served to ascend to the top of the staff. Of later

years this hall is altered, and divers rooms are made in it. [Alas,

then, as now, they would improve; and cared not for their home

antiquities even in good old Stowe's time!] Notwithstanding, the pole

is removed to one corner of the hall, and the ladder hanged broken upon

a wall in the yard. The hostelar of that house said to me, 'The pole

lacketh half a foot of forty in length.' I measured the compass thereof,

and found it fifteen inches. Reasons of the pole could the master of the

hostelry give me none; but bade me read the 'great' Chronicles, for

there he heard of it. [Our hosts were reading men we see in the time of

Elizabeth; and we love the epithet '_great_' before Chronicles, for we

believe it was the host's word and not Stowe's.] I will now note what

myself have observed concerning that house. I read that John Gisors,

Mayor of London in the year 1245, was owner thereof [it might have been

old then, for Stowe does not say that the mayor built it]; and that Sir

John Gisors, constable of the Tower, 1311, and divers others of that

name and family since that time owned it. [The Gisors must have been men

of eminence for one to have become constable of the Tower in that

jealous age, when the Normans ruled with an iron hand.] So it appeareth

that this Gisors' Hall of late time, by corruption, hath been called

Gerrardes' Hall for Gisors' Hall. The pole in the hall might be used of

old time [as then the custom was in every parish] to be set up in the

summer, as a May-pole. The ladder served [serving?] for the decking of

the May-pole and roof of the hall."--_Stowe._

Surely this crypt ought to be spared for the sake of Stowe, and Gerard

the giant, and the May-pole--the compass of which the honest old

historian measured. What a picture it would make--Stowe, the host, and

the ostler, with the old building and the broken ladder! what rich

material for a chapter in an historical romance! If we live, we will do

it some day. Of course the old hall was swept away in the Great Fire,

and Gerard the giant (which we have here engraved) grew up after the

flames had died out; though they went roaring and reddening above the

ancient crypt, over which the generations of six centuries have

trampled. The vaults are of great antiquity--at least as old as the

building mentioned by Stowe--the date of which he does not give,

although he mentions John Gisors, Mayor of London, as a resident there

in 1245, that is, more than 600 years ago.

In Little Trinity-street we have Painter-Stainers' Hall, well worth a

visit, although it is so badly lighted, that it is difficult to see the

portraits. The principal pictures it contains are, Camden, Charles II.

and his queen, William of Orange, by Kneller, and Queen Anne. The

company also possesses a curious cup left by the celebrated antiquary

Camden, and which is still used at their anniversary dinners. The church

of the Holy Trinity was destroyed in the Great Fire, and not rebuilt: a

small chapel, of which we know nothing, stands on the site of the old

church.

[Illustration: GERARD'S HALL CRYPT.]

The church of St. Michael, Queenhithe, is remarkable for nothing except

some carving at the east end, and the vane, which resembles a ship, and

is said to be large enough to hold a bushel of corn.

The dues derived from the quay of Queenhithe belonged to the queens of

England from a very early period, probably ever since the Norman

conquest. Mention is made of Eleanor, so famous in our old ballad lore

as the rival and poisoner of Fair Rosamond, as possessing all the dues

obtained from this royal landing-place. Raising the old drawbridge of

London Bridge every time a ship went under, with all the trouble and

stoppage of vehicles, when this was the only bridge leading into London,

did, no doubt, as much for increasing the traffic of Billingsgate as if

a law had been passed to make it a royal quay.

At the foot of Southwark Bridge stands Vintners' Hall. We can readily

imagine that the old company of Vintners have ever been "right royal,"

and great advocates for processions; that, when the City conduits ran

wine, a great portion of the cost found its way into their coffers.

Pepys tells us that, when Charles II. rode through the City the day

before his coronation, "Wadlow the vintner, at the sign of the Devil, in

Fleet-street, did lead a fine company of soldiers, all young comely men,

in white doublets;" and we now find in the hall portraits of Charles

II., James II., and others. That prince of rough wits, Tom Brown, in a

bantering letter "from a vintner in the City to a young vintner in

Covent Garden," says, "You desire to know whether a vintner may take an

advantage of people when they are in their cups, and reckon more than

they have had? To which I answer in the affirmative, that you may,

provided it be done in the way of trade, and not for any sinister end.

