A comparison like that of α and β in Fig. 8, where the equal length of

the combining lines is very apparent, induced Brentano to regard the

illusion which is observed in Figures 1-3 as due to the angles. In our

opinion he is mistaken. For the illusion actually takes place in α and

β; only it is quickly corrected with the help of the parallels, which,

as in ε, assist the imagination in making an exact comparison. When we

place α and β either at a sufficient distance, or are somehow prevented

from making use of the parallel lines, we shall have the same illusion

as appears in Figures 1, 2, 3. To prove this, we have but to bring the

figure α in a slanting position, as is shown in λ, and the illusion

is so strong that many will find it difficult to believe that λ is an

electrotyped duplicate of α.

The mooted illusions are not sense-illusions, but illusions of judgment;

and we believe that the explanation of these curious phenomena must be

sought in the elements which unconsciously enter into the make-up of our

judgments.

Lipps says that lines are felt to be movements. If a line is continued,

albeit with a slight declination, the motion appears “free and

victorious,” aspiring beyond itself; while, if confined in the corner

of an acute angle, it seems cut off and impeded. The victoriously

progressive motion is overestimated; the checked motion is underestimated.

Brentano, in order to meet Lipps’s objections, proposes a few additional

figures, of which we reproduce the most important ones in Fig. 10-14.

[Illustration: Fig. 10.]

[Illustration: Fig. 11.]

[Illustration: Fig. 12.]

[Illustration: Fig. 13.]

[Illustration: Fig. 14.]

It seems to us that the main part which the angles play in these or any

other similar figures, consists in leading our imagination astray. The

parallel lines which we attempt to construct for our comparison, switch

slightly off with an inclination toward the angles.

But that is not all; there are other elements that affect our judgment

at the very outset. In measuring a distance we do something, and in

looking at a diagram we think something. The diagram is suggestive of

some reality to which we compare it. All these ideas, be they conscious,

subconscious, or even unconscious, affect our judgment and are sometimes

apt to lead it astray.

In addition we have to mention two things, the influence of which upon

our verdict cannot be doubted; the one is the size of the entire figure,

the other the vacuity of the distance to be measured: both tend to make

the distance appear longer than it really is. To illustrate this, we add

the three Figures 15, 16, 17 which contain no angles and yet show the

same illusions.

[Illustration: Fig. 15.]

[Illustration: Fig. 16.]

[Illustration: Fig. 17.]

The distance between the points in Figure 17 appears longer than in

Figure 16, and in Figure 16 again longer than in Figure 15. The fact is,

that before starting on our measurement-journey, we have in Figure 17

already traversed a good distance after having noted the extraordinarily

lengthened boundary marks. The town _A_ may be exactly as far as the town

_B_, yet the journey to _A_ will appear longer, if I have to ride an hour

before I reach the station, while I may live opposite the terminus of the

railroad to _B_.

When our eyes glide down from one point to the other, we pass in one

case through an empty desert the dreariness of which is not interrupted.

We almost lose our way and become lonesome in its monotony. If our way,

however, is full of variations, we are pleasantly entertained and regard

our journey as so much shorter. The contrast is most obvious in figure

10. The time-illusions as to the swiftness of hours of work or amusement

and the slowness of moments of _ennui_ have become proverbial among all

nations. The more dreariness, the more marked is the lengthening of the

distance, while even a partial accompaniment shortens the traversed road.

κρς.

CONTENTS: Vol. V. Nos. 3 and 4.

THEORIE DES FARBENSEHENS. By _H. Ebbinghaus_.

UEBER DEN MUSKELSINN BEI BLINDEN. By _Paul Hocheisen_.

LITTERATURBERICHT. (Hamburg and Leipsic: Leopold Voss.)

VIERTELJAHRSSCHRIFT FÜR WISSENSCHAFTLICHE PHILOSOPHIE.

CONTENTS: Vol. XVII. No. 2.

EINIGES ZUR GRUNDLEGUNG DER SITTENLEHRE. (First Article.) By

_J. Petzoldt_.

KRITIK DER GRUNDANSCHAUUNGEN DER SOCIOLOGIE H. SPENCER’S. By

_P. Barth_.

WERTHTHEORIE UND ETHIK. (Second Article.) By _Chr. Ehrenfels_.

(Leipsic: O. R. Reisland.)

THE AMERICAN JOURNAL OF PSYCHOLOGY.

CONTENTS: Vol. V. No. 3.

ON ERRORS OF OBSERVATION. By _Prof. James McKeen Cattell_.

MINOR STUDIES FROM THE PSYCHOLOGICAL LABORATORY OF CLARK

UNIVERSITY.

