CHAPTER XI.

Men, like bullets, go farthest when they are smoothest.--JEAN PAUL.

Floyd Grandon begins the next morning by treating his wife as if she

were a princess born. His fine breeding stands in stead of husbandly

love. Briggs has orders to take her and Miss Cecil out in the carriage

every day. Jane is to wait on her. Even Cecil is not allowed to tease,

and instructed to call her mamma. He escorts her in to the table, and

at a glance the servant pays her outward deference at least.

"Violet," he says, after breakfast, "will you drive over with me to see

Denise on a little business? No, Cecil, my darling, you cannot go now,

and I shall bring your mamma back very soon. Be a cheerful little girl,

and you shall have her afterward."

Cecil knows that tone means obedience. She is not exactly cheerful, but

neither is she cross. They drive in Marcia's pony phaeton.

"Nothing in the world is too good for us," Mrs. Grandon says, with a

sneer. "There will be open war between her and Marcia."

"She will be likely to have a pony carriage of her own," observes

Gertrude, who resolves to mention this project to Floyd.

"Oh, yes. I suppose the economy for others, means extravagance here.

_We_ can afford it."

Gertrude makes no further comment.

Violet glances timidly at her husband's face, and sees a determination

that she is to misinterpret many times before she can read it aright.

She is not exactly happy. All this state and attention render her

nervous, it is so unlike her simple life.

"Violet," he begins, "Denise was speaking yesterday of--of----" How

shall he get to it. "There was no time to provide you any clothes,

any--You see I am not much of a lady's man. I have been out in India

and Egypt, and where they keep women shut up in harems, and never had

occasion to think much about it. I want to take you and Denise to the

city; perhaps you would go to-day?" with a man's promptness.

Violet is puzzled, alarmed, and some notion of delicacy almost leads

her to protest.

"I am too abrupt, I suppose," he says, ruefully, looking almost as

distressed as she. "But you see it is necessary."

"Then if Denise----"

He is thinking the sooner they go the better. He will not have his

mother saying she came destitute and penniless, or considering her

attire out of the way. He went once to the city with Laura, and left

her at a modiste's, and he can find it again, so he will take them

there and order all that any lady in Violet's station will require. No

one need know they have gone. It all flashes over him in an instant. He

had meant merely to make arrangements, but now he plans the trip. They

can go to Westbrook station, they can return without being seen of

prying eyes. He feels a little more sensitive on the subject because he

has so lately seen all of Laura's wedding paraphernalia. There will be

Laura, and perhaps madame to inspect her, and she must stand the test

well for her own sake. He would like to see her always in a white gown;

even that gray one was pretty the day she saved his darling.

"Yes," he says, rousing suddenly. "Denise understands all about these

matters. You are still so young." Laura he remembers was but a year

older, but, oh, how much wiser in worldly lore! No, he would never care

to have Violet wise in that way. "And if it had been otherwise,--my

child, it was a sad bridal. Some time we will make amends for all

that."

Her eyes fill with tears. She is still looking very grave when Denise

takes her in the fond, motherly arms. While she is gone upstairs to

papa's room, Grandon explains and convinces Denise that the journey is

absolutely necessary, and that no one can serve her young mistress as

well as she.

He sends a carriage for them while he takes Marcia's phaeton home, and

explains to Cecil that her mamma has some important business with

Denise, and tells his mother neither of them will be home to luncheon.

Denise looks the neat old serving-woman to perfection, and once started

on their journey Violet's face brightens. They find the modiste, who

inspects her new customers and is all suavity. Grandon makes a brief

explanation, and questions if all toilets must be black.

"It is extremely sad," and Madame Vauban looks sympathetic. "And she is

so young, so petite! Crapes seem to weigh her down, yet there must be

some for street use. If madame was not purposing to wear it very long,

it might be lightened the sooner. Just now there could be only black

and white."