This case has been so adjudged, many years ago, in Vintners' Hall, and

you may depend upon it."

Bow-lane is the only place to obtain a good view of the beautiful tower

of St. Mary, Aldermanbury, one of the finest, in our opinion, in the

City. This is another of Wren's edifices, erected after the Fire. It is

said to be a model of the former building, and that the great architect

was compelled to adopt the style through the conditions of a bequest,

according to Malcolm's statement, of "Henry Rogers, Esq., who,

influenced by sincere motives of piety, and affected with the almost

irreparable loss of religious buildings, left the sum of 5000_l._ to

rebuild a church in the City of London." He died before the building was

commenced, and left his lady executrix of his will; and so the present

church was erected after the model of the one built by Henry Kebles, it

is said, who died at the commencement of the fifteenth century. Stowe

says it was called Aldermary, because it was the oldest church in the

City dedicated to St. Mary. It is said that the crypt of the old church

still remains under two of the houses now standing in Bow-lane. The

tower, as seen from Bow-lane, is splendid, but little of the church is

visible from Watling-street; nor have we any thing further to notice in

this old Roman highway, for such, no doubt, it formerly was, saving the

church of St. Anthony, or Antholin, rebuilt by Wren, the dome of which

is supported by columns. The early prayers at St. Antholin's are alluded

to by our old dramatists. Here we have only to turn up a court, a little

farther on, and we are at once in Bow Churchyard, and under the very

shadow of the tower in which swing the far-famed bells. Our engraving is

a view of Bow Church as seen from Cheapside, one of the busiest

thoroughfares in the whole City of London. Old Bow Church would of

itself form a history, but, as we have not even described old St.

Paul's, and as we wish to make our readers acquainted with the London of

to-day as well as the old City, which never arose again from its ruins,

we shall glance briefly at the present neighbourhood, and pass on our

way eastward.

[Illustration: BOW CHURCH, CHEAPSIDE.]

Bow-bells have become a by-word, more probably through those who were

born within the sound of their peal being called true cockneys, than for

the superior quality of their music. The steeple is very beautiful; from

the ground to the nave there is a harmony about it, and a lightness in

the pillars, which seem as if they only required the air to rest upon.

The form of the galleries is by some considered a beauty, by others a

blot, as destroying the effect of the interior. The present church is

built on a fine old crypt, perhaps as ancient as any remains to be found

in the City, as the original Bow Church seems to have been the first

that was built on stone arches. It is mentioned as far back as the time

of William the Conqueror, and from it the Court of Arches takes its

name. The old church suffered from tempest, fire, and siege. Murder was

at last committed in it, and then it was pronounced unholy, and its

doors and windows were filled with thorns, for

"Something ail'd it then,--

The place was curst."

In former times it contained a balcony, from which the royal processions

and civic parades were viewed, though, in comparatively modern times,

these processions were seen from the houses opposite Bow Church. 1681:

"Soon after twelve, their majesties arrived at a house in Cheapside,

opposite Bow Church, and were there diverted by the pageant," or Lord

Mayor's show. So, again, with King William and Mary, in 1689. Queen Anne

also witnessed the procession in 1702; and in 1761, George III. and the

royal family, "from the house of Mr. Barclay, opposite Bow Church."

Before the Fire, these old City splendours were witnessed from a stone

building called a "seldam, or shed;" which Stowe says, stood "without

the north side of Bow Church, and greatly darkened the windows and

doors."

About the meeting of the dragon on Bow Church steeple, and the

grasshopper on the Royal Exchange, there are many quaint old-world

prophecies in existence, which would be of but little interest to our

readers. Here we must close this section of our work, having now reached

Queen-street, Cheapside, and the cast-iron bridge of Southwark, and

described all that lies within the compass of the heading to the present

chapter.

CHAPTER III.

CHEAPSIDE AND LOMBARD STREET.

We have often wondered what effect Cheapside produces upon a countryman

when he first visits London. The whole street is alive with cabs, carts,

chariots, omnibuses, drays, wagons, and trucks, the latter of which are

often drawn by boys, and we marvel that they are not flattened up amid

the crowded ranks of vehicles, which form one continuous chain as far as

the eye can penetrate.

