DANIEL
In the Hebrew Bible the Book of Daniel stands, not as in our Bible
among the Prophets, after Ezekiel, but among the miscellaneous books
in the third division, the "Scriptures." Various reasons have been
suggested for this, but by far the most probable is that at the time
when Daniel became current, in the second century B.C., the Prophets
were already a definite group of writings with a traditional use in
the readings of the Synagogue, to which a new book could not well be
added.
The Book of Daniel consists of two parts, stories about Daniel and his
three comrades (cc. 1-6), and visions of Daniel (cc. 7-12); in the
latter Daniel reports his visions in the first person as Ezekiel
habitually does, and it was only natural that he should be taken for
the author of the book.
According to the introduction to the first story, Daniel and his three
friends, Hananiah, Mishael, and Azariah, were Jewish youths of high
birth who were carried captive to Babylon by Nebuchadnezzar in the
first deportation (which is erroneously dated in the third year of
Jehoiakim). One story (Dan. 1) tells how these youths contrived to
avoid all danger of eating unclean food, and how God blessed them in
body and mind for their scrupulousness in observance of the dietary
laws; another (c. 3), how the three were saved from Nebuchadnezzar's
overheated furnace, into which they were thrown for refusing to
worship the idol; a third (c. 6), how Daniel was cast into the lions'
den for praying to his God despite the edict of Darius. These
miraculous deliverances constrain the heathen kings publicly to
acknowledge that the God of the Jews is the greatest of gods. The same
acknowledgment is drawn from Nebuchadnezzar when Daniel recalls his
forgotten dream and interprets it, after all the diviners of Babylon
had failed (c. 2); he alone is able to decipher and explain for
Belshazzar the handwriting on the wall (c. 5). The stories of
Nebuchadnezzar's madness (c. 2) and of Belshazzar's feast (c. 5) teach
also how God punishes kings who in their pride of power exalt
themselves before him, or in their arrogance profane his holy things.
All of them thus magnify the God of the Jews as in power and wisdom
above all other gods, and two of the most striking of them have for
their theme the deliverance from mortal peril of men who stood
faithful to their religion against the king's commandment. These
obvious motives, as we shall presently see, have a bearing on the age
of the stories.
In the second part of the book are four visions, or revelations, which
stand in chronological order (according to the author's chronology):
c. 7 in the first year of Belshazzar; c. 8 in his third year; c. 9 in
the first year of "Darius son of Xerxes, of the race of the
Medes"--not properly a vision, but a revelation by Gabriel; and cc.
10-12 in the third year of Cyrus, king of Persia. By the side of these
must be put Nebuchadnezzar's dream in Dan. ii. 28-45 (second year of
Nebuchadnezzar), which, in its four-empire scheme, corresponds to
Daniel's vision in c. 7. The interpretations which Daniel gives to
Nebuchadnezzar or the angel gives to Daniel, though sometimes
surrounded with an impressive air of mystery, give all the necessary
clues to the understanding of the visions, and obscure allusions are
often made plain by a more explicit parallel.
Under fantastic and varied imagery, they unroll the history of the
empires which succeed one another in the dominion of the world, from
the Babylonian (Dan. 2 and 7), or the Medo-Persian (c. 8), or Persian
(cc. 10-12)--that is from the assumed standpoint of Daniel--through
the dominion of Alexander and the kingdoms into which his empire was
broken up, ending always with the reign of Antiochus IV. (175-164
B.C.). The goal in them all is the destruction of the heathen power
and the establishment of the eternal kingdom of the holy people of the
Most High, otherwise, the Jews.
The simplest form of this scheme is Nebuchadnezzar's dream in Dan. 2.
The image with head of gold, breast and arms of silver, belly and
thighs of brass, legs of iron, and feet part of iron and part of clay,
stands for four empires in a scale of deterioration, like the four
ages of Hesiod, beginning with the Babylonian, represented by
Nebuchadnezzar himself. This is followed by an inferior kingdom, and
that by a third universal empire; the destructive strength of the
fourth is figured by iron which shatters all that it smites; the feet
and toes signify a divided kingdom, in part strong as iron, in part
brittle as pottery. The stone which smote the image on the feet and
broke them to pieces, whereupon the whole image collapsed into dust
and was whirled away by the wind, while the stone grew to a great
mountain and filled all the earth, is the kingdom which the God of
heaven shall establish in those days, "which shall never be destroyed,
nor shall the sovereignty thereof be left to another people, but it
shall break in pieces and annihilate all those empires, and it shall
stand forever."
The image thus represents the rule of the heathen as one world-empire,
the dominion being exercised successively by four kingdoms and by the
divisions of the fourth; in the destruction of these last the heathen
world-empire is forever annihilated, and the eternal kingdom of God
subdues and rules the whole earth. What is said about the second and
third kingdoms is too general to identify them; the iron strength and
destructiveness of the fourth, and its divisions with their mingled
strength and weakness, naturally suggest Alexander and his successors,
and this impression is strengthened by the one specific trait in the
whole picture; the vain effort to make iron and wet clay combine
signifies, we are told, an equally futile attempt to bind the divided
kingdoms together by intermarriages (Dan. ii. 43). We know from the
historians that attempts to ally the kingdoms of the Ptolemies in
Egypt and the Seleucids in Syria by dynastic marriages were repeatedly
made in vain, and the author of Daniel himself, in c. 11, refers to
these alliances and their disastrous failure in plain terms.