"Put plenty of white in it, then," orders Mr. Grandon, and samples are

brought out for his inspection. He thinks after this sorrowful time is

over she shall dress like a little queen. There are so many lovely

gowns and laces, so much that is daintily pretty, appropriate for her.

He can hardly refrain from buying her trinkets and nonsense, but he

will not have her subjected to hostile criticisms, and he is not sure

his judgment is to be trusted. He would doubtless flounder among the

proprieties.

"And now," he says, when they are in the street again, "would you like

to go anywhere? There is the park, and there must be pictures

somewhere. I wish there was a matinee, only it might not be right to

go"; and he secretly anathematizes his own ignorance of polite and

well-bred circles. But he learns the whereabouts of two galleries, and

they stumble over some bric-à-brac that is quite enchanting. Violet has

been trained on correct principles. She knows the names and eras of

china, and has discrimination. Her little bit of French is well

pronounced. She is not so well posted in modern painters, but she has

the o'd ones, with their virgins and saints and crucifixions, all by

heart.

They are sitting on a sofa resting, and glancing at some pictures

opposite. Denise is busy with a homely farm scene that recalls her

girlhood, and no one is in their vicinity. One small, white, ungloved

hand rests on Violet's lap. Her face is sweet and serious, without the

sad gravity that shadows it so often. Indeed, she is very happy. She

has not been so much at ease with Floyd Grandon since her marriage,

neither has he devoted himself to her entertainment with such a cordial

purpose as now. He certainly _is_ a fascinating man to the most of

womenkind, even when he is indifferent to them, but he is not

indifferent at this juncture. There is a curious quality in Floyd

Grandon's nature that is often despised by enthusiastic people. When it

is his bounden duty to take certain steps in life, he resolutely bends

his will and pleasure to them. He means honestly to love this wife that

circumstances or his own sympathetic weakness has brought him. Just now

it seems an easy matter. He has a horror of pronounced freedoms; they

look silly and vulgar, yet he cannot resist clasping the little bare

hand. The warm touch thrills her. She turns just enough to let him

catch the shy, pleased, irresistible light in her eye; no finished

coquette could have done it better, but with her it is such simple

earnest.

"Are you happy?" he asks, not because he is ignorant, but he wants an

admission.

"Oh!" It is just a soft, low sigh, and though her cheek flushes that

delicious rose pink, her face is still. The light comes over it like a

lustrous wave.

"Why, this is a bit of wedding journey," he says. "I did not think of

it before. I wish I could take you away for a week or two, but there is

so much on my mind that maybe I should not be an entertaining

companion. It will come presently, and it will be ever so much better

not to be shaded by grief."

She is quite glad that they are not away from all the old things. She

knows so little about him, she feels so strange when she comes very

near to him in any matter, as if she longed to run away to Denise or

Cecil. Just sitting here is extremely sweet and safe, and does not

alarm her.

There is a clock striking four. Can it be they have idled away nearly

all day? He rises and draws the bare hand through his arm, he is even

gallant enough to take her parasol, while she carries a pretty satin

satchel-like box of bonbons for Cecil. Denise comes at his nod; she has

two or three of her mistress's parcels, and they take up their homeward

journey. He carries her parasol so high that the sun shines in her

eyes; but the distance is short, and she says nothing.

Fortunately they reach home just in time for dinner. Cecil is out on

the porch, in the last stages of desolation.

"Come up with me and get this pretty box," cries Violet, holding it out

temptingly. "And to-morrow we will both spend with Denise, who will

make us tarts and chocolate cream."

"You stayed such a long, long while," groans Cecil, not quite pacified.

"But I shall not do it again," she promises. She is so bright that the

child feels unconsciously aggrieved.

Mrs. Grandon is very stately, and wears an air of injured dignity that

really vexes her son, who cannot see how she has been hurt by his

marriage, so long as he does not make Violet the real mistress of the

house. He has proposed that she affix her own valuation on the

furniture she is willing to part with; he will pay her income every six

months, and she will be at liberty to go and come as she pleases. What

more can he do?