The splendid shops must strike a stranger with amazement, although far

inferior to many which have lately been built at "the West End:" at

every two or three strides we take along the frontage, we pass houses

for which two or three hundred a year rent is paid; half-a-dozen houses

produce yearly nearly double the income of numbers of the foreign

nobles, and many an old lady and gentleman live retired in the quiet

suburbs on the rent derived from a single house which stands in this

costly thoroughfare. Nearly every floor is a separate department of

commerce. Up every flight of stairs which you climb there are attendants

in waiting to receive you. Temptation follows temptation--each door but

opens into richer scenes; each room is hung with costlier articles; and

you stand bewildered, as if entangled amid the mazes of those splendid

palaces which figure in the dreams of oriental romance. Silks from

almost every land in the sunny south, shawls woven in the rainbow looms

of India, are mingled with the products of flowery Cashmere, and blended

with the gaudy plumage of birds of paradise; and vases, emblazoned with

the dazzling dyes of China, that glitter amid piles of purple and green

and crimson velvets hemmed with silver and gold, and hangings which

might have swept their costly fringes upon the cedar floors of Haroun al

Raschid, while the weight of gold and silver seems heavy enough to bow

down the windows.

Let the uninitiated be careful how they stand, whilst loitering and

looking in through those costly plate-glass windows upon such gorgeous

productions, for upward and downward, all day long, the rapid current of

human life is ever rolling in living eddies, from east to west, and

jostling, in its mighty strength, every idle object it meets with on its

way; and, in this ever-moving ocean, each human wave has its allotted

mission, each tiny ripple "its destined end and aim."

How different from the London of the present day--from the splendid

streets and shops which stretch from Temple-Bar to Whitechapel, and

westward from those ancient City gates to a land of theatres, squares,

and palace-like buildings--were the old narrow streets, with their high

houses and overhanging gables, that rose tier above tier, their huge

projecting signs, even at noon-day making a dim dreamy kind of twilight;

while the cry of "What do you lack?" drawled forth by either master or

apprentice, as they paced to and fro before their open-fronted and

booth-like shops, gave a drowsy kind of murmur to the close ancient

neighbourhood of the old City. How different from what we now see!

To the quays, stations, halls, houses of business, and courts of

justice, which abound in this mighty city, are thousands by unforeseen

circumstances yearly driven; and those who have never seen each other

since the days of their youth, are sometimes jostled together

unexpectedly in this great human tide. The old citizen is suddenly

summoned from the suburban retreat, where he had resolved quietly to

spend the remainder of his days, and never again to "smell the smoke of

London;" for his house has been broken into, the property is discovered,

the thief is in custody, and the old man once more elbows his way

through the crowd of London, in wonderment at the many changes which

have taken place since he first retired from business. Another hears

that he has not been fairly dealt with, and has come many a long mile

that he may with his own eyes examine the will which is deposited in the

Court of Doctors' Commons. The invalid loiters with feeble step, halting

every now and then to peep into the attractive windows, before he

embarks in the vessel which lies in waiting to carry him to a more

congenial climate. You see the ruddy-faced, top-booted countryman, who

is either attending a committee, or summoned as a witness upon a trial,

waiting patiently to cross the street, and marvelling in his own mind

what strange procession it can be that is made up of such a long train

of all varieties of vehicles! You can at a glance detect the man of

business from the man of pleasure, by the hurried and earnest manner of

the one, and the idle and easy gait of the other. The down-looking thief

is dragged along by the policeman almost unheeded, except by the lazy

rabble of boys who follow their heels, with the poor woman on whose

features crime and anguish have placed their stamp, and who exchanges a

few low words with the culprit as he is hurried onward to prison. The

undertaker rushes past, wrapt up in calculating the profits he shall

derive from the funeral he has just received the order "to perform;" he

sees not the sweet face of the intended bride, who, leaning upon her

lover's arm, is gazing with smiling looks upon the richly-decorated

window, and making choice of her wedding jewels. The porter, with his

load, runs against the "exquisite" in full-dress, and disarranges either

his carefully-twirled ringlets or jauntily-set hat; a curse or a growl

is exchanged on both sides, and they again pass on. The dandy goes by

brandishing his light cane, followed by the stout and sturdy citizen,

the very tapping of whose stick denotes him to be a man of substance;

while the broad-built country bumpkin, with a fair cousin on each arm,

occupies the whole breadth of the foot-way, and seems astonished at the

rudeness of the "Lunnuners," who jeer him as they pass. So rolls on this

mighty river, with its six currents, bearing onwards those who pass and

re-pass on each side of its shorelike pavement, and the rapid vehicles

which glide swift as full-sailed vessels through its mid-channel.

