CHAPTER XV

“THE SUN” AND “HUMAN INTEREST”

_Something About Everything, for Everybody.--A Wonderful Four-Page

Paper.--A Comparison of the Styles of “Sun” Reporters in Three

Periods Twenty Years Apart._

The political scandals made good reading, but the _Sun_ was not

content to feed its readers on investigations. It put a little bit of

everything on their breakfast-plates--the Moody and Sankey revivals,

Mr. Keely’s motor, which didn’t work, and young Edison’s multiple

telegraph, which did; the baseball games of the days when Spalding

pitched for Boston and Anson and Reach were at first and second base,

respectively, for the Philadelphia Athletics; the presentation of a

cup to John Cable Heenan, the prize-fighter, as the handsomest and

best-dressed man at the ball of the Shandley Association; an interview

with Joaquin Miller on Longfellow; the wiggles of the sea-serpent

off Swampscott; a ghost-story from Long Island, with a beautiful

spook lashed to the rigging of a spectral bark; the arrival of New

York’s first Chinese laundryman; Father Tom Burke’s lectures on

Ireland; the lectures of Tyndall on newly-discovered phenomena of

light; the billiard-matches between Cyrille Dion and Maurice Daly; a

tar-and-feathers party in Brooklyn--the _Sun_ skimmed the pan of life

and served the cream for two cents.

The familiar three-story head-line, which was first used by the

_Sun_ on the day of Grant’s inauguration, and which stayed the same

until long after Mr. Dana’s death, attracted readers with the magic

of the head-writers’ art. “The Skull in the Chimney,” “Shaved by a

Lady Barber,” “A Man Hanged by Women,” “Burned Alive for $5,000,”

“The Murder in the Well,” “Death Leap in a Theatre,” “An Aged Sinner

Hanged,” “The Duel in the Bedroom,” “Horrors of a Madhouse,” “A Life

for a Love-Letter”--none could glance at the compelling titles of the

_Sun_ stories without remaining to read. They are still fascinating in

an age when lady barbers would attract no attention.

A typical _Sun_ of 1874 might contain, in its four pages, six columns

about the Beecher-Tilton case; four columns of editorial articles;

a letter from Eli Perkins (Melville DeLancey Landon) at Saratoga,

declaring that the spa was standing still commercially because of its

lack of good drinking-water; a column, also from Saratoga, describing

the defeat of Preakness by Springbok; the latest in the strange case

of Charley Ross; a column headed “Life in the Metropolis--Dashes Here

and There by the _Sun’s_ Reporters”; a column of “Sunbeams,” a column

about trout-fishing, two columns of general news, and five columns of

advertisements.

Instead of Eli Perkins’s letter, there might be a critique by Leopold

Damrosch, from Baireuth, of Wagner’s “Götterdämmerung,” just presented;

or a dissection, by “Monsieur X,” of E. A. Sothern’s _Dundreary_.

“Monsieur X” was Napoleon Leon Thiéblin, who was for years one of the

_Sun’s_ most distinguished critics and essayists. He was that kind of

newspaperman who could--and did--write on Saturday of the political

news of Bismarck and on Sunday of the crowd at Coney Island.

Thiéblin, who was of French blood, was born in St. Petersburg in 1834.

He was graduated at the Russian Imperial Academy of Artillery, and

commanded forty pieces of cannon at the siege of Sebastopol. At the

close of the Crimean War he went to London and became a member of the

staff of the _Pall Mall Gazette_, reporting for that journal the French

side of the war with Germany in 1870–71, and the atrocities of the

Commune, over the pen-name of “Azamet Batuk.” He reported the Carlist

War in Spain for the New York _Herald_, and then came to America to

lecture, but Dana persuaded him to join the _Sun_ staff. He contributed

to the _Sun_ many articles on foreign affairs, including a series

on European journalism; “The Stranger’s Note-Book,” which was made

up of New York sketches; letters from the Centennial Exposition at

Philadelphia; and the Wall Street letters signed “Rigolo.”