He explains to Violet a day or two afterward, that between the factory

and his own writing he will hardly have an hour to spare, and that she

must not feel hurt at his absence. Lindmeyer has come, and with Joseph

Rising they are going over all with the utmost exactness. There are

sullen looks and short answers on the part of the workmen. It has been

gently hinted to them that other vacations may be given without any

advance wages. Wilmarth is quietly sympathetic. It is necessary, of

course, that the best should be done for Mr. Grandon, who has managed

to get everything in his own hands and entangle his private fortune.

And though Wilmarth never has been a thorough favorite as old Mr.

Grandon, and Mr. Eugene, with his _bonhomie_, yet now the men question

him in a furtive way.

"I have very little voice in the matter," explains Jasper Wilmarth,

with an affected cautiousness. "I have tried to understand Mr. St.

Vincent's views about the working of his patent, but machinery is not

my forte. I can only hope----"

"We did well enough before the humbugging thing was put in," says one

of the workmen, sullenly. "Mr. Grandon made money. We had decent wages

and decent wool, and we weren't stopping continually to get this thing

changed and that thing altered. Now you're thrown out half a day here

and half a day there, and the new men are nosing round as if they

suspected you would make way with something and meant to catch you at

it."

"We must have patience," says Wilmarth, in that extremely irritating,

hopeless tone. "Mr. Grandon _is_ interested in his wife's behalf,

though it is said he has a fortune of his own, and the new method must

be made to pay him, if every one else suffers. I am not a rich man, and

should be sorry to lose what I thought was so sure in this concern."

Rising finds his position an extremely disagreeable one. The men are

not only curt, but evince a distrust of him, are unwilling to follow

his suggestions, and will keep on in their old ways. Lindmeyer finds

himself curiously foiled everywhere. It seems as if some unknown agency

was at work. What he puts in order to-day is not quite right to-morrow.

All the nice adjustment he can theorize about will not work

harmoniously, economically. So passes away a fortnight.

"Mr. Grandon," he says, honestly, "I seldom make a decided blunder

about these matters, but I can't get down to the very soul of this.

There is a little miss somewhere. I said I could tell you in a month,

but I am afraid I shall have to ask a further fortnight's grace. I

never was so puzzled in my life. It is making an expensive experiment

for you, but I _do_ think it best to go on. I don't say this to

lengthen out the job. There is plenty of work for me to go at."

Grandon sighs. He finds it very expensive. It is money on the right

hand and the left, and with a costly house and large family the income

that was double his bachelor wants melts away like dew. He is not

parsimonious, but his instincts and habits have been prudent. He is

making inroads upon his capital, and if he should never get it back?

His father, it is true, has advised against entangling his private

fortune, but it cannot be helped now. To retreat with honor is

impossible and would be extremely mortifying. He will not do that, he

resolves. But how if he has to retreat with failure?

All these things trouble him greatly and distract his attention. He

sits up far into the night poring over his own work that was such

pleasure a few months ago, and he can hardly keep his mind on what so

delighted him then. There is quite too much on every hand, and he must

add to it family complications. His beautiful home is full of jarring

elements. Even Cecil grows naughty with the superabundant vitality of

childhood, and is inclined to tyrannize over Violet, who often submits

for very lack of spirit, and desire of love.

They are always together, these two. They take long drives in the

carriage, and Mrs. Grandon complains that everything must be given over

to that silly, red-haired thing! Gertrude does battle for the hair one

morning.

"I do not call it red," she says, with a decision good to hear from the

languid woman. "It is a kind of bright brown, chestnut. Mrs. McLeod's

is red."

"Auburn, my dear," retorts Mrs. Grandon mockingly. "If you are

sensitively polite in the one instance, you might be so in the other.

One is light red, the other dark red."

"One is an ugly bricky red," persists Gertrude, "and no one would call

the other red at all."

"I call it red," very positively.

