CHAPTER V

AMALFI AND ROME. HAMPDEN AND _MARCELLA_

It was in November, 1891, that I finished _David Grieve_, after a long

wrestle of more than three years. I was tired out, and we fled south for

rest to Rome, Naples, Amalfi, and Ravello. The Cappucini Hotel at

Amalfi, Madame Palumbo's inn at Ravello, remain with me as places of

pure delight, shone on even in winter by a more than earthly sun.

Madame Palumbo was, as her many guests remember, an Englishwoman, and

showed a special zeal in making English folk comfortable. And can one

ever forget the sunrise over the Gulf of Salerno from the Ravello

windows? It was December when we were there; yet nothing spoke of

winter. From the inn, perched on a rocky point above the coast, one

looked straight down for hundreds of feet, through lemon-groves and

olive-gardens, to the blue water. Flaming over the mountains rose an

unclouded sun, shining on the purple coast, with its innumerable

rock-towns--"_tot congesta manu praeruptis oppida saxis_"--and sending

broad paths over the "wine-dark" sea. Never, I think, have I felt the

glory and beauty of the world more rapturously, more _painfully_--for

there is pain in it!--than when one was standing alone on a December

morning, at a window which seemed to make part of the precipitous rock

itself, looking over that fairest of scenes. From Ravello we went back

to Rome, and a short spell of its joys. What is it makes the peculiar

pleasure of society in Rome? A number of elements, of course, enter in.

The setting is incomparable; while the clashing of great world policies,

represented by the diplomats, and of the main religious and Liberal

forces of Europe, as embodied in the Papacy and modern Italy, kindles a

warmth and animation in the social air which matches the clearness of

the Roman day, when the bright spells of the winter weather arrive, and

the omnipresent fountains of the Eternal City flash the January or

February sun through its streets and piazzas. Ours, however, on this

occasion, was only a brief stay. Again we saw Contessa Maria, this time

in the stately setting of the Palazzo Sciarra; and Count Ugo Balzani, an

old friend of ours and of the Creightons since Oxford days, historian

and thinker, and, besides, one of the kindest and truest of men. But the

figure, perhaps, which chiefly stands out in memory as connected with

this short visit is that of Lord Dufferin, then our Ambassador in Rome.

Was there ever a greater charmer than Lord Dufferin? In the sketch of

the "Ambassador" in _Eleanor_, there are some points caught from the

living Lord Dufferin, so closely, indeed, that before the book came out

I sent him the proofs and asked his leave--which he gave at once, in one

of the graceful little notes of which he was always master. For the

diplomatic life and successes of Lord Dufferin are told in many official

documents and in the biography of him by Sir Alfred Lyall; but the key

to it all lay in cradle gifts that are hard to put into print.

In the first place, he was--even at sixty-five--wonderfully handsome. He

had inherited the beauty, and also the humor and the grace, of his

Sheridan ancestry. For his mother, as all the world knows, was Helen

Sheridan, one of the three famous daughters of Tom Sheridan, the

dramatist's only son. Mrs. Norton, the innocent heroine of the Melbourne

divorce suit, was one of his aunts, and the "Queen of Beauty" at the

Eglinton Tournament--then Lady Seymour, afterward Duchess of

Somerset--was the other. His mother's memory was a living thing to him

all his life; he published her letters and poems; and at Clandeboye, his

Ulster home,--in "Helen's Tower"--he had formed a collection of

memorials of her which he liked to show to those of whom he made

friends. "You must come to Clandeboye and let me show you Helen's

Tower," he would say, eagerly, and one would answer with hopeful

vagueness. But for me the time never came. My personal recollections of

him, apart from letters, are all connected with Rome, or Paris, whither

he was transferred the year after we saw him at the Roman Embassy, in

December, 1891.

It was, therefore, his last winter at Rome, and he had only been

Ambassador there a little more than two years--since he ceased to be

Viceroy of India in 1889. But he had already won everybody's affection.

The social duties of the British Embassy in Rome--what with the Italian

world in all its shades, the more or less permanent English colony, and

the rush of English tourists through the winter and spring--seemed to me

by no means easy. But Lady Dufferin's dignity and simplicity, and Lord

Dufferin's temperament, carried them triumphantly through the tangle.

Especially do I remember the informal Christmas dance to which we took,

by the Ambassador's special wish, our young daughter of seventeen, who

was not really "out." And no sooner was she in the room, shyly hiding

behind her elders, than he discovered her. I can see him still, as he

made her a smiling bow, his noble gray head and kind eyes, the blue

ribbon crossing his chest. "You promised me a dance!" And so for her

first waltz, in her first grown-up dance, D. was well provided, nervous

as the moment was.