In the “Sunbeams” column were crowded the vagrant wit and wisdom of

the world. The items concerned everything from great men in European

chancelleries to organ-grinders in Nassau Street:

The mules are all dying in Arkansas.

A printer in Texas has named his first-born Brevier Fullfaced

Jones.

Real estate is looking up at New Orleans.

Translations from Hawthorne are becoming popular in France.

Venison costs six cents a pound in St. Paul.

Queen Victoria says every third woman in Cork is a beauty.

Goldwin Smith is coming to the United States.

The Pope denounces short dresses.

The same terseness is seen in the “Footlight Flashes,” begun in 1876:

Clara Morris takes her lap-dog out for a daily drive.

Miss Claxton is meeting with indifferent success in

“Conscience.”

Not less than $30,000 was spent last evening in the theatres of

New York.

John T. Raymond drew excellent houses as _Colonel Sellers_ at

the Brooklyn Theatre.

For the term of their appearance in “King Lear,” Lawrence

Barrett will receive $1,200 a week; E. E. Sheridan, $1,000;

Frederick B. Warde, $500.

The interview, invented by the elder Bennett, was becoming more and

more popular. The _Sun_ used it, not only as the vehicle of acquired

information, but sometimes as the envelope of humour. Take, for

example, this bit, printed in 1875, but as fresh in style and spirit as

if it were of the product of a reporter of 1918:

INTERVIEWING VANDERBILT

ANOTHER REPORTER COMES AWAY FREIGHTED WITH VALUABLE INFORMATION

Commodore Vanderbilt was eighty-one years old yesterday. He

spent the day in his Fourth Avenue offices, taking his usual

drive in the afternoon. A _Sun_ reporter visited him in the

evening to inquire about a favorable time for selling a few

thousands of New York Central.

“This,” said the commodore, slowly and solemnly, as he entered

the drawing-room, “is my birthday.”

“Indeed!” said the reporter. “Do you think the preferred

stock----”

“To-day,” the commodore interrupted, “I am eighty-one years

old. I am stronger----”

“Is there any prospect of an immediate rise?”

“I have never gone into the late-supper business,” the

commodore answered, apparently not catching the drift of the

question; “and I have always been a very temperate man. But how

did you find out that this was my birthday?”

“You hinted at the fact yourself,” the reporter replied. “Will

the Erie troubles----”

“The Erie troubles will not prevent me from beginning my

eighty-second year with a young heart and a clear conscience.”

“And with the prospect of seeing a good many more birthday

anniversaries?” the reporter asked.

“That, my dear boy,” said the commodore, “is one of those

things that no fellow can tell about.”

“Do you think that this is a good time to sell?”

“No, it’s never a good time to sell after banking-hours.”

“Good evening!”

“Good evening! Drop in again.”

[Illustration:

JULIAN RALPH

]

How did the _Sun_ reporters of the seventies compare with those of

later years? As no two reporters are alike in vision and style, no

two occasions identical in incident, no two dramatic moments twin, it

is better to make comparison by choosing arbitrarily scenes far apart

in years, but set on similar stages, and to lay before the reader

the work of the _Sun_ reporter in each case. Let us take, because of

their resemblance in public interest and the similarity of physical

surroundings, the close of the trials, twenty years apart, of Edward

S. Stokes for the murder of James Fisk, Jr.; of Lizzie Borden for the

killing of her father and step-mother, and of Charles Becker for the

assassination of Herman Rosenthal.

The following is from the _Sun_ of January 6, 1873:

Stokes took his accustomed place, and his relatives sat down

facing the jurors. The judge entered and took his place. Then,

amid the most solemn silence, the twelve jurymen filed in and

seated themselves. The awful conclusion at which they had

arrived could be read in their faces. Each juror’s name was

called, and with the usual response.

The judge turned toward them, and in a low, clear voice asked:

“Gentlemen, have you agreed on a verdict?”

The foreman of the jury arose and said, “We have.”