"Very well," says the daughter, angrily, "you cannot make it other than

the very handsome tint it is, no matter what you call it."

"There has been a very foolish enthusiasm about red hair, I know, but

that has mostly died out," replies the mother, contemptuously, and

keeps the last word.

Gertrude actually allows herself to be persuaded into a drive with "the

children" that afternoon. She and Violet happen to stumble upon a book

they have both read, a lovely and touching German story, and they

discuss it thoroughly. Violet is fond of German poems.

"Then you read German?" Gertrude says. "I did a little once, but it was

such a bore. I haven't the strength for anything but the very lightest

amusement."

"Oh," Violet exclaims, "it must be dreadful always to be ill and weak!

Papa was ill a good deal, but he used to get well again, and he was

nearly always going about!"

"I haven't the strength to go about much."

"I wonder," Violet says, "if you were to take a little drive every day;

Cecil and I would be so glad."

Gertrude glances into the bright, eager face, with its velvety eyes and

shining hair. It _is_ beautiful hair, soft and fine as spun silk, and

curling a little about the low, broad forehead, rippling on the top,

and gathered into a careless coil at the back that seems almost too

large for the head. Why are they all going to hate her? she wonders.

She is more comfortable in the house than madame would be as a

mistress, and she will never object to anything Floyd chooses to do for

his mother and sisters. One couldn't feel dependent on Violet, but

dependence on madame might be made a bitter draught. And if the

business goes to ruin, there will be no one save Floyd.

Violet reaches over and takes Gertrude's hand. She feels as well as

sees a certain delicate sympathy in the faded face.

"If you would let me do anything for you," she entreats, in that

persuasive tone. "I seem of so little use. You know I was kept so busy

at school."

Gertrude feels that, fascinating as Cecil is with her bright,

enchanting ways, Violet may be capable of higher enjoyments. For a

moment she wishes she had some strength and energy, that she might join

hands with her in the coming struggle.

Indeed, now, the child and Denise are Violet's only companions. Floyd

is away nearly all day, and writes, it would seem, pretty nearly all

night. His mind is on other matters, she sees plainly. She has been

used to her father's abstraction, and does not construe it into any

slight. But in the great house, large as it is, Mrs. Grandon seems to

trench everywhere, except in their own apartments. Floyd installed

Violet in the elegant guest-chamber, but Mrs. Grandon always speaks of

it as the spare room, or madame's room.

Violet's heart had thrilled at the thought of the exquisite-toned

piano. She had tried it a day or two after her advent and found it

locked.

"Do you know who keeps the key?" she had asked timidly of Jane.

"It is Miss Laura's piano," is the concise answer, and no more is said.

But one morning Mr. Grandon asks if Violet can go over to the cottage

with him. Her lovely eyes are all alight.

"Get your hat, then," he says, as if he were speaking to the child.

Violet starts eagerly. Cecil rises and follows.

"Oh, she may go, too?" the pretty mamma asks.

Floyd nods over his paper. Mrs. Grandon bridles her head loftily.

"Denise has something for us, I know," cries Violet. "We were not there

yesterday. Poor Denise, she must have missed us, but I did want to

finish Maysie's dress." Maysie is Cecil's doll, and has had numerous

accessions to her wardrobe of late.

Grandon has an odd little smile on his face as he looks up. Violet and

he are friends again when they are not Mr. and Mrs. Grandon. The little

episode of the wedding journey has faded, or at least has borne no

further fruit. Yet as the days go on she feels more at home in the

friendship.

"Oh," she begins, in joyous accents, "you have a surprise for us!" She

has such a pretty way of bringing in Cecil.

"Perhaps it is Denise."

"It is cream, I know," announces Cecil. Denise's variety of creams is

inexhaustible.

Grandon smiles again, a sort of good-humored, noncommittal smile.

It is something that pleases him very much, Violet decides, and a

delicious interest brightens every feature.

