CHAPTER XXI

SUGGESTIVE TONES

Miss Wildmere had promised to drive with Graydon on the following

morning, but Madge felt as if heaven had interfered in her behalf, for

the skies were clouded, and the rain fell unceasingly. People were at

a loss to beguile the hours. Graydon, Miss Wildmere, and Mr. Arnault

played pool together, while Mr. Muir, his wife, and Madge bowled for

an hour, the last winning most of the games. Mr. Arnault had a certain

rude sense of fair play, and it appeared to him that Graydon's course

had become all that he could ask--more than he could naturally expect.

The lady was apparently left wholly free to make her choice between

them, and all protest, even by manner, against her companionship with

him had ceased. He could drive, walk, or dance with her at his will;

then Graydon would quietly put in an appearance and make the most of

his opportunity. Arnault was not deceived, however. He knew that

his present rival was the most dangerous one that he had ever

encountered--that Stella might accept him at any time and was much

inclined to do so speedily. Indeed, he was about driven to the belief

that she would do so at once but for the fear that the Muirs were

in financial peril. He hoped that this fear and the pressure of her

father's need might lead her to decide in his favor, without the

necessity of his being the immediate and active agent in breaking down

the Muirs. As a business man, he shrunk from this course, and all the

more because Graydon was acting so fairly. Nevertheless, he would play

his principal card if he must. It was his nature to win in every game

of life, and it had become a passion with him to secure the beautiful

girl that he had sought so long and vainly. If it could appear to the

world that he had fairly won her, he would not scruple at anything in

the accomplishment of his purpose, and would feel that he had scored

the most brilliant success in his life. If he could do this without

ruining them, he would be glad, and his good-will was enhanced by

Graydon's course this morning. The former had sauntered into the

billiard-room, but, seeing Graydon with Miss Wildmere, had been about

to depart, when Muir had said, cordially, "Come, Arnault, take a cue

with us," and had quite disarmed him by frank courtesy.

At last the sound of music and laughter lured them to the main hall,

and there they found Madge surrounded by children and young people,

little Nellie Wilder clinging to her side the most closely, with Mr.

and Mrs. Wilder looking at the young girl with a world of grateful

good-will in their eyes.

"Oh, Miss Alden, sing us another song," clamored a dozen voices.

"Yes," cried Jennie Muir; "the funny one you sang for us in the

woods."

Madge smilingly complied, and the children fairly danced in their

delight at the comical strains, abrupt pauses, droll sentiment,

and interlarded words of explanation. The more elderly guests were

attracted, and the audience grew apace. Having finished her little

musical comedy, Madge arose, and Mr. Arnault, aware of Stella

Wildmere's ability to sing selections from opera, said, "Since the

children have been so well entertained, I suggest that we who have the

misfortune to be grown have our turn, and that Miss Wildmere give us

some grown-up music."

Madge flushed slightly, and Miss Wildmere, after a little charming

hesitation, seated herself at the piano, and sang almost faultlessly

a selection from an opera. It was evident that she had been well

and carefully trained, and that within her limitations, which she

thoughtfully remembered, she gave little occasion for criticism. Both

her suitors were delighted. They applauded so heartily, and urged

so earnestly with others, that she sang again and again, to the

unaffected pleasure of the throng who had now gathered. At last she

pleaded fatigue, and rose from the instrument, flushing proudly amid

vociferous encores. Graydon was about to ask Madge to sing again, when

an old gentleman who had listened to the children's ditties, and had

detected unusual sweetness and power in Madge's tones, said, promptly,

"I may be mistaken, but I have an impression that Miss Alden can give

us some grown-up music, if she will."

Instantly his suggestion was seconded by general entreaty, in which

not only Graydon joined from sincere good-will, but also Mr. Arnault,

in the hope of giving Stella a triumph, for he believed that the best

her social rival could do would be to render some ballad fairly well.

Madge's brow contracted, as though she were irresolute and troubled.

"Truly, Miss Alden," said Stella, who was standing near, "I have done

my part to beguile the dismal day; I think you might favor us, also.

There are no critics here, I hope. We should enjoy a simple song if

you cannot now recall anything else."

"Very well, then, I will give you a little German song that my old

teacher loved well;" but Graydon saw the same slight flush and a

resolute expression take the place of her hesitancy.

After a brief prelude, which, to his trained ear, revealed her perfect

touch, her voice rose with a sweet, resonant power that held those

near spellbound, and swelled in volume until people in distant parts

of the house paused and listened as if held by a viewless hand.

Connoisseurs felt that they were listening to an artist and not an

amateur; plain men and women, and the children, knew simply that

they were enjoying music that entranced them, that set their nerves

thrilling and vibrating. Madge hoped only that her voice might

penetrate the barriers between herself and one man's heart. She did

not desire to sing on the present occasion. She did not wish to annoy

him by the contrast between her song and Miss Wildmere's performance,

feeling that he would naturally take sides in his thoughts with the

woman outvied; nor had she any desire to inflict upon her rival the

disparagement that must follow; but something in Miss Wildmere's

self-satisfied and patronizing tone had touched her quick spirit, and

the arrogant girl should receive the lesson she had invited. But, as

Madge sang, the noble art soon lifted her above all lower thoughts,

and she forgot everything but Graydon and the hope of her heart. She

sang for him alone, as she had learned to sing for him alone.