Clerk of the Court: “Gentlemen of the jury, rise. Prisoner,

stand up. Gentlemen of the jury, look upon the prisoner.

Prisoner, look upon the jury. What say you, gentlemen of the

jury? Do you find the prisoner at the bar guilty or not guilty?”

Foreman of the Jury: “Guilty of murder in the first degree.”

A passionate wail that made men’s hearts leap rose from the

group that clustered round the prisoner, and the head of the

horror-stricken girl, from whose bosom the anguished cry was

rent, fell upon the shoulder of her doomed brother.

The jury was polled by request of the prisoner’s counsel. No

sooner had the last man answered “Yes” to the question whether

all agreed on the verdict than the prisoner, erect and firm,

turned his face full upon Mr. Beach (of the prosecution), who

at one time had been his counsel in a civil case.

“Mr. Beach,” the prisoner said, slowly and in a full-toned

voice, “you have done your work well. I hope you have been well

paid for it.”

Then the prisoner sank slowly into his seat. Mr. Beach made

no reply. Mr. Fellows, assistant district attorney, explained

that he had refused to try the case unless Mr. Beach and Mr.

Fullerton were associated with him. They had consented to join

him at the request of District Attorney Garvin, and without any

fee from any member of Colonel Fisk’s family.

The prisoner half-arose and, sweeping the air with his clenched

fist, said:

“Mr. Fellows, say that they were hired by Jay Gould. Please say

that!”

The sensation in court was such as is seldom known. You could

hear it as you hear the wind stirring the trees of the forest.

Then the court discharged the jury and the people began to move.

The following was printed in the _Sun_ of June 21, 1893, under date of

New Bedford, Massachusetts:

“Lizzie Andrew Borden,” said the clerk of the court, “stand

up!”

She arose unsteadily, with a face as white as marble.

“Gentlemen, have you agreed upon a verdict?” said the clerk to

the jury.

It was so still in court that the flutter of two fans made a

great noise.

“We have,” said Foreman Richards boldly.

The prisoner was gripping the rail in front of the dock as if

her standing up depended upon its keeping its place.

“Lizzie Andrew Borden,” said the clerk, “hold up your right

hand. Jurors, look upon the prisoner. Prisoner, look upon the

foreman.”

Every juryman stood at right-about-face, staring at the woman.

There was such a gentle, kindly light beaming in every eye that

no one questioned the verdict that was to be uttered. But God

save every woman from the feelings that Lizzie Borden showed

in the return look she cast upon that jury! It was what is

pictured as the rolling gaze of a dying person. She seemed not

to have the power to move her eyes directly where she was told

to, and they swung all around in her head. They looked at the

ceiling; they looked at everything, but they saw nothing. It

was a horrible, a pitiful sight, to see her then.

“What say you, Mr. Foreman?” said the gentle old clerk.

“Not guilty!” shouted Mr. Richards.

At the words the wretched woman fell quicker than ever an ox

fell in the stockyards of Chicago. Her forehead crashed against

the heavy walnut rail so as to shake the reporter of the _Sun_

who sat next to her, twelve feet away, leaning on the rail.

It seemed that she must be stunned, but she was not. Quickly,

with an unconscious movement, she flung up both arms, threw

them over the rail, and pressed them under her face so that it

rested on them. What followed was mere mockery, but it was the

well-governed order of the court and had to be gone through

with.

And finally, this is from the _Sun_ of May 23, 1914:

“Charles Becker to the bar!”

Once more the door that gives entrance toward the Tombs as well

as to the jury-room was opened. A deputy sheriff appeared, then

Becker, then a second deputy. One glance was all you needed to

see that Becker had himself under magnificent control. His iron

nerve was not bending. He swung with long strides around the

walls and came to a stand at the railing. Those who watched him

did not see a sign of agitation. He was breathing slowly--you

could see that from the rise and fall of his powerful

chest--and smiling slightly as he glanced toward his counsel.