The vision of Daniel in c. 7 brings in the four empires under the
symbol of four monstrous beasts. The fourth, more terrible and more
destructive than the others, has ten horns ("out of this kingdom ten
kings shall arise," vs. 24); another horn, "with the eyes of a man and
a boastful mouth," arises which roots out three of the ten. Daniel
sees how he makes war on the "holy men" (i.e. the Jews) and prevails
over them (vs. 21); the interpreting angel describes in more detail
the crimes of the last king: he will utter speeches against the
Highest, and wear out the holy men of the Most High, and try to change
(religious) seasons and law (religion). God's people will be delivered
into his power till the expiration of three and a half years (cf. xii.
7). Then the proud king and his kingdom will be annihilated and the
universal and eternal empire of the Jews established.
Still more definite is the description of the doings of the "little
horn" which springs up on the head of the great he-goat in the vision
of c. 8. Here the interpreter becomes explicit: the he-goat is by name
the Macedonian empire. The little horn is a king who shall arise in
the latter time of the divided kingdoms of Alexander's successors.
This king magnifies himself against the chief of the heavenly host,
casts down his sanctuary, takes away his daily burnt-offerings, and
destroys the holy people; and is then himself suddenly "broken without
hand." In the further explanation given to Daniel in ix. 26 ff., the
cessation of the daily sacrifice is to last half a week (of years),
i.e. three and a half years; the profanation of the sanctuary and
suppression of the sacrifices and the persecution of the Jews occur
again in xi. 31 ff. (cf. xii. 5-12). In connection with this we hear
of setting up of a "desolating (or appalling) abomination," in the
temple. The common use of "abomination" (loathsome thing) for idols or
other objects of heathen worship leaves no doubt that some such object
is meant here: the king not only stopped the worship of the God of the
Jews in his own temple, but established in its place a heathen cult.
It is, indeed, not improbable that the words translated "appalling
abomination" are an intentional distortion of the proper name of the
heathen god Baal Shamaim, i.e. Jupiter.
The definiteness of all this proves that the author is not creating an
imaginary monster in whom all the sins of the heathen rulers against
the God of Heaven and his people are accumulated, but describing a
historical figure. Nor is there the smallest room for question whose
portrait he is painting: every feature of it belongs to Antiochus IV.,
Epiphanes (Manifest God, the title means, which Antiochian wits
perverted to Epimanes, Manifest Madman), who in 168 B.C. took
possession of the temple in Jerusalem, suppressed the worship of its
God, erected an altar of Jupiter on the great altar of burnt offering,
and inaugurated heathen sacrifices. Not only that, but he forbade
circumcision, the observance of the sabbath, and the possession of
copies of the scriptures, and commanded that Jews should certify their
abjuration of their own religion by sacrificing to his gods. Those who
ignored or defied his decrees were persecuted; many of them put to
death. This attempt to extirpate the Jewish religion and forcibly
heathenize the people provoked a revolt led by Judas Maccabæus and his
brothers, who three years later recovered the temple, purged it, and
restored the sacrifices.
If there could be any doubt about the identification, it would be
removed by Dan. 11, which, as was recognized by Porphyry in the third
century of our era, contains a minute history of the relations of the
Ptolemies and Seleucids, their intermarriages and their wars, with
increasing detail, down to the Egyptian campaigns of Antiochus
Epiphanes--mentioning, for instance, the rebuff he received from the
Roman envoy (Popillius Laenas), and in the sequel of this his
desecration of the temple in Jerusalem and persecution of the
law-abiding Jews--and there the history ends.
All this is supposed to be revealed to Daniel in the days of
Nebuchadnezzar and under later Babylonian and Median kings down to the
first year of Cyrus, that is, according to the historical chronology,
about three hundred and seventy-five years before the event. Such
visionary panoramas form a recognized genus of Jewish literature, and
they are regularly unrolled to some man of God in the remote or
remotest past. In the second and first centuries before our era a
great variety of such visions were attributed to Enoch, others to
Noah; revelations to Seth the son of Adam were once popular, and Adam
himself had some. Another class, like Daniel, bore the names of men of
the exile; Baruch is the putative father of several such revelations;
one of the most notable of the kind is the apocalypse of Ezra, which
stands in the Apocrypha in our Bible as Second Esdras.
The age of such apocalypses is determined, not by the date assigned to
the imaginary seer, but by the actual standpoint of the author as
disclosed in the visions. In Daniel the historical panorama is
unrolled every time to the reign of Antiochus IV., and there stops.
The writer had witnessed the desecration of the temple and the
persecution of the Jews for their religion, he had seen the first
small successes of the Maccabees, but the recovery of the temple and
the restoration of sacrifice had not yet occurred. The death of
Antiochus is circumstantially predicted, but in a place and manner
very remote from the reality (Dan. xi. 45). The visions of Daniel
fall, therefore, between December 168 B.C., the date of the
desecration of the temple, and December 165, the restoration. The
motives of the stories also (see above, p. 178 f.) are most
appropriate to the situation under Antiochus. It is possible that they
are adaptations of older tales, but there is no reason to think that
they are of high antiquity. The Greek Bible has three additional
stories about Daniel (Susanna and the Elders, Bel, and the Dragon)
which stand in our Bibles among the Apocrypha.
One peculiarity of the Book of Daniel remains for brief mention. Like
Ezra, it is in two languages: Dan. i. 1-ii. 4 is in Hebrew, from ii. 4
b to the end of c. 7 in Aramaic, and from the beginning of c. 8 the
rest is in Hebrew again. The Aramaic begins appropriately where the
Chaldæans (diviners) are introduced speaking in what the author
evidently conceives to be the language of the country; the text does
not, however, revert to Hebrew when this conference is over, but holds
on, not only through all the rest of the stories, but through the
first vision (c. 7). A motive for just this distribution of the two
tongues is not discoverable; in the chapter of accidents are various
possibilities which offset one another. As in Ezra--though there are
some differences between the two books--the Aramaic is of a kind which
was vernacular in Palestine in the last centuries before our era.