All at once there is a stoppage; some heavily-laden wagon has broken

down, and the long line of carriages of every description is suddenly

brought to a stand-still--all are motionless. You see the old

thorough-bred London cabman--who has promised to take his fare either

east or west, as the case may be, in a given number of minutes--dodge in

and out for a few seconds, through such narrow openings as no one except

a real Jehu born on the stand would ever venture to move in, until he

comes to the entrance of some narrow street, the ins and outs of which

are only known to a few like himself, when, crack, bang! and he has

vanished, giving one of his own peculiar leers at parting at the long

line he has left stationary.

Now there is a slow movement, and the procession proceeds at a funeral

pace. The donkey-cart laden with firewood heralds the way, and is

followed by the beautiful carriage with its armorial bearings. Behind

comes the heavy dray with its load of beer-barrels; the snail-paced

omnibus follows; the high-piled wagon that rocks and reels beneath its

heavy load next succeeds, and you marvel that it does not topple over,

extinguish some dozen or so of foot-passengers, and smash in the

gorgeous shop-front. The wreck which left the street so silent for a few

minutes is now drawn aside, and all is again noise and motion. The

police-van rolls on with its freight of crime, and is followed by the

magistrate's cabriolet, as he hurries off to a West-end dinner;

"And all goes merry as a marriage-bell."

Queen-street is in a direct line with Guildhall and Southwark Bridge,

and is remarkable for the loftiness of many of the warehouses at the

Thames-street end. It was formerly called Soper-lane, and is frequently

mentioned in the old processions; for, facing the end of Guildhall, no

doubt some of the finest arches were erected there when royalty paraded

the City. In an old pamphlet, printed by Richard Tothill about 1558,

entitled "The Passage of our most drad Soveraigne Ladye Queene Elyzabeth

through the Citie of London to Westminster, the Day before her

Coronation," we have the following allusion to Soper-lane, now

Queen-street: "At Soper-lane end was another pageant of three open

gates; above the centre of which, on three stages, sat eight children,

explained by this inscription:

The eight Beatitudes, expressed in the V. chapter of the Gospel of

Saint Mathew applyed to our Soveraigne Ladye Queen Elyzabeth.

The Three Cranes in the Vintry was formerly a celebrated tavern in this

street; and near to where the bridge now stands were the old watering

stairs, from whence the Lord Mayor embarked on his way to Westminster

Hall. The old burying-ground of St. Thomas the Apostle is in this

street; but the church was not rebuilt after the Fire.

Southwark Bridge here spans the river. It consists of three cast-iron

arches, the centre one wide enough for the Monument to float through

cross-ways, and then leave a space of more than thirty feet. The weight

of iron employed in its construction was nearly 6000 tons. To look up at

the arches from the river, when underneath, recals the chambers built by

the old enchanters; so many gloomy cells branch out and run into each

other, that they appear marvellous, and compel you to respect the

inventive genius of John Rennie, the architect of this wonderful

structure, which was erected when railroads were unknown, and a tubular

bridge across the Menai Straits undreamed of. These things ought to be

borne in mind while looking at the cast-iron bridge of Southwark.

College-hill appears to have derived its name from a college founded on

it by the famous Whittington, who lived in the time of Chaucer, and who

was so many times Lord Mayor of London. The last Duke of Buckingham

resided on this hill, but at what period we have not been able to

discover. There does not appear to us the remains of any house

sufficiently imposing enough to have been his residence, nor any thing

extant beyond a court-yard, which is said to have belonged to his

princely mansion. Strype says he resided here "upon a particular

humour;" and we cannot contradict him, though to us it seems very

strange, knowing that the City had at this time ceased, with but few

exceptions, to be occupied by the nobility. We know that he sold his

house in the Strand in 1672, and it is just probable that he may have

resided here about this time; if so, it must then have been a new house,

for the Great Fire occurred in 1666; and how such a mansion came to be

taken down, and when and for what purpose, we cannot explain.