He looked for the first time toward the jurors. There was

confidence and hope shining in his eyes. Coolly, without haste,

he studied the face of every man in the box. Not one of them

met his eye. Foreman Blagden gazed at the floor. Frederick G.

Barrett, Sr., juror No. 12, studied the ceiling. The others

gazed into space or turned their glance toward the justice.

There was the most perfect silence in the court-room. The

movements of trolley-cars in Centre Street made a noise like

rolling thunder. A pneumatic riveter at work on a building

close by set up a tremendous din.

And yet such sounds and annoyances were forgotten, ceased to be

of consequence, when Clerk Penny bent toward the foreman and

slowly put the customary question:

“Gentlemen of the jury, have you agreed upon your verdict?”

Mr. Blagden’s reply was barely audible; many in the room sensed

its import, but failed to grasp the actual words. It was

obvious that the foreman, having to express the will of his

associates, was stirred by such feeling as seldom comes to any

man.

“Guilty as charged in the indictment,” he breathed more than

spoke.

Becker’s right hand was then gripped to the railing. He held

his straw hat in his left hand, which, as his arm was bent

backward and upward, rested against the small of his back. It

is the plain truth that he took the blow without a quiver.

After a second, it may be, he coughed just a little; a mere

clearing of the throat. But his mouth was firm. His dark face

lost no vestige of color. His black eyes turned toward the

jurymen, who still avoided his glance, who looked everywhere

but at the man they had condemned.

If comment were needed, it would be that the _Sun_ reporter in the

court-room at New Bedford had the advantage of describing a protagonist

who, by her sex and by the very mystery that was left unsolved at her

acquittal, was a far more dramatic figure than Stokes or the police

lieutenant. The climaxes quoted are useful as an illustration of the

advance of reporting from 1873, when the _Sun_ style was still forming,

to 1893 and 1914, when it was fully formed; not as a comparison between

what may not have been the best work of the reporter of the Stokes

trial, Henry Mann, and the stories by Julian Ralph, who saw Lizzie

Borden fall, and Edwin C. Hill, who wrote the Becker article.

The _Sun_ omitted the weary introductions that had been the fashion in

newspapers--leading paragraphs which told over again what was in the

head-lines and were merely a prelude to a third and detailed telling.

The _Sun_ reporter began at the beginning, thus:

The Hon. John Kelly, wearing a small bouquet in the lapel

of his coat, stepped out of his coach in front of Cardinal

McCloskey’s residence in Madison Avenue just before eight

o’clock yesterday morning. A few minutes later three other

coaches arrived, and their occupants entered the house. Many

of the neighbors knew that a niece of the cardinal was to be

married to Mr. Kelly, and they strained their eyes through

plate-glass windows in the hope that they might see the bride

and the groom. Cardinal McCloskey, having been apprized of the

arrival of the wedding-party, went to the chapel in the other

part of the house, and at about a quarter past eight, the time

fixed for the mass _pro sponsis_, the marriage ceremony was

begun.

In the longer and more important stories, the rule was adhered to as

closely as possible. Prolixity, fine writing, and hysteria were taboo.

Mark the calmness with which the _Sun_ reporter began his story of the

most sensational crime of the late seventies:

Two little mounds of red-colored earth around a small hole in

the ground, and a few feet of downtrodden grass, were all that

marked the last resting-place of Alexander T. Stewart yesterday

morning. In the dead of the night robbers had dug into the

earth above the vault, removed one of the stones that covered

it, and stolen the body of the dead millionaire.

The human lights of life were caught by the _Sun_ men and transferred

to every page of every issue. In 1878 a _Sun_ reporter was sent to

Menlo Park, New Jersey, to see how a young inventor there, who had just

announced the possibility of an incandescent electric light, worked:

Here Mr. Edison dropped his cigar-stump from his mouth, and,

turning to Griffin, asked for some chewing-tobacco. The private

secretary drew open his drawer and passed out a yellow cake as

large as a dinner-plate. The professor tore away a chew, saying:

“I am partly indebted to the _Sun_ for this tobacco. It printed

an article saying that I chewed poor tobacco. That was so. The

Lorillards saw the article and sent me down a box of the best

plug that ever went into a man’s mouth. All the workmen have

used it, and Grif says there is a marked moral improvement in

the men. It seems, however, to have the opposite effect on

Grif. You see that he has salted away the last cake for his own

use.”

