Broke ev'ry bond of nature and of truth]

[Footnote 29: Pope uses "preventing" in the then common but now obsolete

sense of "anticipating."]

[Footnote 30: A river in the lower world.]

[Footnote 31: Great is the force and the spirit of these lines down to

verse 183; and indeed they are a surprising effort in a writer so young

as when he translated them. See particularly lines 150 to 160.--WARTON.]

[Footnote 32: The entrance to the infernal regions was said to be

through a cave in the Taenarian promontory, which formed the southern

extremity of Greece.]

[Footnote 33: Pope has judiciously tamed the bombast image "caligantes

animarum examine campos," "the plains darkened with a swarm of ghosts."

"Lucentes equos," he translates, "fair glories," omitting the image

entirely. To mount Atlas he has added an idea which makes the passage

more ridiculous than sublime. It is poorly expressed in the original; in

the translation it is ludicrous; "and shook the heavens _and gods he

bore_." There are many images which if indistinctly seen are sublime; if

particularised they become quite the contrary. However, the translation

is certainly wonderful, when the age of the author is considered. It

shows his powers of metrical language, at so early a period of his

poetical studies, though it is very unfaithful in particular

passages.--BOWLES.]

[Footnote 34: Pope's acquaintance with Latin prosody, from his confined

education, was probably very small, or he would not have used Mal[=e]a,

instead of Mal[)e]a, with the line of Statius before him.--BOWLES.]

[Footnote 35: "Well-known," because the Fury had before visited the

Theban palace to instigate the crimes and passions of which it had been

the scene. The haste with which she goes, and her preference for the

terrestrial journey, even over the haunts of her own Tartarus, indicate

the signal malevolence of the mission. Hence the delight she takes in

it.]

[Footnote 36: The original is more forcible and less extravagant. The

sunken eyes of the Fury glared with a light like that of red-hot

iron--_ferrea lux_.]

[Footnote 37: This expression, which is not in Statius, is common with

Dryden, as in his Virg. AEn. x. 582:

The Works of Alexander Pope, Volume 1 Poetry - Volume 1 · 第 86 / 307 题