Denise welcomes them gladly. Lindmeyer has taken up his lodgings at the

cottage, but the upper rooms are kept just the same. Grandon leads the

way and Violet stares at the boxes in the hall. Her room is in a lovely

tumult of disorder. Bed and chairs are strewn with feminine belongings.

"Oh," she says, uttering a soft, grateful cry. "They have come!

But--there is so much!" And she looks at him in amazement.

"It is not so bad, after all," he answers, touching the soft garments

with his fingers, and studying her. There is a lovely dead silk, with

only a very slight garniture of crape; there is the tenderest gray,

that looks like a pathetic sigh, and two or three in black, that have

the air of youth, an indescribable style that only an artist could

give. But the white ones are marvels. One has deep heliotrope ribbons,

and another crapy material seems almost alive. There are plain mulls,

with wide hems, there are gloves and sashes and wraith-like plaitings

of tulle; a pretty, dainty bonnet and a black chip hat, simple and

graceful. Madame Vauban has certainly taken into account youth,

bridehood, and the husband's wishes. Plain they are, perhaps their

chief beauty lies in their not being overloaded with trimming and

ornament.

"Oh," she says, "whenever am I to wear them all?" Her black dress has

done mourning duty so far, but the summer heats have rendered white

much more comfortable. "They are so very, very lovely!"

Her eyes glisten and her breath comes rapidly. He can see her very

heart beat, and a faint scarlet flies up in her face, growing deeper

and deeper, as the sweet red lips tremble.

"You bought them?" she falters, in an agony of shame.

"Should you hate to owe that much to me?" he questions.

"I----"

"My dear girl--Tell her, Denise, that she is quite an heiress, and that

if all goes well she will one day be very rich. It is your father's

gift to you, Violet, not mine."

The troublesome scarlet dies away. She comes to him and takes his hand

in her soft palms. "I would be willing to owe anything to you," she

says, "but----"

"I owe you the greatest of all; a debt I never can repay, remember

that, _always_." And drawing her to him he kisses her gently. "And

now I have about fifteen minutes to spare; try on some of this white

gear and let me see how you look."

She puts on the white and purple. It has a demi-train, and seems

fashioned exactly for her figure. He is awaiting her in her father's

room and looks her over with a critical eye. She is very pretty. She

can stand comparison now with madame or Laura or any of them. She knows

he is quite satisfied with her.

"Now," he continues, "Denise must pack them up again and I will send

them down home. After a week or so there will be visitors. Some day you

will find yourself Mrs. Grandon. I do not believe you at all realize it

yet."

She colors vividly. In the great house she is seldom honored by any

name. Even the servants are not quite determined what respect shall be

paid her.

Grandon kisses them both and is off. What a pretty, dainty pride the

girl has! Yet yesterday he sent the check without a thought of demur,

though Madame Vauban has made the trousseau as costly as circumstances

and her own reputation will permit. If she is never the heiress he

hopes she will be, he must be more than thankful then that she is wife

instead of ward.

Violet spends nearly all the morning arraying herself, to Cecil's

intense delight. Denise looks on with glistening eyes. She is as

anxious as Grandon that her young mistress shall hold up her head with

the best of them.

"But you have a prince for a husband, ma'm'selle," she says.

The prince meanwhile finds matters not so pleasant at the factory. His

bright mood is confronted with an evident cloud looming up much larger

than a man's hand. The main hall is filled with workmen standing about

in groups, with lowering brows and lips set in unflinching resolution,

as if their wills were strongly centred upon some object to be fought

for if not gained. Grandon glances at them in surprise, then walks

firmly through them with no interruption, pauses at the entrance and

faces them, assured that he is the one they desire to see.

One of the men, sturdy and dark-browed, steps forward, clears his

throat, and with a half-surly inclination of the head begins, "Mr.