Nearly forty years later _Sun_ reporters still went to see Mr. Edison

borrow white magic from nature and chewing-tobacco from his employees,

and to describe both interesting processes.

With Dana’s knowledge of what people wanted to read was mixed a

curiosity, sometimes frankly expressed in the _Sun_, as to just why

they wanted to read some things a great deal more than other things.

It must be remembered that even in the seventies and eighties not

everybody read a newspaper every day; some reserved their pennies

and their eyes for great climaxes. The _Sun_, a paper which paid

much attention to political matters, naturally found its circulation

sharply affected by important political happenings. It sold ninety-four

thousand extra copies on the morning after the Tilden-Hayes

election--two hundred and twenty-two thousand copies, in all, being

disposed of before eight o’clock in the morning. In 1875, when the

pugilist, John Morrissey, who was supported by the _Sun_ for the State

Senate because he was anti-Tammany, defeated Fox, the _Sun_ sold

forty-nine thousand extra copies on the day after the election.

The assassination of the Czar Alexander II of Russia did not sell an

extra paper, but the hanging of Foster, the “car-hook murderer,” sent

the sales up seventeen thousand. The deaths of Cornelius Vanderbilt

and Alexander T. Stewart had no effect on the _Sun’s_ circulation, the

passing of Napoleon III raised it only one thousand for the day, and

the death of Pius IX caused only four thousand irregular readers to

buy the paper; but the execution of Dolan, a murderer now practically

forgotten, sent the sales up ten thousand. The beginning of coercive

measures in Ireland by the arrest of Michael Davitt sold no extra

papers in a city full of Irishmen, but the Fenian invasion of Canada

meant the sale of ten thousand copies more than usual.

Tweed’s death caused an increase of five thousand; the death of

President Garfield, of seventy-four thousand. Only thirteen thousand

extras were sold after the Brooklyn Theatre fire, while the Westfield

steamboat explosion sold thirty-one thousand. Twenty-one thousand

irregular readers bought the _Sun_ to read about the first blasting of

Hell Gate in 1876, while only eight thousand were interested in the

fact that Tilden had been counted out by the Electoral Commission.

The flare-up of the Beecher scandal, in August, 1874, sold as many

extras--ten thousand--as the shooting of Fisk.

The beginning of the Crédit Mobilier exposé added only a thousand to

the normal circulation, but on the morning after a big walking-match

the presses had to run off forty thousand more than their usual daily

grist. The resignation of Roscoe Conkling and Thomas C. Platt from the

United States Senate hoisted the circulation only two thousand, but

the fight between John L. Sullivan and Paddy Ryan meant a difference

of eleven thousand. The opening of the Centennial Exposition in

Philadelphia caused extra sales of three thousand; an international

rifle-match at Creedmoor, ten thousand.

In 1882 the _Sun_ made the calculation that the average effect of

certain sorts of news in increase of circulation was about as follows:

Presidential elections 82,000

State and city elections 42,000

Last days of walking-matches 25,000

October State elections in Presidential years 21,000

Great fires 10,000

Notable disasters 9,000

Hangings in or near New York 8,000

The _Sun_ expressed a curiosity to know--

Who are the eighty or ninety thousand people, not regular

readers of the _Sun_, that buy the paper after a Presidential

election? Where do they live? Do they read the papers only

after exciting events?