There is a passage in _Eleanor_ which commemorates first this playful

sympathy and tact which made Lord Dufferin so delightful to all ages,

and next, an amusing conversation with him that I remember a year or two

later in Paris. As to the first--Lucy Foster, the young American girl,

is lunching at the Embassy.

"Ah! my dear lady!" said the Ambassador, "how few things in this

world one does to please one's self! This is one of them."

Lucy flushed with a young and natural pleasure. She was on the

Ambassador's left, and he had just laid his wrinkled hand for an

instant on hers--with a charming and paternal freedom.

"Have you enjoyed yourself?--have you lost your heart to Italy?"

said her host stooping to her....

"I have been in fairyland," said she, shyly, opening her blue eyes

upon him. "Nothing can ever be like it again."

"No--because one can never be twenty again," said the old man,

sighing. "Twenty years hence, you will wonder where the magic came

from. Never mind--just now, anyway, the world's your oyster."

Then he looked at her a little more closely.... He missed some of

that quiver of youth and enjoyment he had felt in her before; and

there were some very dark lines under the beautiful eyes. What was

wrong? Had she met the man--the appointed one?

He began to talk to her with a kindness that was at once simple and

stately.

"We must all have our ups and downs," he said to her, presently.

"Let me just give you a word of advice. It'll carry you through most

of them. Remember you are very young, and I shall soon be very old."

He stopped and surveyed her. His eyes blinked through their blanched

lashes. Lucy dropped her fork and looked back at him with smiling

expectancy.

"Learn Persian!" said the old man, in an urgent whisper--"and get

the dictionary by heart!"

Lucy still looked--wondering.

"I finished it this morning," said the Ambassador, in her ear.

"To-morrow I shall begin it again. My daughter hates the sight of

the thing. She says I overtire myself, and that when old people have

done their work they should take a nap. But I know that if it

weren't for my dictionary I should have given up long ago. When too

many tiresome people dine here in the evening--or when they worry me

from home--I take a column. But generally half a column's

enough--good tough Persian roots, and no nonsense. Oh! of course I

can read Hafiz and Omar Khayyam, and all that kind of thing. But

that's the whipped cream. That don't count. What one wants is

something to set one's teeth in. Latin verse will do. Last year I

put half Tommy Moore into hendecasyllables. But my youngest boy,

who's at Oxford, said he wouldn't be responsible for them--so I had

to desist. And I suppose the mathematicians have always something

handy. But, one way or another, one must learn one's dictionary. It

comes next to cultivating one's garden."

The pretty bit of kindness to a very young girl, in 1892, which I have

described, suggested part of this conversation; and I find the

foundation of the rest in a letter written to my father from Paris

in 1896.

We had a very pleasant three days in Paris ... including a most

agreeable couple of hours with the Dufferins. Lord Dufferin showed

me a number of relics of his Sheridan ancestry, and wound up by

taking me into his special little den and telling me Persian stories

with excellent grace and point! He is wild about Persian just now,

and has just finished learning the whole dictionary by heart. He

looks upon this as his chief _délassement_ from official work. Lady

Dufferin, however, does not approve of it at all! His remarks to

Humphry as to the ignorance and inexperience of the innumerable

French Foreign Ministers with whom he has to do, were amusing. An

interview with Berthelot (the famous French chemist and friend of

Renan) was really, he said, a deplorable business. Berthelot

(Foreign Minister 1891-92) knew _everything_ but what he should have

known as French Foreign Minister. And Jusserand's testimony was

practically the same! He is now acting head of the French Foreign

Office, and has had three Ministers in bewildering succession to

instruct in their duties, they being absolutely new to everything.

Now, however, in Hanotaux he has got a strong chief at last.

I recollect that in the course of our exploration of the Embassy, we

passed through a room with a large cheval-glass, of the Empire period.

Lord Dufferin paused before it, reminding me that the house had once

belonged to Pauline Borghese. "This was her room and this glass was

hers. I often stand before it and evoke her. She is there somewhere--if

one had eyes to see!"

And I thought, in the darkening room, as one looked into the shadows of

the glass, of the beautiful, shameless creature as she appears in the

Canova statue in the Villa Borghese, or as David has fixed her,

immortally young, in the Louvre picture.