Here we have the Mercers' School, which formerly stood beside the hall

and chapel of this ancient company in Cheapside. It is said to be one of

the oldest endowed schools in London, and to occupy the ground on which

formerly stood "God's Hospital," founded by Whittington, now removed to

Highgate, a great improvement on the original situation, considering

that there is no longer any "flower-show" in Bucklesbury, and that the

old Stocks Market has been removed to make room for the present Mansion

House. St. Michael's, College-hill, was rebuilt by Wren; it contains an

altar-piece by Hilton, and is remarkable for nothing save that it was

made a collegiate church by Whittington's executors, and that the

far-famed Lord Mayor is buried here--not forgetting an old poet

(Cleveland), of whom we have in another work made honourable mention,

for he was the first who called the bee "Nature's confectioner." His

description of the ruins of "Old St. Paul's" after the Fire ought to be

better known. His hatred of the Roundheads was "right royal."

Facing St. Pancras-lane, and running into Cheapside or the Poultry, is

Bucklesbury, alluded to by Shakspeare, who makes Falstaff compare the

dandies of his day to "lisping hawthorn buds, that come like women in

men's apparel, and smell like Bucklesbury in simple time." It seems to

have been principally inhabited by apothecaries in former times; and, as

we know the faith our forefathers had in herbs, which they distilled and

took in all kinds of forms as medicine, we can readily imagine what an

aroma there was about the shops of these ancient herbalists.

Walbrook is so called from a brook which formerly flowed from the City

wall into the Thames, but in Stowe's time was built over and "hidden

under ground, and thereby hardly known." We have here the beautiful

church of St. Stephen's, Walbrook. "This church," says Mr. Godwin in his

work entitled _The Churches of London_, "is

[Illustration: ST. STEPHEN'S, WALBROOK.]

certainly more worthy of admiration in respect to its general

arrangement, which displays great skill, than of the details, for they

are in many respects faulty. The body of the church, which is nearly a

parallelogram, is divided into five unequal aisles (the centre being the

largest, and those next the walls on either side the smallest,) by four

rows of Corinthian columns. Within one intercolumniation from the east

end, two columns from each of the two centre rows are omitted, and the

area thus formed is covered by an enriched cupola supported on eight

arches which rise from the entablature of the columns. By the

distribution of the columns and their entablature (as may be observed in

the engraving) a cruciform arrangement is given to this part of the

church, and an effect of great elegance is produced, although marred in

some degree by the want of connexion which exists between the _square_

area formed by the columns and their entablature, and the cupola which

covers it. The columns are raised on plinths of the same height as the

pewing. The spandrils of the arches bearing the cupola present panels

containing shields and foliage of uncertain and unmeaning form,

perfectly French in style; and of the same character are the brackets

against the side walls, in the shape of enriched capitals introduced to

receive the ends of the entablature in the place of pilasters. At the

chancel end pilasters are introduced, and serve to shew more plainly the

impropriety of omitting them elsewhere. The enrichments of the

entablature--itself meagre and imperfect--are clumsily executed. Above

it is a clerestory, containing windows of mean form and construction.

The cupola, around which runs a circular dentil cornice, just above the

arches, is divided into panels ornamented with palm-branches and roses,

and is terminated at the apex by a circular lantern light: the whole is

elegant in outline, and is much more in design than are other portions

of the church just now alluded to." St. Stephen's, Walbrook, is

considered, in spite of Mr. Godwin's architectural criticism, one of the

most beautiful of all Wren's churches, and for a comparatively modern

building, is the gem of the City. Outside there is nothing to admire;

but within it wears, in our eyes, a sweet cathedral-like look, so

gracefully does the light stream down, so artistically do the shadows

slumber. When the great architect planned this building, he must have

been blessed with one of those happy thoughts which sometimes come upon

a poet unaware, and for which he can no more account than he can for the

fragrance that floats upon the summer breeze. The grace of those

pillars, the beauty of that airy dome, haunt the memory long after they

have been seen; and when far away, come upon the mind like pleasant

recollections. The altar-piece by West finds many admirers; but the

greatest charm is the eloquence of the rector, the Rev. Dr. Croly, whose

literary works stand "second to none" of the many highly-gifted poets of

the day; for the author of _Salathiel_ has won himself a name which will

never be forgotten while the language in which he clothed the "Angel of

the World" is uttered.

