LETTERS TO ABSTRACTIONS.

No. XVIII.--TO FAILURE.

SIR,--Hitherto, I seem to have been submitting to you examples that

cannot properly be described as failures. This was not my purpose.

I wished rather to describe one or two characters whose ruin, to a

greater or smaller degree, you have compassed by your influence.

But some sprite seemed to take possession of my pen; my efforts were

unsuccessful, and I was led away from my original purpose. Perhaps

that is one of the penalties of addressing you. We shall see! In any

case let me proceed with my task as best I may.

It happened to me once--the date is immaterial--that after a

considerable absence, I returned to London. You know, perhaps, how it

fares with those who, for any length of time, become exiles from their

native land. All the institutions, the small no less than the great,

that go to make up our varied social life at home, become glorified as

it were, and loom larger through the mist of absence. They become part

and parcel of a traveller's patriotism, even if in his home-life he

took no part in them. I was due to return at the end of May, in time

for the Derby-day. I am not a racing-man. I had never seen the Derby

run, chiefly, I fancy, because I had never had any desire to see it.

But I remember that amongst my brother-exiles, I was being eternally

congratulated on the good luck that took me home in time for this

great national event. "What, you are going to be back by the end of

May," one of them would say; "why you'll be able to go to the Derby?"

So that in time, I came to accept this possibility as a specially

enviable feature of my home-coming. From that, to making up my mind to

go to the Derby was but a step, I took it, and on the great day I made

one of the mighty crowd on Epsom Downs. I don't remember much about

the race. I met many friends who asked me, as is common in such cases,

if I was back already; a question to which it seems difficult to find

a suitable reply, if one's bodily presence is not to be accepted as a

sufficient evidence of the fact. Many others volunteered to put me

on to various absolute certainties, and one man chilled my newly-born

racing-patriotism by observing, that he would as soon have thought of

seeing FRED ARCHER at a meeting of the British Association.

[Illustration]

I don't mean to describe the scene on the Downs. One crowd is much

like another; and, when you have said something of the proverbial

good-nature of a British crowd, you have done all that can be justly

required of you, after seeing a hunted wretch all but torn in pieces

by a mob of blackguards worse than himself. However, I think I enjoyed

myself well enough. Others enjoyed themselves more, and amongst these

was a party of roystering, jovial fellows, who ate a hearty luncheon,

and drank much champagne, on the top of a hired drag. One of them

particularly attracted my attention. Somewhere, I knew, I had seen

that curious, clean-shaved, bull-frog face before. It was perfectly

familiar to me, but, for the life of me, I couldn't recall the

circumstances in which I had previously set eyes on it. He appeared

to be the leader of the revels, and kept his companions in fits of

laughter at his sallies. I beat my brains to remember him, but all

in vain. All that I could arrive at was a sense of incongruity, an

impression of the unexpected in the spectacle I had witnessed.

In the evening I went to the "Frivolity," to see the latest rays of

the lamp of burlesque. That scene, at any rate, was familiar.

There, in all their spotless panoply of expressionless face, and

irreproachable shirt-front, sat the golden lads of the Metropolis

in their rows, images of bored stupidity, stiffly cased in black

and white. There too, were to be seen the snowy shoulders and the

sparkling jewels of the ladies both of the smart and of the higher

half world, with here and there an extensive dowager to add weight and

decorum to the throng. The curtain drew up on one of the usual scenes

of rejoicing. Shapely ladies, in tights, chorused their delight at the

approaching nuptials of a great lord's daughter. Then the contented

peasantry of the surrounding district stepped forward to swell the

joyful strains, and to be regaled with draughts of sparkling

emptiness from the inexhaustible beaker wielded by the landlord of

the neighbouring inn. And there, under the broad hat of one of these

rejoicing peasants, I recognised the bull-frog face that had puzzled

me that day at Epsom. In a flash I remembered him and all the scenes

in which he had played a humble part. Far back from the dimness of

some of my earliest theatrical experiences, up to the present moment,

I followed him on his career, simulating joint merriment, bearing one

of many banners, carrying a pike or a halberd in an army similarly

armed, conspiring in a mantle, draining a brimming goblet, but

never--at least within my recollection--taking a part of any

individuality, or one that gave him a chance of singing or speaking a

single line by himself. He had been one of the ruck when I had first

seen him, and now, after at least twenty years, the ruck still claimed

him for its own. I remember I had woven a sort of romance about him.

There, I had thought to myself, is a man who, no doubt, began his

stage career with high aspirations, and noble ambitions. It cannot

have been his aim to figure for ever merely as one of a crowd. And I

had pictured him gradually losing hope, and wearing his heart out

in the bitterness of deferred ambition as he walked gloomily through

life, with the stamp of failure on his brow. The picture was a

pathetic one, you must admit, worthy to take its place on the line

with the well-known fancy sketch of the Clown who, after making the

masses split their sides, goes home to a private life of penury and

despair.

Well, that day I had seen a piece of my friend's private life

at Epsom. Nothing could have been farther removed from misery. A

light-hearted gaiety reigned in his face and ruled his every gesture.

His companions seemed to bow to him, as to their leading humorist and

mirth-maker. I was stimulated by the collapse of my elaborate illusion

to make inquiries about him. I found that he had been born almost on

the stage, and had taken part in stage-life from his earliest years.

He never had any ambition: so long as he could be on the stage,

and take part in its life, his desires were satisfied. He lived an

absolutely contented life, smoked infamous tobacco out of clay-pipes,

and was in high repute amongst his intimates as a singer of jovial

songs, and a teller of brisk theatrical anecdotes. There was not a

spark of envy in his nature. He honoured the great actors, and was

always ready to do all he could to smooth the path of any nervous

youngster with excellent advice and cheerful help. He is still acting.

Anybody who wishes can see him on any night, helping to troll forth

the chorus of a song of Mexican warriors in the great spectacular

drama of _Montezuma_. There is no more perfectly-satisfied being in

existence. On that I am prepared to stake my life. Let this tale then

be a warning to those who are over-hasty to construct romances of

pathetic contrast on an insufficient foundation. One hugs such stories

to one's heart, and it is something of a wrench to have to give them

up in the light of a fuller knowledge.

And here I am, having all but reached the limits of my appointed

space, without apparently having gone one step nearer to the

fulfilment of the task on which I set out. I can only ask you to

take the will for the deed in the meantime. And after all, if this

unambitious actor had only been what I imagined him to be, I could not

have produced an apter example. But he had the impertinence to live

his life in his own way, and that did not happen to accord with the

theories I had been led to form about it. Shall I never be able to

come to the point? I have not yet given up all hope?

Yours as usual,

Punch, or the London Charivari, Vol. 104, April 15, 1893 · 第 13 / 27 题