Grandon," and then something intangible awes him a trifle. They may

grumble among themselves, and lately they have found it easy to

complain to Mr. Wilmarth, but the unconscious air of authority, the

superior breeding, and fine, questioning eyes disconcert the man, who

pulls himself together with the certainty that this gentleman,

aristocrat as he is, has no right to set himself at the head of the

business and tie every one's hands.

"Mr. Grandon," with a sort of rough, sullen courage, "me and my mates

here are tired of the way things are going on. We can't work under the

new man. We never had a day's trouble with Mr. Brent, who understood

his business. We want to know if he is coming back at the end of the

month; if not----"

"Well, if he is not, what then?" The words ring out clear and incisive.

"Then," angrily, "we'll quit! We've resolved not to work under the new

one. Either he goes or we will."

"He will not go out until I am quite ready."

"Then, mates, we will knock off. We're willing to come to any

reasonable terms, Mr. Grandon, and do our best, but we won't stand

false accusations, and we're tired of this sort of thing."

Floyd Grandon would give a good deal for a glance into the face of

Rising or Lindmeyer as inspiration for his next word. It is really a

step in the dark, but he is bound to stand by them.

"Very well," he replies. "When two parties cannot get along amicably,

it is best to separate."

The men seem rather nonplussed, not expecting so brief and decisive a

result. They turn lingeringly, stare at each other, and march toward

Wilmarth's office.

Grandon goes straight to the workroom. Half a dozen men are still at

their looms.

"O Mr. Grandon!" begins Rising, with a face of the utmost anxiety, but

Lindmeyer has a half-smile on his lips as he advances, which breaks

into an unmirthful laugh.

"Quite a strike or an insurrection, with some muttered thunder! I hope

you let them go; it will be a good day's work if you have."

"What was the trouble?" Grandon's spirits rise a trifle.

"The machinery and the new looms have been tampered with continually,

just enough to keep everything out of gear. Nearly every improvement,

you know, has to fight its way through opposition in the beginning. The

men declare themselves innocent, and puzzled over it, but it certainly

has been done. There are five excellent weavers left, Rising says."

"I would rather go on with just those a few days, until I am able to

decide two or three points. And if you don't object, I should like to

remain here at night."

"And we shall need a watchman. A little preventive, you know, is better

than a great deal of cure."

Both men take the _emeute_ in such good part that Grandon gains confidence.

Back of this morning's dispute there has been dissatisfaction and covert

insolence, and the two are thankful that the end of the trouble is

reached.

Grandon returns to the office heavy hearted in spite of all. There are

victories which ruin the conqueror, and even his may be too dearly

bought.

A knock at the half-open door rouses him, but before he answers he

knows it is Wilmarth.

"Mr. Grandon," begins that gentleman, with a kind of bitter suavity,

"may I inquire into the causes that have led to this very unwise

disturbance among our working forces?"

"I think the men are better able to tell their own story. They made an

abrupt demand of me that Mr. Rising must be dismissed or they would go.

Our agreement was for a month's trial, and the month is not ended. I

stand by my men."

Grandon's voice is slow and undisturbed by any heat of passion.

"But you do not know, perhaps. They were unjustly accused."

"Unjustly?"

That one word in the peculiar tone it is uttered checks Wilmarth

curiously.

"Mr. Grandon," and he takes a few quick steps up and down the room, "do

you assume that I have _no_ rights, that you have all the power, judgment,

and knowledge requisite for a large establishment like this, when it is

quite foreign to any previous experience of yours? Is no one to be

allowed a word of counsel or advice? or even to know what schemes or

plans are going on?"

"Mr. Wilmarth, all that was settled at Mr. Sherburne's office. It was

decided that, being the executor and trusted agent of my father, and

also the husband of Miss St. Vincent, gave me the controlling voice,

and you consented to the month's trial."

"And am I to stand idly by and let you drive the thing to ruin?

discharge workmen, break contracts, shut up the place, and have no

voice in the matter?"

"You had a voice then!"

"But you very wisely withheld the outcome of your plans. I should not

have consented to my own ruin."