But before I leave this second Roman visit of ours, let me recall one

more figure in the _entourage_ of the Ambassador--a young attaché,

fair-haired, with all the good looks and good manners that belong to the

post, and how much else of solid wit and capacity the years were then to

find out. I had already seen Mr. Rennell Rodd in the Tennant circle,

where he was everybody's friend. Soon we were to hear of him in Greece,

whence he sent me various volumes of poems and an admirable study of the

Morea, then in Egypt, and afterward in Sweden; while through all these

arduous years of war (I write in 1917) he has been Ambassador in that

same Rome where we saw him as second Secretary in 1891.

The appearance of _David Grieve_ in February, 1892, four years after

_Robert Elsmere_, was to me the occasion of very mixed feelings. The

public took warmly to the novel from the beginning; in its English

circulation and its length of life it has, I think, very nearly equaled

_Robert Elsmere_; only after twenty-five years has it now fallen behind

its predecessor. It has brought me correspondence from all parts and all

classes, more intimate and striking, perhaps, than in the case of any

other of my books. But of hostile reviewing at the moment of its

appearance there was certainly no lack! It was violently attacked in the

_Scots Observer_, then the organ of a group of Scotch Conservatives and

literary men, with W.E. Henley at their head, and received unfriendly

notice from Mrs. Oliphant in _Blackwood_. The two _Quarterlies_ opened

fire upon it, and many lesser guns. A letter from Mr. Meredith Townsend,

the very able, outspoken, and wholly independent colleague of Mr. Hutton

in the editorship of the _Spectator_, gave me some comfort under these

onslaughts!

I have read every word of _David Grieve_. Owing to the unusual and

unaccountable imbecility of the reviewing--(the _Athenaeum_ man, for

example, does not even comprehend that he is reading a

biography!)--it may be three months or so before the public fully

takes hold, but I have no doubt of the ultimate verdict.... The

consistency of the leading characters is wonderful, and there is not

one of the twenty-five, except possibly Dora--who is not human

enough--that is not the perfection of lifelikeness.... Louie is a

vivisection. I have the misfortune to know her well ... and I am

startled page after page by the accuracy of the drawing.

Walter Pater wrote, "It seems to me to have all the forces of its

predecessor at work in it, with perhaps a mellower kind of art." Henry

James reviewed it--so generously!--so subtly!--in the _English

Illustrated_. Stopford Brooke and Bishop Creighton wrote to me with a

warmth and emphasis that soon healed the wounds of the _Scots Observer_;

and that the public was with them, and not with my castigators, was

quickly visible from the wide success of the book.

Some of the most interesting letters that reached me about it were from

men of affairs who were voracious readers, but not makers of books--such

as Mr. Goschen, who "could stand an examination on it"; Sir James,

afterward Lord Hannen, one of the Judges of the Parnell Commission; and

Lord Derby, the Minister who seceded, with Lord Carnarvon, from

Disraeli's Government in 1878. We had made acquaintance not long before

with Lord Derby, through his niece, Lady Winifred Byng (now Lady

Burghclere), to whom we had all lost our hearts--children and

parents--at Lucerne in 1888. There are few things I regret more in

relation to London social life than the short time allowed me by fate

wherein to see something more of Lord Derby. If I remember right, we

first met him at a small dinner-party at Lady Winifred's in 1891, and he

died early in 1893. But he made a very great impression upon me, and,

though he was generally thought to be awkward and shy in general

society, in the conversations I remember with him nothing could have

been more genial or more attractive than his manner. He had been at

Rugby under my grandfather, which was a link to begin with; though he

afterward went to Cambridge, and never showed, that I know of, any signs

of the special Rugby influence which stamped men like Dean Stanley and

Clough. And yet of the moral independence and activity which my

grandfather prized and cultivated in his boys, there was certainly no

lack in Lord Derby's career. For the greater part of his political life

he was nominally a Conservative, yet the rank and file of his party only

half trusted a mind trained by John Stuart Mill and perpetually brooding

on social reform. As Lord Stanley, his close association and personal

friendship with Disraeli during the Ministries and politics of the

mid-nineteenth century have been well brought out in Mr. Buckle's last

volume of the Disraeli _Life_. But the ultimate parting between himself

and Dizzy was probably always inevitable. For his loathing of

adventurous policies of all kinds, and of any increase whatever in the

vast commitments of England, was sure at some point to bring him into

conflict with the imagination or, as we may now call it, the prescience,

of Disraeli. It was strange to remember, as one watched him at the

dinner-table, that he had been offered the throne of Greece in 1862.