In spite of her explanations he looked at her with the same old wonder

and perplexity of which he had been conscious from the first. If she

had merely sung with correctness and taste, like Miss Wildmere, there

would have been nothing to disturb his complacent admiration; but now

he almost felt like springing to her side with the words, "What is it,

Madge? Tell me all."

As the last lovely notes ceased, only the unthinking children

applauded. From the others there was entreaty.

"Please sing again, Miss Alden," said the gentleman who had first

asked her. "I am an old man, and can't hope for many more such rich

pleasures. I am not an amateur, and know only the music that reaches

my heart."

"Sing something from 'Lohengrin,' Madge," said Henry Muir, quietly.

She glanced at him, and there was a humorous twinkle in his eyes.

Herr Brachmann had trained her thoroughly in some of Wagner's

difficult music, and she gave them a selection which so far surpassed

the easy melodies of Verdi, which Miss Wildmere had sung, that the

latter sat pale and incensed, yet not daring to show her chagrin. This

music was received with unbounded applause, and then a little voice

piped, "The big folks have had more'n their turn; now give us a

reg'lar Mother Goose."

This request was received with acclamations, and soon ripples of

laughter broke over the crowd in all directions, and then one of the

adoring boys who were usually worshipping near cried out, "A reel,

Miss Alden, a reel, and let us finish up with a high old dance before

dinner."

Graydon seized Miss Wildmere's hand, boys made profound bows to their

mothers, husbands dragged their protesting wives out upon the floor.

Soon nearly all ages and heights were in the two long lines, many feet

already keeping time to Madge's rollicking strains. Never had such

a dance been known before in the house, for the very genius and

inspiration of mirth seemed to be in the piano. The people were

laughing half the time at the odd medley of tunes and improvisations

that Madge invoked, and gray-bearded men indulged in some of the

antics that they had thought forgotten a quarter of a century before.

As the last couple at the head of the lines was glancing down the

archway of raised and clasped hands, the lively strains ceased, and

the dancers swarmed out, with thanks and congratulations upon their

lips, only to see Madge flying up the stairway.

"Madge," said Graydon, at dinner, "I suppose you will tell me you have

practiced over and over again every note you sang this morning."

"Certainly; some of the more difficult ones hours and hours and

months and months. Herr Brachmann was an amiable dragon in music, and

insisted on your knowing what you did know."

"I thought you would say all this, but it doesn't account for your

singing."

"What do you mean?"

"I don't know exactly. There is something you did not get from

Herr Brachmann--scarcely from nature. It suggests what artists call

feeling, and more."

"Oh, every one has his own method," said Madge, carelessly, and yet

with a visible increase of color.

"'Method,' do you call it? I'm half inclined to think that it might

be akin to madness were you very unhappy. The human voice often has

a strange power over me, and I have a theory that it may reveal

character more than people imagine. Why shouldn't it? It is the

chief medium of our expression, and we may even unconsciously reveal

ourselves in our tones."

"When were you so fanciful before? What does a professional reveal?"

"Chiefly that she is a trained professional, and yet even the most

blasé among them give hints as to the compass of their woman-nature.

I think their characters are often suggested quite definitely by their

tones. Indeed, I even find myself judging people by their voices.

Henry's tones indicate many of his chief traits accurately--as, for

instance, self-reliance, reserve, quiet and unswerving purpose."

"Well," asked Mrs. Muir, who was a little obtuse on delicate points,

"what did Miss Wildmere's tones indicate?"

Graydon was slightly taken aback, and suddenly found that he did not

like his theory so well as he had thought. "Miss Wildmere's tones," he

began, hesitatingly, "suggested this morning little more than a

desire to render well the music she sang, and to give pleasure to her

listeners."

"I thought they suggested some self-complacency, which was lost before

the morning was over," added Mr. Muir, dryly.

"Miss Wildmere sang admirably," exclaimed Madge, warmly, "and could

sing much better if she had been trained in a better method and gave

more time to the art. I sang hours every day for nearly two years.

Nothing will take the place of practice, Graydon. One must develop

voice like muscle."

"You are a generous, sensible critic, Madge," he said, quietly,

although there was a flush of resentment on his face at his brother's

words. "In the main you are right, but I still hold to my theory.

At least, I believe that in all great music there is a subtle

individuality and _motif_. Love may be blind, but it is not deaf. Miss

Wildmere gave us good music, not great music."

Mr. Muir began talking about the weather as if it were the only

subject in his mind, and soon afterward Madge went to her room with

bowed head and downcast heart.

"I have no chance," she sighed. "He loves her, and that ends all. He

is loyal to her, and will be loyal, even though she breaks his heart

eventually, as I fear. It's his nature."

A Young Girl's Wooing · 第 21 / 40 章