"Mr. Wilmarth, if you can decide upon any reasonable price for your

share, I will purchase it. It cannot be a comfortable feeling to know

yourself in a sinking ship, with no means of rescue. If you are

doubtful of success, name your price."

He tries to study the face before him, but the sphinx is not more

inscrutable. Yet he feels that from some cause Wilmarth hates him, and

therein he is right. To be thwarted and outgeneralled is what this

black-browed man can illy bear. To receive a certain sum of money and

see his rival go on to success, with a comparatively smooth pathway, is

what he will not do. Floyd Grandon shall purchase his victory at the

highest, hardest rate.

"I may be doubtful," he begins, in a slow, careful tone, which Floyd

knows is no index to his real state of mind, "but that does not say I

am _quite_ despairing. I had the pleasure of working most amicably with

your father and receiving a fair return on my investment. I have had no

dissensions with your brother, who is really my working partner. Your

father was more sanguine of success than I, but I am well aware that if

business men give up at the first shadow of unsuccess, a wreck is

certain. I have no desire to leave the ship. The business suits me. At

my time of life men are not fond of change. What I protest against is,

that if I, with all my years of experience, find it best to go slowly

and with care, you shall not precipitate ruin by your ill-judged

haste."

How much _does_ this man believe? What are his aims and purposes? What

is under the half-concealed contempt and incredulity? If he has

cherished the hope of getting the business into his hands he must feel

assured of success. Floyd Grandon is not a lover of involved or

intricate motives. He takes the shortest road to any point. Fairness,

simplicity, and truth are his prevailing characteristics.

"Do you believe honestly that St. Vincent's idea has any of the

elements of success?" he demands, incisively.

Wilmarth shrugs his shoulders and the useful sneer crosses his face.

"Mr. Grandon," he answers, imperturbably, "I have seen the elements of

success fail from lack of skilful handling."

"You proposed for the hand of Miss St. Vincent," and then Grandon could

bite out his tongue if it would recall the words.

"Yes," with half-contemptuous pity. "He had risked everything on the

success of this, and the poor child would have been left in a sad

plight. Marriage was rather out of my plans."

"And fate happily relieved you," says Grandon, throwing into his face

all the enthusiasm and softness of which he is master. "She did for me

the greatest service; but for her, my days would have been a blank and

desolation. She saved the life of my child, my little girl," and now he

has no need to assume gratitude. "I was a witness myself to the heroic

act, but could not have reached her in time. She was the veriest

stranger to me then, and aroused within my soul emotions of such deep

and rare thankfulness that only the devotion of a lifetime can repay."

"Ah, yes," says Wilmarth, "you would naturally take an interest in her

fortune."

"If you mean by that, wealth," and he feels as if he could throttle the

man, "I shall care for her interest as I do for my mother, or my

sisters. Whatever the result, it is all in her hands; I had no need to

marry for money."

"We have digressed widely," suggests Wilmarth, and he hesitates, a

little uncertain how to make the next move tell the most cuttingly.

"But you see, with all this in view, I am not likely to rush headlong

to ruin. I have taken some of the best counsel I could find. My

experience is that a man who firmly believes in the success of what he

undertakes is much more likely to succeed, and this Lindmeyer does.

Rising has had charge of a large factory in England. The least I can do

is to give them every chance in my power to do their best, and that

they shall have."

"And the men?"

"They have acted according to their best judgment," and now it is

Grandon's turn to smile grimly. "They may be mistaken; if so, that is

their misfortune. I hold steadfastly to _my_ men until the month ends,

and their success will decide the new arrangements."

Again Jasper Wilmarth has been worsted. When he started the disaffection

among the men he did not count on its culmination quite so soon, and again

he has unwittingly played into Floyd Grandon's hands; how fatally he knows

best himself.

"Then the men are to consider themselves discharged."

"They are to consider that they discharged themselves," says the master

of the situation.

Floyd Grandon's Honor · 第 11 / 29 章