If he accepts the charge [wrote Dizzy to Mrs. Bridges Williams] I shall

lose a powerful friend and colleague. It is a dazzling adventure for the

House of Stanley, but they are not an imaginative race, and I fancy they

will prefer Knowsley to the Parthenon, and Lancashire to the Attic

plain. It is a privilege to live in this age of rapid and brilliant

events. What an error to consider it an utilitarian age! It is one of

infinite romance. Thrones tumble down and crowns are offered like a

fairy-tale.

Sixteen years later came his famous resignation, in 1878, when the Fleet

was ordered to the Dardanelles, and Lord Derby, as he had now become,

then Foreign Secretary, refused to sanction a step that might lead to

war. That, for him, was the end as far as Toryism was concerned. In 1880

he joined Mr. Gladstone, but only to separate from him on Home Rule in

1886; and when I first knew him, in 1891, he was leader of the Liberal

Unionist peers in the House of Lords. A little later he became President

of the great Labor Commission in 1892, and before he could see

Gladstone's fresh defeat in 1893, he died.

Speculatively he was as open-minded as a reader and follower of Mill

might be expected to be. He had been interested in _Robert Elsmere_, and

the discussion of books and persons, to which it led him in conversation

with me, showed him fully aware of the new forces abroad in literature

and history. Especially interested, too, as to what Labor was going to

make of Christianity, and well aware--how could he fail to be, as

Chairman of that great, that epoch-making Commission of 1892?--of the

advancing strength of organized labor on all horizons. He appeared to

me, too, as a typical North-countryman--a son of Lancashire, proud of

the great Lancashire towns, and thoroughly at home in the life of the

Lancashire countryside. He could tell a story in dialect admirably. And

I realized that he had thought much--in his balanced, reticent way--on

matters in which I was then groping: how to humanize the relations

between employer and employed, how to enrich and soften the life of the

workman, how, in short, to break down the barrier between modern

industrialism and the stored-up treasures--art, science, thought--of

man's long history.

So that when _David Grieve_ was finished I sent it to Lord Derby, not

long after our first meeting, in no spirit of empty compliment, and I

have always kept his letter in return as a memento of a remarkable

personality. Some day I hope there may be a Memoir of him; for none has

yet appeared. He had not the charm, the versatility, the easy classical

culture, of his famous father--"the Rupert of debate." But with his

great stature--he was six feet two--his square head, and strong,

smooth-shaven face, he was noticeable everywhere. He was a childless

widower when I first knew him, and made the impression of a lonely man,

for all his busy political life and his vast estates. But he was

particularly interesting to me as representing a type I have once or

twice tried to draw--of the aristocrat standing between the old world,

before railways and the first Reform Bill, which saw his birth, and the

new world and new men of the later half of the century. He was

traditionally with the old world; by conviction and conscience, I think,

with the new; yet not sorry, probably, that he was to see no more than

its threshold!

The year 1892, it will be remembered, was the first year of American

copyright: and the great success of _David Grieve_ in America, following

on the extraordinary vogue there of _Robert Elsmere_, in its pirated

editions, brought me largely increased literary receipts. It seemed that

I was not destined, after all, to "ruin my publishers," as I had

despondently foretold in a letter to my husband before the appearance of

_Robert Elsmere;_ but that, with regular work, I might look forward to a

fairly steady income. We therefore felt justified in seizing an

opportunity brought to our notice by an old friend who lived in the

neighborhood, and migrating to a house north of London, in the real

heart of Middle England. After leaving Borough Farm, we had built a

house on a hill near Haslemere, looking south over the blue and purple

Weald; but two years' residence had convinced me that Surrey was almost

as populous as London, and that real solitude for literary work was not

to be found there--at any rate, in that corner of it where we had chosen

to build, and, also, while we were nursing our newly planted shrubberies

of baby pines and rhododendrons, there was always in my mind, as I find

from letters of the time, a discontented yearning for "an old house and

old trees"! We found both at Stocks, whither we migrated in the summer

of 1892. The little estate had then been recently inherited by Mrs.

Grey, mother of Sir Edward Grey, now Lord Grey of Falloden. We were at

first tenants of the house and grounds, but in 1896 we bought the small

property from the Greys, and have now been for more than twenty years

its happy possessors. The house lies on a high upland, under one of the

last easterly spurs of the Chilterns. It was built in 1780 (we rebuilt

it in 1908) in succession to a much older house of which a few fragments

remain, and the village at its gates had changed hardly at all in the

hundred years which preceded our arrival. A few new cottages had been

built; more needed to be built; and two residents, intimately connected

with the past of the village, had built houses just outside it. But

villadom did not exist. The village was rich in old folk, in whom were

stored the memories and traditions of its quiet past. The postmaster,

"Johnny Dolt," who was nearing his eighties, was the universal referee

on all local questions--rights of way, boundaries, village customs, and

the like; and of some of the old women of the village, as they were

twenty-five years ago, I have drawn as faithful a picture as I could in

one or two chapters of _Marcella_.

