TO TREAT THE GREAT CHILL.

Listen! On high you dwell, On high you dwell--you dwell, you dwell.

Forever you dwell, you anida´we, forever you dwell, forever you

dwell. Relief has come--has come. Hayĭ!

Listen! On Ûⁿwadâ´hĭ you dwell, On Ûⁿwadâhĭ you dwell--you

dwell, you dwell. Forever you dwell, you anida´we, forever you dwell,

forever you dwell. Relief has come--has come. Hayĭ!

Listen! In the pines you dwell, In the pines you dwell--you dwell, you

dwell. Forever you dwell, you anida´we, forever you dwell, forever

you dwell. Relief has come--has come. Hayĭ!

Listen! In the water you dwell, In the water you dwell, you dwell, you

dwell. Forever you dwell, you anida´we, forever you dwell, forever

you dwell. Relief has come--has come. Hayiĭ!

Listen! O now you have drawn near to hearken, O Little Whirlwind,

O ada´wehi, in the leafy shelter of the lower mountain, there you

repose. O ada´wehi, you can never fail in anything. Ha! Now rise up.

A very small portion [of the disease] remains. You have come to sweep

it away into the small swamp on the upland. You have laid down your

paths near the swamp. It is ordained that you shall scatter it as in

play, so that it shall utterly disappear. By you it must be scattered.

So shall there be relief.

Listen! O now again you have drawn near to hearken, O Whirlwind,

surpassingly great. In the leafy shelter of the great mountain there

you repose. O Great Whirlwind, arise quickly. A very small part [of

the disease] remains. You have come to sweep the intruder into the

great swamp on the upland. You have laid down your paths toward the

great swamp. You shall scatter it as in play so that it shall utterly

disappear. And now relief has come. All is done. Yû!

(Prescription.)--(This is to use) when they are sick with the great

chill. Take a decoction of wild cherry to blow upon them. If you have

Tsâ´l-agayû´ⁿlĭ (“old tobacco”--_Nicotiana rustica_) it also is

very effective.

_Explanation._

Unawa´stĭ, “that which chills one,” is a generic name for

intermittent fever, otherwise known as fever and ague. It is much

dreaded by the Indian doctors, who recognize several varieties of

the disease, and have various theories to account for them. The above

formula was obtained from A‛yû´ⁿni (Swimmer), who described the

symptoms of this variety, the “Great Chill,” as blackness in the face,

with alternate high fever and shaking chills. The disease generally

appeared in spring or summer, and might return year after year. In the

first stages the chill usually came on early in the morning, but came

on later in the day as the disease progressed. There might be more

than one chill during the day. There was no rule as to appetite, but

the fever always produced an excessive thirst. In one instance the

patient fainted from the heat and would even lie down in a stream to

cool himself. The doctor believed the disease was caused by malicious

tsgâ´ya, a general name for all small insects and worms, excepting

intestinal worms. These tsgâ´ya--that is, the disease tsgâ´ya, not

the real insects and worms--are held responsible for a large number

of diseases, and in fact the tsgâ´ya doctrine is to the Cherokee

practitioner what the microbe theory is to some modern scientists. The

tsgâ´ya live in the earth, in the water, in the air, in the foliage

of trees, in decaying wood, or wherever else insects lodge, and as

they are constantly being crushed, burned or otherwise destroyed

through the unthinking carelessness of the human race, they are

continually actuated by a spirit of revenge. To accomplish their

vengeance, according to the doctors, they “establish towns” under the

skin of their victims, thus producing an irritation which results in

fevers, boils, scrofula and other diseases.

The formula begins with a song of four verses, in which the doctor

invokes in succession the spirits of the air, of the mountain, of

the forest, and of the water. Galûⁿlatĭ, the word used in the

first verse, signifies, as has been already explained, “on high” or

“above everything,” and has been used by translators to mean heaven.

Ûⁿwadâ´hĭ in the second verse is the name of a bald mountain

east of Webster, North Carolina, and is used figuratively to denote

any mountains of bold outline. The Cherokees have a tradition

to account for the name, which is derived from Ûⁿwadâ´lĭ,

“provision house.” Nâ´tsihĭ´ in the third verse signifies

“pinery,” from nâ´‛tsĭ, “pine,” but is figuratively used to denote

a forest of any kind.

In the recitation which follows the song, but is used only in serious

cases, the doctor prays to the whirlwind, which is considered to

dwell among the trees on the mountain side, where the trembling of the

leaves always gives the first intimation of its presence. He declares

that a small portion of the disease still remains, the spirits

invoked in the song having already taken the rest, and calls upon the

whirlwind to lay down a path for it and sweep it away into the swamp

on the upland, referring to grassy marshes common in the small coves

of the higher mountains, which, being remote from the settlements, are

convenient places to which to banish the disease. Not satisfied with

this, he goes on to direct the whirlwind to scatter the disease as it

scatters the leaves of the forest, so that it shall utterly disappear.

In the Cherokee formula the verb a‛ne´tsâge´ta means literally

“to play,” and is generally understood to refer to the ball play,

a´ne´tsâ, so that to a Cherokee the expression conveys the idea of

catching up the disease and driving it onward as a player seizes

the ball and sends it spinning through the air from between his ball

sticks. Niga´gĭ is a solemn expression about equivalent to the Latin

consummatum est.

The doctor beats up some bark from the trunk of the wild cherry and

puts it into water together with seven coals of fire, the latter

being intended to warm the decoction. The leaves of Tsâl-agayû´ⁿli

(Indian tobacco--Nicotiana rustica) are sometimes used in place of the

wild cherry bark. The patient is placed facing the sunrise, and the

doctor, taking the medicine in his mouth, blows it over the body of

the sick man. First, standing between the patient and the sunrise and

holding the medicine cup in his hand, he sings the first verse in a

low tone. Then, taking some of the liquid in his mouth, he advances

and blows it successively upon the top of the head, the right

shoulder, left shoulder, and breast or back of the patient, making

four blowings in all. He repeats the same ceremony with the second,

third, and fourth verse, returning each time to his original position.

The ceremony takes place in the morning, and if necessary is repeated

in the evening. It is sometimes necessary also to repeat the treatment

for several--generally four--consecutive days.

The recitation is not used excepting in the most serious cases, when,

according to the formula, “a very small portion” of the disease

still lingers. It is accompanied by blowing _of the breath alone_,

without medicine, probably in this case typical of the action of the

whirlwind. After repeating the whole ceremony accompanying the song,

as above described, the doctor returns to his position in front of

the patient and recites in a whisper the first paragraph to the Little

Whirlwind, after which he advances and blows his breath upon the

patient four times as he has already blown the medicine upon him. Then

going around to the north he recites the second paragraph to the Great

Whirlwind, and at its conclusion blows in the same manner. Then moving

around to the west--behind the patient--he again prays to the Little

Whirlwind with the same ceremonies, and finally moving around to the

south side he closes with the prayer to the Great Whirlwind, blowing

four times at its conclusion. The medicine must be prepared anew by

the doctor at the house of the patient at each application morning

or evening. Only as much as will be needed is made at a time, and the

patient always drinks what remains after the blowing. Connected with

the preparation and care of the medicine are a number of ceremonies

which need not be detailed here. The wild cherry bark must always be

procured fresh; but the Tsâl-agayû´ⁿlĭ (“Old Tobacco”) leaves

may be dry. When the latter plant is used four leaves are taken and

steeped in warm water with the fire coals, as above described.

Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891 · 第 297 / 361 题