Nearly bordering upon the ancient crypt in Basing-lane, at the depth of

12 feet 6 inches below the surface, some workmen recently came upon a

Roman tesselated pavement, a space of which comprising about 27 feet was

exposed. This pavement, which is composed of the common red tesseræ,

without pattern, is embedded in a thin layer of cement and pounded

brick, underneath which is a thick

[Illustration:

1. Amphora, or wine vessel.

2. Black cinerary urn.

3, 4. Vessels of stone-coloured ware.

5. Mortaria, studded with quartz, with potter's name.

6. Black urn, diamond patter.

7. Small Samian vessel.

8. Earthen lamp.

9. Small vessel, used probably for balsams or other funeral offerings.

ROMAN VESSELS FOUND IN CANNON STREET.]

stratum of coarse sand cement. A cutting contiguous to the site of the

pavement exhibits a section of chalk foundation, with layers of Roman

tile, over which, supporting part of a brick building now in course of

demolition, are the remains of a strong chalk wall, about 10 feet high

and 4 feet in thickness. About 18 feet from the Roman pavement is a

circular shaft, similar to that discovered near Billingsgate in

connexion with Roman pavements and other remains on the site of the

present Coal Exchange. This shaft is composed of chalk, and lined with

hard stone. A chalk-built vault had been demolished by the workmen

before it could be properly examined. Fragments of the fine red pottery

called Samian ware, some of them bearing an elegant pattern, were found

at a depth of nearly 20 feet; of these we give engravings. In other

parts of the excavation, and in the face of the cutting, about 4 feet

below the pavement, were picked out bits of the same kind of pottery,

and fragments from a large mass of carbonised wood imbedded in the clay,

and seemingly one of the piles which had served to support the Roman

edifice formerly occupying the spot, in like manner with those

discovered near Billingsgate. It is worthy of remark that the site of

these discoveries is, as nearly as can be ascertained, that formerly

occupied by the fortress of Tower Royal, being just about the same

distance east of Queen-street as the line once known as Tower

Royal-street, so designated to mark the locality of the ancient royal

fortress; and it seems not improbable that the chalk superstructure

above described may have appertained to the walls of this edifice. Tower

Royal stood in the parish of St. Thomas the Apostle, in Watling-street,

and came down to the Thames with its gardens, stables, &c.

[Illustration: THE LONDON STONE.]

In Cannon-street, beside the church of St. Swithin, the old saint who,

in the country, is still believed to have a good deal to do with fair or

rainy weather, stands the far-famed London Stone, of which we give an

engraving: it is "let into" the wall of this church. The stone appears

to have stood on the opposite side of Cannon-street in Stowe's time, and

to have been "fixed in the ground very deep, and fastened with bars of

iron so strongly set, that if the carts do run against it through

negligence, the wheels be broken, and the stone itself

[Illustration: JEWEL.]

unshaken." The cause why this stone was set there, the time when, or

other memory hereof, is none." Camden believes it to have been one of

the old Roman milestones; but this, we think, is doubtful, as others

would have been found in some of the old towns which the Romans

inhabited. Every reader of Shakspeare will remember Jack Cade sitting

upon this stone and proclaiming himself lord of London. The Mansion

House was built about the year 1753: before this period, the Lord Mayor

was compelled to reside in his own house, or to give his entertainment

in some of the City halls. In the Egyptian Hall, the Lord Mayor

entertains his guests in such a style as few cities saving London can

afford, for the plate used on these occasions is alone valued at

20,000_l._ Few princes live in greater state than the Lord Mayor of

London; for he has his sword-bearer, his chaplain, mace-bearer,

sergeant-at-arms, carver, esquires, bailiffs, and we know not who

beside. To support this dignity, he is allowed 8000_l._ a year during

his mayoralty, which sum, if he is liberal, finds him comparatively in

little more than salt and servants; for the good citizens soon begin to

cry out if he does not "cook" pretty often, and invite them to the

banquet.

Picturesque Sketches of London, Past and Present · 第 22 / 27 章