But the new novel owed not only much of its scenery and setting, but

also its main incident, to the new house. We first entered into

negotiation for Stocks in January, 1892. In the preceding December two

gamekeepers had been murdered on the Stocks property, in a field under a

big wood, not three hundred yards from the house; and naturally the

little community, as it lay in its rural quiet beneath its wooded hills,

was still, when we first entered it, under the shock and excitement of

the tragedy. We heard all the story on the spot, and then viewed it from

another point of view--the sociopolitical--when we went down from London

to stay at one of the neighboring country-houses, in February, and found

the Home Secretary, Mr. Matthews, afterward Lord Llandaff, among the

guests. The trial was over, the verdict given, and the two murderers

were under sentence of death. But there was a strong agitation going on

in favor of a reprieve; and what made the discussion of it, in this

country-house party, particularly piquant was that the case, at that

very moment, was a matter of close consultation between the judge and

the Home Secretary. It was not easy, therefore, to talk of it in Mr.

Matthews's presence. Voices dropped and groups dissolved when he

appeared. Mr. Asquith, who succeeded Mr. Matthews that very year as Home

Secretary, was also, if I remember right, of the party; and there was a

good deal of rather hot discussion of the game laws, and of English

landlordism in general.

With these things in my mind, as soon as we had settled into Stocks, I

began to think of _Marcella_. I wrote the sketch of the book in

September, 1892, and finished it in February, 1894. Many things went to

the making of it--not only the murdered keepers and the village talk,

not only the remembered beauty of Hampden which gave me the main setting

of the story, but a general ferment of mind, connected with much else

that had been happening to me.

For the New Brotherhood of _Robert Elsmere_ had become in some sort a

realized dream; so far as any dream can ever take to itself the

practical garments of this puzzling world. To show that the faith of

Green and Martineau and Stopford Brooke was a faith that would wear and

work--to provide a home for the new learning of a New Reformation, and a

practical outlet for its enthusiasm of humanity--were the chief aims in

the minds of those of us who in 1890 founded the University Hall

Settlement in London. I look back now with emotion on that astonishing

experiment. The scheme had taken shape in my mind during the summer of

1889, and in the following year I was able to persuade Doctor Martineau,

Mr. Stopford Brooke, my old friend Lord Carlisle, and a group of other

religious Liberals, to take part in its realization. We held a crowded

meeting in London, and an adequate subscription list was raised without

difficulty. University Hall in Gordon Square was taken as a residence

for young men, and was very soon filled. Continuous teaching by the best

men available, from all the churches, on the history and philosophy of

religion, was one half the scheme; the other half busied itself with an

attempt to bring about some real contact between brain and manual

workers. We took a little dingy hall in Marchmont Street, where the

residents of the Hall started clubs and classes, Saturday mornings, for

children and the like. The foundation of Toynbee Hall--the Universities

Settlement--in East London, in memory of Arnold Toynbee, was then a

fresh and striking fact in social history. A spirit of fraternization

was in the air, an ardent wish to break down the local and geographical

barriers that separated rich from poor, East End from West End. The new

venture in which I was interested attached itself, therefore, to a

growing movement. The work in Marchmont Street grew and prospered. Men

and women of the working class found in it a real center of comradeship,

and the residents at the Hall in Gordon Square, led by a remarkable man

of deeply religious temper and Quaker origin, the late Mr. Alfred

Robinson, devoted themselves in the evenings to a work marked by a very

genuine and practical enthusiasm.

Soon it was evident that larger premises were wanted. It was in the days

when Mr. Passmore Edwards was giving large sums to institutions of

different kinds in London, but especially to the founding of public

libraries. He began to haunt the shabby hall in Marchmont Street, and

presently offered to build us a new hall there for classes and social

gatherings. But the scheme grew and grew, in my mind as in his. And when

the question of a site arose we were fortunate enough to interest the

practical and generous mind of the chief ground landlord of Bloomsbury,

the Duke of Bedford. With him I explored various sites in the

neighborhood, and finally the Duke offered us a site in Tavistock Place,

on most liberal terms, he himself contributing largely to the building,

granting us a 999 years' lease, and returning us the ground rent.