ON THE DISCRIMINATION OF GROUPS OF RAPID CLICKS. By _Thaddeus

L. Bolton_.

STATISTICS OF DREAMS. By _Mary Whiton Calkins_.

ON THE PRESSURE SENSE OF THE DRUM OF THE EAR AND “FACIAL

VISION.” By _F. B. Dresslar_.

ON REACTION-TIMES WHEN THE STIMULUS IS APPLIED TO THE REACTING

HAND. By _J. F. Reigart and Edmund C. Sanford_.

EXPERIMENTS UPON PHYSIOLOGICAL MEMORY BY MEANS OF THE

INTERFERENCE OF ASSOCIATIONS. By _John A. Bergström_.

A NEW INSTRUMENT FOR WEBER’S LAW; WITH INDICATIONS OF A LAW OF

SENSE MEMORY. By _James H. Leuba_.

A NEW PENDULUM CHRONOGRAPH. By _Edmund C. Sanford, Ph. D._

LABORATORY COURSE IN PHYSIOLOGICAL PSYCHOLOGY. (Fourth Paper.)

By _Edmund C. Sanford, Ph. D._ (Worcester, Mass.: J. H. Orpha.)

THE PHILOSOPHICAL REVIEW.

CONTENTS: Vol. II. No. 3.

GERMAN KANTIAN BIBLIOGRAPHY. By _Dr. Erich Adickes_.

THE EPISTEMOLOGY OF NEO-KANTISM. By _Prof. Andrew Seth_.

MENTAL MEASUREMENT. By _Prof. J. McK. Cattell_.

BOOK REVIEWS. (Boston, New York, Chicago: Ginn & CO.)

REVUE PHILOSOPHIQUE.

CONTENTS: Vol. XVIII. No. 5.

PSYCHOLOGIE DU MUSICIEN. 1. L’EVOLUTION DES APTITUDES

MUSICALES. By _L. Dauriac_.

LA SOCIABILITÉ ET LA MORALE CHEZ LES ANIMAUX. By _Houssay_.

SUR LES IDÉES GÉNÉRALES. By _Marchesini_.

QUESTIONNAIRE SUR L’AUDITION COLORÉE, FIGURÉE ET ILLUMINÉE. By

_Gruber_.

L’ATTENTION ET LES IMAGES. By _F. Paulhan_.

UNE ILLUSION D’OPTIQUE. By _B. Bourdon_.

SCIENCE ET SOCIALISME. _G. Sorel_.

ANALYSES ET COMPTES RENDUS. (Paris: Félix Alcan.)

CONTENTS: Vol. XVIII. No. 6.

LA NOUVELLE THÉORIE DE L’HÉRÉDITÉ DE WEISMANN. By _Y. Delage_.

UN CALCULATEUR DU TYPE VISUEL. By _J.-M. Charcot and A. Binet_.

PSYCHOLOGIE DU MUSICIEN.—II. L’OREILLE MUSICALE. By _L.

Dauriac_.

REVUE DE MÉTAPHYSIQUE ET DE MORALE.

CONTENTS: Vol. I. No. 2.

LE MOUVEMENT ET LES ARGUMENTS DE ZÉNON D’ÉLÉE. By _G. Noël_.

LE PROBLÈME MORAL DANS LA PHILOSOPHIE DE SPINOZA. By _V.

Delbos_.

LE CONCEPT DU NOMBRE CHEZ LES PYTHAGORICIENS. By _G. Milhaud_.

LE DIALOGUE DANS L’ENSEIGNEMENT DE LA PHILOSOPHIE. By _C.

Mélinand_. (Paris: Librairie Hachette et Cie.)

CONTENTS: Vol. I. No. 3.

LES PRÉTENDUS SOPHISMES DE ZÉNON D’ÉLÉE. By _V. Brochard_.

SPIR ET SA DOCTRINE. By _A. Penjon_.

ESSAI SUR LE CARACTÈRE GÉNÉRAL DE LA CONNAISSANCE. By _G.

Remacle_.

PHILOSOPHISCHES JAHRBUCH.

CONTENTS: Vol. VI. No. 2.

BEGRIFF DER PHILOSOPHIE. By _Uebinger_.

DIE OBJECTIVITÄT UND DIE SICHERHEIT DES ERKENNENS. By

_Isenkrahe_.

DER BEGRIFF DES “WARREN.” (Concluded.) By _Franz Schmid_.

DER GRUNDPLAN DER MENSCHLICHEN WISSENSCHAFT. By _Bahlmann, S.

J._

HANDSCHRIFTLICHES ZU DEN WERKEN DES ALANUS. By _Bäumker_.

(Fulda, 1893.)

The Monist, Vol. 3, 1892-1893 · 第 65 / 65 段