On its fiftieth birthday--September 3, 1883--the _Sun_ printed a table

showing the high-tide marks of its circulation:

November 8, 1876--Presidential election 222,390

Sept. 20, 1881--Garfield’s death 212,525

Nov. 3, 1880--Presidential election 206,974

July 13, 1871--Orange riots 192,224

Sept. 21, 1881--Second day after Garfield’s death 180,215

Nov. 3, 1875--State and city election 177,588

July 3, 1881--Garfield shot 176,093

In the same article, a page review written by Mr. Mitchell, the reasons

for the _Sun’s_ success were succinctly given:

No waste of words, no nonsense, plain, outspoken expressions of

honest opinion, the abolishment of the conventional measures of

news importance, the substitution of the absolute standard of

real interest to human beings, bright and enjoyable writing,

wit, philosophical good humor, intolerance of humbug, hard

hitting from the shoulder on proper occasions--do we not see

all these qualities now in our esteemed contemporaries on every

side of us, and in every part of the land?

By this time Dana had framed a newspaper organisation more nearly

perfect than any other in America. Grouping about him men suited to

the _Sun_, to himself, and to one another, he had created a literary

world of his own--a seeing, thinking, writing world of keen objective

vision. Men of a hundred various minds, each with his own style, his

own ambition, his own manner of life, the _Sun_ staff focused their

abilities into the one flood of light that came out every morning. It

was a bohemia of brightness, not of beer; unconventional in its manner

of seeing and writing, but not in its collars or its way of living. The

_Sun_ spirit, unquenchable then as now, burned in every corner of the

shabby old rooms. It was the spirit of unselfish devotion, not so much

to Dana or his likable lieutenants as to the invisible god of a machine

in which each man was a pinion, meshing smoothly with his neighbour.

That these pinions did mesh without friction was due, in largest part,

to Dana’s intuitive faculty of choosing men who would “fit in” rather

than men who could merely write. It was by his choosing that the _Sun_

came to have for its editorial page writers like W. O. Bartlett and

E. P. Mitchell, M. W. Hazeltine and N. L. Thiéblin, Henry B. Stanton

and John Swinton, James S. Pike and Fitz-Henry Warren, Paul Dana and

Thomas Hitchcock, Francis P. Church and E. M. Kingsbury. It was by

his choosing that the Sun had managing editors like Amos J. Cummings

and Chester S. Lord, city editors like John B. Bogart and Daniel F.

Kellogg, and night city editors like Henry W. Odion, Ambrose W. Lyman,

and S. M. Clarke.

Managing editors and city editors hired men, hundreds of them, but

always according to the Dana plan--first find the man, then find the

work for him. Chester S. Lord, who took more men on the _Sun_ than

any other of its executives, was fully familiar with the Dana method

when he began, in 1880, a career as managing editor that lasted for

thirty-two years of brilliant achievement; and he followed it until he

retired. He had been on the _Sun_ since 1872, shortly after he came

out of Hamilton College, and he had served as a reporter, as editor

of suburban news, as assistant night city editor under Lyman, and

as assistant managing editor in the brief period when Ballard Smith

succeeded Cummings and Young as chief of the _Sun’s_ news department.

At the beginning of his service as managing editor Lord found himself

with a staff which included Bogart, Dr. Wood, Stillman, Odion, E. M.

Rewey, Garrett P. Serviss, and Cyrus C. Adams, all trained desk men and

most of them good reporters as well; and such first-class reporters and

correspondents as Julian Ralph, S. S. Carvalho, Willis Holly, and E. J.

Edwards. To these, by the time the _Sun_ reached its half-century mark,

had been added the great night city editor Clarke and reporters like

John R. Spears and Arthur Brisbane. Other great newspapermen were soon

to join the army of Mr. Lord in that long campaign of which the editor

of the _Sun_ said, on the occasion of Mr. Lord’s retirement:

Every night of his ten thousand nights of service has been a

Trafalgar or a Waterloo. He has fought ten thousand battles

against the world, the flesh, and the devil; the woman

applicant, the refractory citizen, the liar at the other end of

the wire, and the ten thousand demons which make up the great

army of nervous prostration.

The Story of the Sun: New York, 1833-1918 · 第 15 / 19 章