And there the Settlement now stands, the most beautiful and commodious

Settlement building in London, with a large garden behind it, made by

the Duke out of various old private gardens, and lent to the Settlement

for its various purposes. Mr. Passmore Edwards contributed £14,000 to

its cost, and it bears his name. It was opened in 1898 by Lord Peel and

Mr. Morley, and for twenty years it has been a center of social work and

endeavor in St. Pancras. From it have sprung the Physically Defective

Schools under the Education Authority, now so plentiful in London, and

so frequent in our other large towns. The first school of the kind was

opened at this Settlement in 1898; and the first school ambulance in

London was given to us by Sir Thomas Barlow for our Cripple Children.

The first Play Center in England began there in 1898; and the first

Vacation School was held there in 1902.

During those twenty years the Settlement has played a large part in my

life. We have had our failures and our successes; and the original idea

has been much transformed with time. The Jowett Lectureship, still

devoted to a religious or philosophical subject, forms a link with the

religious lecturing of the past; but otherwise the Settlement, like the

Master himself, stands for the liberal and spiritual life, without

definitions or exclusions. Up to 1915 it was, like Toynbee Hall, a

Settlement for University and professional men who gave their evenings

to the work. Since 1915 it has been a Women's Settlement under a

distinguished head--Miss Hilda Oakeley, M.A., formerly Warden of King's

College for Women. It is now full of women residents and full of work.

There is a Cripple School building belonging to the Settlement, to the

East; our cripples still fill the Duke's garden with the shouts of their

play; and hundreds of other children crowd into the building every

evening in the winter, or sit under the plane-trees in summer. The

charming hall of the Settlement is well attended every winter week by

people to whom the beautiful music that the Settlement gives is a

constant joy; the Library, dedicated to the memory of T. H. Green, has

400 members; the classes and popular lectures have been steadily held

even during this devastating war; the Workers' Educational Association

carry on their work under our roof; mothers bring their babies to the

Infant Welfare Center in the afternoon; there are orchestral and choral

classes, boys' clubs and girls' clubs. Only one club has closed

down--the Men's Club, which occupied the top floor of the Invalid

Children's School before the war. Their members are scattered over

France, Salonika, Egypt, and Mesopotamia, and the Roll of Honor is

a long one.

Twenty years! How clearly one sees the mistakes, the lost opportunities,

of such an enterprise! But so much is certain--that the Settlement has

been an element of happiness in many, many lives. It has had scores of

devoted workers, in the past--men and women to whom the heart of its

founder goes out in gratitude. And I cannot imagine a time when the

spacious and beautiful house and garden, with all the activities that

have a home there, will not be necessary and welcome to St. Pancras. I

see it, in my dreams, at least, half a century hence, when all those who

first learned from it and in it have gone their way, still serving "the

future hour" of an England reborn. To two especially among the early

friends of the Settlement let me turn back with grateful

remembrance--George Howard, Lord Carlisle, whom I have already

mentioned, and Stopford Brooke. Lord Carlisle was one of the most

liberal and most modest of men, an artist himself, and the friend of

artists. On a Sunday in Russell Square, when the drawing-room door

opened to reveal his fine head and shy, kind eyes, one felt how well

worth while it was to stay at home on Sunday afternoons! I find a little

note from him in 1891, the year in which we left Russell Square to move

westward, regretting the "interesting old house" "with which I associate

you in my mind." He was not an easy talker, but his listening had the

quality that makes others talk their best; while the sudden play of

humor or sarcasm through the features that were no less strong than

refined, and the impression throughout of a singularly upright and

humane personality, made him a delightful companion. There were those

who would gladly have seen him take a more prominent part in public

life. Perhaps a certain natural indolence held him back; perhaps a

wonderful fairness of mind which made him slow to judge, and abnormally

sensitive to "the other side." It is well known that as a landlord he

left the administration of his great estates in the north almost wholly

to his wife, and that, except in the great matter of temperance, he and

she differed in politics, Lady Carlisle--who was a Stanley of

Alderley--going with Mr. Gladstone at the time of the Home Rule split,

while Lord Carlisle joined the Liberal Unionists. Both took a public

part, and the political differences of the parents were continued in

their children. Only a very rare and selfless nature could have carried

through so difficult a situation without lack of either dignity or

sweetness. Lord Carlisle, in the late 'eighties and early 'nineties,

when I knew him best, showed no want of either. The restrictions he laid

upon his own life were perhaps made natural by the fact that he was

first and foremost an artist by training and temperament, and that the

ordinary occupations, rural, social, or political, of the great

land-owning noble, had little or no attraction for him. In the years, at

any rate, when I saw him often, I was drawn to him by our common

interest in the liberalizing of religion, and by a common love of Italy

and Italian art. I remember him once in the incomparable setting of

Naworth; but more often in London, and in Stopford Brooke's company.

For he was an intimate friend and follower of Mr. Brooke's, and I came

very early under the spell of that same strong and magnetic personality.

While we were still at Oxford, through J.R.G. we made acquaintance with

Mr. Brooke, and with the wife whose early death in 1879 left desolate

one of the most affectionate of men. I remember well Mr. Brooke's last

sermon in the University pulpit, before his secession, on grounds of

what we should now call Modernism, from the Church of England. Mrs.

Brooke, I think, was staying with us, while Mr. Brooke was at All Souls,

and the strong individuality of both the husband and wife made a deep

impression upon one who was then much more responsive and recipient than

individual. The sermon was a great success; but it was almost Mr.

Brooke's latest utterance within the Anglican Church. The following year

came the news of Mrs. Brooke's mortal illness. During our short meeting

in 1877 I had been greatly attracted by her, and the news filled me with

unbearable pain. But I had not understood from it that the end itself

was near, and I went out into our little garden, which was a mass of

summer roses, and in a bewilderment of feeling gathered all I could

find--a glorious medley of bloom--that they might surround her, if only

for a day, with the beauty she loved. Next day, or the day after, she

died; and that basket of roses, arriving in the house of death--belated,

incongruous offering!--has stayed with me as the symbol of so much else

that is too late in life, and of our human helplessness and futility in

the face of sorrow.

After our move to London, my children and I went for a long time

regularly to hear Mr. Brooke at Bedford Chapel. At the time, I often

felt very critical of the sermons. Looking back, I cannot bring myself

to say a critical word. If only one could still go and hear him! Where

are the same gifts, the same magnetism, the same compelling personality

to be found to-day, among religious leaders? I remember a sermon on

Elijah and the priests of Baal, which for color and range, for

modernness, combined with ethical force and power, remains with me as

perhaps the best I ever heard. And then, the service. Prayers

simplified, repetitions omitted, the Beatitudes instead of the

Commandments, a dozen jarring, intolerable things left out; but for the

rest, no needless break with association. And the relief and consolation

of it! The simple Communion service, adapted very slightly from the

Anglican rite, and administered by Mr. Brooke with a reverence, an

ardor, a tenderness one can only think of with emotion, was an example

of what _could_ be done with our religious traditions, for those who

want new bottles for new wine, if only the courage and the imagination

were there.

The biography of Mr. Brooke, which his son-in-law, Principal Jacks, has

just brought out, will, I think, reveal to many what made the spell of

Stopford Brooke, to a degree which is not common in biography. For _le

papier est bête_!--and the charm of a man who was both poet and artist,

without writing poems or painting pictures, is very hard to hand on to

those who never knew him. But, luckily, Stopford Brooke's diaries and

letters reflect him with great fullness and freedom. They have his

faults, naturally. They are often exuberant or hasty--not, by any means,

always fair to men and women of a different temperament from his own.

Yet, on the whole, there is the same practical, warm-hearted wisdom in

them that many a friend found in the man himself when they went to

consult him in his little study at the back of Bedford Chapel, where he

wrote his sermons and books, and found quiet, without, however, barring

out the world, if it wanted him. And there breathes from them also the

enduring, eager passion for natural and artistic beauty which made the

joy of his own life, and which his letters and journals may well kindle

in others. His old age was a triumph in the most difficult of arts. He

was young to the end, and every day of the last waiting years was happy

for himself, and precious to those about him. He knew what to give up

and what to keep, and his freshness of feeling never failed. Perhaps his

best and most enduring memorial will be the Wordsworth Cottage at

Grasmere, which he planned and carried out. And I like to remember that

my last sight of him was at a spot only a stone's-throw from that

cottage on the Keswick Road, his gray hair beaten back by the light

breeze coming from the pass, and his cheerful eyes, full often, as it

seemed to me, of a mystical content, raised toward the evening glow over

Helm Crag and the Easedale fells.

On the threshold also of the Settlement's early history there stands the

venerable figure of James Martineau--thinker and saint. For he was a

member of the original Council, and his lectures on the Gospel of St.

Luke, in the old "Elsmerian" hall, marked the best of what we tried to

give in those first days. I knew Harriet Martineau in my childhood at

Fox How. Well I remember going to tea with that tremendous woman when I

was eight years old; sitting through a silent meal, in much awe of her

cap, her strong face, her ear-trumpet; and then being taken away to a

neighboring room by a kind niece, that I might not disturb her further.

Once or twice, during my growing up, I saw her. She lived only a mile

from Fox How, and was always on friendly terms with my people. Matthew

Arnold had a true admiration for her--sturdy fighter that she was in

Liberal causes. So had W.E. Forster; only he suffered a good deal at her

hands, as she disapproved of the Education Bill, and contrived so to

manage her trumpet when he came to see her as to take all the argument

and give him all the listening! When my eldest child was born, a

cot-blanket arrived, knitted by Miss Martineau's own hands--the busy

hands (soon then to be at rest) that wrote the _History of the Peace_,

_Feats on the Fiord_, the _Settlers at Home_, and those excellent

biographical sketches of the politicians of the Reform and Corn Law days

in the _Daily News_, which are still well worth reading.

Between Harriet Martineau and her brother James, as many people will

remember, there arose an unhappy difference in middle life which was

never mended or healed. I never heard him speak of her. His standards

were high and severe, for all the sensitive delicacy of his long,

distinguished face and visionary eyes; and neither he nor she was of the

stuff that allows kinship to supersede conscience. He published a

somewhat vehement criticism of a book in which she was part author, and

she never forgave it. And although to me, in the University Hall

venture, he was gentleness and courtesy itself, and though his presence

seemed to hallow a room directly he entered it, one felt always that he

was _formidable_. The prophet and the Puritan lay deep in him. Yet in

his two famous volumes of Sermons there are tones of an exquisite

tenderness and sweetness, together with harmonies of prose style, that

remind me often how he loved music and how his beautiful white head

might be seen at the Monday Popular Concerts, week after week, his

thinker's brow thrown back to catch the finest shades of

Joachim's playing.

The year after _David Grieve_ appeared, Mr. Jowett died. His long letter

to me on the book contained some characteristic passages, of which I

quote the following:

I should like to have a good talk with you. I seldom get any one to

talk on religious subjects. It seems to me that the world is growing

rather tired of German criticism, having got out of it nearly all

that it is capable of giving. To me it appears one of the most

hopeful signs of the present day that we are coming back to the old,

old doctrine, "he can't be wrong whose life is in the right." Yet

this has to be taught in a new way, adapted to the wants of the

age. We must give up doctrine and teach by the lives of men,

beginning with the life of Christ, instead. And the best words of

men, beginning with the Gospels and the prophets, will be our Bible.

At the end of the year we spent a weekend with him at Balliol, and that

was my last sight of my dear old friend. The year 1893 was for me one of

illness, and of hard work both in the organization of the new Settlement

and in the writing of _Marcella_. But that doesn't reconcile me to the

recollection of how little I knew of his failing health till, suddenly,

in September the news reached me that he was lying dangerously ill in

the house of Sir Robert Wright, in Surrey.

"Every one who waited on him in his illness loved him," wrote an old

friend of his and mine who was with him to the end. What were almost

his last words--"I bless God for my life!--I bless God for my

life!"--seemed to bring the noble story of it to a triumphant close;

and after death he lay "with the look of a little child on his

face.... He will live in the hearts of those who loved him, as well

as in his work."

He lives indeed; and as we recede farther from him the originality and

greatness of his character will become more and more clear to Oxford and

to England. The men whom he trained are now in the full stream of

politics and life. His pupils and friends are or have been everywhere,

and they have borne, in whatever vocation, the influence of his mind or

the mark of his friendship. Lord Lansdowne, Mr. Asquith, Lord Justice

Bowen, Lord Coleridge, Lord Milner, Sir Robert Morier, Matthew Arnold,

Tennyson, Lord Goschen, Miss Nightingale, and a hundred others of the

nation's leaders--amid profoundest difference, the memory of "the

Master" has been for them a common and a felt bond. No other religious

personality of the nineteenth century--unless it be that of Newman--has

stood for so much. In his very contradictions and inconsistencies of

thought he was the typical man of a time beset on all sides by new

problems to which Jowett knew very well there was no intellectual

answer; while through the passion of his faith in a Divine Life, which

makes itself known to man, not in miracle or mystery, but through the

channels of a common experience, he has been a kindling force in many

hearts and minds, and those among the most important to England.

Meanwhile, to these great matters the Jowettan oddities and

idiosyncrasies added just that touch of laughter and surprise that makes

a man loved by his own time and arrests the eye and ear of posterity.

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